Portrait of a Lady in the line Editions des Parfums Frederic Malle is named after the homonymous novel by Henry James from 1881; a romantic detail which never fails to stir the imagination as related to fragrance. The novel tells the story of Isabel Archer, a young American heiress who "affronts her destiny". Dealing with one of James' recurrent themes, an American in Europe (as in Wings of the Dove), and the differences between the two cultures, The Portrait of a Lady is a tale of the conspiracy to separate Isabel from her fortune, and subsequently the value of autonomy and accountability.
The olfactory inspiration however has little to do with ladies, and lots to do with the burgeoning trend, set years before with Serge Lutens opening Les Salons de Palais Royal (find the perfume addresses of Paris here), of Arabian-inspired perfumery. Portrait of a Lady, by perfumer Dominique Ropion, deals with a rose note and spices in a new, contemporary way that varies between the oriental and chypre theme with patchouli, natural and intense, dominating the heart of the composition.
It is interesting to compare and contrast two rose-centric fragrances in the Malle collection, Portrait of a Lady and Une Rose. The Damascus rose makes itself felt in the former, while Editions de Parfums Frederic Malle Une Rose, created by Edouard Flechier, contains a record 1% of the expensive absolute of the Rose de Mai, a more crystalline, more citrusy variant, which is hereby allied to a chord smelling like truffles to give it an earthy, fleshy quality.
Rose and patchouli is a classic combination, memorized by every amateur perfumer like a mantra, and used by every professional one, revered for the ability of the latter essence to make the former seemingly bloom out in all eternity; keeping it moist, green, fresh, and yet at the same time dark, thorny and dangerous. L'Artisan Parfumeur's Voleur de Roses is a great example of the synergy of the two, with a minty, camphoraceous patchouli creating something totally unexpected for a rose fragrance, which is so often left to smell prim and proper like bath products.
The damascones present in rose, also make up a significant part as the component of the smell of raspberries, as well as tobacco. The tying of Turkish rose with raspberry in Portrait of a Lady, and underscoring it with honeyed facets and smoky incense, creates ooomph. Volume, projection, a flaming red tongue wagging to everyone in the vicinity commanding respect.
This is no shy lady. Beware! Her skin is ivory, the rose is blood red, her person is on the cusp of hot and cold. Like in the song Herrin de Fueurs, she has "hair of copper, like a chestnut tree in flames" and "name and blood from the innermost of the earth."
Fragrant notes for Portrait of a Lady: Turkish rose, raspberry, black currant, cinnamon, clove, patchouli, sandalwood, incense, ambroxan, benzoin and white musk
Although warm fragrances wear comfortably on the natural heat of the skin and provide an instant "aaah" moment, like wrapping oneself with a cashmere shawl, there are times when a cool, starlight fragrance manages to pique the interest, like the unexpected touch on an arm that gives you goosebumps. There are some cool perfumes to enjoy in the wintertime and there are some to savor in the warmth of summer when the icy effect can become welcome or eerie depending on your latitude and humidity levels. If you have a favorite, don't forget to add it in the comments!
Here is a selection of the latest cooling fragrances that I believe will speak to those who want to go against the grain and spook the hell out of themselves in wintertime.
I had written on Liturgie des Heures (Jovoy) the following letter to Santa in 2018. And he actually listened!
"And just because my little gothic heart rejoices in the gloom of the winter solstice and the ghoulish tales that surround it, do offer me a slice of the chill in this creepy, cold and lemony incense that rises smoky from the sarcophagi of the dead. There's some odd solace in knowing silence surrounds the air where the dead lie in eternity. And may it be a long time before we actually meet them."
There's also Eau Mageby Diptyque. Back in 2011 when Diptyque was actually celebrating their anniversary they issued their Parisian exclusive series in which a suitably Christmas-named Eau Mage (homage, you see, but also "the eau of the Magi"...) was the standout for my little self; fan girl that I am of abstract woody and sombre musky concoctions that make people wonder what is that smell they're smelling. The brand luckily for all of us re-issued the fragrance as Eau Mage yet again in their regular line-up.
I can't forget the first time I tested Carat by Cartier. I felt transported into a vast, fantastical tundra that would have wild, cool flowers growing amid the snow — which I fully realize doesn't happen — and with big husky dogs carrying sledges in the silent blue light of the north. A tinkling of wind chimes can be heard in the distance, or is it the dogs' neck bells chiming? Whatever it is, the cool splendor of Carat can be enjoyed in any season and mood; in fact, it's like a ray of sharp light which mellows slowly upon spraying on the skin.
An odd duck, Uralt Lavendel (Lohse) impresses me with how relatively strong and medicinal it comes across to me. I do have a low threshold for medicinal odor perception and anything mildly camphorous does give me a subtle alert. The green floral component in the top note reminds me of herbal bitters, a scent which I love, full of the piquant aroma of central European liqueurs and eaux de vie, such as Becherovka and Šljivovica. It smells fresh – an old-fashioned kind of fresh; bracing, really – with that kind of cool feeling that juniper berries impart. Compared with a contemporary take on lavender aimed mainly at women, such as Chanel's Jersey and Boy from their Les Exclusifs range, one can see how decades of musk use in fragrance has spoiled us into mistaking the scent of "clean" for something else entirely. If we venture as far as Guerlain's own Mon Guerlain, and in direct juxtaposition with their above-mentioned Jicky, one can certainly see how over a century of fragrance production has seismically shifted the notion of lavender in general. Perhaps Uralt Lavendel is a good reminder, a small snippet of how things used to be...
Ormonde JaynePRIVÉ is a lush iris fragrance which recapitulates everything lovely about the Ormonde Jayne brand; the green shoots, the steamed rice, the cedar echo of the Iso E Super in many of their bases, an abstract modernity and at the same time a luscious, starched, luxurious orris note you can lose your heart into...The drydown, woody-ambery with a quite unisex flair, affirms my initial impression that we have a very lasting, refined silk skin scent that melds with the wearer. It's a polished cabochon gem rather than a faceted stone, its many different facets reflect the light in such a way that it smooths the impression into a ray of a beautiful serene sundown when it's cool.
Jean-Louis Scherrer (the original green liquid) by Jean-Louis Scherrer. A precious sight in its elegant, tall hexagonal bottle that opens up to verdant glory of liquid emeralds, it's a green scent with the rush of sparkling aldehydes. It then becomes intensely mossy and floral, recalling a bygone era of structured shapes and strict social rules. The violet note is mostly reminiscent of an iris fragrance, slightly metallic and otherworldly; but the brooding synergy with the other ingredients brings out a luminescent aura that is tantamount to wearing an expensive necklace of pre-Colombian emeralds set in antique gold.
The contrast of sandpaper-like fresh roughness against the nose with the intense, waxy petals spiciness is the pinnacle of masterful execution of a lily scent. The astringent and almost aqueous, saline opening of Lys Méditerranée in the Frédéric Malle Editions des Parfums line is highly surprising for those who have been accustomed to florist type lilies; crystaline and stark in their cellophane, premature mummies in dolled up sarcophagi, looking at you sternly and haughtily, like stuffed owls out of Psycho. But wild lilies in the basin of the Mediterranean sea are routinely sprayed by the salty azure which lolls and ebbs; they sigh. As sniffers of this gem would too...
Do you find yourself reaching for cool scents when it's cold? Why/why not and which? I'd love to read your experiences in the comments below the post.
It's tough to do a good melon note, if only because in hindsight the overuse of Calone in the 1990s has tampered with our own perception of the natural object. Melon of course cannot be distilled, being mostly water in itself, so an approximation is in order. Some perfumers excel where others fail. For me, the definitive addition of melon which swerves the whole composition into something amazing comes in the top chord of Frederic MalleLe Parfum de Therese.
The legendary perfumer Edmond Roudnitska is the mastermind behind this fragrance which shares many facets with his masterful vintage Diorella. Roudnitska always brought space in his fragrant compositions, a very legible melody that sang and sang in Mozartian clarity. In other famous fragrances of his the fruit serves as the opening salve to the inkier and more serious aspects of the formula, such as the plums and hesperides in Rochas Femme and Eau Fraiche for Dior. But in Le Parfum de Therese it is the predominant melon, with its succulent, and at the same time not too sweet tinge which rounds out the violet heart, seguing to the plushness of beloved plum and leathery notes. Although Roudnitska is of Russian extraction, his composition displays a very French flair at looking on femininity; it's a little bit sweet, but also fresh, and it's a little bit dirty, but also quite polished.
In conclusion Le Parfum de Therese is both retro and decidedly modern and stands as the perfect timeless scent for those who want to possess a tiny bit of a legend; after all Roudnitska composed it with great care for his own beloved wife. Aren't we lucky that Frederic Malle salvaged the formula and offered it to us.
Hair scenting has been a big trend for a few seasons now, eschewing the matter of potential allergens, since hair can't react, and providing formulae that won't dry out delicate hair cuticles like alcohol-based products such as eau de toilette or eau de parfum does. As the company claims, "a blend of moisturizing oils provide a veil of fragrance and subtle shine".
Hair Mist is a form of fragrance product that has been gaining in popularity for a reason. Hair mists in several fragrance lines are a wonderful and relatively newer product that can be applied on the hair without damage. They typically contain water, added scent, soluble silicones and emulsifiers and little else, so they bypass the main culprit of a regular bottle of eau de toilette or eau de perfume, namely alcohol. They come in the form of spray mists that can be directly applied on the hair or on the brush and they impart a light veil which holds its scent for more than a couple of hours.
There are several companies and brands that have invested in this market and I have some recommendations to make accordingly.
Tocca has come out with 5 scents for their Hair Mists: Florence (floral with violet), Cleopatra (ambery spicy), Colette (fresh citrus with juniper and musk), Liliana (fresh peachy neroli and gardenia) and Stella (refreshing freesia and lily with musk). The bottles look as cute, or even cuter than the actual eaux de toilette and the scents project credibly, if subtler.
White Moss Nourishing Hair Perfume by Acca Kappa was formulated to envelop the hair in a pleasant, delicate scent while at the same time contributing to its beauty. According to Acca Kappa, it “contains a hydrolyzed corn, wheat and soy protein complex chosen for its hydrating and nourishing action. The organic green tea and red grape vine extracts help protect the hair against damage caused by external aggressors. The fresh white moss scent will leave your hair pleasantly fragranced.”
The offerings inThierry Mugler Angel and Narciso Rodriguez For Her are particularly caring and they smell very nice indeed. In the case of Angel, in fact, this is probably the very best way to carry this powerhouse of a scent; the hair product retains the wonderful gourmand and patchouli qualities without overpowering anyone in the vicinity.
Chanel is another company who regularly offers hair mist products and those come in a variety of fragrances: No.5, Chance and Chance Eau Tendre are available in hair mists as we speak and they come in beautiful bottles that adorn the dresser at a relatively lower price point; good news if you want some Chanel but are budget-restrained. There is also the dedicated Balmain Hair Perfume (shown above) which is a separate product that is constructed to be a scent that adapts well to use in hair, although the promise of a fragrance is probably a bit too much considering the simpler peachy nuance that recalls hair products.
Dior's J'adore Hair Mist is another good product, retaining the characteristic bouquet of the eau de parfum, as is Miss Dior Parfum pour les Cheveux. Byredo Blanche Hair Perfume is a great long lasting option of warm clean musks, and Carnal Flower Hair Mist by Frederic Malle is the supremely indulgent option, great for those loving the green fresh tuberose scent and wanting to be surrounded by it all day long! Frederic Malle has recently also issued Portrait of a Lady in a Hair Mist formula; the gorgeous combination of rose, patchouli and incense rests on a bed of smoky amber that makes a deep impression and creates an intense mystery.
Harvard Graduate School of Design organizes a lecture in their Fall Public Lecture Series featuring perfume editor Frédéric Malle and perfumer Carlos Benaïm.
EVENT
Frédéric Malle of Editions de Parfums with Perfumer Carlos Benaïm Thursday, November 19 from 6:30pm to 8:00pm in Piper Auditorium, Gund Hall, Harvard Graduate School of Design
Frédéric Malle will speak about design, the creative process, the fragrances themselves, and their ingredients and history, joined in conversation by perfumer Carlos Benaïm.
Carlos Benaïm (left image) spent his childhood in Tangier, close to natural ingredients that gave him a taste for beauty. He later trained under legendary American perfumer Ernest Shiftan, where he instilled a boldness and bravado into his creations.
Frédéric Malle (right image) was born in Paris into a family deeply involved in perfume and the arts, including his grandfather, who worked closely with Dior to create Parfums Christian Dior; his mother, who was art director of the Dior house of fragrance; and his uncle, the film director Louis Malle. After studying art history at NYU, seeking to master every aspect of the perfume trade, Frédéric Malle worked at French ad agency Havas International and at fragrance lab Roure under master perfumer Jean Amic before establishing Editions de Parfums Frédéric Malle in Paris in 2000, which soon expanded to department stores and stand-alone boutiques in New York, Rome, and London.
Rejecting the norms of mass produced fragrance, seeking a return to luxury and creativity, Malle has kept his company on a carefully controlled scale in order to empower the fragrance creators while offering the customer an exceptional experience. He has developed his fragrances through collaborations with well-known master perfumers of today, including Dominique Ropion, Jean-Claude Ellena, Maurice Roucel, Olivia Giacobetti, Pierre Bourdon, Edmond Roudnitska, and (son) Michel Roudnitska.
Malle regards fragrance creation as analogous to publishing a book, with the nose as the author, the name of the fragrance as the title, and himself as editor in chief. This metaphor inspired the sophisticated yet restrained brand identity of Editions de Parfums. His shop interiors—including the Greenwich Village store designed with architect Steven Holl—include Malle's own invention: the "smelling column" that first appeared in the boutique in Barney's New York, which allow a customer to experience the scent and appreciate its complexity in isolation from the surrounding air.
Supported by the Rouse Visiting Artist Fund.
For accessibility accommodations, please contact the events office in advance at events AT gsd.harvard.edu or call (617) 496-2414.
It's not enough that performer-perfumers of the niche market with their own eponymous brand under their belt shun perfumistas, considering them irrelevant audience that needn't be cajoled because they don't really matter. It's not enough that indie niche perfumers have the guts to spell out the truth and state that perfumistas account for less than 1/4 of the total sales they make. Now Big Companies buy out the smaller players, at least the ones with the highest profit margins... First Le Labo was bought by the Estee Lauder Group, the fusion effective this November 2014. Now Editions des Parfums Frederic Malle is being bought by the conglomerate., according to an article by Julie Naughton on the Financial side of WWD. [Read the rationale on Vogue UK online, very quick to pick up the news]
Let's re-iterate: Perfume aficionados form a very small, insignificant segment of the actual buying audience of perfume niche market. Expect the winners to be bought off by big brands, the struggling unoriginal ones to wither and die via survival of the fittest and the dedicated artisanal indies to continue to cater to a small, cottage-size industry. Consider where your buck flows carefully.
Bottom line, what bugs me most: The perfume aficionados have been USED as a stepping stone in order to build covetable brands that would bring back the investment by being sold off later on.
You call it business acumen. I call it exploitation. Let's agree to disagree.
NB. I was alerted to this news snippet originally via Basenotes.
The new fragrance by Editions de Parfums, ‘The Night’, is aiming for the rich in scented heritage market of the Middle East. Master perfumer Dominique Ropion’s first composition for Editions de Parfums Frédéric Malle that speaks the language of Middle Eastern perfume, The Night is a rarity for more reasons than one.
Unlike classic "oriental" perfumes which have been composed to correspond to a French perfumery tradition interpreting, rather than replicating, the ways and tastes of the Middle East, the newest launch by Malle is set to be a true oriental, yet, given the expansion of the tastes of the western customer thanks to niche offerings, a welcome addition to a aficionado's collection as well.
Malle opens up on the composition of "The Night" in the following terms: "Unlike perfumes called Oud which contain at best a trace of this precious raw material, if any, ‘The Night’ is built on an unprecedented proportion of Oud from India which Dominique has mixed with a generous amount of Turkish Rose and Amber." The perfume is purported by Malle to be the one with the richest percentage of natural Oud in the market, with a price to correspond, naturally.
The counter and fragrance will be launching in store by the end of October and Frederic Malle The Night by Dominique Ropion is exclusive to Bloomingdale’s – Dubai in the Middle East. {NB.The info comes from the official store source}
Price is reportedly 850$US for the 100ml bottle and 755$ for the 50ml bottle.
The task has been undertaken by acclaimed perfumer Carlos Benaim who knows how to construct a floral of this waxy and yet also lemony fresh blossom, fluffy and substantial at the same time. The effect can be nothing short of radiant! Up till now, Benaim's skills had been utilized in the Editions de Parfums line for the Home scents (for which he composed Cafe Society, Rosa Rugosa, Rubrum Lily, Jurassic Flower and Saint de Saints), but now a major new release of fine fragrance is trusted upon his shoulders for Eau de Magnolia.
Eau de Magnolia by Editions de Parfums: soon at a Malle boutique or counter near you.
"$0 Amount Malle has spent on advertising. Bucking the industry trend of hiring celebrities to sell product, Malle is tight-lipped and protective of his famous clientele.
2,000 raw materials The amount at the International Flavors & Fragrances scent lab for creating perfumes. Roughly 250 are used regularly by Malle and the perfumer Jovanovic.
350 The approximate number of variations Malle and a perfumer typically go through in developing a single scent.
19 fragrances The number in his current collection, including one collaboration with his friend Dries Van Noten. Malle opened his first store in Paris with only eight."
This is part of a longer article about Frederic Malle opening two new boutiques, one in Rome and one in West Village, NYC. You can read the entire article on this link.
Malle, head of Editions de Parfums, one of the first few companies to position themselves as "niche", invites us to the midtown headquarters of IFF (International Flavors & Fragrances) to learn about the science and art of perfumery. The IFF is part fragrance think tank, part Willy Wonka-esque factory. Many (if not most) of the world's leading fine fragrances have been imagined and created within its walls —and very few cameras are allowed inside. How could one refuse such an offer? So courtesy of Barneys who were allowed into the abode, I am happy to share this video with you.
In the clip, you see a visit to the laboratories at IFF and you meet Frédéric's esteemed collaborator perfumer Bruno Jovanovic, who worked with Malle and Dries Van Noten on their recently released fragrance, to get the full story on how a Frédéric Malle fragrance comes to be. F.Malle fragrances can be shopped at Barneys as well as the dedicated Editions de Parfums F.Malle site.
Frédéric Malle has a few tricks up his elegant sleeve for catering to jaded perfume lovers still. In a new project involving collaborating with various designers, offering his editorial skills and his liaisons with the best perfumers in the business, I learned that Malle is going to launch a line of eponymous designer scents that go off the beaten path. The first fruit of this collaboration is a fragrance for Dries Van Noten, one of the pioneers of the Antwerp "School of Six". The collaboration isn't that out of the blue as one would think: Van noten distributes fragrances in the Éditions de Parfums Frédéric Malle in his boutiques for some time now; Dries Van Noten par Frédéric Malle is the natural outcome.
Although the formula was being developed for the past year and was originally set for an autumn 2012 launch the perfectionism of Malle prevailed and the launch is set for February 15th. But that's not all.
Not only is the collaboration with a fashion designer news, it's also an innovation on the formula front, as the new Malle perfume is touted to be inclusive of a new, natural Indian sandalwood from a sustainable source. Indian sandalwood, for those who didn't know, had essentially been eradicated from perfumery in the last 20 years or so, due to concerns and regulations on the sustainability of the Mysore sandalwood. The news therefore is a leap of hope for the industry in general and sure to create a real peak of interest in the heart of every perfume fan out there. The new fragrance is an oriental woody, smooth and polished like the designs of Van Noten.
The composition has been undertaken by rising perfumer Bruno Jovanovich of International Flavors and Fragrances (IFF)
The fragrance notes for the upcoming Dries van Noten par Frédéric Malle are citron, sandalwood, guaiac wood, saffron, Spanish jasmine, tonka beans, Cashmeran/blonde woods, vanilla and musk.
As you can see the presentation of the bottle is also different than the rest of the Malle portfolio, as this is a separate line.
A lab batch sample is trickling my way and after a percursory sniff I'd love to offer it to one of our readers before its official launch. Please enter a comment with any of your thoughts on the Malle line or on sandalwood, or anything perfume related and I will draw a winner on Thursday.
The thin snowflakes came down the skies unexpectedly early yesterday morning, silk confetti melting softly on the wet streets as a pale sun was shining beneath the fluffy clouds. Maurizio Pollini was touching the clavier on the background in a beloved Polish composer's Nocturnes. The silence was deafening, perfect in its standstill position. It felt like one of those moments when long-eared, soft furred dogs gather their paws, bow down their head and sigh with a mix of contemplative happiness and resignation to the mysteries of the world around them. I was reminded of the tender, contemplative emotions sweeping over me upon discovering Angéliques Sous La Pluie (2000, Editions de Parfums Frédéric Malle) for the first time.
This bitterish and cool fantasy of gin & tonic was pure like a snowflake, tingling at the back of the throat like the cold air of the tundra. Juxtaposed next to the warm spiciness of the carnal Musc Ravageur, the soie sauvage Hitchcockian elegance ofIris Poudreor the camphorous floral lushness of Carnal Flower it seems a breed apart. It's the sort of thing to foreshadow an atmosphere or reflect a mood, rather than a pronouncement on the wearer, never crying for attention.
Angelica is a plant with a nose-tingling essence, peppery in a way like peppercorns are, bracing but less pungent and greener. Perfumer Jean Claude Ellena picked a small bunch of angelica and put it in his pocket after a visit to the garden of fellow perfumer Jean Laporte after the rain. Inspired by this fleeting whiff of the still dewy angelica bouquet, Jean-Claude Ellena's fragrance plays out like a chamber music arrangement. There is the petrichor scent of rain falling on dry earth, a green herbal tonality without moss or grass. One detects the spicy, tonic notes of angelica leaves mixed with some bergamot freshness, juniper berries and citrusy coriander, softened by a hint of musk, soft non sweetened amber and cedar wood. Its deceptive softness is non vanillic. Its prettiness devoid of flowers. There is a hint of violet like in Soivohle's Violets and Rainwater but that's it.
As Malle himself puts it: "Angéliques sous la Pluie is a perfume whose charm stems from the originality of its mix and from the free hand of its author. The perfect balance and fragility of Angéliques sous la Pluie, like the drawing of a great artist, is what makes it so beautiful.
As proof of his great wisdom, the artist knew when to stop before destroying its charm. This first collaboration with Jean-Claude Ellena was thus a lesson in humility".
Angéliques Sous La Pluie is perfectly fit for men or women, lasts on a sostenuto sotto voce, wears as fine in wintertime as it does in the dead of summer and is typical Ellena in style; refined, dry, personal, non condescending, never obvious, worth revisiting to catch new glimpses each time, requiring a mind that is attuned to silence and simplicity of line rather than opulence and clatter. And all the better for it.
Angéliques Sous La Pluie –– "a splash of emotion".
Available as 50ml spray for 140$, 3x10ml travel sprays for 95$, 100ml spray for 195$ on the official Malle site.
Haven't you ever dreamt of sharing the scent of Carnal Flowerby simply waving your hair? The newest incarnation of the famous Carnal Flower fragrance is called Carnal Flower Brume pour Cheveux (i.e. hair mist) and fulfills exactly that dream.
Lighter than the perfume of Carnal Flower itself, the new Carnal Flower hair mist allows you to use the torrid scent in a lighter fashion. It is perfect for the summer! Unfortunately, due to strict European norms, it will only be available in America. Not exactly economical it retails for 160$ for 100ml (a bargain though compared to the 340$ asked for the 100ml of Eau de Parfum spray). Available on the official site.
There is a human, flawed sublayer beneath the icy, perfect Hitchockian beauty of Betty Draper from Mad Men, which manifests itself when the woman is emotionally beaten to pulp by the final realisation her husband is actually cheating on her. The mask-like layer falls off and the melting face, crumbling updo and wrinkly tulle dress falling off the shoulders instill human empathy in us, hinting at a crack of the perfect facade. Iris Poudre is the Betty Draper, née Hofstadt, in the Frederic Malle line of perfumes, the icy coolness of Grace Kelly incarnate, when faced with the line "You're so profoundly sad" to only tentatively reply "No, it's just that my people are Nordic". Brrrr...
Iris Poudre needs no introduction, really. Catherine Deneuve cites it in the foreward of F.Malle's new book as the fragrance that drew her from her beloved Guerlain into "fragrance infidelity" with the likes of Malle & company.
A random choice? I think not.
Within the confines of this much esteemed niche brand that caters to the tastes of perfumephiles and perfumers both, this scent holds a firm place of distinction due to its haute elegance: The former group appreciates Malle because they can sample the vision of some of the best noses of our days with trully good ingredients. The latter group because they are at last given free reign to do what they had always wanted to do but couldn't, due to commercial restrictions.
Inspirations Iris Poudre was created by Pierre Bourdon, one of the finest noses in the field and arguably one of the most personable ones to talk to.
Frédéric Malle reveals that it was the first fragrance created in the line: his collaboration and appreciation of Bourdon goes a long way back. The initial inspiration for Iris Poudre is a substance called "concrétolide", a legendary French iris base that was the heart of many perfume classics from the period between the two world wars. The finished result was drawing inspiration from the famous 1960s film Belle de Jour, starring none other than...Catherine Deneuve!
Malle professes that "if it were a garment, it would be a cashmere sweater - classic but personal, appropriate for most occasions, something one never tires of".
Scent Profile
Although touted to be a grand floral
aldehydic, to me it has no distinct relation to aldehydic fragrances that people perceive as typical of their classification, such as Chanel No.5, Madame Rochas or Arpège. It is subtler and less sparkly, more softly, cooly powdery. However it does have touches of the chilly allure and rosiness of YSL Rive Gauche or Paco Rabanne Calandre, both scents with a beautiful coolness contrasted with a little warmth in the base. There is a repressed sensuality about this scent, like the cool exterior of perfectly proportioned glacially faced Severine who goes to spend the afternoons as a high-class prostitute in her sexual frustration. Dihydromyrcenol gives that steely ambience of scrubbed countertops, hissy clean citrus.Muscenone (a musky substance) gives human warmth sensed underneath the perfect facade.
Iris Poudre utilises the caramel butteriness of tonka bean, the cosiness of the musks
and just a hint of fluffy vanilla to instill that faint warmth that surrounds you like a precious pashmina on a chilly evening on a walk back from the theatre or an art exhibit. Until you hear that your husband slept with someone you wouldn't even consider worth sleeping with, of course!
Frederick Malle and Pierre Hardy: The perfumes editor and the acclaimed shoe & jewellery designer; surely a dream team? The two men are collaborating on the debut of the limited edition Travel Spray Cases for Editions de Parfums Frederic Malle.
Designed to hold any 10ml spray vial in the Editions de Parfums Collection, these pocket-size perfume atomizers are perfect for carrying your favorite Editions de Parfums fragrance along wherever you go.
Available in a series of colors, a total of 500 of the individually hand-sprayed cases will be sold within the US exclusively at the Frederic Malle NY Boutique, Barney’s New York and Beverly Hills for $285 beginning in April 2012.
There will be another 500 available for the overseas market, available at the FM boutiques and www.fredericmalle.com
Sounds good? Editions de Parfums Frédéric Malle has been operating an official Facebook page for some time now (since last autumn actually). What makes it follow-worthy and news-worthy is how it's set to provide insights into the inspiration behind the Editions de Parfums Frédéric Malle collection, including Les Fleurs du Malle, a look at key floral notes integrated in Editions de Parfums fragrances, the F.Malle home collection, and weekly tips on fragrance.
However, most recently on the Editions de Parfums Frédéric Malle Facebook page the team has been sharing quotes and passages that derive from Frédéric Malle’s new book “Frédéric Malle: On Perfume Making” (De l'Art du Parfum in French) which we had reported on Perfume Shrine first, like this one:
On the language of scent, Frédéric Malle says, “Many people believe that our work is quite intellectual and that we make endless references to other arts to feed our research. This is rarely the case.” The reasons for this can be found in “Frédéric Malle: On Perfume Making,” illustrated by Konstantin Kakanias, which launched exclusively at Barney’s in December and is set for wider availability this March.
This is also where Catherine Deneuve's tips on her own fragrance wearing come from, as she writes the foreword on the Malle book, showing her preference for Malle fragrances alongside her firm favourite L'Heure Bleue by Guerlain (and the rest of her fascinating perfume collection here). The soignée Iris Poudré was inspired by the classic film Belle de Jour after all, as Pierre Bourdon was intrigued by the introverted, shy yet passionately sensual personality of Séverine. And as to La Deneuve wearing Lipstick Rose, what can be more feminine than that?
We also learn many other small delights, such as that Christian Louboutin plies his best girlfriends with the gorgeous and fresh lily of Malle's Lys Méditerranée.
Looking ahead, the Facebook team looks into providing Facebook fans exclusive access to Editions de Parfums Frédéric Malle perfumers, so as to give fragrance lovers an insider’s look at the driving forces behind the collection.
Frédéric Malle’s just presented his first book, On Perfume Making, to an enthusiastic reception at Barneys on Dec.6th, hosted by Uma Thurman and Arpad Busson. The publication recalls the inception of each of Malle’s 18 cult-favorite collaborations alongside original illustrations from Greek artistKonstantin Kakanias who was so excited to be working with Malle (making an exception to his own projects) that he said "it's like working with the new Guerlain!" The beautiful, individualistic illustrations by Kakanias (who gave us cult status whimsical Mrs.Tependris) give a completely new dimension to the tome, as you can see below.
On Perfume Making by F.Malle focuses on how the work in his niche perfumery is organized, relying on the triple axis of rigorous selection process, working with the best perfumers around and allowing time, money & freedom to the full to each of the projects.
Among the attendants to the Barneys presentation of the book were several who sang his praises, notably actress Uma Thurman herself (citing his strive for integrity in fragrance) and the designer Carolina Herrera, who singled out Carnal Flower as her favorite in the line.
The new book is due for an official launch in March 2012, published by Angelika Books.There will be three languages editions, so far: French, English, and German.
Malle is also releasing three new scented candles in his Editions line, composed by Bruno Jovanovic, while he is working on another new perfume with Dominique Ropion and one more fragrance, to be launched, by Sophia Grojsman. The fragrance he's developing with D.Ropion is a floral, on which Malle clarifies: “The key is to create a fragrance that has sex appeal and that seems to come out of your pores,” “It is not just musk.” [quote source]
Stay tuned for more news!
Illustration by Konstantin Kakanias for Angéliques sous la Pluie
Carnal Flower by Frédérick Malle alludes to the perception of tuberoses as flowers of "spiritual ruin"; at one point in time they were actually thought to provoce an instant orgasm to the fair maidens who might smell them!! Imagine the prudish customs of yesterdays challenged by that thought....In reality, Frédérick Malle seeking to author a white floral (no line is complete without it), visited California, where both surroundings and ladies exude scents of gardenia and tuberose apparently. But Malle is also Louis Malle's, the famous film director's, nephew, and therefore related to actress Candice Bergen, Malle's wife from 1980 till his death in 1995.
Inspirations
Candice Bergen, a Californian by birth, despite the "cool ice princess" facade proved how there is fire and passion beneath it, both in her personal choices and -relevantly to our discussion- in one memorable film, Carnal Knowledge by Mike Nichols in 1971. As Susan, shagged by Jack Nicholson and shared (and eventually married to) Art Garfunkel, the safer bet of two wandering males, she gives a bleak and blunt portrayal of the inherent mortality of romance and the decaying beauty of sex. The young Frédérick Malle had thus one part of the illustrious concept of his fragrance down pat! Carnal Flower it would be and the star would be a man-eating flower.
Composition
The rest was masterful orchestration: Composed by Dominique Ropion, renowned creator of the wonderful Ysatis by Givenchy , the horrifically flamboyant and attention-grabbing Amarige by the same designer and the controversial Une Fleur de Cassie for Malle again (no mean feat, its strong animalic base acting as a conversation piece among the brave), the new fragrance on the sketching board naturally presented an olfactory challenge as tuberose is one of those smells that can be heavenly or hellish, no in-betweens : the orchestration and interpretation is all that matters. A flair for the intense on the recipients' part is also mandatory , it would seem....
Perufmery Tuberoses: Where does Carnal Flower Stand?
The history of tuberose in perfumery passes through that parfum phare as the French say (a "lighthouse perfume", a landmark more like it): Fracas, conceived by the fauvist Germaine Cellier for Robert Piguet, with its fleshy, lush contradicting qualities edged upon the two extremes: creamy, candy-ish beauty and violent hystrionics leading to decay. Blonde by Versace is its poorer , aspiring -and rather successful- imitator with a flamboyant style that is very Italian, a civet come-hither innuendo and quite pleasant in calculated moderation especially in extrait de parfum. Serge Lutens Tubéreuse Criminelle presents a peculiar problem : one has to wait for the crucial first 15 minutes, when the demonic camphor note subsides, giving reign to the glorious creaminess and silky softness of the flower. Caron's Tubereuse is very radiant , yet perfume-y although lighter and not suited to today's sensibilities, I find. Carolina Herrera (the original one by the famous designer) is a bit too operatic, being so much infused with another bombshell : jasmine. Some of the rest (Lauder's Private Collection Tuberose Gardenia and Do Son by Diptyque) are either more positioned towards gardenia or too light for carnal aspirations. Vamp a NY by Honore des Pres is more candied than that and with a generous helping of pink jasmine, although equally magnificent. Tuberose perfumes are a real continent: there are variations in the verdure to suit everyone.
Carnal Flower was from the beginning a mission into offering something different.
Scent Profile
Studying the odor of the real living blossom, which is apparently everywhere in California, the quintessentially French company Editions des Parfum Frédéric Malle has managed to capture the air of a tropical garden at dusk, full of the breeze and the richness of the dangerously seductive blossoms inside the austere looking bottles of Carnal Flower. Malle himself was encouraging Ropion to go the extra mile, per their official info, while the concept was in the cards from the very beginning, going into speed dial when Ropion was introduced to a new "corrected" absolute de tubereuse: Americans love tuberose flowers. Hence the addition of a coconut note and strong salicylates with musks, boosted with orange blossom absolute, all familiar apertures, which channel a warm and inviting quality. But they also want a seemingly fresh scent, something that will titillate the nostrils and the mind. The camphor note, reminiscent of eycalyptus leaves, is a necessity: At once freeing the weight of the inherent indolic character of the blossom, which browns as it decays, and imitating the exhalation of tuberose in nature: greenish and somewhat mentholic from afar. Yet the mentholated note does not make a grand appearence in Carnal Flower like it does in Tubéreuse Criminelle: the composition is therefore less striking, arguably less thought-provoking, but more wearable by more people as a result. Not a jarring note in sight; even the fruitier notes, like coconut and melon, are interspersed through sleight of hand to evoke freshness and sensuousness. Like Candice Bergen, it's beautiful, but then again, not without wits or substance, and although undeniably sensual and sexy, it is high class and a lady, not a slut, at all times. (For slut, if you choose, you can resort to Musc Ravageur by the same niche perfume company)
The development of Carnal Flower is smooth, into a heart of pure tuberose absolute with a sweet coconut-like facet (like Coppertone suntan lotion, another California reference) and solar salicylates (a natural pheromone of blossoms that aids pollination), without great changes throughout its drydown. The amount of tuberose absolute used is the greatest in use in all current perfumery: any more of this and you might burst! The initial opulence remains intact while after some minutes a slightly bitter-sweet, rubbery quality ascends to the surface, a natural effect of the real flower. It should be advised not to overdo the application because of this element. As it weaves its magic though, it never becomes cloying, but it does seem to steal the scene and all the best lines audible from several paces away. Carnal Flower is loud enough to be a classic-in-the-making.
If you're among those who find the fragrance overwhelming (and it can be), the exquisite Beurre Exquis in Carnal Flower (a body butter infused with the gorgeous smell of the fragrance) might be a lighter, subtler option for you with decent sillage and lasting power. Highly recommended and worth the monetary outlay.
On Good Friday
weary I shuffle my steps,
at the weary light of day.
Lilies of spring I bring you
and lay upon your cross ~
tear-soaked friend,
First among the first.
~Nikos Gatsos, Days of Epitaph*
A different lily, a wearable lily
The astrigent and almost aqueous, saline opening of Lys Méditerranée in the Frédéric Malle Editions des Parfums line is highly surprising for those who have been accustomed to florist type lilies; crystalline and stark in their cellophane, premature mummies in dolled up sarcophagi, looking at you sterny and haughty, like stuffed owls out of Psycho. But wild lilies in the basin of the Mediterranean sea are routinely sprayed by the salty spray of the deep blue sea, gaining an overlay of odour that is reminiscent of cured meats, and of the contrast of sandpaper-like fresh roughness against the nose beside the intense, waxy petals spiciness.
Issued in 2000 and composed by legendary perfumer Edouard Fléchier, in my opinion Lys Méditerranée is definitely among the masterpieces in the line, as evidenced by my impressive finishing of a whole bottle of it during last spring and summer. It is an impressionistic composition capturing a moment in time and place perfectly: Easter lilies in all their rustic splendor, an affair of freshness and lushness entwined, a shady terrace on some villa on Patmos island or the boardwalk in Nice. Checking the fragrance notes, we know they got the paysage references right: lilies, salty water, angelica, lily of the valley and water lily, orange blossom even: Pure Med! White lilies were cultivated in ancient Crete and Greece, as evidenced by the frescoes in Knossos. The lily was revered by the Greeks as sprouting from the milk of Hera, queen of the gods.
Scent Profile The ginger spiciness in Lys Méditerranée perks the nose, imbuing the lily bouquet with a convincing life-like chord, ginger lilies staying on throughout the arc of the linear composition; those who have an aversion to spice might find it too much, too floral but I'm not among them. There is a huge orange blossom note hidden in there and strong salicylates (naturally inherent in lily) which manage to imbue freshness rather than excessive floralcy.
The base exhibits a balance of muskiness, a very thin line between not quite clean and borderline carnal, without excessive sweetness or cheap tricks. In fact the delicately, musky-vanillic vegetal theme recalls to mind the feeling of Vanille Galante in the Hermessences collection, also heavy on the salicylates. The style is comparable, even though Lys projects as a higher octave overall and seems to include jasmolactones giving an almost gardenia-like greeness. Comparing it with another pure lily scent, Serge Lutens's angelic and sublimely creamy Un Lys, I find that LysMéditerranée is more intense, shimmering with a less cherubic cheek; less vanillic, muskier, saltier, a tad rougher if you will. And despite the freshness it lasts and lasts.
What is it that makes this great fragrance largely unsung then? Pure programmatic association. Perfume lovers have developed a keen displeasure against "marine" notes, vexed by the catapulting chords used on mainstream perfumery which hammered us with artificial "freshness" for years on end ~before giving way to tooth-decaying sweetness, that is! Time to ditch it for once, this is seriously great work.
Notes for F.Malle Lys Méditerranée:
Top notes: sea water, lily of the valley and ginger
Middle notes: angelica, lily, orange blossom and lotus
Base notes: vanilla and musk
Available as eau de parfum by F.Malle on their official site and at Barneys.
*translation by Elena Vosnaki
Fashion photo shoot on Patmos island, Greece, by photographer Camilla Akrans for T Style magazine of the New York Times, Travel supplement summer 2009.
The fickle world of celebrities sustains its course into having us breakdown their fragrant choices. This time courtesy of Angela Buttolph at Grazia Daily who snaps Kate Beckinsale on a shopping romp for Christmas gifts at the F.Malle counter at Barneys, Los Angeles, decked in her black leggings, her pensive gaze captured for eternity as she sniffs candles in the characteristic red shade canisters of the Home Collection. (Might I also add that it's refreshing to see normal-size thighs on a celebrity instead of sticks?) But much more important in my opinion is the enthusiasm that Angela instils in the piece, as she recounts her own exploration of the Malle line instead, in what transpires as a rite of passage for a fumehead: "Beauty insiders will have been nodding approvingly knowing that Beckinsale has exquisite taste, because those candles aren’t just any candles; they’re candles from the sexiest perfume label on the planet – Frédéric Malle. So look away now if you are a perfume obsessive or have any kind of addiction issues, or have access to a credit card…because I can tell you from personal experience that Malle’s fragrances are more addictive than crack cocaine (and just as pricey a habit)." With poetic references to her favourites, Une Rose (the classic earthy rose in the collection before Portrait of a Lady busted into the scene this season) and En Passant, it's worth a read for anyone who identifies with discovering fragrances that speak to one's soul. What did Kate buy in the end? Who cares...
photo of Kate Beckinsale shopping at Barneys via OhhLaLook
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