Guerlain Aqua Allegoria Bouquet No.1: fragrance review & giveaway

What do you get when you cross-polinate a popular feminine theme from the early 90s with the desire to break away from the simplistic fruitiness of the latest Aqua Allegoria fragrances? You get Guerlain's Bouquet Numéro 1!

Guerlain Aqua Allegoria Bouquet Numéro 1 was created by Thierry Wasser comprising notes of bergamot, freshly cut green grass, white flowers, delicate fruity notes, peach and jasmine. The fragrance arrives in a newly designed flacon with golden honeycomb, a bulby stopper with seperate cap (former Aqua Allegoria scents had no cap on the incoroporated bulbous sprayer) and a golden label, packed in an outer carton decorated with a pink bee, as you can see from the photographs I took of Bouquet No.1. [click to enlarge]. It really does look luxurious and pretty, doesn't it? Even though I personally preferred the more impressionistic outer cartons of yore.

According to the official blurb pains were taken to link it to the linage of the company: The name itself reflects Guerlain’s fragrance heritage, as it references the compositions of Pierre-François-Pascal Guerlain, founder of Guerlain, and his heir Jacques, namely: Bouquet du Roi d’Angleterre, Bouquet du Jardin du Roi, Bouquet de l’Impératrice, Bouquet Napoléon, Bouquet Duchesse, Bouquet de Paris and Bouquet de Faune. Personally I am not so sure the interweaving of quite so much history in what is definitely a modern juice is really helping either group of potential buyers: hard-core traditionalists or hip modernists. It seems poised in between, with a nod to the 90s (read further on) but not much beyond that to justify historical references that far back. It must be terribly difficult to reconcile the two, we've said it before.


Guerlain's Bouquet Numéro 1 reminds me of both a less sugary or dense 90s Trésor and of Estée Lauder's Pure White Linen Pink Coral from last spring minus the powdery aldehydes. Add the intense peachiness of MDCI Pêche Cardinal and you're almost there! (The same aromachemical as the latter ~which I hypothesized is Decanoic acid 5-hydroxy-lactone~ is used in this composition for the peach note). The introduction on a sharpish note of citrus plus green is meant to be refreshing. Almost immediately, the core chord of peach plus rose is palpable; that velvety, tender, very feminine lactonic vibe which was so obiquitous in the early 1990s through the bombastic popularity of ~mostly synthetic anyway~ Trésor and the products that followed in its zaftig steps. Today, when that theme has been exhausted in commercialised deodorants, body creams, even fabric softeners, it seems a little passé. Enter the bolstering of the peachiness in Bouquet Numéro 1 to render a contemporary fruity note plus ever popular white flowers deprived of their more conniving Gloria Swanson proclivities or animalistic meowing in heat.


They mention that "Guerlain in-house Perfumer Thierry Wasser has chosen to lighten the generous accents of jasmine and rose in the heart of the fragrance. Jasmine offers its light petals, and their lingering scent. Mirroring this emblematic ingredient, rose blend magnifies the heart. At the very core of the fragrance, rose epitomizes femininity. Guerlain uses the rarest essential oils of 'May rose' with a hint of honey for sensuality and 'Damask rose' for fresher and more spicy smell. These two emblematic ingredients optimize the signature of Guerlain's Bouquet n°1." Even though jasmine is touted as a core ingredient, there are no decaying indoles, or nighttime lushness; what I perceive is more of an abstract orange blossom plus a wink of honeyed lilac pollen which gives a little of an effet lessivière, polished though, while the rose, yes, it's discernible all right. The bouquet is therefore a fantasy one, much like the gardenia in the lovely Cruel Gardénia is a the idea of a flower on the drawing board seen through a camera lucida: what you see is assuredly not what you smell. Not that it matters of course! This concept of transparency and abstraction has been utilised also in their other Aqua Allegoria launch this spring, the more mainstream Flora Sudséa Nymphéa. It leaves me wondering how a perfumer of the Transparency School, like Bertrand Duchaufour or Jean Claude Ellena, would go about this kind of concept, yet I fully understand that Guerlain cannot deviate from the curvaceous path they have paved on for centuries.

The scent remains through its base notes a trail of sweet juicy peach and white musks, clean throughout. A gentle fragrance cloud rounded up at last with a delicate hint of almond aroma. The formula is more tenacious on clothes than on my skin where it retains the squeaky clean floralcy better and longer and I can report it doesn't stain. Certainly not "me" in any "cushions of white flowers thrown in a mad sexy war between lovers", but I'm at least happy it signals a deviation from the route of the last few (catastrophic in my humble opinion) Aqua Allegorias.

Aqua Allegoria Bouquet Numéro 1 is Guerlain's first global travel retail exclusive fragrance and available in 75ml of Eau de Toilette.

A sample of Guerlain Bouquet No.1 will be handed out to a lucky reader, randomly picked from the comments. Draw is now closed, thanks!

The bottle was purchased by me. All Guerlain photos taken & copyrighted by Elena Vosnaki.

Guerlain Cologne du Parfumeur: new fragrance

News for Guerlain lovers and haters alike: A new Eau de Cologne in the classic mould but with a modern twist is being introduced in May 2010. Osmoz reports that "Guerlain and Cologne go way back. Each of the house’s perfumers has invented his own. Following in the footsteps of L’Eau de Cologne du Coq (1894), L’Eau de Cologne Imperiale (1853) and L’Eau de Fleurs de Cedrat (1920), in 2010, Thierry Wasser presents ‘La Cologne du Parfumeur’ [sic] a creation that Thierry admits having originally thought of for himself. The key note is a lovely Calabrian orange blossom intertwined with other citrus fruit. Yet this fairly classic cologne also has a ‘modern twist’ thanks to green, musky and sweet facets. The designer also acknowledges that it can be worn alone or layered with your usual scent. For the occasion, Guerlain’s various Colognes have all been graced with a new label on which you’ll find their date of creation and the name of the perfumer who designed them. Look out for La Cologne du Parfumeur from May 2010" .

Perfumer Thierry Wasser is reported to be a great lover of "green" (in olfactory terms) and to have been selfishly enjoying this new cologne which he composed simultaneously with Idylle in his downtime. The really interesting part is that the launch of the new cologne coincides with a revival of a very old tradition dating back from the conception of the Eau de Cologne (Read more on the history and composition of Eau de Cologne on this article). When Eaux de Cologne were considered a panacea for all ailments, people had been known to actually drink them by the gallon! Naturally in those days the alcohol was indeed drinkable, not perfumer's alcohol like today. But this old ritual possibly inspired Guerlain to introduce the new cologne with an accompanying cocktail drink that will be served to all customers at the boutique 68, Champs Elysees and which will include similar aromata as the fragrance itself, namely notes of lemon water, orange blossom, orange juice, lavender syrup, mint and rosemary! Sounds rather good.

Another interesting aspect is that the bottles of all the Guerlain Eaux de Cologne are revamped for the occasion: Each Eau flacon from now on will bear the name of its "author": Pierre-François-Pascal Guerlain, Aimé Guerlain, Jacques Guerlain and Jean-Paul Guerlain (for the lovely Eau de Guerlain from 1974). To that illustrious line-up Thierry Wasser is now adding his name too, F.Malle-style. A propos, please note that the recent Cologne du 68 (2006) by Sophia Labbe isn't included in this "classics" line-up, probably because despite the name it aims at providing a different, less traditional concept. Hence its exclusion.

A turn such as this regarding the positioning of the Cologne du Parfumeur leaves us musing about both Guerlain's and LVMH's (who own them) motivation into tapping into such a revered legacy, as well as Thierry Wasser's uphill battle to position himself firmly at the helm of the historic house as head perfumer. In my opinion, this move both attests the desire to make this position plainly obvious on behalf of the management and the motivation to let Thierry create fragrances that may appeal to both the classics clientele and the younger/more modern crowd who prefer a lighter scent. Clearly the well-familiar Eau de Cologne recipe is a prime target for reconciling both: who really hates it, I ask you?

The practice of hereby chronicling the heritage of the house by naming each successive perfumer on the eaux bottles themselves also indicates that the more cynical amidst the perfumeland ~who have been bemoaning the LVMH takeover as the cultural ruin of Guerlain for long~ are being heard. Possibly (but not conclusively) this is also a move to assuage the negativity of the Guerlain detractors being vocal on the Net. Whatever it is, it is a move that is bound to be discussed and dissected. We did our part and will return in due time.

Edit to add: Full review on this link.

pic via osmoz

Prada Infusion de Tubereuse: fragrance review

The newest Prada fragrance Infusion de Tubéreuse (announced here alongside the masculine Infusion de Vétiver), the latest in the Ephemeral Infusion collection, seems like a triumph of looks over essence: literally!

The gorgeous packaging is based on an old print in the Prada textile archives, where the petals of the flower seem immersed in ink and pressed in a dégradé manner on the carton. I especially like a small details: the caps are "dressed" in the same material so as to co-ordinate. In short, it looks supremely lovely in a 70s Five Easy Pieces way: you suddenly become enamored with cross-eyedness! A new Infusion by Prada would be just as well be launching as "Infusion of a Longing", as the Prada line has so many fans. Obviously someone at the marketing and designing team has a pretty good idea of what they're doing. But, alas, those hunting for a true tuberose scent, that strange mystical mistress of the night with its intense mix of blood, rubber (methyl salylilate) and even meat aromata, will be more than a little crestfallen by this dematerialisation.

In drawing terms it is the opposite of Albercth Dürer's Underweysung der Messung (Instruction in Measurement), showing an artist viewing his subject through a window, compartmentalized into squares, in the hopes to methodically understand and record each detail on gridded drawing paper.
The press material talks about an unexpected tuberose from India, but having familiarised myself with that incomparable, intoxicating essence I remain a little sceptical (Thank God they do mention it's a "fantasy infusion"). No rubbery wintergreen start like in the icy Tubéreuse Criminelle (Serge Lutens), no creaminess as in the diva-esque Fracas, no coconut smidge alongside the mentholated greenery as in Carnal Flower (F.Malle), no decaying indoles to talk about. The woody-musky drydown of the Prada ~and especially the Infusion~ line is there though. Like in Infusion d'Iris, there really isn't a dominant effect of iris ~but rather of a woody blend (much like in Infusion d'Homme too). Was the idea to do a brief impression with a lustrous, cheery beginning like they had done with their Prada boutiques exclusive #6 Tuberose (also opening on neroli notes) or was it simply in line with the Infusion concept of olfactory poltergeists, a "Pradanade" so to speak, spoken in hushed tones and felt in its effect more than being seen?

Perhaps there really is no reinvention of the wheel after all: Do Son by Diptyque was a timid, introductory tuberose gouache with a subtle almost skin-like effect in drydown. Not very true to the essence rendered from the flowers, even though it feels like a composition with naturals; and this is the diverging difference with the Prada. To the pastoral theme of Diptyque, Prada and Daniela Andrier intentionally juxtapose futurism, via more amped up synthetics, which account for a superior staying power, even though it's discreet enough to have those familiar with the Grand French Manner (I assume you're taking the hint) bound to be complaining about it.

As anyone who has a hankering for seeing how "notes" of aromachemicals find their way into the commercial blurb for consumers on the other hand, I have to give them credit for mentioning "dynamone", a Penta chemicals manufacturing product with a sublty amber aroma that is indirectly derived from cistus ladaniferus, in the composition. Why haven't you heard of it before?, you ask. (In fact you have, if you paid attention; it's also included in Closet Queen by Etat Libre d'Orage) Because it's hard to harness into a formula due to technical problems, even though its diffusiveness and tenacity provide a helpful hand in prolonging "skin-scent" accords, such as this one (see a similar concept of that via another route in Prada's L'Eau Ambrée). Personally I wasn't too impressed by the previous limited edition, Infusion de Fleurs d'Oranger , and this one seems to be riding the fast way to nowhere just like Bobby Eroica Dupea. I'll stick with the excellent L'Eau Ambrée myself.

Prada Infusion de Tubéreuse for women is a blend of notes of Indian tuberose, petitgrain bigararde, Italian blood orange and dynamone. It retails at €67 for 50mls at major department stores, available starting April 2010.

Related reading on Perfumeshrine: Fragrances with tuberose, Prada reviews

Photo of borken model dolls by Daikichi Amano via Who Killed Bambi

Roxana Illuminated Perfume Chocolate Fragrances Giveaway

I have been the recipient of a generous giveaway coffret offered by an all naturals perfumer who has appeared on these pages before. Namely Roxana Villa and her cute solids, this time perfectly timed for those who are too old for the Easter Bunny but who have something of the bunny in their heart of hearts. So, do read down, there's a generous giveaway of assorted solids from the collection below to be given to a lucky reader who leaves a comment!

Inspired by the South American seed of the Theobrama cacao tree, also known as The Food of the Gods, Roxana has created a series of Natural Solid Perfumes based on the love elixir Chocolate. Creamy, luxurious unguents in a botanical chocolate base made with Scharffen Berger 99% cacao, cocoa butter, organic cocoa powder and theobroma cacao extract from South America. The completely natural formulation also contains unfiltered beeswax, jojoba seed oil, infused vital plant materials and botanical fragrance accords. Embellished with the artists signature icon wax bee stamp each pot is contained in a gold foil cup within an adored box. A feast for all the senses awaiting to seduce and enchant. It's advisable to rub just a tiny bit and add more as you wish and they can be layered too!

The Chocolate collection includes:
Figure 1: Noir Like it's edible counterpart, this chocolate is deep, dark and mysterious with a strong musk note.
Figure 2: Cerise Succulent cherry weaved with a base of rich chocolate.
Figure 3: La Forêt A dense conifer forest meets an ocean of chocolate.
Figure 4: L'Orangerie Mouth watering citrus in a base of rich chocolate.
Figure 5: Bois de Chocolat Smokey woods and chocolate.
Figure 6: Épices Spice, a hint of vanilla and chocolate.
Figure 7: Pétales is rich with Rose, the Queen of fragrances.
Figure 8: Coeur de Jasmin Rich heart of jasmine enveloped by creamy chocolate.
Figure 9: Fleurs de Orange A buzz with orange blossom flowers, honey and chocolate. Figure 10: Blanc, opposite of Noir, is a a milk chocolate truffle, featuring the Vanilla Orchid Bean at center stage.
Figure 11: Chêne A tribute to the mighty Oak with notes of wood, resin, moss, and oud. The cacao note is more subdued.

I have tried 4 out of the collection and they're quite different from each other even if they share the chocolate theme. I guess I'm not helping you weed out the selection, am I? Typical of a fragrant omnivore...but I digress.
Figure 1 Noir is fabulous for those who want their chocolate patchouli-deep and appreciate the earthier blends in which some good old-fashioned patchouli is really amping up the sexiness, which is pretty much saying I love it! There is a citrusy top which really lifts the fragrance and compliments the patchouli. Figure 3 La Forêt has a pine-y scent to it, also a bit oak-ey, at a crossroads between summer and autumn, warm Mediterranean settings alongside more shady magical branches of the North. Figure 5 Bois de Chocolat is woody again, close to Figure 3, but a little less sunny in lieu of some smoked woods which gave me a more crepuscular impression. This could make a great masculine. Last but not least, Figure 11 Chêne is the less chocolate-y of them all, but curiously (curiously because I am a chocolate fiend, be warned) it's probably my most favourite thanks to its complex scent redolent of tannic notes & moss which shine through, evoking an oak forest or big oak barrels hiding rich red wine. Fans of her Q perfume should definitely try this version, as I think the bouquet of resins and oud in this are sublimated by the chocolate touch and render it very friendly and sensual. As a matter of fact I can see these little solids easily incoroporated into a promising erotic session. Oops, did I actually write that or just thought it? Anyway, a lucky reader commenting will be the recipient of the solid chocolate fragrances giveaway to find out for themselves *wink*
Draw will remain open till Easter Sunday, midnight. Draw is now closed.
You can of course buy some of the chocolate perfume solids either on this link on Etsy or the whole collection presented like chocolate candy in a heart-shaped box on that link on Etsy. (And while you're there browse around, there are individual samples and solids lurking as well at affordable prices)

Giveaway coffret was provided by the perfumer. I swapped for mine.

Takashimaya: Bad News Ahead

WWD revealed that elegant Japanese department store Takashimaya which occupies more than 37,000 square feet for retail and office space on New York City's posh Fifth Avenue will close its flagship store in June. The building is owned and controlled by Takashimaya Fifth Avenue Corp. and Takashimaya Singapore Ltd. "Takashimaya said it plans to sell the real estate and dedicate the proceeds to faster growing markets in Asia," the paper reports in a short blurb. [source]

Somehow this reminds me of what I had said (a propos LVMH expanding into new markets via Tony Blair's consulting, scroll the article to the last paragraphs) in regards to the move of western companies into the Asian expansion being the only solution right now. Hermes as we had reported a while ago is even launching an exclusively Chinese line called Shang Xia!

The current issue of WWD reveals that the Takashimaya closing will be effective come 10th of June 2010. "This June, the company will shutter its New York flagship at 693 Fifth Ave., between East 54th and East 55th streets. It has been at the building, which it owns and plans to sell, since 1993, though its first store on the gilded Fifth Avenue strip opened in 1958" [source] while WWD mentioned that the store "will no longer be merging with H2O Retailing Corp., parent company of Hankyu and Hanshin department stores". Apparently not only is the Fifth Avenue store closing but another 6 stores have already closed in Japan. The reason isn't hard to see: Low sales have given the kiss of death. Given that they recently announced carrying the elusive (and unjustly underrated) Mona di Orio line, let's hope it didn't jinx it. (This is only a joke, folks!)
On the whole it was a matter of time before the hen that lays the golden eggs, namely the sector of niche fragrances, becomes oversaturated and confuses the consumer who cannot be fooled into paying, especially in this economy, for triple-the-price concoctions which are made the same way as mainstream fragrances but circulate in a je ne sais quoi way supposed to make them more "luxurious" and "exclusive"...

If interested to follow my thoughts on this track, I had posted an article wondering How Much Will the Niche Market Bear? on this link and recently discussed Niche Degeneration on that link on the Perfumism website.

Pic of Takashimaya New York via Atherton Bartelby

Paco Rabanne Calandre: Fragrance Review

"Imagine its spring. A rich young man arrives in his E-type Jaguar to pick up his girlfriend. Imagine the scent of fast air, speed and leather seats. He takes the girl for a ride along the seaside. He stops in a forest. There he makes love to her on the bonnet of the car."
~Marcel Carles recalling Paco Rabanne's brief for what became Calandre.

I was browsing one of the blogs I enjoy, namely Perfume Posse, the other day, when I came up upon a post by Patty in which amidst other musings (such as her antipathy for my beloved Fille en Aiguilles, how can this be I ask you?), she was crestfallen about the discontinuation of Calandre, a floral aldehydic that comes from 1969 (composed by perfumer Michel Hy) and which is just about one of the friendliest rose aldehydics in existence.

This Rabanne is also respendid with interesting trivia: It has rose oxides which give a slight "metallic" tinge to the flower, supposedly to translate the notion of "calandre" into scent, it being the car's radiator grille in French. Actually the first perfume "draft" was too reminiscent of a hot car (Spanish-born Paco Rabanne's brief) which made it rather unwearable, so back to the sketch board it went! The bottle, designed by Pierre Dinand, was sparse, with metal overlays in brushed silver finish which gave a high-tech look about 20 years before this would become the norm.

Calandre has been special to me personally for two reasons: First, it was given to me as a gift as a young teenager (we're talking about 13 here) by my sophisticated grandmother. I cherished my little bottle and had it alongside my other precious gems for years ~Anais Anais, Chanel No.5 (you read this correctly), Tosca and 4711 by Muelhens and Opium (you read this correctly too, I've said my piece before) alongside several minis I snatched up every chance I got.
Secondly, in the face of the deterioration of Rive Gauche by the oversexed, modernisating Tom Ford stint as creativer director of Yves Saint Laurent Parfums, Calandre remained more faithful to the former's idea of what I call its spirit of frosty allure, "what KGB agents would have worn to seduce James Bond"; almost the way "black pudding" is the faithful reminder of our primeval, barbaric and needy of ready nutrients nature.
The comparison between Rive Gauche and Calandre of course is the very antithesis of cognitive dissonance: Perfume lore wants Jacques Polge to have been instructed by the people at Yves Saint Laurent to produce something similar to the ~at the time~ avant-garde Calandre which had been issued the previous year. The result came in the market in 1971 in a striking blue and silver metal aluminum can and with the passage of years managed to eclipse the pulchritude of the original: Yves Saint Laurent with his flamboyant colours, rustic decadence and matchless tailoring became all the rage in the 1970s, while the futuristic Rabanne sewing with pliers and a blowtorch on his space-age plastic chain-mail Barbarellas had become a little less relevant to the zeitgeist; only Mylene Farmer continues to evoke the futuristic extravagances today. Overall Calandre is more American than Rive Gauche and it pre-emptied the trend of American-style fragrances that followed (White Linen etc)

Calandre has a wonderful olfactory profile: citrusy, slightly sour top note which segues into both oily green hyacinth and a fresh (laundered, thanks to lily-of-the-valley) white rose, elements which peter out slowly into an undefinable vaguely herbal base with honey and light musk touches that is its own thing more than anything that morphs into the wearer. Compared to Rive Gauche, Calandre is less frosty aldehydic, more lemony and with a softer overall character but equally abstract like you can't really point your finger on what you're smelling: Is it iced linens off the fridge on a hot day in a tamer version of The Seven Year Itch heat-remedy? A florist's fridge when the flowers have long departed? Or the cool breeze through a vetiver-sewn canopy in a non-tropical climate? That's Calandre's charm!
Cue into the last few days: The news of a possible discontinuation of Calandre bombed. Smiles were wiped off faces. The official response from Paco Rabanne on the question on discontinuation luckily came through a POL member, Cubby:

"Thank you for your message and for your interest in Paco Rabanne. Further to your enquiry, the Calandre perfume is still available in our current collection. Could you please notify us of your residential area so that we could indicate you the details of your nearest stockist. We remain
at your disposal for any further information. Best regards,
Paco Rabanne Online"

So now you can rest easy! It's even available as an Eau de Toilette on Amazon still.

Notes for Paco Rabanne Calandre:
Top: Aldehydes, green notes, bergamot, lemon
Heart: Rose, lily of the valley, geranium, jasmine, ylang-ylang, orris root
Base: Vetiver, oakmoss, cedar, sandalwood, amber, musk

Related reading on Perfume Shrine: Aldehydes, what are they and how do they smell?

Perfume ads via parfum De Pub. Pic of chainmail dress by Paco Rabanne via In Memory of All Things

What Sells? A Case Study

An astounding number of articles tackles the latest, apparently unexpected ~from what I deduce, since it makes such an impression~ phenomenon: Namely that a "celeboscent" really made it. (This term is short for "celebrity scent"; those fragrances eponymously launched by stars, supposedly inspired by their personalities and lifestyle, but in fact churned out by perfume producing companies with minimal involvement by the stars themselves). Trusted reportage says that this particular frag is selling like crazy! What is it? It's Heat by Beyoncé Knowles!

"At the recent Retail & Luxury Goods Conference at Harvard Business School, Macy’s CEO Terry Lundgren revealed that its already made more than $3 million in worldwide sales since its launch" [NB We're talking 3 months here] while he said that in an meet-and-greet with the singer herself "72,000 bottles of her perfume were sold that in that hour". To convert this in monetary values, Women's Wear Daily reported that first day Macy's sales made $60,000. (Talk about WOW!!) All to the point that "trying to pick up a bottle of “Heat” at Macy’s.com estimates over a month before it ships" now. "This morning I woke up and they told me the fragrance is the number one fragrance in America,” Beyoncé told Access. “I had absolutely no idea.” We're clearly talking about a huge commercial blockbuster. That made me think...

So the question arises: I am wondering whether the success has to do with the bootilicious sexy appeal of the singer herself (surely overall a positive role-model in today's celebrity world which is filled with human trash) or with the fragrance style and its perfect top-to-bottom design (corresponding so well to the celebrity herself, I mean, as celebrity brand expansion). Certainly it's not a "bootichouli" fragrance like we had suggested and hoped for on a previous occasion, at least going by the description, in which "Heat blends a floral mix of magnolias, neroli, and red vanilla orchids with the scent of almond macaroon, honeysuckle, nectar, and crème de musk" composed by perfumers Claude Dir and Olivier Gillotin. March on Perfume Posse observes that "Heat smells like a thin veneer of canned peaches in syrup over the most powerful, intensely animalic stank of unwashed ladyparts that I have ever smelled in a perfume, and I don’t mean that in a good way." Robin at NST on the other hand pegs it a warm fruity musk adding "I don’t find it even slightly sexy, and it isn’t what I’d call memorable, but it doesn’t much matter: it’s by Beyoncé and it isn’t a complete mess". Others report that real human testers (in Miami) perceive it as a cotton candy and amaretto fragrance. Take your pick!

Whatever it is, it's definitely a case-study for the heads at Coty (the perpetrator), Parlux et al. and for marketers everywhere. Expect more of the same very, very soon! And if fashion designers are "only worth as much as [their] latest collection's success", then celebrities will soon be worth the amount of their celebrity scent sales. Mark my words!

The Perfumatic: Coin-Operated Perfume Dispenser

According to Susan Berberet, Assistant Curator of Collections at the Oklahooma History Center, the prevalent in the 50s and 60s coin-operated perfume spraying machine (the Perfumatic) found in ladies' rooms of posh hotels and restaurants was emitting such classics as Chanel No.5 and My Sin by Lanvin (Can you hear my jaw hitting the floor in amazement at the mention of the latter?).
Or as the recollection of those who have actually used some of them goes, perhaps copies of those two popular scents. It doesn't really matter for our purposes here. The machine used a thin dime coin and for just that price sprayed you with a healthy dose of perfume, in order to freshen up or just in case you neglected that height of grooming before going out. Sounds like a great idea, didn't it?
Older generations fondly remember the ritual in the States while these pastel machines, alongside others with actual vials attached existed for scenting your handkerchief; useful when those were the cotton & linen variety and not the disposable kind.

The even more impressive info is that actually this goes far, far back; much further than imagined: "The first group to demand such on the spot purchases were the Greeks. The first mention of a coin-operated dispenser was in 215 B.C., by a mathematician and engineer named Heron (or Hero) of Alexandria [The one who also invented ύδραυλις/hydraulis, the precursor of the Organ]. His machine would accept a coin and then dispense a set amount of “holy water” in the Egyptian temples!" But Susan Berbet goes on to explain that it would only resurface in the Industrial Revolution age, when the technology to make this cheap and functional finally emerged.

But the idea isn't only an antiquated one. There are modern, aluminum-shiny examples with "perfume" and "cologne" in them to be sold still!
Perfumaniac, a New Orleans-based blogger blogging at Yesterday’s Perfume first published a photo of a perfume vending machine which sold perfume "nips" (small plastic "packets" like samples for perfume applying), in which she mentioned how such 20s popularities as Soir de Paris (Evening in Paris) by Bourjois or Arpege by Lanvin (again) were sold at the literal drop of a coin. Then Dr.Avery Gilbert took it over on his own blog, where he discussed about the idea of an olfactory museum. Can I just say I think there's good money to be made if this idea is ever materialised.

And to revert to the initial point of interest which made an impression on me, it does make you wonder which would fragrances would be chosen for today's market to be put in the ladies' room, if such a thing existed still. What do you think?

Read Berberet's article on this link ("Found in Collections" blog, Oklahoma History Center)

Thanks to Sillage for bringing this to my attention

Li Edelkoort, "Priestess of Trends", Predicts

Reading the credentials of Dutch-born, Parisian-living Li Edelkoort, sounds like an astounding pile of worthy accomplishements: Internationally acclaimed for pioneering the trend-setting concept, named by Time Magazine as one of the world's 25 most influential people in fashion and an unparalleled lifestyle expert, Li is president of Edelkoort Inc. but also of Trend Union Paris, Trend Union Japan, Studio Edelkoort and Edelkoort Editions. In short, if anyone is thinking of gauging what the market will bear, they only have to set their eyes on this meek-looking yet truly hypnotising and persuading woman with the piercing blue eyes code-named in the industry as "the oracle". As anyone who has met her knows well, she is able of persuading cows to buy milk!
So investigating about her views on upcoming beauty and lifestyles trends naturally interested me a lot and here are some thoughts worth sharing with you.

The whole notion of lifestyle is defined by Li Edelkoort as "an ensemble of ideas, attitudes, designs and aesthetics geared to celebrating life", the focus being enjoyment, deriving pleasure out of the process. But what made her become involved in it? Does she make the trends or does she read the trends? In her opinion trend-shaping happens by the public itself and by the environment. "Trends reside in the collective subconscious and in the unknown and can be detected by individuals who trust their intuition and are trained to detect signals at an early stage".

Reverting to the beauty and fragrance industry, reflecting upon the focus on wellness in the past decade, one is wondering what the evolution will be: Will there be a completely new concept or simply a recalibrating of the wellness ideal? According to Li, well-being will not cease to be important, verging not only to health and beauty but also to spirituality: "A more domestic way to look at household chores will ground us and make us appreciate life with simplicity. Sound, dance and music will be part of the well-being continuum".

For 2011 specifically the continuation of the "green" movement in the beauty industry and beyond and the reversion to the earth is looking like the main direction, especially in the realm of an economic crisis. In that regards she proposed grey as the transitionary colour. She hopes that a stronger bond between humans and animals will be generated, while the research for sustainable products as well as interesting new looks and moving fragrances will continue.

The opening of the new decade on the whole presents new challenges as the world is changing and after 30 years in the business, it comes as no surprise that Li is not only vaguely referencing a trend but putting a very specific context on it: Birds! I admit I was sceptical too, but hear her out please: "We believe that we will be moving in the next decade towards more community-oriented behavior. Our attitude will be one of respect for our environment and our species; this is the reason why we entitled our latest lifestyle & design forecast "we are family". Also, we were intrigued by birds and their social behavior for our new Trend Union autumn / winter 2011-12 fashion season, which we called "Taking Flight". Birds are a model of social connectivity and communal efficiency, as well as an incredible source of inspiration to develop rich color cards, fantasy fashion shapes, and nest-like weaves. Birds can also be a source for ideas in creative make-up, hair color, and hair styling".

Also worth reading, an article into the beginnings and confessions of Li Edelkoort on Wall Street Journal Magazine by Cecilie Rohwedder.

Li Edelkoort photo taken by Marie Taillefer

M. Micallef discontinuation?

It's rather with a heavy heart that I bring myself to report news of discontinuations, especially of popular fragrances. But even though a dirty job, someone has to do it...and give a spin to them, when needed to nuance news.
The latest contender is the very popular and fairly recently introduced (2007) Note Vanillée by M.Micallef, which is no longer carried on Luckyscent. Note Vanillée includes top notes of tangerine and hesperides, seguing to middle notes of jasmine and honey and finishing on a blend of sandalwood, amber, bourbon vanilla, cognac and rum. It strikes a no man's land between boozy, citrusy and floral.
On the other hand the official site of M.Micallef still lists Note Vanillée as usual. It is therefore with some itrigue that I am revealing that a new enterprise of M.Micallef USA is going to be slowly unveiled very soon as per my sources, which means they're withdrawing from distribution so as to rebrand themselves.

The winner of the draw...

...for the Annete Neuffer parfum sample is Mystic Knot. Congratulations and please mail me using the email on the Profile page with your address so I can have this out to you soon.
Thanks everyone for the enthusiastic participation and till the next one!

Greenwitch and Tethys for Spring Awakenings

Fire on the mountain shall find the harp of gold
Played to wake the Sleepers,
oldest of the old;
Power from the green witch,
lost beneath the sea;
All shall find the light at last, silver on the tree.

The eternal return of spring and the regeneration of nature are deeply ingrained in this side of the world: A glimpse of the wild nature that bursts forth with renewed vigour is enough to understand how ancient Greeks sanctioned it in several myths. Some of them tied to the sea involve Tethys, the Greek aquatic goddess, and the sea-creatures she protects.

For the occassion of the Spring or Vernal Equinox, Roxana Villa of Roxana Illuminated Perfume came up with GreenWitch, an all-natural perfume, dedicating it to Tethys. She was inspired by the GreenWitch novel by Susan Cooper (1974), part of the authors Dark is Rising Series. The characters Simon, Jane, and Barney return to Cornwall with their Uncle Merry after learning that the grail they had found in Over Sea, Under Stone (Harcourt, 1966) has been stolen from the British Museum. Soon they are joined by Will Stanton and his American uncle. Older local women are preparing a celebration creating a doll from sticks and leaves which they toss into the sea as an offering to the White Lady or Tethys, goddess of the sea, "for the greeting summer and charming a good hearvest of crop and fish". Jane's unselfishness in the ritualistic wishing process wins her the favours of the effigy and thus the secret to the manuscript that will enable her to decipher the Grail's writing later on.
Tethys (also known as "The White Lady" in Celtic lore) daughter of Gaia and Uranus according to Hesiod, is one of the Titans in Greek mythology. Wed to her brother Oceanus ~obviously the family relationships of classic mythological figures supervenes any modern notion [sources: Callimachus, Hymn 4.17, and Apollonius, Argonautica 3.244] ~ she became the mother to the rivers known to the ancients and thousands of daughters called the Oceanids.

GreenWitch as a perfume follows the formula of a traditional Chypre where oakmoss and labdanum in the base are balanced with bergamot in the top and where seaweed enters to render the sea accord. It's interesting to see such a "sea/marine" accord in a natural setting as I wouldn't be able to conjure it in my mind besides the expected ambergris. And yet, it can be done. Green Witch has some facets of deep blue in there! What I liked was the contrast between the marine and the earthy, as if brown algae were dancing in front of my eyes. Another novelty enterting the perfume is Africa Stone, the fossilized excrement of a small animal called the rock hyrax (providing an animalic edge and longevity)
A complete breakdown of the ingredients and the composing process is included on this link. Balance is one of the main themes of Meán Earraigh (the Celtic spring equinox) as the light is evenly matched with the dark, as in this fragrance. A percentage of the profits from purchasing the flacon support GreenPeace. The perfume is available in the quarter ounce flacon pictured in the photo, 1 gram vials and in sample packs here. (stock is regularly replenished, according to demand)

Please visit the rest of the participating blogs at the following links:
Ida at BitterGrace Notes
The Non Blonde
Tom at Perfume Posse
Portland Examiner
Scent Hive
The Windsphere Witch
Roxana Illuminated Journal

Painting Les Océanides (Les Naiades de la mer) by Gustave Doré, French, 1832 - 1883 via ArtMagick. Bottle photo and illustration by Greg Spalenka.

Top Comforting Scents

Sometimes, things get a little hectic, life is a bit stressful, weather is acting up on you when you least expect it and you're finding yourself reaching for some comfort. Where do you seek solace? Today I am participating in a blog-o-rama with thirteen fine bloggers under the united theme of Comforting Scents for Uncomfortable Times organized by fellow blogger & perfumer Ayala Moriel. Come aboard and indulge in the selection!

Library smells
Odd beginning, but I wanted to get this off my chest: There is something deeply comforting about an old English-style library; velvet-upholstered Chesterfield couches, mahogany desks, green-hued lamps, the trails of blond tobacco pipes smoked by those who inhabit it and rows and rows of leather-bound books. A little armagnac in a tumbler wouldn't hurt either! I intend to recreate this ambience in a special room in my house when I'm older. People might say I have the tastes of a dried-up old man going hunting, but I don't care. In the meantime, I'm recreating that atmosphere with Etro Gomma, the magestic sweep of Doblis, the elegant Diorling and the home candle for the otherwordly Messe de Minuit. For me, they feel like home.

Orange Blossoms & the Sea-Spray
The smell of spring coming, rushing in might be an apter term. Even when the first hot rays are shining, it's the promise budding orange blossoms bring on the bigaradiers that flank the streets of where I live that signal their happy song, ushering in Easter and the return of Bacchus. And it is the salty, iodine scent of the sea brought by the gentle breeze of the evening, rolling along the coastal avenue under the palm-trees that speaks of the joys but also of the yearnings of the Big Blue.

Chanel Bois des Îles
It's not hard to see the appeal of fine cashmere: Its luxurious, pliable, warm but never stuffy yarns, enrobe the body like a beloved's hug. There are several fragrances which claim to be "a cashmere scent" (short for I-want-to-cuddle) but this classic by Ernest Beaux remains unsurpassed, especially in extrait de parfum where its artistry shines like a bright star in the galaxy. Its creamy sandalwood, the doughy iris that provides the plush, some ylang-ylang, hazy opoponax and the labdanum smidge in the drydown account for the most huggable scent you can think of. Simply sublime!

Ava Luxe No.23
This is like cheating as it is along the lines of the afore-mentioned Bois des Iles, at least in general concept. But it bears its own mention because the creamy sandalwood base along something like cheery citrus on the top just makes me feel safe and peaceful. The acacia and hawthorn notes are like sugar-spun biscotti, the musk is warm, powdery, inviting. I guess that's comfort...

Frédéric Malle L'Eau d'Hiver
There is a hint of spiciness hidden, a little heliotrope and hawthorn, some sweetness and the feel of a choir of angels singing atop a lightly salmon-coloured pillowy cloud and I'm transported. I always loved this one, composed by Jean Claude Ellena in 2003 and only this winter did I invest in my own bottle. From now on, the ethereal song can be repeated at will.

Baby scent
Those little creatures burb and poop and pee and perform all possibly imagined inelegant functions, but there is something about their own personal smell, their innermost buttery, milky, a little musky essence that one cannot possibly fully appreciate it until they have a little one of their own and it cuddles up to bed with them. It's yummylicious and utterly addictive!

Hearty, humble food
There is something to be said about the comforting aspects of reverting to the womb through indulging in the familiar scents and tastes of childhood. But what is most surprising is that even though possessing an inquisitive palate early on, it is those humbler carbohydrate-rich tastes which bring on that sense of psychological satiation like you're at peace with the world. I often long for a hearty plate of lentil soup, its garlicy vapours engulfing me on a dreary winter's day, or some on-the-spot composed zabaglione I recall gulping down as a treat after classes when little. Its aroma between a dessert and a vitamin-full supplement has something compelling about it. And of course organic strawberries eaten with fingers, scooping fresh cream along the way: What's more decadent, more delicious, more like a final declaration of spring-coming? I may be a fan of Slow Food, but there's nothing wrong with a couple of easy dishes sometimes. And, oh, cooking by itself is comforting (and sensual) by its very nature.

Salep
This traditional Turkish drink has always been something of a remedy-all at my house. Probably because it does aid a rough throat, which is all I ever suffered from (and it was quite often, I can tell you that!). The poppy-seed dust folded into warm milk has something of the ritual of arcane shaman practices that catches the imagination. And the crushed cinnamon on top adds to its attractiveness: It was only later I learned cinnamon is sometimes tied to Aphrodite. Figures...

So which are your comforting smells? Share them with us!

Please visit the rest of the participating blogs on these links:
All I Am A Redhead,
A Rose Beyond the Thames
BitterGrace Notes
I Smell Therefore I Am
Katie Puckrick Smells
Notes from the Ledge
Olfactarama
Perfume in Progress
Roxana's Illuminated Journal
Savvy Thinker
Scent Hive
SmellyBlog
The Non Blonde

Photo by Ayala Sender
The song is Southern Cross by Thanos Mikroutsikos on poetry by Nikos Kavadias, sung by George Dalaras

Annick Goutal Sous le Figuier candle: available again

Inspired by their latest creation, Ninfeo Mio, Camille Goutal and perfumer Isabelle Doyen invite us, through this candle, to a moment of escape in the Italian garden of Ninfa, at the shadow of a fig tree warmed by the sun. The candle Sous le Figuier would sublimate your rooms with its fruity notes of fig and peach mingled with mint to bring freshness and tonicity, sweet violet leaves and cedar wood for a warm final note. The softness and sensuality of the fig enter this elegant candle, presented in a clear glass streaked with gold and light and adorned with the Annick Goutal logo.

Beatrice Piquet (1963-2010)

Perfumer with Intenational Flavors & Fragrances Inc. Paris-based Béatrice Piquet succumbed to a prolonged illness... Famously responsible for the masterful L'Instant pour Homme for Guerlain, Burberry The Beat, the classic Trussardi Uomo in the black crock bottle, Bulgari Rose Essentielle, Davidoff's Echo, Boss Deep Red and Dark Blue, as well as assorted fragrances for Benetton, the Beckhams and Banana Republic, she was a quiet player in this emerging game of rock-stars. May she rest in peace.

If you want to grab a profile of the perfumer, you are referred to your local library for the Madame Figaro magazine of December 11, 2004, p.64.

pic via whatwedoissecret

Now You Can Smell Like Transformers & Other Blockbusters

Movie tie-in colognes might not be so distant in the future as we might have imagined...I stumbled upon the news that a reader of Cinematical blog named Jeff Solomon came across "perfumes for sale inspired by some of your favorite films.
Unfortunately, we're not talking about limited edition scents for Coco avant Chanel, or even Perfume. No, apparently somebody thought it would be a good idea to make scents inspired by such films as Bee Movie, Madagascar 2, and Transformers". (I assume these are the fragrances for which mr.Solomon provided evidence in the way of photographic proof; I kinda see how one would like to graft something of ms.Megan Fox onto them, although I am not sure it would be her scent necessarily). Thus reported Jessica Barnes, who goes on to note that "This isn't the first time that the world of the big screen has wound up at the perfume counter, as you might remember how back in 2001, NYC-based Demeter Fragrances released a limited edition perfume for Hedwig and The Angry Itch that was a scent reminiscent of hairspray, cigarette smoke, and cheap hotel rooms (kind of gross, but at least it made sense)".

Therefore assuming these might be official tie-ins produced by the major studios, thus cashing in on the mania that follows a huge box-office success, and not the underground product of hard-core fandom, should we be worried about the future? Do you want to smell like Madagascar 2 and all the zoo animals it includes? Or, wait, L'Artisan Parfumeur has already done that in their zoo-inspired (and terrific) Dzing!

pic from movie Transformers via www.wallpaperez.info

Guerlain Flora Nymphea: new fragrance, new film

To celebrate 10 years of Aqua Allegoria scents (meant to interpret notes in a simple, uncomplicated way), Guerlain releases this spring Aqua Allegoria Flora Nymphéa. Aqua Allegoria Flora Nymphéa, is composed of three main ingredients – seringa (NB this is not lilac but Philadelphus coronarius/mock orange which smells like heady white flowers), orange blossom and honey and was composed by in-house perfumer Thierry Wasser. To create the scent, Guerlain claims using "an exquisite orange tree flower that's been produced in Calabria for more than three generations". Fig and mimosa also combine with orange tree flower to create the romantic scent.

The outer carton of the fragrances in all the line of Aqua Allegoria scents changes: the symbol becomes the embossed bee in different colours upon a white background, instead of the romantic and swirling flower, herbs and spices designs of the past. In honour of the 10th anniversary Guerlain will also present an animated movie which will feature a nymph named Flora Nymphea who will tell the story of flowers and scents led by a bee, symbol of the brand. The movie was filmed in 3D production and is one minute long, told by Olivia Ruiz (click below to watch). The advertising campaign also features a feminine character – a nymph from a fairy tale, with pale pink floral petals. The Face is Anna Selezneva, photographed by Paolo Roversi.

Guerlain's Flora Nymphéa will be available as 125 ml of Eau de Toilette in a redesigned flacon by Robert Granai: the familiar honeycomb is reprised with its bee on the cap.

Musk Series 3: The Many Permutations of Musk

In all of perfume speak, "musk" and "musky" has got to be the most casually utilized term, often taking on hidden nuances inadvertedly to the speaker, based on their own perception of the odoriferous molecules creating the impression. We had touched upon this issue while discussing the cultural perception of musk (Musk Series Part 1), peppered with anecdotes. We had also tried to shed some light into the differences between the natural essence (produced from the deer Moschus moschiferous L.) and the vast array of synthetic musks in the industry today on this article (Musk Series Part 2).

In the words of Philip Kraft “the more one studies [musk] the more contrasting, vibrant and oscillating it becomes: repulsive–attractive, chemical–warm, sweaty–balmy, acrid–waxy, earthy–powdery, fatty–chocolate-like, pungent–leathery, resinous–spicy, fig-like, dry, nutty and woody, to give just some impressions” [1]. Still, beyond our interpretation (surely a personal matter) and the more clandestine issue of which ingredients are actually utilized in any given perfume, anyone immersing themselves into the fascinating subject of musks stumbles on another obstacle: What about the denominations that the companies and online boutiques give to their musks and musk notes themselves? What is "white musk", "black musk", "Egyptian musk" and so on and on to infinity? Let's try to find out in this guide.

White musk
The easiest to tackle, because of its ubiquity. You have probably seen the term in single-standing fragrances at the drugstore, such as the famous Jovan White Musk, and you have probably seen it in relation to the continuing success of The Body Shop's White Musk. The latter is comprised of the synthetic musks Galaxolide (7,7%), Tonalide (1,6%) a little Cashmeran (0,1%) for a total of 9.4% of white musks. Galaxolide (an International Fragrances & Flavours synthetic molecule with staggering popularity in the industry in both fine fragrance and functional products) gives a a clean, but also musky flowery-woody odour with a sweet, powdery nuance: You're probably well familiar with it through fabric softeners such as Comfort and Soflan and through detergents like Coral. White musk in perfumery therefore has become synonymous with a "clean", soapy and somewhat biting impression, with a passing floral tonality. Globalide (another musk synthetic, also called Habanolide) is often used in white musk compositions: A metallic smelling, fresh radiant musk which opens up the bouquet. Indeed its coupling with Helvetolide in Emporio Armani White For Her, by Alberto Morillas in 2001, gave rise to the term "white musk" as official perfume lingo beyond the brand names of yore ~its olfactory profile opposed to the balmy darkness of the prior nitromusks. The same synthetic (Globalide) enters the aldehydic musk Glow by Jennifer Lopez, accenting the fresh white floral components of the formula, while it also gives the cooly herbal-soapy feel of Mugler's Cologne and the baby-soft"clean" of Clair de Musc by Serge Lutens. It also outlives the blackberry top notes of the popular Trish McEvoy #9 Blackberry Musk.

Egyptian Musk
Even though the adjective might make you think that these musks come in their own little sarcophagi chanting in an unknown language, the reality is far removed from such exoticism. Simply put, Egyptian musk does not originate in Egypt, but is simply a variant of a musk blend in which the clean, scrubbed-skin nuance is the dominant part. The laundry day feel is there, much like with white musk (see above) but in general the effect is less screetchy and subtler to detect. Famous examples in use include the perennial Narciso For Her, where the fractialised patchouli (keeping the cleaner aspects) and the synthetic white flowers are highlighted by the clean muskiness of the base and smoothed out by a recent amber molecule, Amberlyn and a hint of honey. The Cuban born designer was inspired by an Egyptian musk oil he used to buy in New York City along his friend and muse Caroline Bessette-Kennedy. (It turns out it was Abdul Kareem's Egyptian Musk). The Egyptian musk part is easier to detect it if you test the Musk For Her by Narciso Rodriguez in the same line of fragrances (for a breakdown of the confusing concentrations of the line, please refer to this guide). There, Egyptian Musk stands almost solely on its own. They have recently updated the line with specific Musk editions.
The combination with "clean" patchouli seems to be an approved shortcut for this variant. Reading through this recipe for homemade Egyptian Musk, you come across the mention of patchouli leaves and rose petals entering the composition in a vegetal-base oil.
Several indie perfumers such as Ava Luxe, Dawn Spencer Hurwitz, Sonoma Scent Studio, as well as etailers (the likes of Nemat, Sweetcakes, Utopia Oils et al) make Egyptian musk fragrances. Its popularity has to do with its sheer subtlety, it would never offend a scent-phobic environment and it is pleasant to have around when you don't feel like perfume. The popular Egyptian Goddess oil from Auric Blends is a good example of a plain, unadulterated Egyptian musk with no other tonalities included: it smells a lot like fabric softener! You might also encounter this as "Pearl Musk" such as chez Ava Luxe, who offers both this and an Egyptian Musk version.

African Musk
Despite the "wild" evoking name, African musks usually are variations on the theme of Egyptian musk, soft, clean, inoffensive with an inclusion of sweet vanilla which makes them even cuddlier.

Red Musk
A chromatic variation in the name which was inspired by the "white" adjective, it bears an incense note reminiscent of the Eastern temples. Several etailers provide "red musks".

Black Musk
Similar concept with red musk, but this time with a woody, somewhat dirtier background, although not exactly animalic.

Blue Musk
Another variation poised on colour colding, this is close to white musks, with perhaps a sweeter musky nuance, a little softer and close to African Musk. If a manufacturer makes both Blue Musk and African Musk, it would be advised to try out before investing in both.

China Musk
Inspired by Body Time's China Rain, China musk types usually feature a distinct aldehydic and green top which brings on a refreshing feeling. Halfway between the metallic feel of white musks and the suaveness of Egyptian musks, China musks are saturated with light and are very pleasant. Ava Luxe makes an exceptional speciment termed China Musk.

Oriental Musk
A slight tweek on the China Musk idea (see above). Usually brought by jasmine inclusions and powdery background. Ava Luxe has one in her line.

Tunisian Musk
Generally the term refers to a sweet variation on the clean Egyptian theme (see above). Some manufacturers offer both Egyptian and Tunisian versions, so there is a slight twist in there. Dawn Spencer Hurwitz as well as TheParfumerie.com offer their versions.

Turkish Musk
Inspired by the traditions of tea and exotic leathers brought through the Silk Road to Constantinople, perfumers have come up with a musk blend that uses tarry topnotes to denote black tea and leathery nuances. Drier than the African-termed musks and with a little bit of sophistication, while still a wearable musk for layering or wearing alone. Dawn Spencer Hurwitz has a nice offering in this category.

Tibetan or Himalyan Musk
A variation seemingly close to the real Tonkin musk tincture but in reality not even close. These are warmer, sweetish interpretations presented by etailers and street vendors which can be very pleasant and inviting with good lasting power and hushed tonalities. Nemat makes a lovely Himalayan Musk oil which is supreme for wearing alone or layering purposes under other fragrances or oils to make them warmer and softer.

Nude Musk
I took the term used by Ava Luxe's fragrance to denote this category which also includes Perfect Veil by Creative Scentualisation and Sonoma Scent Studio Opal (for a comparison review of all three, click here) just because it's so erotically charged. This is a category which is meant to smell like "your skin but better", obviously a very popular demand and considered quite sexy (the skin-on-skin concept). It takes a lightly citrusy top (bergamot) and rounds it out through sandalwood and other creamy notes, blending into the skin where it smells as if you rolled into bed after a shower: That would be the scent you'd leave on the sheets. Suggestive, I know...The permutation with sandalwood was famously introduced in the 1970s with Bonne Belle's Skin Musk, Sarah Jessica Parker's longtime standby (this is now made with a slight reorchestration by Parfums du Coeur).

Wild Card musks (or anything goes...)
Some of the musks which you will encounter in your galivanting among fragrance lines are imaginatively named with poetic overtones leaving you wondering what they entail. Dawn Spencer Hurwitz has a whole array of unusual musks. Among them she makes a terrific animalic musk called Almadina Musk, which although reminiscent of the Arabian Al Madina, is in fact a leathery (lots of castoreum) and green marvel which projects with swagger and is highly recommended as a stand-alone fragrance. The Body Shop has a similar case of a musk which is not really musky: Japanese Musk is really a chypre in the manner of powdery chypres of old (see Ma Griffe); starched, cool, delightful and wonderful on a handkerchief tucked inside a purse.
DSH Special Formula X is a skin-friendly and erotic perfume that evokes boyish musks of yore, presented in the plain and longer lasting Extreme version. Dawn's Old School Musk is reminiscent of the 70s specimens specifically, such as Kiehl's as well as Houbigant's and Dana's, slightly greener and animalic. The touch of ambergris at the base makes it a bit like salt-water dipped skin.
The Fragrance Shop boasts an Almadina Musk too which they describe as "a spicy bitter musk with animalic undertones". Coty on the other hand makes the wonderful old barber-shop evocative Wild Musk which has a fougere overlay over the musky base. A retro fragrance with warm, inviting and lightly masculine accents, superb! Sonoma Scent Studio makes a spicy musk, called Sienna Musk, which is truly wonderful. (for a full review, please refer to this link)

Although mentioned in passing above, some etailers such as The Perfumerie.com feature lots of ethnically named musks, such Nigerian Musk (green-ish and named as a variant of Egyptian obviously; same with Tunisian, Indian etc). Generally they indicate what kind of "blend" they fit into, but trying out is always recommended first. As with everything...

The Musk Series will continue with lots of other interesting info and reviews.

[1] Kraft, Philip. “Aroma Chemicals IV: Musks” in Chemistry and Technology of Flavors and Fragrances, ed. by David Rowe. Blackwell Publishing, UK, 2004
Photograph of Lisa Lion by Robert Mapplethorpe. Perfume pics via parfum de pub

No fragrance for Detroit city workers

"[Detroit] City employees will be urged not to wear perfume, cologne or aftershave as a result of a settlement in a federal lawsuit. Officials plan to place warning placards in three city buildings. The signs will warn workers to avoid “wearing scented products, including … colognes, aftershave lotions, perfumes, deodorants, body/face lotions … (and) the use of scented candles, perfume samples from magazines, spray or solid air fresheners."

Amazing! And very hard to implement...

Read the whole article on this link.

Annette Neuffer Narcissus Poeticus: fragrance review & a draw

"Just a drop on each wrist and two in the bath were enough to send silver running down the walls" wrote French Vogue editor Joan Juliet Buck once upon a time, referring to an absolute of narcissus, properly named Narcissus Poeticus in Latin or Poet's Daffodil (it's a kind of daffodil after all). And she continued: "It set the world throbbing out of contol when I wore it. It became a little weird. It was only years later that I read inhaling too much of it can make you go mad". Makes you want to rush out and find out where narcissus absolute is available, doesn't it!
Yet narcissus absolute is almost never used in industrial calibre perfumes because of its scarcity and minute yield, which makes the cost prohibitive. Once upon a time it entered such romantic compositions as Worth's Je Reviens, but certainly not any more.
Therefore, upon being informed that indie German perfumer and jazz musician Annette Neuffer had prepared her own version of this intoxicating spring flower which spots the fields of my homeland right about springtime, I was immediately reminded of the above trivia. Annette reassured me that the fragrance "actually srceams for you - the indolic flowers gal". Can you say I've made my proclivities well-known...The dice was cast and predictably I was toast upon the very first vapour.

Because you see, all-naturals Narcissus Poeticus is heady, bedazzling, Bacchic, mind-blowing and beautiful, there's no other way to describe it! The tale of Narcissus, struck by Nemesis for his egotistical admiration makes you understand well just how this little flower can truly madden! The fragrance by Annette blends luscious, vibrant, natural essences, weaved into a dynamic composition; I have had it evolve on my skin, and each day there is a new nuance to be revealed, one day it's the jasmine, another what I perceive as orange blossom absolute (the genius pairing first conceived for Narcisse Noir by Caron) and another yet I get lots of yummy tonka bean. The inspiration came through early botanical fragrant evaluation excursions in Annette's Grandma's garden: "I was about 1,5 years old then. In spring there were lots of narcissus, jonquils and violets in bloom and their scent fascinated me already in that very early age of about 15 months! My grandma told me that I never put the flowers in my mouth, like all little kids do, but picked and inhaled them. The garden was located between forest and river and the most exciting humid crisp green scents were wafting around and intermingled with the air of the flowers".

This spring awakening is translated into Narcissus Poeticus. "Galbanum is the personification of that fresh spring green elusion and matches wonderfully with the essence of violet leaf. And a little later on in the year the fruity and fresh black currant buds - I used the absolute of it very sparingly to give a hint of fruitiness". Those who are afraid of the bitter green tang of the exotic grass of galbanum should sigh with relief, here it's weaved in very smoothly without dominating. Narcissus with its intoxicating, sweet, yet at the same time almost smoky vibe, poised between jasmine and hyacinth, is represented in all realism here; as if the white blooms are sprouting in front of your computer-weary eyes from the landscape painting across the wall.

You'd be hard pressed to peg this fragrance only as a floral or a green, nevertheless; there is an intimate, unsettling (deeply sexual) vibe about it, like a warm pillow where a beloved head had slept on the night before and you're clutching it in the morning, the memory of the scent even more precious than the reality lived, to paraphrase Henry Miller and his sexy Tropic of Cancer. The inclusion of blackcurrant buds adds a touch of of naughtiness, buttressed by honey and ambrette seeds, two essences that speak in intimate, hushed tones of lust and shared moments. A floral exalted into an animalic that can still behave, meowing its yearning. The slight hint of a dark chocolate edge presents itself throughout, something that puzzled me, as I suspected patchouli in minute amounts. Annette confirmed that indeed it is the green leaves of this exotic bush that mollify the floral notes and extend them. Paired with the classic vanilla-sandalwood-tonka accord, the base of Narcissus Poeticus is veering into the comforting.
The version I have is ultra-smooth pure parfum (the new and improved version 2010, not her older composition) and the lasting power for an all-naturals fragrance is quite satisfactory, although don't expect it to outlast a spring day's welcome.

Notes for Narcissus Poeticus by Annette Neuffer:
Head: Bergamot, Clementine, Tunisian Neroli, Violet Leaf, Galbanum
Heart: French Narcissus Absolute, Tunisian Orange Flower Absolute, Indian Tuberose, Egyptian Jasmine*, Bulgarian Rose Otto*
Base: Vanilla Absolute*, Mysore Sandalwood, Tonka Bean, Vegetal Musk

*certified organic, organically grown

Narcissus Poeticus by Annette Neuffer is only available through her site, Opulentals at NaturParfum.net
For our readers, curious to experience this scent in pure parfum, a small decant will be given away to a lucky reader. Enter a comment and you're included in the draw Draw is now closed..

Related reading: Avicenna by Annette Neuffer

Painting The Loss of Virginity (or Spring Awakening) by Paul Gauguin via wikimedia commons. Pic of narcissi via ruhr-uni-bochum.de.
In the interests of full disclosure I originally got to test the perfume through the perfumer herself.