Showing posts with label short review. Show all posts
Showing posts with label short review. Show all posts

Wednesday, August 3, 2011

Tom Ford Violet Blonde, Jasmin Rouge and Santal Blush: new fragrances & initial previews

New Tom Fords fragrances are going to launch officially very soon: Jasmin Rouge, Violet Blonde, and Santal Blush. After a successful course and some discontinuations (such as the compelling Velvet Gardenia), Tom Ford continues to expand his line, this time in a curious mix of Anglo and Franco languages in their names; perhaps in the case of Violet Blonde the implied wordplay is it might look like "violent blonde" to the casual onlooker, thus instigating a second, closer look. Given the steamy ads for Neroli Portofino, a best-seller in the line with matching body products, the anticipation for the new images is palpable. But let's see how the new fragrances smell and take a look at their respective bottles.

Violet Blonde is a complex scent with a nuanced character, woody and vanilla/benzoin laced, without too much sweet violet notes, but rather the powdery, soft scent of iris. The bottle designof Violet Blonde is the same as Tom Ford White Patchouli in the transparent glass used for Tom Ford for Men bottles. The square Tom Ford gold name-plate is given a twist into a rectangular gold name-plate that stretches across the bottom front of the bottle (as seen in the photo of the ad below) and in each corner of the plate a small gold bolt is added.  
Violet Blonde is available in 30ml and 50ml of Eau de Parfum and is part of the regular Tom Fod line (alongside Black Orchid and White Patchouli), available at major department stores.


Notes for Tom Ford Violet Blonde:
Top: Violet Leaf Absolute, Italian Mandarin, Baie Rose
Middle: Tuscan Orris Absolute, Tuscan Orris Butter, Jasmin Sambac, Sampaquita
Bottom: Benzoin, Cedarwood, Vetiver Absolute, Musk, Soft Suede


Santal Blush and Jasmin Rouge on the other hand belong to the Private Blend line by Tom Ford with the hefty price-tags.
Tom Ford Santal Blush is a gorgeous, clean, dry sandalwood with an immediate message of sensuousness and no boozy aftertaste, beautiful and wearable, composed by talented perfumer Yann Vasnier. The bet wasn't an easy one: Composing a sandalwood fragrance evocative of the Indian splendors of the Mysore variety known from the past without actually using the raw material due to its regional restrictions on use. The result more than compensates, entering into sandalwood fragrances top list, always popular with perfume lovers. If you like Tam Dao, this is a refined take on that scented memory.
"Masala spices from India, Cinnamon Bark Oil Sri Lanka ORPUR, Cumin Seed Oil, Fenugrec Absolute and Carrot Seed Oil, are enriched by a floral blend of Jasmine Absolute, Rose Absolute and Ylang Madagascar. An infusion of richly textured Sandalwood captives, Australian Sandalwood, Benzoin, Agarbois and Skin Musks, transport the scent of Santal Blush to another level". It's highly recommended and I predict it will be supremely popular among the cognoscenti!

Tom Ford Jasmin Rouge is perhaps the weakest link, since it has a sweet character that can turn a bit plastic on some skins. Of all the jasmines I have recently tried it's the one that impressed me least because I had the highest expectations from. Still a new jasmin from a niche line always sends a kind of frisson down some spines!

Violet Blonde, Jasmin Rouge, and Santal Blush by Tom Ford are now available for testing at Saks New York and Bergdorf Goodman in NYC, though latter store mentions a September launch date for the US and a later date in October for the international market.The launch will coincide with the new make-up range and a new male grooming products launch.

images via basenotes and scents of arabia

Wednesday, July 13, 2011

Balenciaga L'Essence: new fragrance preview

The new Balenciaga fragrance is a continuation of their last year's best-selling entr, a flanker that is in fact a continuation rather than a new fragrance merely taking over the design and name of a successful launch: Remarkably close to the original with a more metallic freshness, the new perfume named Balenciaga L`Essence will appear on the market in September 2011. The new fragrance belongs to the floral green genre, as did the original, but is supposed to be a more direct, potent fragrance in Eau de Parfum concentration, turning the original bottle design transparent to cement the notion of "purity", of "essence" ~a fact that personally reminds me of the comparable approach by Narciso Rodriguez and his own Essence and Essence Eau de Musc. L'Essence by Balenciaga is again fronted by muse Charlotte Gainsbourg.

Neiman Marcus already has testers for sampling, though, so getting a preliminary test is within reach: According to that, Balenciaga L'Essence is remarkably close to the original Balenciaga Paris fragrance, focusing as it does on the fresh, abstract green of violet leaf (different than just violets which are usually sweeter and powdery) and cool woods with a nutty note, a unisex idea, almost androgynous. The drydown in a mostly linear fragrance is warm with skin notes. “Green fragrances are traditionally male, like eau de cologne. However the key to Balenciaga Paris is violet leaves. I wanted to draw on these almost conflicting inspirations, for women”. L’Essence is green because it is honest and vibrant, like the rustle of crumpled leaves. But L’Essence is green as if it were trying to hide the secret of its nocturnal herb scent…
L’Esssence is impulsive. L’Essence is unambiguous. On the skin, L’Essence is as pure as the searing honesty of short-lived flowers. Violet leaves are like a blast of woodland and their youthful energy stimulates the skin. Violet leaves are unfailingly honest and offer up their exquisite coarseness. Vetiver also takes the upper hand, wild, unruly and incisive… L’Essence engages and dazzles with its modulations. And the secret of the forest asserts itself… L’Essence, is also reminiscent of the mossy scent given off by forests at certain times of day, which emphasises the accent of conifers. It is like the fragrance of leather, but it expresses the intrinsic nobility of the organic world. L’Essence has a keen, intense scent. L’Essence yields and offers resistance. L’Essence, is also about living…"

Balenciaga Designer Nicolas Ghesquière and Charlotte Gainsbourg present the making of the campaign for Balenciaga L'Essence in the video.

Thursday, May 26, 2011

Twin Peaks: Musc Ravageur & L de Lolita Lempicka

Tracing kindred spirits in perfumery is occasionally as uncomplicated as finding the common mastermind behind them. In the case of Musc Ravageur and L de Lempicka that one is none other than Maurice Roucel, celebrated perfumer and creator of some of the most delectable orientals and florientals in existence (and the occasional stellar chyprish floral, such as in K de Krizia). Although the fragrances are not 100% interchangeable, as evident in my review below, they bear a keen similarity that would have lovers of one eager to discover the other and those on a budget discovering a smell-alike that isn't a travesty.

In Musc Ravageur the explosive departure of bergamot, tangerine and cinnamon is set against a backdrop of vanilla, musk and amber. No flowers, just a refined skin scent. Yet contrary to name, Musc Ravageur isn't really about musk! Though it is rather "dirty". It's more of a spicy oriental, old-school-style and raw. And the reason I am including it in a section devoted to musks is mainly due to nomenclature and readers' expectation.
If you have been fearing (or loving, like myself) the reputation of Muscs Kublai Khan and Christopher Brosius I Hate Perfume Musk Reinvented, you will be puzzled by this one, recalling as it does the base of such classic orientals as Shalimar or even less classical, like Teatro alla Scala by Krizia.

Smelling Musc Ravageur on skin one cannot but form an opinion towards the latter. Musc Ravageur, just like the big paws of its creator, is more of a naughty & voracious home cat with a furry tongue giving you a bath, rather than a wild tiger in the jungle shredding its prey in pieces. A very sensual amber -rather than musk, compare with Kiehl's Original Musk oil for instance- is hiding in the core of the fragrance. A characteristic citrus-spice top note is there (I detect clove and lavender as well), which recalls the Gallified "oriental" mould, and a silky vanilla-amber dry down which isn't really sweet, but interplaying between warm & cool, almost a bit herbal. The artistry lies in having the amber perform like a Chinese gymnast: all over the place, but with an elasticity that creates the illusion of weightlessness!

The fashion designer with the borrowed names, Lolita Lempicka, came up with a wonderful vanillic scent in L de Lempicka, that has lured even me, who am not crazy about vanilla like -apparently- most of the rest of the female population at this particular moment in perfume history. L is no ordinary childish foody vanilla because it manages to combine an ambery depth with a salty kiss, like skin baked in the Mediterranean sun, under a cloudless azure sky. Featuring immortelle flower, the infamous note in Annick Goutal’s Sables and Christian Dior Eau Noire, it has a weird sense of hot summer images (immortelle is a very usual sight around the Mediterranean coast) despite vanilla’s traditional association with winter and homely smells. A cul de sac manicurist's existence in a crammed, abandonded apartment in the suburbs of some French town during the summer perhaps? More appealing, surely.
In Sables the impression is more of a wearable maple syrup, a very warm hug, a drier beach with no fish like that near a fossilised forest at the island of Lesbos. Sables is like seeing the earth’s history in a long gaze and a moment of eternity becoming yours.
L de Lempicka comparatively is much tamer than the Goutal and for that reason, above all, it will undoubtedly be more popular. It features also orange and cinnamon notes that contribute to the likeness I detect with Frederic Malle Musc Ravageur. However the effect is not as spicy-dense in L de Lempicka, while at the same time L comes off as more calorific and rounder, more ambery. L de Lempicka also lists almond , bergamot, precious woods (sandalwood) , tonka bean (coumarin notes)and solar musks. It comes in Parfum and eau de parfum and my review is based on the latter.

Related reading on Perfume Shrine: see more smell-alikes on the Twin Peaks articles link

Photos of Catherine Deneuve,top via MademoiselleB, bottom film still from Roman Polanski's thriller Repulsion

Thursday, April 14, 2011

Guerlain Aqua Allegoria fragrances: notes, history & short reviews

It's easy to look down on the Aqua Allegoria line as an entry level for Guerlainophile wannabes. Compared with the house's megaliths, such as Mitsouko, Shalimar or Vetiver, these seem like fragrances with much less monumental heft and no aspirations for posterity. Yet this "allegorica" line hides a few gems that are more than a simple sent bon and some which manage to be memorable in themselves.
The Aqua Allegoria line began as an exercise in deduction in 1999: the baroque compositions of old were too complicated for a younger, budding Guerlainista who approached the brand from the point of reference of their mother's vanity and the fascination with their Terracotta makeup products. Guerlain was ripe for a change after influx of money from LVMH had poured into the old giant. Therefore a simpler, more joyful approach seemed like a good idea. Focus on streamlined formulae zooming onto the raw materials themselves in identical bottles was on the vanguard of a nascent approach to niche perfumery; only this time available at major department stores at affordable prices. If only things continued on that path for the perfume lover...but I digress.



Perfumers' Rift, Changes in Direction
Before perfumer Mathilde Laurent and Jean Paul had what seems like the fallout of the century (the two are never mentioned in the same breath and all innuendo that Mathilde had worked for the brand was meticulously averted for years), a bunch of the first Aqua Allegorias were composed by her. Incidentally these are the best ones, in scope of creativity, elegance of structure and flair for the individualistic streak. Some of the more modern ones, especially the solo-frutastic ones, seem like they're forgetting they're fragrances and veer too much into the flavours drawer positioning. Lately the compositions have reverted to rounder bouquets (ex.Bouquet No.1) or soliflores, such as the upcoming Jasminora and Rosa Blanca, that hark back to the original issues more than 10 years ago.

Several fragrances in the line are no more: official word wants the scents to have been limited edition all along, one new coming after the old one tires out. But it wasn't so clear cut in the beginning and the survivors (Pamplelune, Herba Fresca) indicate that it might have to do with actual perfume sales figures rather than with any concrete concept. Which is a pity, as a couple (Winter Delice, Flora Nerolia) have something of a cult following, but there you have it. Some can still be found on online discounters or Ebay.

Launches & Design
The original line-up comprised 5 scents in 1999, thereafter an addition or so each year, with a few exceptions, and then picking up at the steady rhythm of two per year, usually each spring with an eye to summer wearing. The original bottle design revisited a simplified bee motif: the honeycomb was embracing the top of the smooth glass bottle with the sprayer built into the cap. The original packaging used a romantic design of flowers or other materials (accordingly) on the outer box, rendered like a delicate watercolour. In 2010 the outer packaging of the whole line was revamped so as to be uniform; all white, the differentiation now only being the colour of the Napoleonic bee embossed and the vertical line crossing the Guerlain logo on the front's top. To my own eye, the older packaging is more successful, even if less coherent.


THE GUERLAIN AQUA ALLEGORIA LINE IN CHRONOLOGICAL ORDER:

Guerlain Aqua Allegoria Herba Fresca (1999): A real herbal green scent. Focusing on mint, but not quite: the dew on the leaves, the fine herbs, its beautiful grassy ambience raise it one notch up from many herbal efforts from others. A survivor, it still circulates on Guerlain counters and is always in production.


Guerlain Aqua Allegoria Lavande Velours (1999): Lavender is given the Guerlain treatment, but done lightly and softly: iris, tonka bean and sandalwood mollify the harsher, cleaner aspects of fresh lavender. Discontinued. Chamingly, it also circulated as scented linen powder sachets...

Guerlain Aqua Allegoria Pamplelune (1999): One of the beacon grapefruit renditions in the whole of perfumery. A wonderful creation that boosts the sulfurous fruit with bergamot, cassis, petitgrain, patchouli and vanilla. If you're among the lucky ones that don't turn this one into cat-pee on your skin (this is one fragrance that is testament to the diversification of effect according to skin Ph) you're set for all your summery needs. A proud survivor, it's still in production.

Guerlain Aqua Allegoria Rosa Magnifica (1999): Rose takes on a spicy mantle for a simple, but lovely interpretation of a classic theme. Miles away from classic Guerlain Nahéma of course. Disontinued.

Guerlain Aqua Allegoria Ylang & Vanille (1999): The most Guerlain-like in the original bunch, it is a floriental with great tenacity and radience. Ylang Ylang is boosted by vanilla and fanned on soft notes of iris and jasmine. Discontinued.

Guerlain Aqua Allegoria Flora Nerolia (2000): A memory of Sevillian orchards where bigaradiers and sweet orange trees sway their leaves and blossoms to the breeze. I find Flora Nerolia especially lovely, marrying as it does neroli, orange blossom and a hint of jasmine with a miniscule incense-woody facet in the bottom. (Lamentably) discontinued.

Guerlain Aqua Allegoria Gentiana (2001): Not groundbreaking, but if you enjoy the take of Angeliques sous la Pluie, you have good chances of liking Gentiana as well. Its mountaintop dry and cool air (due to wild gentiane) is a breath of freshness in a milieu where everyone is wearing something sweet and cloying. Discontinued. Was also available as scented massage oil.

Guerlain Aqua Allegoria Winter Delice (2001): The only truly limited edition, as it circulated in the autumn of 20o1 with a clear destination to be a Christmas/wintery scent, smooth, deep, sumptuous and comforting. The voluptuous depth of pain d'épices and labdanum is given a fresh counterpoint in pine (pinus sylvestris). Discontinued.

Guerlain Aqua Allegoria Lilia Bella (2002): A classic lily of the valley "clean" floral, slightly dishevelled by the inclusion of a healthy dose of lilac. Springtime and youthful floral. Discontinued.

Guerlain Aqua Allegoria Lemon Fresca (2003): The well-known diet drink called Fresca is synonymous with refreshment and energising. Guerlain took this idea, making it a tonic to spritz on, full of sour notes of lemon, lime and bergamot. A little wood underscores, while an anise touch (just a tad) adds an air de famille. But it doesn't venture far off the lemon start. Discontinued.

Guerlain Aqua Allegoria Foliflora (2003): A millefleurs effect that was little convincing. Consisting of bergamot, neroli, apricot, white freesia, gardenia, sweet pea, angelica, vanilla and sandalwood, it's nice without rippling the pond. Discontinued.



Guerlain Aqua Allegoria Anisia Bella (2004): Aniseed is a classic mainstay in Guerlain fragrances from Apres L'Ondee and L'Heure Bleue onwards and here it's given a smothering of volatile notes such as bergamot and basil which complement its melancholic spiciness, alongside sweeter jasmine, violet and the discreet backdrop of cedar. Discontinued.

Guerlain Aqua Allegoria Mentafollia (2004): The simpler side-kick of Herba Fresca, focusing on bittersweet herbs. The latter is better, somehow, more complete. Predictably discontinued.

Guerlain Aqua Allegoria Orange Magnifica (2005): This is the first of the "fruities" Aqua Allegorias that really ruined it for the rest. A lovely Calabrian orange with a discreet almond background, progressing from the fruity to the lightly floral (neroli, clean jasmine). Discontinued.

Guerlain Aqua Allegoria Pivoine Magnifica (2005): A very clean, scrubbed floral that boosts the effect with hesperidia and the mainstays of iris-violet that Guerlain is famous for. Discontinued.

Guerlain Aqua Allegoria Grosellina (2006): Fruity-candy, cassis composition that accented the whole with fresh citrus notes on top. Nothing noteworthy really. Discontinued.

Guerlain Aqua Allegoria Tutti Kiwi (2006): An odd combination of kiwi and licorice, fanned on sandalwood and vanilla for sweetness. Probably my least favourite in the line. Discontinued.

Guerlain Aqua Allegoria Angélique Lilas (2007): Aqueous floral with notes of pink pepper, lilac, angelica and bitter orange. Luca Turin calls it a "footnote on Eau d'Issey years later". I believe he means unnecessary; it's not that horrendously bad. Discontinued.

Guerlain Aqua Allegoria Mandarine Basilic (2007): Two elements that contrast, orange-y sweet and spicy aromatic with ivy tones. Still available and in production according to official site.

Guerlain Aqua Allegoria Figue Iris (2008): Green fruity scent with fig leaves and fruits, very summery, dusted with a hint of iris so as to be reminded of the heritage. Discontinued.

Guerlain Aqua Allegoria Laurier Réglisse (2008): Another unusual combination, this time laurel and licorice. This gives a soft and green fragrance that has a unique taste buds appeal. Original. Discontinued.

Guerlain Aqua Allegoria Cherry Blossom (2009): A sakura perfume, simple and spring-like. Fresh and a little bit sentimental fruity floral. [Not to be confused with the stand-alone Cherry Blossom limited edition in the Louis XV flacon].

Guerlain Aqua Allegoria Tiaré Mimosa (2009): A tropical note (tiaré) and one which is inspired by a tropical destination (mimosa is an Australia native). Spicy accents and citrus lift the sweeter base that includes vanilla, clean musk and vetiver. The popular "suntan lotion" theme. Still available.

Guerlain Aqua Allegoria Flora Nymphea (2010): The anniversary edition to celebrate 10 years of Aqua Allegoria is a floral with youthful image. I wasn't particularly impressed. Available from a bunch of places, often on offer.

Guerlain Aqua Allegoria Bouquet No.1 (2010): This was a travel exclusive edition that didn't circulate widely. A peachy white floral (jasmine, delicate fruity notes), I thought Bouquet No.1 is an elegant play on the ubiquitous fruity floral theme.

Guerlain Aqua Allegoria Jasminora (2011): A lovely and true green jasmine soliflore, with a refreshing freesia note on top. Review of Jasminora here.

Guerlain Aqua Allegoria Bouquet No.2 (2011): A tropical take on fruity notes of litchi, fanned on rose and iris for tenacity and elegance. More info on Bouquet No.2 here.  

Guerlain Aqua Allegoria Rosa Blanca (2011): More info on Rosa Blanca here.

Guerlain Aqua Allegoria Lys Soleia (2012): More info on Lys Soleia here

NB: Dicontinued does not mean introuvable; it means out of production. There is still old stock left, some of which I have linked on each of the fragrances.

Top pic via Le blog de la mechante. Other pics via parfum de pub.

Friday, February 18, 2011

Sunny Fragrances to Beat the Winter Blues

There are some occasions in the lagging days of winter, eternally stuck someplace between middle & end of February, when the snow keeps piling up at the front windows and the birds fly down-spin over the yard, which can exasperate even the bravest of brave souls. Although my own native winters are mild & sunny, with only the occasional snowfall, white flakes not sturdy enough to pile up and withstand the coming out of the sun the next day, every time I have been away from home into a northern European country or in the windy winters of Down Under beside the lapping of the cold ocean, I got a taste for what it must feel like to always be cold, always rubbing one's nose when outside to stop it from getting numb.

The scented world around seems sleeping, with the indoor smells gaining momentum, but perfume can provide an intentional, on demand change of one's landscape: How exquisite a pearly aldehydic floral seems on an ice-cold day and how bright & dreamy does a floriental, full of the sunny rays that warmed the petals of its tropical flowers...

My picks for instilling a sunny disposition and banish those winter blahs comprise a list of perfumes which are noted for their optimism, sheer joie de vivre, indulgent nature and easy wearing; in two words, uncomplicated happiness! Fragrances to remind you of the coming of spring and to put a spring in your (still mutton-wearing) step! After all, in Turkish tradition the end of February marks the end of winter's cemre: Cemre are 3 fireballs coming from heavens to warm the earth for the coming of spring; the first appears on February 19-20, the second between February 26-27 and the third falls to ground on 5-6 March...Spring is just round the corner!
And if you're gifting someone to cheer them up, consider a bouquet of chocolate hearts for a perfect gift hamper accompanied with an elegant floral perfume for a striking impression.

10 Fragrances to Beat the Winter Blues for Men/Women:

Patricia de Nicolai Le Temps d'une Fête
The perfect hyacinth-ladden green floral to evoke spring, full of crushed leaves & grass; a fragrance so beautiful and cheerful that it will make you spin around and around humming Mendelssohn's Spring Song even when getting down the Christmas decorations.

Ayala Moriel Les Nuages de Joie Jaune
Described as "drifting in yellow clouds of happiness", this is an all-natural soliflore fragrance built on the yellow pom-poms of mimosa and the honeyed goodness of cassie. As light as air and as joyful as the first bright, sunny day in late February. [availability]

Annick Goutal Songes
Someplace in the tropics, languorous women with Gaugin-esque physiques pick up cananga odorata (ylang ylang blossoms) to render their sunny essence which finds its way inside this summery potion of liquid sunshine. A floriental full of the suntan and solar notes of salicylates, fanned on a vanillic and woody base.

Guerlain Aqua Allegoria Mandarine Basilic
These succulent Mediterranean flavours, combining almost as in a fruit salad, benefit from the spicy zing of the basil note. An easy, piquant scent which lifts the mood anytime.

Profumum Victrix
The Latin sounding name hides a masculine cologne of earth and wind, where the laurel, the greens and the coriander conspire to give notions of open, endless prairies under a dog-toothed sun.

Molinard de Molinard
Fruity floral in the best possible sense. If you like Amazone and just didn't know where to look to to find a similar fragrance, look no further. This is has the happy ambience of a warm summer evening spent at an outdoors cinema in Sicily or a Greek island, all paved with gravel, with thick jasmine & honeysuckle vines climbing its walls, watching Cinema Paradiso.


Hermès Concentrée d'Orange Verte
This lime-laced cologne is simply the best masculine/unisex cologne to lift a lagging mood or a weary spirit. The hesperidic touch is enough to get you out of bed as sure as a good Robusta.

Patou Câline
The greenly fresh aldehydic sophistication and malleable primness of Patou’s Câline remind me of Audrey Hepburn in Sabrina, after her European trip in which she becomes a proper “lady”, almost unrecognizable to those who knew her as merely the chauffer’s daughter to the rich family. [Full review here.]

Lancôme Miracle So Magic
A surprising entry in the Miracle flankers stable, this is composed by Annick Menardo and although it diverts from her smoky, dark path, it bears a remarkable affability without insipidness: the green sweet smell of clover fields opens up on an endless vista in front of you as wild-flowers zoom into focus. Just lovely!

Hermès Iris Ukiyoé
Its detractors call it "Yuck! Away!" but don't let this parody on the Japanese-alluding name deter you. Notes of an aqueous hydrangea and a lightly spicy grape-like accent bring forth the fantasy of the iris flower, instead of the familiar rooty-violety root. Spring-like! [Full review here.]

And of course anticipating some of the upcoming fragrances for spring makes one dream a little bit and withstand the last throes of cold better. Catch them up here!

And you? What are your favourite fragrances to come out of hibernation? Tell me in the comments.




Spring Song by Felix Mendelssohn from "Lieder Ohne Worte".
Painting "The Promise of Spring" by Lawrence Alma-Tadema.
Molinard pic via Perfumes.bighouse.blogspot.com. Goutal bottle via thefragrantelf.livejournal.com

Tuesday, November 30, 2010

Korres White tea Bergamot Freesia, Vetiver root Green tea Cedarwood, & Vanilla Freesia Lychee: fragrance reviews

It was only a few days ago that I broke the news of the new line of fragrances by Korres on these pages, offering a cursory glance to the new scents as a whole and short reviews on three of them: Heliotrope Ylang Ylang Citron (the most impressive of them all and from the looks of it, the one Greek exclusive, as it doesn't appear on the International site at all), Iris Lily of the Valley Cotton (the most cooly subtle and refined skin-like) and Paeonia Vanilla Amber Pear (the weakest, as it seemed to me as if riding on the coat-tails of a well-known by now "trend", the fruitchouli).



I also announced one discontinuation from the original trio: that of Rose Blackcurrant Cyclamen. I stand behind that announcement and have since supplemented the post with a screenshot which showcases that indeed that's the one shot down (the other two appear featured on the International site normally alongside the new ones). Today I return with reviews on the remaining three fragrances in the newest line-up which is available in Greece as we speak and will be exported soon to the USA and everywhere where Korres is available: White tea Bergamot Freesia, Vetiver root Green tea Cedarwood, & Vanilla Freesia Lyche.

Contrary to the Korres fragrances I reviewed the other day, the remaining three are more or less faithful to their name, and -what's more- specifically to the first "note" announced in it. Thus they uncomplicate things for the weary consumer who doesn't want to have to spell everything out to the chemist behind the counter ("Please give me the Vanilla one") as well as the dazed chemist who is standing in his or her feet all day long catering to customers. The compositions are straightforward without appearing contrived and they possess excellent staying power. and projection Whereas that might have been a sort of given for Heliotrope Ylang Ylang Citron or Paeonia Vanilla Amber Pear by nature (the notes themselves veering into the lasting floriental genre), it is delightful to find it's also so for scents which are lighter and subtler in character, such as the remaining three we're reviewing today. They lasted well and were perceptibly audible on both skin and blotter: In fact I have a couple of blotters on my desk right now, wafting their effluvium as I type.

White Tea Bergamot Freesia is a crisp citrusy floral in the school that Jean Claude Ellena established as light "tea" notes (actually cool citrusy florals) and should lend itself to endless days of sunshine and sunny clothing to match. It's totally easy to wear and enjoy, undemanding like a sip from a pitcher of icy water on a hot day. The fragrance oscillates between a coolish white musk with floral notes and a fruity tonality with a bit of an apricoty lactonic scent. Very nice. The bottle is immediately recognisable as it's white to reflect the concept and name.

Vetiver root Green tea Cedarwood is redolent of earthy freshness and re-interprets a mainstay of masculine perfumery: the succulence of vetiver! Anyone who caught our Vetiver Series knows just how much I like this exotic grass in perfumes. So which take does the Korres fragrance take? The straight, the sweet or the strange? It seems it's a cross between the classic fresh (with its underscoring of an hesperidic, injected here through the "green tea" note which is a small crisp/floral segment, see above) and the sweet. If I'm not greatly mistaken the latter should be attributed to a little patchouli, lending a facet like licorice alongside the woodiness. The bottle is in dark green hues and the company recommends this scent for men, alongside the previous (and gorgeous) Saffron Amber Cardamom. I say it's eminently fit for both sexes and everything in-between.

Vanilla Lychee Freesia, true to its name, is a fruity vanilla with calorific tendencies. It's quite delectable, with great tenacity and a monochrome radiating all around, staying almost exactly the same from beginning to end: The vanilla scent is removed from the cookie-cutter board and takes on the caramelised nuance of a good flan. There is a kinship with some of the better Comptoir Sud Pacifique fragrances, perhaps Vanille Abricot; the fruity note leans towards a peachy-apricoty tone and plummy note which also reminds me a bit of Flowerbomb Extrême with its osmanthus and benzoin (i.e. vanillic) core. It's not very foody and it's not sickly sweet, which is a nice change of pace amidst most current gourmand fragrances on shelves.

The formulae do not contain phtalates, polycyclic musk compounds, nor nitro-musks of course. Korres is using Rosmarinus officinalis in the formula as a natural anti-oxidant. The new bottles come at 50ml/1.7oz and are presented at an advantageous price point (below 30 euros) that belies their quality.

Tuesday, November 23, 2010

Korres: New Fragrances & One Discontinuation

It's no secret that Greek brand Korres has created a cult following around the world. The trio of fragrances in old chemist's apothecary-style bottles were named after the main scented materials entering the composition and they became an instant hit shortly after their introduction in 2009. They were originally meant to be limited editions in the USA, the stock quickly dried up and became the object of fervent hunting on international online venues. The fragrances of course are a mainstay in the Greek market.



The original trio included the intriguingly appealing Pepper Jasmine Gaiacwood Passion Fruit (woody oriental) the majestically deep Saffron Agarwood Cardamom (spicy oriental) and Rose Blackcurrant Cyclamen (floral). Of them, one is discontinued even from the Greek market my sources reveal to me, namely Rose Blackcurrant Cyclamen, the weakest link in the chain in my opinion.

EDIT TO ADD 25th Nov: One of my readers, Iliana, kindly notified me that the one she had trouble finding in her city was Saffron Agarwood Cardamom. I'm pleased to say that this is still in production beyond any doubt, as shown on the official Korres site today (choose country option International), showing two of the previous trio (exactly as I had mentioned above) on their index page alongside the new ones (Oddly enough they don't show the Heliotrope Ylang Ylang Citron one, see below). See attached screenshot above for proof (click to enlarge).

You can look at the frag-zine KORRES created especially for its fragrance launch, the editorial concept of which was developed by the brand’s global Communications Director, George Anthoulakis on this link by the Greek page in English on Yatzer. (It's an interesting read with quite some info and is visually very appealing)

However new fragrances are being introduced as of this minute (they're not up on the official Korres site at the time of writing this post), after the success of the former trio, which Perfume Shrine is proud to introduce to the international fragrance community.
The newest Korres fragrance collection includes:


  • Heliotrope Ylang Ylang Citron
  • Vetiver root Green tea Cedarwood
  • White tea Bergamot Freesia
  • Iris Lily of the Valley Cotton
  • Vanilla Freesia Lyche
  • Paeonia Vanilla Amber Pear




I was positively impressed by the Heliotrope Ylang Ylang Citron which is a floriental, not too sweet and with a piqant, "sharp" top note which blends well with the almond/cherry pie note of heliotrope. For those who want a nice "clean" woody-musk that doesn't punch you with its synthetic fist, Iris Lily of the Valley Cotton is surprisingly smooth, with a perceptively rooty-metallic iris note in the background. This is a perfect everyday fragrance which could pass for the natural smell of your skin and clothes.
In my opinion the Paeonia Vanilla Amber Pear was the least original, as it reminds me of Coco Mademoiselle. Of course that might prove to be its strong selling point, although the average Korres consumer is sophisticated enough to not be searching for dupes from what I've seen.
Expect to see international launches in the foreseeable future! The price point is comparable to the previous trio, i.e. good value for money.

The remaining three new fragrances by Korres are reviewed on this page.


photo via yatzer.com

Wednesday, September 15, 2010

Win an A.Tauer Bottle of Your Choice! (and reviews on Une Rose Vermeille & Eau d'Epices)

Andy Tauer has been at the Pitti Fragranze exhibition in Florence, but his generosity to the perfume community is well documented and knows no territorial bounds. Therefore, he offered a contest for Perfume Shrine readers with a brand new bottle of perfume as prize and the winner gets to choose between his two upcoming launches: ROSE VERMEILLE or EAU D’ÉPICES.
So what should you do to enter the contest? Simple: State which is your favourite Andy Tauer scent & why in the comments; or if you haven't tried any, why you would want to sample an A. Tauer fragrance and maybe which catches your fance.
I will pick the best entry (to my discretion) and forward the winner's data to Tauer, so he can send them the fragrance. Contest is open till the end of the week, Sunday midnight, so you have plenty of time to participate.

In the above context and to help you a bit, I have sampled both fragrances and they're predictably very good. Of course all spicy fragrances by Tauer are awesome and the characteristic "Tauerade" (the house's beloved mix of labdanum, Tonka and the ambergis note) in the base is echoing through both. The spicy bouquet on top of L’eau d’épices is comforting and cozy. I don't know if it's the approaching cool of autumn and the longing for evenings spent by the fire, wrapped with a fluffy blanket and holding a mug of muled wine, but there's something immediately appealing about this scent which I am sure will find many fans. The cardamom is especially nice and coupled with the labdanum at the base created a sweet, resinous feeling. Tauer likens it to a walk through a pineta and I wouldn't disagree. The other spices are more of a familiar clove-y mix which recalls pomanders, the juicy citrus peel festooning the spicy prongs.
Une Rose Vermeille is a fruity rose, but fruity in the way that natural rose essence has a tangy, sometimes honeyed-hesperidic quality: the rose pairs with the mandarin and the framboise very well. After all, Tauer does love his roses and treats them like princesses. Andy here used Bulgarian rose absolute, which is very costly, and bypassed the powdery aspects into highlighting the liqueur-like tones so it reads "modern" and almost edible, like the rose jams we used to make around here, rather than "retro". Succulent!
Both fragrances project clean somehow, they feel "fresh" and bright and could be worn by either sex, but they're a far cry from the laundered & bleached "clean" fragrances that flood the market and recall functional products rather than fine fragrance. This is ascertaindly fine fragrance and is proud of it!

By the way, Andy intimated that he's introducing a smaller 30ml flacon for two of the Homage scents, Une Rose Chyprée (you can read a review here) and Une Rose Vermeille. Good news for those with tighter budgets!


Notes on the two new scents from Tauer Perfumes:
Scent N0. 12-EAU D’ÉPICES (eau de parfum, in the classic blue Tauer 50 ml flacon).
HEAD NOTES An Indian basket of spices with cinnamon, cardamom, clove and coriander with red mandarines.
HEART NOTES An opulent heart of orange blossom, jasmine, orris root and incense.
BODY NOTES A woody cistus ladaniferus resin, softened with ambergris, Tonka beans and vetiver.
Available worldwide end of September, about 120 $US

Scent No. 10-UNE ROSE VERMEILLE (eau de parfum, in a new 30 ml flacon, presented for the first time in Florence, September 10).
HEAD NOTES A citrus chord with lemon and bergamot with a whisper of lavender.
HEART NOTES Sumptuous bouquets of roses and violets, kissed by luscious raspberries.
BODY NOTES The richness of vanilla, sandalwood and Tonka beans, touched by the elegance of ambergris.
Available worldwide end of September, about 130 $US


Disclosure: samples vials of the scents were sent me by the perfumer

Monday, March 29, 2010

Roxana Illuminated Perfume Chocolate Fragrances Giveaway


I have been the recipient of a generous giveaway coffret offered by an all naturals perfumer who has appeared on these pages before. Namely Roxana Villa and her cute solids, this time perfectly timed for those who are too old for the Easter Bunny but who have something of the bunny in their heart of hearts. So, do read down, there's a generous giveaway of assorted solids from the collection below to be given to a lucky reader who leaves a comment!

Inspired by the South American seed of the Theobrama cacao tree, also known as The Food of the Gods, Roxana has created a series of Natural Solid Perfumes based on the love elixir Chocolate. Creamy, luxurious unguents in a botanical chocolate base made with Scharffen Berger 99% cacao, cocoa butter, organic cocoa powder and theobroma cacao extract from South America. The completely natural formulation also contains unfiltered beeswax, jojoba seed oil, infused vital plant materials and botanical fragrance accords. Embellished with the artists signature icon wax bee stamp each pot is contained in a gold foil cup within an adored box. A feast for all the senses awaiting to seduce and enchant. It's advisable to rub just a tiny bit and add more as you wish and they can be layered too!

The Chocolate collection includes:
Figure 1: Noir Like it's edible counterpart, this chocolate is deep, dark and mysterious with a strong musk note.
Figure 2: Cerise Succulent cherry weaved with a base of rich chocolate.
Figure 3: La Forêt A dense conifer forest meets an ocean of chocolate.
Figure 4: L'Orangerie Mouth watering citrus in a base of rich chocolate.
Figure 5: Bois de Chocolat Smokey woods and chocolate.
Figure 6: Épices Spice, a hint of vanilla and chocolate.
Figure 7: Pétales is rich with Rose, the Queen of fragrances.
Figure 8: Coeur de Jasmin Rich heart of jasmine enveloped by creamy chocolate.
Figure 9: Fleurs de Orange A buzz with orange blossom flowers, honey and chocolate. Figure 10: Blanc, opposite of Noir, is a a milk chocolate truffle, featuring the Vanilla Orchid Bean at center stage.
Figure 11: Chêne A tribute to the mighty Oak with notes of wood, resin, moss, and oud. The cacao note is more subdued.

I have tried 4 out of the collection and they're quite different from each other even if they share the chocolate theme. I guess I'm not helping you weed out the selection, am I? Typical of a fragrant omnivore...but I digress.
Figure 1 Noir is fabulous for those who want their chocolate patchouli-deep and appreciate the earthier blends in which some good old-fashioned patchouli is really amping up the sexiness, which is pretty much saying I love it! There is a citrusy top which really lifts the fragrance and compliments the patchouli. Figure 3 La Forêt has a pine-y scent to it, also a bit oak-ey, at a crossroads between summer and autumn, warm Mediterranean settings alongside more shady magical branches of the North. Figure 5 Bois de Chocolat is woody again, close to Figure 3, but a little less sunny in lieu of some smoked woods which gave me a more crepuscular impression. This could make a great masculine. Last but not least, Figure 11 Chêne is the less chocolate-y of them all, but curiously (curiously because I am a chocolate fiend, be warned) it's probably my most favourite thanks to its complex scent redolent of tannic notes & moss which shine through, evoking an oak forest or big oak barrels hiding rich red wine. Fans of her Q perfume should definitely try this version, as I think the bouquet of resins and oud in this are sublimated by the chocolate touch and render it very friendly and sensual. As a matter of fact I can see these little solids easily incoroporated into a promising erotic session. Oops, did I actually write that or just thought it? Anyway, a lucky reader commenting will be the recipient of the solid chocolate fragrances giveaway to find out for themselves *wink*
Draw will remain open till Easter Sunday, midnight. Draw is now closed.
You can of course buy some of the chocolate perfume solids either on this link on Etsy or the whole collection presented like chocolate candy in a heart-shaped box on that link on Etsy. (And while you're there browse around, there are individual samples and solids lurking as well at affordable prices)

Giveaway coffret was provided by the perfumer. I swapped for mine.

Saturday, March 20, 2010

Greenwitch and Tethys for Spring Awakenings


Fire on the mountain shall find the harp of gold
Played to wake the Sleepers,
oldest of the old;
Power from the green witch,
lost beneath the sea;
All shall find the light at last, silver on the tree.
The eternal return of spring and the regeneration of nature are deeply ingrained in this side of the world: A glimpse of the wild nature that bursts forth with renewed vigour is enough to understand how ancient Greeks sanctioned it in several myths. Some of them tied to the sea involve Tethys, the Greek aquatic goddess, and the sea-creatures she protects.

For the occassion of the Spring or Vernal Equinox, Roxana Villa of Roxana Illuminated Perfume came up with GreenWitch, an all-natural perfume, dedicating it to Tethys. She was inspired by the GreenWitch novel by Susan Cooper (1974), part of the authors Dark is Rising Series. The characters Simon, Jane, and Barney return to Cornwall with their Uncle Merry after learning that the grail they had found in Over Sea, Under Stone (Harcourt, 1966) has been stolen from the British Museum. Soon they are joined by Will Stanton and his American uncle. Older local women are preparing a celebration creating a doll from sticks and leaves which they toss into the sea as an offering to the White Lady or Tethys, goddess of the sea, "for the greeting summer and charming a good hearvest of crop and fish". Jane's unselfishness in the ritualistic wishing process wins her the favours of the effigy and thus the secret to the manuscript that will enable her to decipher the Grail's writing later on.
Tethys (also known as "The White Lady" in Celtic lore) daughter of Gaia and Uranus according to Hesiod, is one of the Titans in Greek mythology. Wed to her brother Oceanus ~obviously the family relationships of classic mythological figures supervenes any modern notion [sources: Callimachus, Hymn 4.17, and Apollonius, Argonautica 3.244] ~ she became the mother to the rivers known to the ancients and thousands of daughters called the Oceanids.

GreenWitch as a perfume follows the formula of a traditional Chypre where oakmoss and labdanum in the base are balanced with bergamot in the top and where seaweed enters to render the sea accord. It's interesting to see such a "sea/marine" accord in a natural setting as I wouldn't be able to conjure it in my mind besides the expected ambergris. And yet, it can be done. Green Witch has some facets of deep blue in there! What I liked was the contrast between the marine and the earthy, as if brown algae were dancing in front of my eyes. Another novelty enterting the perfume is Africa Stone, the fossilized excrement of a small animal called the rock hyrax (providing an animalic edge and longevity)
A complete breakdown of the ingredients and the composing process is included on this link. Balance is one of the main themes of Meán Earraigh (the Celtic spring equinox) as the light is evenly matched with the dark, as in this fragrance. A percentage of the profits from purchasing the flacon support GreenPeace. The perfume is available in the quarter ounce flacon pictured in the photo, 1 gram vials and in sample packs here. (stock is regularly replenished, according to demand)

Please visit the rest of the participating blogs at the following links:
Ida at BitterGrace Notes
The Non Blonde
Tom at Perfume Posse
Portland Examiner
Scent Hive
The Windsphere Witch
Roxana Illuminated Journal

Painting Les Océanides (Les Naiades de la mer) by Gustave Doré, French, 1832 - 1883 via ArtMagick. Bottle photo and illustration by Greg Spalenka.

Sunday, January 31, 2010

Frequent Questions: The Many Versions of Shiseido Zen

When the same name for a fragrance is used through the decades to denote varying scents, things get entangled. Zen by Shiseido is one such characteristic example. To disentangle them here at Perfume Shrine we try to shed some light on what differentiates each version.

There are actually three Zen fragrances, all by Shiseido, in different packaging and smelling rather differently from each other.
The original Zen Eau de Cologne (and parfum) from 1964 comes in a black bottle with hand-sketched gold flowers on it. It's a green spirit with fangs which bite hard! Unsettling and completely unbefitting the serene name, it makes for a thunder entrance: Bitter and sharp, white floral in the heart in the manner of gardenia chypres of old but quite angular still, and with an incense twist somewhere (smoky), while the base is all mosses and bitter leather. Excellent on a guy! In fact probably better than on a woman maybe. The re-issue available at Nordstrom's right now is supposedly very close to the original daring formula and is termed Zen Classic to differentiate it from the following versions. I have also come across an Eau de Parfum mist version of it online.

The chronologically intermediary Zen was encased in a pretty white bottle with rounded, friendly contours in a white box with beautifully tactile, subtly shiny surface. The fragrance was presented in Eau de Parfum Aromatique (that's what it says on the box). Less bitter, more fruity floral with a lovely rose note which Shiseido tells us was allegedly grown in space (the product of careful tending by astronauts aboard the space shuttle), it has no leather-mossy feel but ample musks & woods in the base. It's a soft and lovely rendition which approximates its name much more convincingly than the original version, was completely in tune with the 90s in both concept and visual representation (half pebble, half high-tech gadget) and the general Shiseido aesthetic and has been loved by many. It's now discontinued but still available online.

The new version of Zen was incarnated in a cube bottle, architectural, designesque and downright fancy in 2007. The smell however is nothing like either of the older ones. Modern Zen has a fruity-fresh opening, instead of the characteristic bitter green of the original, seguing to spicy and ambery (ambroxan)-patchouli notes. Although the base is generic and rather non distinctive, the spicy accent is quite pleasant, redeeming it. Still, in a sea of ambery patchouli fragrances with fruity notes it's not marking its territory in any significant radius.

There's also a flanker to that one -i.e. a 4th Zen, affectionately called Zen White- in a different coloured cube, supposedly for summer and more metallic-citrusy in tone. Finally there is Zen for Men in a greyish-blue bottle that follows the cube-shape of the modern Zen for women. Its scent is centered on spicy woods and musk.
All the modern Zen versions are available at department stores wherever Shiseido is carried.

Wednesday, July 15, 2009

Drapeau Tricolore: 12 Quintessentially French Fragrances

"How can anyone govern a nation that has two hundred and forty-six different kinds of cheese?" General Charles de Gaulle had infamously querried. Growing up one of my best friends was French. Her name was Marianne (coincidence?) and she was living in a Paris banlieu: We met in the summers vacationing, we exchanged cards and film-stars-stickers in the wintertime. She brought our family gorgeous stinky cheeses that cemented my life-long appreciation for them, we brought them handmade olive oil soaps and mastic liqueur; and between summer siestas and hot days skulking we came to know each other's culture in passing. I learned that the French are a sensual more than sexual people: They buy their fruits and vegetables every day (fondling them, like us); they like to satisfy their eyes, but also their touch and their tastebuds in everything they do. The cliché wants them to be dirty and if the Paris metro is anything to go by one can't blame that notion, yet much as they have legends of The Great Unwashed (Napoleon's note to Josephine "I am returning in three days; don't wash!") they also have recipes to aromatize said juices! (The tisane recipe of orange, rosewater and mint the French lover hands down to his American young mistress in bed in "Le Divorce" by James Ivory: "That's something you would never have found out in Santa Barbara" he tells her naughtily).
But what constitutes Frenchiness? In the mind of the American it has always stood as sophistication, but this really only stands for Parisians. And not as expected: French women often go for a thrift thrill at Zara and gloat on finding the perfect little outfit for less than 100 euros! They wear mainstream and high-street brands unapologetically and shop at department stores.
My own culture has been very influenced in the political and intellectual fields by France. Yet France is as much the Breton seaside with the matelot tops and its mussells as well as the Gitanes-smoking existentialists and the urinous paths of the clochards in Paris; the sole meunière with its bland ~to my Greek buds~ taste and the tangy blackberries growing on each side of the Loire valley. It's Midi and the characteristic familiar Mediterranean herbs (thyme, oregano, rosemary) picked by hearty housewives cooking a mean coq au vin, but also the Route des Vins d'Alsace (the Wine Route)!

Compiling a list of perfumes viewed as French-smelling, I had to eliminate many classics. Surely Paul Parquet's Fougère Royale for Houbigant (1882) and Jicky by Guerlain (issued in the same year as the Exposition Universelle and the Eiffel Tower, 1889) are beacons in the history of perfumery, but they were not as popular with the French themselves as other scents. The French are an elfin people, small, usually brown-haired and quirky, not blond and athletic, so anything Wagnerian can be safely left behind; nor are they Joan Crawford shoulder-padded and hollowed cheekboned; therefore Mitsouko and its Japonesque homage was out. By the same token the pale sunlight of Après L'Ondée (1906) reminds me more of northern climates. Miss Dior and Cabochard have now changed to the worse... And although France has traditionally been a very advanced country in the intellectual stakes, it is also conservative in its mentality, much like many of the older nations in Europe: People want to feel special, but not to be too different from the other respectable society!
Paris by Yves Saint Laurent seems like an obvious choice, yet its rosy embullient appeal transcends cultures. Same with Soir de Paris by Bourjois, especially popular with American women, and Narcisse Noir by Caron (initially a US hit before establishing Daltroff's knack). In the end I went for an arguably idiosyncratic list of French perfumes which satisfy my inner exploration of what "smells French".
Here it is for your enjoyment.

Amoureuse by Parfums DelRae
Technically an Anglosaxon fragrance (inspired by the Victorian boxwood trees on San Francisco), but executed by a masterful French hand (Michel Roudnitska, son of Edmond and responsible for Noir épices & most of the Del Rae line), Amoureuse is a sublime indolic, "dirty" floral (jasmine and a little tuberose) touched by honeyed sweetness and a ginger zing, that you can picture on someone as fortuitously vulnerable as Jeanne Morreau. It oozes femininity, frank sexuality and inner power like few other modern florals (Manoumalia perhaps?).

Bal à Versailles by Jean Desprez
If there was a void of great French orientals that didn't took you to the gardens of India in the manner of Shalimar, but kept you within terra franca, Bal a Versailles (Ball in Versailles) would be it. Unusually for the second half of the 20th century (1962) issued by the perfumer himself, Bal smells like afterglow ~spent, content and animalic, its citrus opening cascading into a cadenza of rich florals, fanned on opulent resins and golden balsams.

Bel Ami by Hermes
The citrusy leather modern classic of 1986 is often overlooked in its unusual pepperiness and floralcy under the smoky woods (cedar and sandalwood) and the animalic vanilla, which make it raunchy and assertive at first, refined later on. Named after a novel by Guy de Maupassant chronicling the rise to power of a manipulative journalist, Bel Ami has always striken me as the perfect masculine choice for a genuine French lover. Someone like Michel Piccoli of Le Mépris, Belle de Jour and The discreet charm of bourgeoisie. Can you think of anything more French?

Cologne à La Française (Institut Très Bien)
Small children in France ~and all along the Mediterannean~ often have their hands "washed" and their clothes sprinkled with Eau de Cologne. This cherished memory I have has undoubtedly contributed to my appreciating fine fragrances later on. This particular ~recently discontinued~ cologne by Pierre Bourdon bears its nationality proudly as a crest and its lemony goodness is akin to the optimism felt on a bright summer's day. I like to think that it smells like the one (American born) Jean Seberg casually splashes on her nape in Godart's A Bout de Souffle under Belmondo's watchful eye.

Hypnotic Poison by Christian Dior
Annick Ménardo went for the gourmand idea inaugurated by Angel, yet proposed a novel approach: the plummy, bitter almond heart poised on coumarin radiates like a poisonous apple of temptation (cyanide smells of almond) while the heliotropin is a distant wink to Après L'Ondée . Although Angel can be smelled everywhere in Paris, so it can in several other metropoleis (London, Athens, Miami...). Hypnotic Poison (1998) is just this side of being subversive without straying too much.

L'Air du Temps by Nina Ricci
Paris was liberated and hope was brimming in the air; the world was ready for light-hearted optimism after the austerity of the WWII ravages. Francis Fabron was thus commissioned to create the first Nina Ricci perfume in 1948 capturing exactly the "air of the times". The Lalique doves almost kissing on the top of the cap (designed in 1951) symbolised the romanticism that Paris has always stood for in the collective unconscious, preparing us for the olfactory equivalent of delicate Chantilly lace. The scent's tender clovey-carnation and peachy heart seems strung by fairies (especially in the vintage version), given a boost by benzyl salicylate, effectuating one of the most memorable scents of my own childhood.

L'Heure Bleue by Guerlain
From the Impressionist paintings that Jacques Guerlain was inspired of, to the elaborate pattiserie tradition that the French have been going to extremes for (see Vatel), everything in L'Heure Bleue (1912) is redolent of French Belle Epoque: the orange blossoms of the South, the Meditarranean herbs with the spicy anise overlay of rustic bread and the woody violets flanking it, as well as the paradigmatic sillage left behind it, enforce L'Heure Bleue as one of the masterpieces of French perfumery. Its wistful contemplativeness feels very Parisian to me.

Musks Kublaï Khan by Serge Lutens
Named after the bloodthirsty warrior of the steppes and created by Christopher Sheldrake in 1998, the shocking reality is this purring cougar smells soft, luminously warm and inviting in a special, "dirty" way, thanks to intense cistus labdanum, castoreum (rude hide) and civet essences. It shares the barnyard quality with the otherwise mossy musk of L'air de Rien by Miller Harris and several parfums fourrure. Despite its reputation of "the armpit of an unwashed camel driver" (perhaps due to the dirty hair note of costus), my personal perception of it is highly erotic, a view which the many French pilgrims of Les Salons du Palais Royal, where it's exclusively sold, seem to share.

No.5 by Chanel
Is No.5 French-smelling? Does the Pope wear a hat? No list would be complete without Chanel's icon of 1921 by Ernest Beaux, simply because it is emblematic for the perception of French perfume throughout the globe. The image of the little black dress with a single strand of pearls and two drops of No.5 is not especially francophone (it's more of a WASP image nowadays), nor is the touristy "baguette under the arm and tilted beret" cartoonish notion. Yet whether you like its soapy aldehydic bouqeut of intense ylang-ylang and jasmine over a musky trail or not, No.5 has accomplished what the Eiffel Tower has as well: to be considered an instantly recognisable French hallmark!

Nuit de Noël by Caron
The mysterious Mousse de Saxe (Saxon moss) base, with its cool and dark, animalic edge rich in musky and vanillic aromata (it's said to include geranium, licorice, leather, iodine and vanillin), and its jarring 6-isobutylquinoline (leathernote) produce a rosy-woody-powdery fragrance with a raw undercurrent that stood apart even in an era filled with outstanding perfumes (1922). Guy Robert praised it thus: "If a woman were to enter [a crowded theatre] wearing Nuit de Noël, all the other women would become invisible".

Une Fleur de Cassie by Editions des Parfums Frédéric Malle
I recall seeing farmers collecting gum from the cassie tree (acacia farnesiana) for use as gum arabic substitute in Australia, their agile hands working effortlessly. Known as Cassier du Levant in the South of France, the scent of cassie is rich in benzaldehyde, anisic aldehyde, and a violet-smelling ketone, rendering the essence sensuous and shadowy fleshy like the contours of a soft feminine body through gauzy garments. Cassie has been harnessed in several renditions from Caron's Farnesiana to Coty's La Jacée through Creed's Aubepine Acacia, but nowhere is the flesh-like honeyed richness, from bark to thorny stem to sugary-spun blossom, best interpreted than in Dominique Ropion's masterpiece Une Fleur de Cassie.

Vétiver by Guerlain
Simply put the scent of the French bourgeoisie, a classic that smells respectable and always pleasant in all situations; the passe partout that opens all doors! It seems there's nary a banker, broker, lawyer or well-to-do doctor in France who hasn't got a bottle of this citrus woody with refreshing vetiver notes of Jean Paul Guerlain in their bathroom. Although Eau de Guerlain with its provencal herbs accord is just as French, Vétiver (1961) caught on more, due to its erstwhile virile profile. A bit hacknayed thus if you're actually French and in France, it stands along with Dior's Eau Sauvage as the classic of classics in the great masculines pantheon. Its feminine counterpart is exceptional too!


Please add your own suggestions on French-smelling perfumes!

Related reading on Perfume Shrine: Stars & Stripes ~10 Quintessentially American Fragrances

Painting "La Liberté guidant le peuple" by Eugène Delacroix (technically commemorating the July Revolution of 1830) via Wikimedia Commons. Jeanne Morreau in Les Amants via cinemoi.tv, J.P.Belmondo via artscatter.com, L'Heure Bleue photo via Tangled up in L'heure Bleue

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