Two new editions of Guerlain fragrances join the venerable stable of thoroughbreds this spring and summer, belonging in the Acqua Allegoria line which has produced some surprising gems these past couple of years. [For a comprehensive guide into all the history & fragrance notes of Guerlain Aqua Allegoria fragrances, consult this link.]
Flora Rosa is a travel exclusive Aqua Allegoria fragrance, like some of the last couple of years' Aqua Allegorias have been (namely Bouquet No.1, Bouquet No.2 and Bouquet de Mai, starting from 2010) Flora Rosa had been announced for 2013 and was re-issued in both 2014 and in 2015. The fruity floral scent has notes of rose, red berries, white musk and orris. The difference between the previous editions lies in the packaging (the box is flecked with rose petals), but not the juice which remains the same.
Teazzura on the other hand is the regular retail Aqua Allegoria and a new composition. A sparkling floral citrus composition with green tea notes that will revive and awaken your spirit just as azure waters do...
The Aqua Allegorias are sold on Guerlain counters for €85 for 125ml of eau de toilette.
The other Aqua Allegoria fragrances in production for 2015 are last year's Limon Verde, the famous Pamplelune, Herba Fresca, Mandarine Basilic, Lys Soleia and Nerolia Bianca.
Le Plus Beau Jour de ma Vie is the more budget friendly eau de parfum version of Le Bouquet de la Mariée posh parfum extrait (which retails at €750 for 125ml), a special perfume aimed at brides. The new wedding fragrance is available in the bottle depicted. As Guerlain presents it : "A perfect companion for magical moments, Guerlain’s new fragrance Le Plus Beau Jour de Ma Vie captures the essence of happiness in a bottle. Seal the moments of boundless joy and relive the intense emotions of these special occasions with this soft sparkling floral scent."
Τhe composition of Le Plus Beau Jour de ma Vie includes fragrance notes of citrus, orange blossom, angelica, pink pepper, rose, sugar almonds (confetti), incense, patchouli, white musk and vanilla.
Showing posts with label aqua allegoria. Show all posts
Showing posts with label aqua allegoria. Show all posts
Friday, April 3, 2015
Sunday, February 10, 2013
Guerlain Aqua Allegoria Flora Rosa: new fragrance
Guerlain has thankfully taken a renewed interest in their Aqua Allegoria line of fragrances in recent years, not only with beyond decent releases (such as Lys Soleia and Jasminora) but also with an annual duo production; one of a mainstream launch in department stores and another in the travel retail exclusives circuit (i.e. the duty-free). This year the mainstream AA, as we have already announced, is Nerolia Bianca. But which fragrance will you be grabbing at the duty-free next time you board a plane?
The new Guerlain Flora Rosa will be available from 1st March 2013 in eau de toilette 75ml at the duty-free internationally, retailing for 47.50€.
The travel exclusive for 2013 is Flora Rosa by Guerlain and is a limited edition (just like Bouquet No.2 etc were before it). A fresh and lively interpretation on the rose blossom, Jean Paul Guerlain's favorite flower, it is boosted by other floral anchoring notes to give it duration and depth, Flora Rosa aims to fill the void left by the previous, discontinued Aqua Allegorias Rosa Magnifica and Rosa Bianca from 2011.
Thursday, June 2, 2011
Guerlain Aqua Allegoria Jasminora: fragrance review
It's easy to be convinced that the later day Aqua Allegorias have been subpar: The history of the Aqua Allegoria line by Guerlain proves they were not always so, yet the fruity examples of the last few years have been steadily dwindling. Nevertheless, I really surprised myself with Jasminora, Guerlain's latest addition in the line: A fresh jasmine floral which should delight fans of the classic Diorissimo (due to the latter's hyperbole of lily of the valley flanked by the grace of jasmine), as well as the acolytes of Chanel Cristalle and Ormonde Jayne Tiare (due to the crackling effect of both scents' citrusy trompe-l'oeil atop the green floralcy). The Aqua Allegorias have firmly moved from fruity territory into florals (judging by Flora Nymphea and travel exclusives Bouquet No.1 & Bouquet No.2) and if this one is any indication, there's hope yet!
According to Guerlain: "Aqua Allegoria Jasminora is a limited edition for 2011. This fresh floral fragrance opens with notes of galbanum, bergamot and cyclamen. The heart features Calabrian jasmine, freesia and lily of the valley, while the base consists of musk and amber."
In Guerlain's Jasminora the protagnonist is hedione (Methyl Dihydrojasmonate, the sparkling, limpid green note isolated from jasmine, paired with the lightening pepperiness of freesia. Here the perfumer used specifically Hedione HC from Firmenich, taking on citrusy touches reminiscent of bergamot juice and magnolia petals. The airy tang is complimenting the floral heart, taking on the refined delicacy of classic vintage Guerlain colognes (like in Eau de Fleurs de Cedrat) and echoing one of the most successful Aqua Allegorias, Flora Nerolia to date (Where the lightly bitter-sour neroli takes on a sensuous overlay, thanks to jasmine). The initial impression is one of electric shock, the peppery flash of freesia and some citrus creating a shockingly "fresh", piquant aura, the air ripe with the promise of rain.
This is supported by a chord of lily of the valley and jasmine which unmistakably translates as "green floral" (the resinous backbone of galbanum grass is furthering this "fresh", bracing impression). Hence my (tentative, as they're not really alike) comparison with vintage Diorissimo, especially in the lighter, fresher concentrations. But whereas the Dior classic veered into a decidedly naughty note in the background ~most notable in the extrait de parfum concentration~ in Jasminora the refined feel is that of a Japanese garden, misty at the edge of dawn and full with the electricity in the air before a rainstorm.
The aqueous elements are woven expertly alongside a sweet note reminiscent of the headiness of honeysuckle, resulting in an uplifting, refreshing melody which is heard though canopies of bright white. The lasting power is very good for an Eau de Toilette, in what is by definition a light genre, through the synergy of modern musks (only lightly powdery) and a subtle mossy note, boosting the freshness into an exploding sense of elation.
Much has been written about how Guerlain is abandoning la patrimonie of their impressive tradition, but with Jasminora they're revisiting part of that heritage with surprisingly credible results and a modern fresh feel. If I might be allowed to grumble amidst a positive review, it's a profound pity Guerlain reserved it for just a limited edition.
The newest Aqua Allegoria, Jasminora, by Guerlain, is available from major Guerlain stockists, £35 for the standard 125ml spray bottle.
Music by Manos Hadjidakis The waltz of lost dreams, from the 1961 Greek film Χαμένα Όνειρα (Lost Dreams).
Picture of Greek actress & dancer Maria Nafpliotou
According to Guerlain: "Aqua Allegoria Jasminora is a limited edition for 2011. This fresh floral fragrance opens with notes of galbanum, bergamot and cyclamen. The heart features Calabrian jasmine, freesia and lily of the valley, while the base consists of musk and amber."
In Guerlain's Jasminora the protagnonist is hedione (Methyl Dihydrojasmonate, the sparkling, limpid green note isolated from jasmine, paired with the lightening pepperiness of freesia. Here the perfumer used specifically Hedione HC from Firmenich, taking on citrusy touches reminiscent of bergamot juice and magnolia petals. The airy tang is complimenting the floral heart, taking on the refined delicacy of classic vintage Guerlain colognes (like in Eau de Fleurs de Cedrat) and echoing one of the most successful Aqua Allegorias, Flora Nerolia to date (Where the lightly bitter-sour neroli takes on a sensuous overlay, thanks to jasmine). The initial impression is one of electric shock, the peppery flash of freesia and some citrus creating a shockingly "fresh", piquant aura, the air ripe with the promise of rain.
This is supported by a chord of lily of the valley and jasmine which unmistakably translates as "green floral" (the resinous backbone of galbanum grass is furthering this "fresh", bracing impression). Hence my (tentative, as they're not really alike) comparison with vintage Diorissimo, especially in the lighter, fresher concentrations. But whereas the Dior classic veered into a decidedly naughty note in the background ~most notable in the extrait de parfum concentration~ in Jasminora the refined feel is that of a Japanese garden, misty at the edge of dawn and full with the electricity in the air before a rainstorm.
The aqueous elements are woven expertly alongside a sweet note reminiscent of the headiness of honeysuckle, resulting in an uplifting, refreshing melody which is heard though canopies of bright white. The lasting power is very good for an Eau de Toilette, in what is by definition a light genre, through the synergy of modern musks (only lightly powdery) and a subtle mossy note, boosting the freshness into an exploding sense of elation.
Much has been written about how Guerlain is abandoning la patrimonie of their impressive tradition, but with Jasminora they're revisiting part of that heritage with surprisingly credible results and a modern fresh feel. If I might be allowed to grumble amidst a positive review, it's a profound pity Guerlain reserved it for just a limited edition.
The newest Aqua Allegoria, Jasminora, by Guerlain, is available from major Guerlain stockists, £35 for the standard 125ml spray bottle.
Music by Manos Hadjidakis The waltz of lost dreams, from the 1961 Greek film Χαμένα Όνειρα (Lost Dreams).
Picture of Greek actress & dancer Maria Nafpliotou
Saturday, May 28, 2011
Guerlain Aqua Allegoria Bouquet No.2: new fragrance
After last year's Bouquet No.1, the succession has materialised at Guerlain:
Aqua Allegoria Bouquet Numero 2, developed by in-house perfumer Thierry Wasser is presented with the tag line of old in vintage Guerlain advertisements: "inspired by nature, created by Guerlain".
The new take in Bouquet No.2 is on more tropical accords, rather than fresh florals unlike last year's edition; this time centered on the fruity notes of litchi, fanned on rose and iris for tenacity and elegance. The bottle is the typical, familiar 75ml/2.5oz spray bottle with the beehove latticework on top, the standard of the Aqua Allegoria line, to be distributed as a travel retail exclusive (much like last years Bouquet No.1).
According to the official Guerlain blurb: "Nature is an emotionally-charged setting where we gather treasures, which inspires and enfolds us. Every year, when springtime comes, the Guerlain perfumer conjures up gardens filled with scents, in a blend of allegory and exhilaration."
Aqua Allegoria Bouquet Numero 2, developed by in-house perfumer Thierry Wasser is presented with the tag line of old in vintage Guerlain advertisements: "inspired by nature, created by Guerlain".
The new take in Bouquet No.2 is on more tropical accords, rather than fresh florals unlike last year's edition; this time centered on the fruity notes of litchi, fanned on rose and iris for tenacity and elegance. The bottle is the typical, familiar 75ml/2.5oz spray bottle with the beehove latticework on top, the standard of the Aqua Allegoria line, to be distributed as a travel retail exclusive (much like last years Bouquet No.1).
According to the official Guerlain blurb: "Nature is an emotionally-charged setting where we gather treasures, which inspires and enfolds us. Every year, when springtime comes, the Guerlain perfumer conjures up gardens filled with scents, in a blend of allegory and exhilaration."
Thursday, April 14, 2011
Guerlain Aqua Allegoria fragrances: notes, history & short reviews
It's easy to look down on the Aqua Allegoria line as an entry level for Guerlainophile wannabes. Compared with the house's megaliths, such as Mitsouko, Shalimar or Vetiver, these seem like fragrances with much less monumental heft and no aspirations for posterity. Yet this "allegorica" line hides a few gems that are more than a simple sent bon and some which manage to be memorable in themselves.
The Aqua Allegoria line began as an exercise in deduction in 1999: the baroque compositions of old were too complicated for a younger, budding Guerlainista who approached the brand from the point of reference of their mother's vanity and the fascination with their Terracotta makeup products. Guerlain was ripe for a change after influx of money from LVMH had poured into the old giant. Therefore a simpler, more joyful approach seemed like a good idea. Focus on streamlined formulae zooming onto the raw materials themselves in identical bottles was on the vanguard of a nascent approach to niche perfumery; only this time available at major department stores at affordable prices. If only things continued on that path for the perfume lover...but I digress.
Perfumers' Rift, Changes in Direction
Before perfumer Mathilde Laurent and Jean Paul had what seems like the fallout of the century (the two are never mentioned in the same breath and all innuendo that Mathilde had worked for the brand was meticulously averted for years), a bunch of the first Aqua Allegorias were composed by her. Incidentally these are the best ones, in scope of creativity, elegance of structure and flair for the individualistic streak. Some of the more modern ones, especially the solo-frutastic ones, seem like they're forgetting they're fragrances and veer too much into the flavours drawer positioning. Lately the compositions have reverted to rounder bouquets (ex.Bouquet No.1) or soliflores, such as the upcoming Jasminora and Rosa Blanca, that hark back to the original issues more than 10 years ago.
Several fragrances in the line are no more: official word wants the scents to have been limited edition all along, one new coming after the old one tires out. But it wasn't so clear cut in the beginning and the survivors (Pamplelune, Herba Fresca) indicate that it might have to do with actual perfume sales figures rather than with any concrete concept. Which is a pity, as a couple (Winter Delice, Flora Nerolia) have something of a cult following, but there you have it. Some can still be found on online discounters or Ebay.
Launches & Design
The original line-up comprised 5 scents in 1999, thereafter an addition or so each year, with a few exceptions, and then picking up at the steady rhythm of two per year, usually each spring with an eye to summer wearing. The original bottle design revisited a simplified bee motif: the honeycomb was embracing the top of the smooth glass bottle with the sprayer built into the cap. The original packaging used a romantic design of flowers or other materials (accordingly) on the outer box, rendered like a delicate watercolour. In 2010 the outer packaging of the whole line was revamped so as to be uniform; all white, the differentiation now only being the colour of the Napoleonic bee embossed and the vertical line crossing the Guerlain logo on the front's top. To my own eye, the older packaging is more successful, even if less coherent.
Guerlain Aqua Allegoria Herba Fresca (1999): A real herbal green scent. Focusing on mint, but not quite: the dew on the leaves, the fine herbs, its beautiful grassy ambience raise it one notch up from many herbal efforts from others. A survivor, it still circulates on Guerlain counters and is always in production.
Guerlain Aqua Allegoria Lavande Velours (1999): Lavender is given the Guerlain treatment, but done lightly and softly: iris, tonka bean and sandalwood mollify the harsher, cleaner aspects of fresh lavender. Discontinued. Chamingly, it also circulated as scented linen powder sachets...
Guerlain Aqua Allegoria Pamplelune (1999): One of the beacon grapefruit renditions in the whole of perfumery. A wonderful creation that boosts the sulfurous fruit with bergamot, cassis, petitgrain, patchouli and vanilla. If you're among the lucky ones that don't turn this one into cat-pee on your skin (this is one fragrance that is testament to the diversification of effect according to skin Ph) you're set for all your summery needs. A proud survivor, it's still in production.
Guerlain Aqua Allegoria Rosa Magnifica (1999): Rose takes on a spicy mantle for a simple, but lovely interpretation of a classic theme. Miles away from classic Guerlain Nahéma of course. Disontinued.
Guerlain Aqua Allegoria Ylang & Vanille (1999): The most Guerlain-like in the original bunch, it is a floriental with great tenacity and radience. Ylang Ylang is boosted by vanilla and fanned on soft notes of iris and jasmine. Discontinued.
Guerlain Aqua Allegoria Flora Nerolia (2000): A memory of Sevillian orchards where bigaradiers and sweet orange trees sway their leaves and blossoms to the breeze. I find Flora Nerolia especially lovely, marrying as it does neroli, orange blossom and a hint of jasmine with a miniscule incense-woody facet in the bottom. (Lamentably) discontinued.
Guerlain Aqua Allegoria Gentiana (2001): Not groundbreaking, but if you enjoy the take of Angeliques sous la Pluie, you have good chances of liking Gentiana as well. Its mountaintop dry and cool air (due to wild gentiane) is a breath of freshness in a milieu where everyone is wearing something sweet and cloying. Discontinued. Was also available as scented massage oil.
Guerlain Aqua Allegoria Winter Delice (2001): The only truly limited edition, as it circulated in the autumn of 20o1 with a clear destination to be a Christmas/wintery scent, smooth, deep, sumptuous and comforting. The voluptuous depth of pain d'épices and labdanum is given a fresh counterpoint in pine (pinus sylvestris). Discontinued.
Guerlain Aqua Allegoria Lilia Bella (2002): A classic lily of the valley "clean" floral, slightly dishevelled by the inclusion of a healthy dose of lilac. Springtime and youthful floral. Discontinued.
Guerlain Aqua Allegoria Lemon Fresca (2003): The well-known diet drink called Fresca is synonymous with refreshment and energising. Guerlain took this idea, making it a tonic to spritz on, full of sour notes of lemon, lime and bergamot. A little wood underscores, while an anise touch (just a tad) adds an air de famille. But it doesn't venture far off the lemon start. Discontinued.
Guerlain Aqua Allegoria Foliflora (2003): A millefleurs effect that was little convincing. Consisting of bergamot, neroli, apricot, white freesia, gardenia, sweet pea, angelica, vanilla and sandalwood, it's nice without rippling the pond. Discontinued.
Guerlain Aqua Allegoria Anisia Bella (2004): Aniseed is a classic mainstay in Guerlain fragrances from Apres L'Ondee and L'Heure Bleue onwards and here it's given a smothering of volatile notes such as bergamot and basil which complement its melancholic spiciness, alongside sweeter jasmine, violet and the discreet backdrop of cedar. Discontinued.
Guerlain Aqua Allegoria Mentafollia (2004): The simpler side-kick of Herba Fresca, focusing on bittersweet herbs. The latter is better, somehow, more complete. Predictably discontinued.
Guerlain Aqua Allegoria Orange Magnifica (2005): This is the first of the "fruities" Aqua Allegorias that really ruined it for the rest. A lovely Calabrian orange with a discreet almond background, progressing from the fruity to the lightly floral (neroli, clean jasmine). Discontinued.
Guerlain Aqua Allegoria Pivoine Magnifica (2005): A very clean, scrubbed floral that boosts the effect with hesperidia and the mainstays of iris-violet that Guerlain is famous for. Discontinued.
Guerlain Aqua Allegoria Grosellina (2006): Fruity-candy, cassis composition that accented the whole with fresh citrus notes on top. Nothing noteworthy really. Discontinued.
Guerlain Aqua Allegoria Tutti Kiwi (2006): An odd combination of kiwi and licorice, fanned on sandalwood and vanilla for sweetness. Probably my least favourite in the line. Discontinued.
Guerlain Aqua Allegoria Angélique Lilas (2007): Aqueous floral with notes of pink pepper, lilac, angelica and bitter orange. Luca Turin calls it a "footnote on Eau d'Issey years later". I believe he means unnecessary; it's not that horrendously bad. Discontinued.
Guerlain Aqua Allegoria Mandarine Basilic (2007): Two elements that contrast, orange-y sweet and spicy aromatic with ivy tones. Still available and in production according to official site.
Guerlain Aqua Allegoria Figue Iris (2008): Green fruity scent with fig leaves and fruits, very summery, dusted with a hint of iris so as to be reminded of the heritage. Discontinued.
Guerlain Aqua Allegoria Laurier Réglisse (2008): Another unusual combination, this time laurel and licorice. This gives a soft and green fragrance that has a unique taste buds appeal. Original. Discontinued.
Guerlain Aqua Allegoria Cherry Blossom (2009): A sakura perfume, simple and spring-like. Fresh and a little bit sentimental fruity floral. [Not to be confused with the stand-alone Cherry Blossom limited edition in the Louis XV flacon].
Guerlain Aqua Allegoria Tiaré Mimosa (2009): A tropical note (tiaré) and one which is inspired by a tropical destination (mimosa is an Australia native). Spicy accents and citrus lift the sweeter base that includes vanilla, clean musk and vetiver. The popular "suntan lotion" theme. Still available.
Guerlain Aqua Allegoria Flora Nymphea (2010): The anniversary edition to celebrate 10 years of Aqua Allegoria is a floral with youthful image. I wasn't particularly impressed. Available from a bunch of places, often on offer.
Guerlain Aqua Allegoria Bouquet No.1 (2010): This was a travel exclusive edition that didn't circulate widely. A peachy white floral (jasmine, delicate fruity notes), I thought Bouquet No.1 is an elegant play on the ubiquitous fruity floral theme.
Guerlain Aqua Allegoria Jasminora (2011): A lovely and true green jasmine soliflore, with a refreshing freesia note on top. Review of Jasminora here.
Guerlain Aqua Allegoria Bouquet No.2 (2011): A tropical take on fruity notes of litchi, fanned on rose and iris for tenacity and elegance. More info on Bouquet No.2 here.
Guerlain Aqua Allegoria Rosa Blanca (2011): More info on Rosa Blanca here.
Guerlain Aqua Allegoria Lys Soleia (2012): More info on Lys Soleia here.
NB: Dicontinued does not mean introuvable; it means out of production. There is still old stock left, some of which I have linked on each of the fragrances.
Top pic via Le blog de la mechante. Other pics via parfum de pub.
The Aqua Allegoria line began as an exercise in deduction in 1999: the baroque compositions of old were too complicated for a younger, budding Guerlainista who approached the brand from the point of reference of their mother's vanity and the fascination with their Terracotta makeup products. Guerlain was ripe for a change after influx of money from LVMH had poured into the old giant. Therefore a simpler, more joyful approach seemed like a good idea. Focus on streamlined formulae zooming onto the raw materials themselves in identical bottles was on the vanguard of a nascent approach to niche perfumery; only this time available at major department stores at affordable prices. If only things continued on that path for the perfume lover...but I digress.
Perfumers' Rift, Changes in Direction
Before perfumer Mathilde Laurent and Jean Paul had what seems like the fallout of the century (the two are never mentioned in the same breath and all innuendo that Mathilde had worked for the brand was meticulously averted for years), a bunch of the first Aqua Allegorias were composed by her. Incidentally these are the best ones, in scope of creativity, elegance of structure and flair for the individualistic streak. Some of the more modern ones, especially the solo-frutastic ones, seem like they're forgetting they're fragrances and veer too much into the flavours drawer positioning. Lately the compositions have reverted to rounder bouquets (ex.Bouquet No.1) or soliflores, such as the upcoming Jasminora and Rosa Blanca, that hark back to the original issues more than 10 years ago.
Several fragrances in the line are no more: official word wants the scents to have been limited edition all along, one new coming after the old one tires out. But it wasn't so clear cut in the beginning and the survivors (Pamplelune, Herba Fresca) indicate that it might have to do with actual perfume sales figures rather than with any concrete concept. Which is a pity, as a couple (Winter Delice, Flora Nerolia) have something of a cult following, but there you have it. Some can still be found on online discounters or Ebay.
Launches & Design
The original line-up comprised 5 scents in 1999, thereafter an addition or so each year, with a few exceptions, and then picking up at the steady rhythm of two per year, usually each spring with an eye to summer wearing. The original bottle design revisited a simplified bee motif: the honeycomb was embracing the top of the smooth glass bottle with the sprayer built into the cap. The original packaging used a romantic design of flowers or other materials (accordingly) on the outer box, rendered like a delicate watercolour. In 2010 the outer packaging of the whole line was revamped so as to be uniform; all white, the differentiation now only being the colour of the Napoleonic bee embossed and the vertical line crossing the Guerlain logo on the front's top. To my own eye, the older packaging is more successful, even if less coherent.
THE GUERLAIN AQUA ALLEGORIA LINE IN CHRONOLOGICAL ORDER:
Guerlain Aqua Allegoria Herba Fresca (1999): A real herbal green scent. Focusing on mint, but not quite: the dew on the leaves, the fine herbs, its beautiful grassy ambience raise it one notch up from many herbal efforts from others. A survivor, it still circulates on Guerlain counters and is always in production.
Guerlain Aqua Allegoria Lavande Velours (1999): Lavender is given the Guerlain treatment, but done lightly and softly: iris, tonka bean and sandalwood mollify the harsher, cleaner aspects of fresh lavender. Discontinued. Chamingly, it also circulated as scented linen powder sachets...
Guerlain Aqua Allegoria Pamplelune (1999): One of the beacon grapefruit renditions in the whole of perfumery. A wonderful creation that boosts the sulfurous fruit with bergamot, cassis, petitgrain, patchouli and vanilla. If you're among the lucky ones that don't turn this one into cat-pee on your skin (this is one fragrance that is testament to the diversification of effect according to skin Ph) you're set for all your summery needs. A proud survivor, it's still in production.
Guerlain Aqua Allegoria Rosa Magnifica (1999): Rose takes on a spicy mantle for a simple, but lovely interpretation of a classic theme. Miles away from classic Guerlain Nahéma of course. Disontinued.
Guerlain Aqua Allegoria Ylang & Vanille (1999): The most Guerlain-like in the original bunch, it is a floriental with great tenacity and radience. Ylang Ylang is boosted by vanilla and fanned on soft notes of iris and jasmine. Discontinued.
Guerlain Aqua Allegoria Flora Nerolia (2000): A memory of Sevillian orchards where bigaradiers and sweet orange trees sway their leaves and blossoms to the breeze. I find Flora Nerolia especially lovely, marrying as it does neroli, orange blossom and a hint of jasmine with a miniscule incense-woody facet in the bottom. (Lamentably) discontinued.
Guerlain Aqua Allegoria Gentiana (2001): Not groundbreaking, but if you enjoy the take of Angeliques sous la Pluie, you have good chances of liking Gentiana as well. Its mountaintop dry and cool air (due to wild gentiane) is a breath of freshness in a milieu where everyone is wearing something sweet and cloying. Discontinued. Was also available as scented massage oil.
Guerlain Aqua Allegoria Winter Delice (2001): The only truly limited edition, as it circulated in the autumn of 20o1 with a clear destination to be a Christmas/wintery scent, smooth, deep, sumptuous and comforting. The voluptuous depth of pain d'épices and labdanum is given a fresh counterpoint in pine (pinus sylvestris). Discontinued.
Guerlain Aqua Allegoria Lilia Bella (2002): A classic lily of the valley "clean" floral, slightly dishevelled by the inclusion of a healthy dose of lilac. Springtime and youthful floral. Discontinued.
Guerlain Aqua Allegoria Lemon Fresca (2003): The well-known diet drink called Fresca is synonymous with refreshment and energising. Guerlain took this idea, making it a tonic to spritz on, full of sour notes of lemon, lime and bergamot. A little wood underscores, while an anise touch (just a tad) adds an air de famille. But it doesn't venture far off the lemon start. Discontinued.
Guerlain Aqua Allegoria Foliflora (2003): A millefleurs effect that was little convincing. Consisting of bergamot, neroli, apricot, white freesia, gardenia, sweet pea, angelica, vanilla and sandalwood, it's nice without rippling the pond. Discontinued.
Guerlain Aqua Allegoria Anisia Bella (2004): Aniseed is a classic mainstay in Guerlain fragrances from Apres L'Ondee and L'Heure Bleue onwards and here it's given a smothering of volatile notes such as bergamot and basil which complement its melancholic spiciness, alongside sweeter jasmine, violet and the discreet backdrop of cedar. Discontinued.
Guerlain Aqua Allegoria Mentafollia (2004): The simpler side-kick of Herba Fresca, focusing on bittersweet herbs. The latter is better, somehow, more complete. Predictably discontinued.
Guerlain Aqua Allegoria Orange Magnifica (2005): This is the first of the "fruities" Aqua Allegorias that really ruined it for the rest. A lovely Calabrian orange with a discreet almond background, progressing from the fruity to the lightly floral (neroli, clean jasmine). Discontinued.
Guerlain Aqua Allegoria Pivoine Magnifica (2005): A very clean, scrubbed floral that boosts the effect with hesperidia and the mainstays of iris-violet that Guerlain is famous for. Discontinued.
Guerlain Aqua Allegoria Grosellina (2006): Fruity-candy, cassis composition that accented the whole with fresh citrus notes on top. Nothing noteworthy really. Discontinued.
Guerlain Aqua Allegoria Tutti Kiwi (2006): An odd combination of kiwi and licorice, fanned on sandalwood and vanilla for sweetness. Probably my least favourite in the line. Discontinued.
Guerlain Aqua Allegoria Angélique Lilas (2007): Aqueous floral with notes of pink pepper, lilac, angelica and bitter orange. Luca Turin calls it a "footnote on Eau d'Issey years later". I believe he means unnecessary; it's not that horrendously bad. Discontinued.
Guerlain Aqua Allegoria Mandarine Basilic (2007): Two elements that contrast, orange-y sweet and spicy aromatic with ivy tones. Still available and in production according to official site.
Guerlain Aqua Allegoria Figue Iris (2008): Green fruity scent with fig leaves and fruits, very summery, dusted with a hint of iris so as to be reminded of the heritage. Discontinued.
Guerlain Aqua Allegoria Laurier Réglisse (2008): Another unusual combination, this time laurel and licorice. This gives a soft and green fragrance that has a unique taste buds appeal. Original. Discontinued.
Guerlain Aqua Allegoria Cherry Blossom (2009): A sakura perfume, simple and spring-like. Fresh and a little bit sentimental fruity floral. [Not to be confused with the stand-alone Cherry Blossom limited edition in the Louis XV flacon].
Guerlain Aqua Allegoria Tiaré Mimosa (2009): A tropical note (tiaré) and one which is inspired by a tropical destination (mimosa is an Australia native). Spicy accents and citrus lift the sweeter base that includes vanilla, clean musk and vetiver. The popular "suntan lotion" theme. Still available.
Guerlain Aqua Allegoria Flora Nymphea (2010): The anniversary edition to celebrate 10 years of Aqua Allegoria is a floral with youthful image. I wasn't particularly impressed. Available from a bunch of places, often on offer.
Guerlain Aqua Allegoria Bouquet No.1 (2010): This was a travel exclusive edition that didn't circulate widely. A peachy white floral (jasmine, delicate fruity notes), I thought Bouquet No.1 is an elegant play on the ubiquitous fruity floral theme.
Guerlain Aqua Allegoria Jasminora (2011): A lovely and true green jasmine soliflore, with a refreshing freesia note on top. Review of Jasminora here.
Guerlain Aqua Allegoria Bouquet No.2 (2011): A tropical take on fruity notes of litchi, fanned on rose and iris for tenacity and elegance. More info on Bouquet No.2 here.
Guerlain Aqua Allegoria Rosa Blanca (2011): More info on Rosa Blanca here.
Guerlain Aqua Allegoria Lys Soleia (2012): More info on Lys Soleia here.
NB: Dicontinued does not mean introuvable; it means out of production. There is still old stock left, some of which I have linked on each of the fragrances.
Top pic via Le blog de la mechante. Other pics via parfum de pub.
Friday, April 1, 2011
Guerlain Aqua Allegoria Flora Nerolia: fragrance review
There is nothing more early April-like than the smell of bitter orange trees blossoming, their waxy white petals infiltrating the glossy green of the leaves and some fruit still hanging from the branches, like a reminder of what has been already accomplished.
Guerlain captured the ethereal vapors of steam off these delicate, ravishing blossoms and married them to a pre-emptying summer jasmine (middle-ground indolic) and the faint whiff of cool frankincense burning inside a Greek Orthodox church preparing for the country's most devout celebration: Easter. The citrusy aspects of frankincense compliment the fruitier aspects of neroli. Musk in the form of synthetic Cashmeran is anchoring the effect on skin. Guerlain's Flora Nerolia (a part of the original line up in the Aqua Allegoria line in 2000 composed by perfumer Mathilde Laurent) is like a snapshot of late Lent in Greece and for that reason is absolutely precious to me.
Notes for Guerlain Aqua Allegoria Flora Nerolia:
neroli and petitgrain (citrus leaves & twigs) in the top, and jasmine and orange blossom in the heart. Frankincense for the base.
Lamentably discontinued (much like the rest of the original line-up composed by Mathilde Laurent) with the exception of Herba Fresca and Pamplune, Flora Nerolia can be sometimes found on Ebay.
The history, notes and short reviews of all the Guerlain Aqua Allegoria scents can be found on this link.
Background on the Photo (by anomieus/flickr):
As far back as the time of the dowager empress Wilhelmine Amalie an orangery garden was laid out at Schönbrunn which included a hothouse for overwintering bitter orange trees. In 1754 Franz I Stephan instigated the building of the Orangery by Nicola Pacassi, probably to designs by Nicolas Jadot. One hundred and eighty-nine metres long and ten metres wide, the Schönbrunn Orangery is one of the two largest Baroque orangeries in the world, the other being at Versailles. The south façade is articulated by an alternating series of large and smaller apertures with rusticated pilasters decorated with masks. The interior has a rhythmic sequence of shallow vaults and is heated by a hypocaust system. The Orangery served not only as the winter quarters for citrus trees and other potted plants but was also a winter garden used for imperial court festivities. Joseph II was especially fond of holding celebrations in the Orangery with festively-decorated banqueting tables, ranks of flowering plants and illuminations in the citrus trees. During a winter festivity in 1786 Mozart conducted his Singspiel "The Impresario" here.
The rear part of the Orangery is still used in its original function, while the front section, which has been renovated, is used for events such as the Schönbrunn Palace Concert series.
Guerlain captured the ethereal vapors of steam off these delicate, ravishing blossoms and married them to a pre-emptying summer jasmine (middle-ground indolic) and the faint whiff of cool frankincense burning inside a Greek Orthodox church preparing for the country's most devout celebration: Easter. The citrusy aspects of frankincense compliment the fruitier aspects of neroli. Musk in the form of synthetic Cashmeran is anchoring the effect on skin. Guerlain's Flora Nerolia (a part of the original line up in the Aqua Allegoria line in 2000 composed by perfumer Mathilde Laurent) is like a snapshot of late Lent in Greece and for that reason is absolutely precious to me.
Notes for Guerlain Aqua Allegoria Flora Nerolia:
neroli and petitgrain (citrus leaves & twigs) in the top, and jasmine and orange blossom in the heart. Frankincense for the base.
Lamentably discontinued (much like the rest of the original line-up composed by Mathilde Laurent) with the exception of Herba Fresca and Pamplune, Flora Nerolia can be sometimes found on Ebay.
The history, notes and short reviews of all the Guerlain Aqua Allegoria scents can be found on this link.
Background on the Photo (by anomieus/flickr):
As far back as the time of the dowager empress Wilhelmine Amalie an orangery garden was laid out at Schönbrunn which included a hothouse for overwintering bitter orange trees. In 1754 Franz I Stephan instigated the building of the Orangery by Nicola Pacassi, probably to designs by Nicolas Jadot. One hundred and eighty-nine metres long and ten metres wide, the Schönbrunn Orangery is one of the two largest Baroque orangeries in the world, the other being at Versailles. The south façade is articulated by an alternating series of large and smaller apertures with rusticated pilasters decorated with masks. The interior has a rhythmic sequence of shallow vaults and is heated by a hypocaust system. The Orangery served not only as the winter quarters for citrus trees and other potted plants but was also a winter garden used for imperial court festivities. Joseph II was especially fond of holding celebrations in the Orangery with festively-decorated banqueting tables, ranks of flowering plants and illuminations in the citrus trees. During a winter festivity in 1786 Mozart conducted his Singspiel "The Impresario" here.
The rear part of the Orangery is still used in its original function, while the front section, which has been renovated, is used for events such as the Schönbrunn Palace Concert series.
Monday, March 14, 2011
Guerlain Aqua Allegoria Rosa Blanca: new fragrance
Rosa Blanca is the second Aqua Allegoria scent in the Guerlain catalogue for this spring and summer 2011, apart from Jasminora which we talked about already. Based on the scent of white rose, as its name suggests, Aqua Allegoria Rosa Blanca alongside Aqua Allegoria Jasminora (latter based on jasmine) constitute a throwback by Guerlain to more romantic, floral essences which graced the initial pleiad of Aqua Allegoria fragrances of which Lavande Velours, Ylang & Vanille, Floral Nerolia and indeed Rosa Magnifica were part of. It is doubtful whether Rosa Blanca will reprise the formula for the now discontinued Rosa Magnifica, but chances are that the jus will be modernised and following the strict regulations of the latest IFRA exigencies.
The fragrance is set to launch in April, available at major department stores.
Related reading on Perfume Shrine: Guerlain new releases and limited editions, Upcoming releases.
bottle pic via Prime Beaute
Wednesday, March 31, 2010
Guerlain Aqua Allegoria Bouquet No.1: fragrance review & giveaway
What do you get when you cross-polinate a popular feminine theme from the early 90s with the desire to break away from the simplistic fruitiness of the latest Aqua Allegoria fragrances? You get Guerlain's Bouquet Numéro 1!
Guerlain Aqua Allegoria Bouquet Numéro 1 was created by Thierry Wasser comprising notes of bergamot, freshly cut green grass, white flowers, delicate fruity notes, peach and jasmine. The fragrance arrives in a newly designed flacon with golden honeycomb, a bulby stopper with seperate cap (former Aqua Allegoria scents had no cap on the incoroporated bulbous sprayer) and a golden label, packed in an outer carton decorated with a pink bee, as you can see from the photographs I took of Bouquet No.1. [click to enlarge]. It really does look luxurious and pretty, doesn't it? Even though I personally preferred the more impressionistic outer cartons of yore.
According to the official blurb pains were taken to link it to the linage of the company: The name itself reflects Guerlain’s fragrance heritage, as it references the compositions of Pierre-François-Pascal Guerlain, founder of Guerlain, and his heir Jacques, namely: Bouquet du Roi d’Angleterre, Bouquet du Jardin du Roi, Bouquet de l’Impératrice, Bouquet Napoléon, Bouquet Duchesse, Bouquet de Paris and Bouquet de Faune. Personally I am not so sure the interweaving of quite so much history in what is definitely a modern juice is really helping either group of potential buyers: hard-core traditionalists or hip modernists. It seems poised in between, with a nod to the 90s (read further on) but not much beyond that to justify historical references that far back. It must be terribly difficult to reconcile the two, we've said it before.
Guerlain's Bouquet Numéro 1 reminds me of both a less sugary or dense 90s Trésor and of Estée Lauder's Pure White Linen Pink Coral from last spring minus the powdery aldehydes. Add the intense peachiness of MDCI Pêche Cardinal and you're almost there! (The same aromachemical as the latter ~which I hypothesized is Decanoic acid 5-hydroxy-lactone~ is used in this composition for the peach note). The introduction on a sharpish note of citrus plus green is meant to be refreshing. Almost immediately, the core chord of peach plus rose is palpable; that velvety, tender, very feminine lactonic vibe which was so obiquitous in the early 1990s through the bombastic popularity of ~mostly synthetic anyway~ Trésor and the products that followed in its zaftig steps. Today, when that theme has been exhausted in commercialised deodorants, body creams, even fabric softeners, it seems a little passé. Enter the bolstering of the peachiness in Bouquet Numéro 1 to render a contemporary fruity note plus ever popular white flowers deprived of their more conniving Gloria Swanson proclivities or animalistic meowing in heat.
They mention that "Guerlain in-house Perfumer Thierry Wasser has chosen to lighten the generous accents of jasmine and rose in the heart of the fragrance. Jasmine offers its light petals, and their lingering scent. Mirroring this emblematic ingredient, rose blend magnifies the heart. At the very core of the fragrance, rose epitomizes femininity. Guerlain uses the rarest essential oils of 'May rose' with a hint of honey for sensuality and 'Damask rose' for fresher and more spicy smell. These two emblematic ingredients optimize the signature of Guerlain's Bouquet n°1." Even though jasmine is touted as a core ingredient, there are no decaying indoles, or nighttime lushness; what I perceive is more of an abstract orange blossom plus a wink of honeyed lilac pollen which gives a little of an effet lessivière, polished though, while the rose, yes, it's discernible all right. The bouquet is therefore a fantasy one, much like the gardenia in the lovely Cruel Gardénia is a the idea of a flower on the drawing board seen through a camera lucida: what you see is assuredly not what you smell. Not that it matters of course! This concept of transparency and abstraction has been utilised also in their other Aqua Allegoria launch this spring, the more mainstream FloraSudséa Nymphéa. It leaves me wondering how a perfumer of the Transparency School, like Bertrand Duchaufour or Jean Claude Ellena, would go about this kind of concept, yet I fully understand that Guerlain cannot deviate from the curvaceous path they have paved on for centuries.
The scent remains through its base notes a trail of sweet juicy peach and white musks, clean throughout. A gentle fragrance cloud rounded up at last with a delicate hint of almond aroma. The formula is more tenacious on clothes than on my skin where it retains the squeaky clean floralcy better and longer and I can report it doesn't stain. Certainly not "me" in any "cushions of white flowers thrown in a mad sexy war between lovers", but I'm at least happy it signals a deviation from the route of the last few (catastrophic in my humble opinion) Aqua Allegorias.
Aqua Allegoria Bouquet Numéro 1 is Guerlain's first global travel retail exclusive fragrance and available in 75ml of Eau de Toilette.
A sample of Guerlain Bouquet No.1 will be handed out to a lucky reader, randomly picked from the comments. Draw is now closed, thanks!
The bottle was purchased by me. All Guerlain photos taken & copyrighted by Elena Vosnaki.
Guerlain Aqua Allegoria Bouquet Numéro 1 was created by Thierry Wasser comprising notes of bergamot, freshly cut green grass, white flowers, delicate fruity notes, peach and jasmine. The fragrance arrives in a newly designed flacon with golden honeycomb, a bulby stopper with seperate cap (former Aqua Allegoria scents had no cap on the incoroporated bulbous sprayer) and a golden label, packed in an outer carton decorated with a pink bee, as you can see from the photographs I took of Bouquet No.1. [click to enlarge]. It really does look luxurious and pretty, doesn't it? Even though I personally preferred the more impressionistic outer cartons of yore.
According to the official blurb pains were taken to link it to the linage of the company: The name itself reflects Guerlain’s fragrance heritage, as it references the compositions of Pierre-François-Pascal Guerlain, founder of Guerlain, and his heir Jacques, namely: Bouquet du Roi d’Angleterre, Bouquet du Jardin du Roi, Bouquet de l’Impératrice, Bouquet Napoléon, Bouquet Duchesse, Bouquet de Paris and Bouquet de Faune. Personally I am not so sure the interweaving of quite so much history in what is definitely a modern juice is really helping either group of potential buyers: hard-core traditionalists or hip modernists. It seems poised in between, with a nod to the 90s (read further on) but not much beyond that to justify historical references that far back. It must be terribly difficult to reconcile the two, we've said it before.
Guerlain's Bouquet Numéro 1 reminds me of both a less sugary or dense 90s Trésor and of Estée Lauder's Pure White Linen Pink Coral from last spring minus the powdery aldehydes. Add the intense peachiness of MDCI Pêche Cardinal and you're almost there! (The same aromachemical as the latter ~which I hypothesized is Decanoic acid 5-hydroxy-lactone~ is used in this composition for the peach note). The introduction on a sharpish note of citrus plus green is meant to be refreshing. Almost immediately, the core chord of peach plus rose is palpable; that velvety, tender, very feminine lactonic vibe which was so obiquitous in the early 1990s through the bombastic popularity of ~mostly synthetic anyway~ Trésor and the products that followed in its zaftig steps. Today, when that theme has been exhausted in commercialised deodorants, body creams, even fabric softeners, it seems a little passé. Enter the bolstering of the peachiness in Bouquet Numéro 1 to render a contemporary fruity note plus ever popular white flowers deprived of their more conniving Gloria Swanson proclivities or animalistic meowing in heat.
They mention that "Guerlain in-house Perfumer Thierry Wasser has chosen to lighten the generous accents of jasmine and rose in the heart of the fragrance. Jasmine offers its light petals, and their lingering scent. Mirroring this emblematic ingredient, rose blend magnifies the heart. At the very core of the fragrance, rose epitomizes femininity. Guerlain uses the rarest essential oils of 'May rose' with a hint of honey for sensuality and 'Damask rose' for fresher and more spicy smell. These two emblematic ingredients optimize the signature of Guerlain's Bouquet n°1." Even though jasmine is touted as a core ingredient, there are no decaying indoles, or nighttime lushness; what I perceive is more of an abstract orange blossom plus a wink of honeyed lilac pollen which gives a little of an effet lessivière, polished though, while the rose, yes, it's discernible all right. The bouquet is therefore a fantasy one, much like the gardenia in the lovely Cruel Gardénia is a the idea of a flower on the drawing board seen through a camera lucida: what you see is assuredly not what you smell. Not that it matters of course! This concept of transparency and abstraction has been utilised also in their other Aqua Allegoria launch this spring, the more mainstream Flora
The scent remains through its base notes a trail of sweet juicy peach and white musks, clean throughout. A gentle fragrance cloud rounded up at last with a delicate hint of almond aroma. The formula is more tenacious on clothes than on my skin where it retains the squeaky clean floralcy better and longer and I can report it doesn't stain. Certainly not "me" in any "cushions of white flowers thrown in a mad sexy war between lovers", but I'm at least happy it signals a deviation from the route of the last few (catastrophic in my humble opinion) Aqua Allegorias.
Aqua Allegoria Bouquet Numéro 1 is Guerlain's first global travel retail exclusive fragrance and available in 75ml of Eau de Toilette.
The bottle was purchased by me. All Guerlain photos taken & copyrighted by Elena Vosnaki.
Labels:
aqua allegoria,
guerlain,
guerlain series,
honey,
new,
peach,
review,
rose,
thierry wasser
Thursday, February 22, 2007
Guerlain news for fans
With a house as venerable and as under the fire (recently) as Guerlain one can only hope for the best. So the piece of news I am posting today is intended to inspire rather than dampen hopes and to instill anticipation rather than cause an anticlimax.
First of all the new addition in the "L’Art et la matière" line will be Iris Ganache, distributed at exclusive spots and Guerlain boutiques starting at mid-June. The name alludes to an iris laced scent that might hide a sweet gourmand note reminiscent of the homonymous chocolate french delicacy. Sounds very promising indeed. We'll just have to wait and see when it is finally available.
As to the re-issues of illustrious past glories of the house there has been some talk about Ode, but nothing conclusive as yet. I will keep you posted.
There are also two new body oils conceived by Sylvaine Delacourte, who is director of perfume creation. Garden Sensuel and Oud Sensuel are two perfumed oils inspired by the Middle East, destined for men and women respectively. They aim to capture a happy medium between a carnal oriental sensualism married to the parisian classicism of Guerlain.
The 2005 creation of Jean Paul Guerlain Plus que Jamais is finlly entering the Parisiennes line as a "grand classique" (a term with which some disagree on this particular fragrance) encased in the famous napoleonic bee bottles, available at Guerlain boutiques. I guess this makes its former Baccarat bottle a valuable collectible, so keep this in mind if you do possess one such bottle.
Also, on May 1st a Lily of the valley (Muguet) based parfum will be issued as a commemoration of the lovely french tradition to offer this flower on that day.
In addition the "Home collection" will include an Eau de Lit (bed and linen water) fragranced with orange and four home fragrances: Bois des Indes (=indian woods), Hiver en Russie (=Winter in Russia), Contes Tahitiens (=tahitian tales), Boudoir Vénitiens (=venetian boudoir)
They sure sounds interesting and what could be more luxurious and decadent than using a Guerlain home fragrance instead of all those middle of the road things that can look so tacky?
Last but not least, the "Aqua Allegoria" line, after a rather mediocre course in the last couple of years (despite some lovely offering in the first throes after its launch) is introducing Mandarine-Basilic and Angélique-Lilas, the one greener and fruitier and the other more romantic and floral.
Available at major department stores late in spring.
"The proof is in the sniffing!" like we always say at Perfume Shrine.
Assorted info thanks to cyberpress and Mario Girard.
First of all the new addition in the "L’Art et la matière" line will be Iris Ganache, distributed at exclusive spots and Guerlain boutiques starting at mid-June. The name alludes to an iris laced scent that might hide a sweet gourmand note reminiscent of the homonymous chocolate french delicacy. Sounds very promising indeed. We'll just have to wait and see when it is finally available.
As to the re-issues of illustrious past glories of the house there has been some talk about Ode, but nothing conclusive as yet. I will keep you posted.
There are also two new body oils conceived by Sylvaine Delacourte, who is director of perfume creation. Garden Sensuel and Oud Sensuel are two perfumed oils inspired by the Middle East, destined for men and women respectively. They aim to capture a happy medium between a carnal oriental sensualism married to the parisian classicism of Guerlain.
The 2005 creation of Jean Paul Guerlain Plus que Jamais is finlly entering the Parisiennes line as a "grand classique" (a term with which some disagree on this particular fragrance) encased in the famous napoleonic bee bottles, available at Guerlain boutiques. I guess this makes its former Baccarat bottle a valuable collectible, so keep this in mind if you do possess one such bottle.
Also, on May 1st a Lily of the valley (Muguet) based parfum will be issued as a commemoration of the lovely french tradition to offer this flower on that day.
In addition the "Home collection" will include an Eau de Lit (bed and linen water) fragranced with orange and four home fragrances: Bois des Indes (=indian woods), Hiver en Russie (=Winter in Russia), Contes Tahitiens (=tahitian tales), Boudoir Vénitiens (=venetian boudoir)
They sure sounds interesting and what could be more luxurious and decadent than using a Guerlain home fragrance instead of all those middle of the road things that can look so tacky?
Last but not least, the "Aqua Allegoria" line, after a rather mediocre course in the last couple of years (despite some lovely offering in the first throes after its launch) is introducing Mandarine-Basilic and Angélique-Lilas, the one greener and fruitier and the other more romantic and floral.
Available at major department stores late in spring.
"The proof is in the sniffing!" like we always say at Perfume Shrine.
Assorted info thanks to cyberpress and Mario Girard.
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