Korres White tea Bergamot Freesia, Vetiver root Green tea Cedarwood, & Vanilla Freesia Lychee: fragrance reviews

It was only a few days ago that I broke the news of the new line of fragrances by Korres on these pages, offering a cursory glance to the new scents as a whole and short reviews on three of them: Heliotrope Ylang Ylang Citron (the most impressive of them all and from the looks of it, the one Greek exclusive, as it doesn't appear on the International site at all), Iris Lily of the Valley Cotton (the most cooly subtle and refined skin-like) and Paeonia Vanilla Amber Pear (the weakest, as it seemed to me as if riding on the coat-tails of a well-known by now "trend", the fruitchouli).

I also announced one discontinuation from the original trio: that of Rose Blackcurrant Cyclamen. I stand behind that announcement and have since supplemented the post with a screenshot which showcases that indeed that's the one shot down (the other two appear featured on the International site normally alongside the new ones). Today I return with reviews on the remaining three fragrances in the newest line-up which is available in Greece as we speak and will be exported soon to the USA and everywhere where Korres is available: White tea Bergamot Freesia, Vetiver root Green tea Cedarwood, & Vanilla Freesia Lyche.

Contrary to the Korres fragrances I reviewed the other day, the remaining three are more or less faithful to their name, and -what's more- specifically to the first "note" announced in it. Thus they uncomplicate things for the weary consumer who doesn't want to have to spell everything out to the chemist behind the counter ("Please give me the Vanilla one") as well as the dazed chemist who is standing in his or her feet all day long catering to customers. The compositions are straightforward without appearing contrived and they possess excellent staying power. and projection Whereas that might have been a sort of given for Heliotrope Ylang Ylang Citron or Paeonia Vanilla Amber Pear by nature (the notes themselves veering into the lasting floriental genre), it is delightful to find it's also so for scents which are lighter and subtler in character, such as the remaining three we're reviewing today. They lasted well and were perceptibly audible on both skin and blotter: In fact I have a couple of blotters on my desk right now, wafting their effluvium as I type.

White Tea Bergamot Freesia is a crisp citrusy floral in the school that Jean Claude Ellena established as light "tea" notes (actually cool citrusy florals) and should lend itself to endless days of sunshine and sunny clothing to match. It's totally easy to wear and enjoy, undemanding like a sip from a pitcher of icy water on a hot day. The fragrance oscillates between a coolish white musk with floral notes and a fruity tonality with a bit of an apricoty lactonic scent. Very nice. The bottle is immediately recognisable as it's white to reflect the concept and name.

Vetiver root Green tea Cedarwood is redolent of earthy freshness and re-interprets a mainstay of masculine perfumery: the succulence of vetiver! Anyone who caught our Vetiver Series knows just how much I like this exotic grass in perfumes. So which take does the Korres fragrance take? The straight, the sweet or the strange? It seems it's a cross between the classic fresh (with its underscoring of an hesperidic, injected here through the "green tea" note which is a small crisp/floral segment, see above) and the sweet. If I'm not greatly mistaken the latter should be attributed to a little patchouli, lending a facet like licorice alongside the woodiness. The bottle is in dark green hues and the company recommends this scent for men, alongside the previous (and gorgeous) Saffron Amber Cardamom. I say it's eminently fit for both sexes and everything in-between.

Vanilla Lychee Freesia, true to its name, is a fruity vanilla with calorific tendencies. It's quite delectable, with great tenacity and a monochrome radiating all around, staying almost exactly the same from beginning to end: The vanilla scent is removed from the cookie-cutter board and takes on the caramelised nuance of a good flan. There is a kinship with some of the better Comptoir Sud Pacifique fragrances, perhaps Vanille Abricot; the fruity note leans towards a peachy-apricoty tone and plummy note which also reminds me a bit of Flowerbomb Extrême with its osmanthus and benzoin (i.e. vanillic) core. It's not very foody and it's not sickly sweet, which is a nice change of pace amidst most current gourmand fragrances on shelves.

The formulae do not contain phtalates, polycyclic musk compounds, nor nitro-musks of course. Korres is using Rosmarinus officinalis in the formula as a natural anti-oxidant. The new bottles come at 50ml/1.7oz and are presented at an advantageous price point (below 30 euros) that belies their quality.

Holiday Gift Guide 2010 part2

Continuing on the theme of fragrant gift giving, more ideas on things that will delight those who receive them.

• For the hostess:

Ormonde Jayne Navidad Candle: A limited edition candle for the holidays, fragranced with warm notes of clementine, cardamom, amber and tonka, the candle has an embossed gold lid and is housed in an antique gold box. Every Ormonde Jayne candle is hand poured in their London laboratory and follows the high standards of the niche brand.
Weight 290 grams Burning Time: over 60 hours. Retails for £60.00 and you can purchase on the official Ormonde Jayne site.
Now is your chance to buy as the company is offering complimentary worldwide shipping with every order £60 or over* Enter promotional code 'SANTA' at the checkout.
(*Offer open until 20th December 2010)

• For the gourmet-loving friend:

Perfume & Chocolate: Canadian chocolatiere Rachel Sawatzky of CocoaNymph, collaborated with artisanal Canadian niche perfumer Ayala Moriel to make fine Belgian dark chocolate bars beautifully designed to match three perfumes from the latter's collection: Espionage (64% cocoa with smoked salt, jasmine & juniper), Guilt (64% cocoa with orange blossom, blood orange & wild oranges) and Roses et Chocolat (72% cocoa with rose, saffron & chilli). You can find the marching scents on Ayala Moriel's official page. And for cuddly evenings around the fire I highly recommend her Sahleb, while for the mysterious, bewitching femme fatale you hide inside, Film Noir seems tailor-made!

• For yourself!

A Perfume Organic hosts free shipping through January 2011, making all your holiday last-minute gifts easy to cram into your schedule. Their Mejica is the latest fragrance, a blend of three vanilla types, spices and rare resins for a warm wintery experience! Available online for 65$for 12ml roll-on bottle.

I must say I'm intrigued by their wine-inspired scent, though: Sommelier Katherine Marlowe collaborated with the brand for The Perfumed Wine Trio, in which the first release - Rosé - combines fresh berry, crisp apple, dark oaks, and rich spices with hints of clove and nutmeg, warming into a peppery finish: like a good full-bodied wine sipped during a holidays feast!

• For those who want to be spoilt for choice

Dawn Spencer Hurwitz holidays coffret: For many years now, DSH has created a unique fragrance each year to capture the magic of the Holidays. This year a collection gift box of favorites from the series as well as a Sampler Set are available so that you can enjoy them all! Included in the Holiday Collection box are (6) EdP mini flacons ~which are super cute, let me add~ of Winter White, Twelfth Night, Hanukah Cannelle, Lumiere, Nourouz and this year's December. Plus, the Sampler Set contains an EdP vial of all (11) scents since DSH started in year 2000: Festive, Twelfth Night, Cathedral, Winter White, Marzipan, Ma Folie de Noel, Lumiere, Silver Fir, Nourouz, Hanukah Cannelle, Silver Fir and December. Available on the DSH site.


If you missed our Holiday Gift Guide part 1, you can access it by clicking on the link.

Anya's Garden Light and Amberess: fragrance review & bottle giveaway

In the season of thanks, I'm especially thankful for being part of a discourse on perfumery which takes diverse and interesting turns all the time. The Outlaw perfume project was one of those moments in time which I feel might kickstart something bigger soon. And I'm hopeful! For now, I'm thankful that I got sent samples of two outlaw perfumes created for it by its instigator, Anya McCoy, president of the the Natural Perfumers' Guild: Light and Amberess.

I will come back for Amberess soon because it's so very snuggly and unusual for an amber-based scent (an amber mix that's not too sweet and is more spicy-rosy than most, yeah!), but Light just needs to be brought into the light (ha!) now that the natural light is diminishing in the Northern hemisphere and we tend to hanker after it. It's no accident the feast of St.Lucia (which means..."light") is on the shortest day of the year...

Anya based the composition of Light on the flower absolute of a Chinese perfume tree with beautiful yellowish blossoms belonging in the family of mahogany, named Aglaia odorata (also known as Chinese Rice Tree). Originally she meant to call the perfume Aglaia after it; a Greek name which comes from the verb αγλαΐζω (ah-gla-EEzo); it means "to beautify", to "aesthetically enhance" and is literally the origin of the english word "glamour" (nifty, eh?) In Greek mythology, Aglaia is one of the Three Kharites (the Three Graces) symbolising splendour, glory, magnificence and adornment. I personally wish Anya would have kept it, for reasons of uniqueness and...well, fitting the spirit of the perfume! But hey, I know most people would have a hard time manipulating their tongue over those heavy Greek ls and the most difficult γ for which is there is no English sounding equivalent, really... The name change into Light came naturally: The fragrance is luminous and breezy!

It's built on a "cologne style" (lots of that neroli and citrusy-woody-musky impression you get when you use a really good traditional Eau de Cologne), floral and citrusy and admist it all, the aglaia flower is the soliflore which sings the beauty of "less is more". Aglaia smells between neroli and a light, green jasmine to my nose in this mix and it's an absolutely delightful impression. Frankincense lends beautiful citrusy aspects with a gentle bitterish smokiness which couples very well with the slightly tarry-cool note of broom (that's what the French call genet); the combination makes the whole quite sophisticated!

How is Light, so delicate, so innocent, an Outlaw? The notes that are either limited by, or untested by IFRA are shown in red:
Top notes: Sicilian cedrat, Israeli yellow grapefruit, French juniper berry.
Middle notes: Chinese aglaia flower, French genet flower, North Carolina
ambergris.
Base notes: Hojari frankincense oil, edible frankincense sacra resinoid.

In order to get the most lasting power from this Outlaw perfume it's advisable to use on hair, clothes (it doesn't stain as far as I was able to test on regular non-silk fabric) or in a perfume locket! (A romantic idea which is enthusiastically embraced by the Outlaw perfumers!)
Light and Amberess are included in the newest sample set at Anya's Garden online, ten samples of all-naturals perfumes for 65$ with the option of a 10% discount with voucher code OUTLAW used upon purchase.

Anya is doing a giveaway of both Light and Amberess in 3.5ml minis, pure perfume/extrait de parfum. She prefers to ship in the USA only at the moment. Enter your name in the comments if you are eligible and I will pick two random winners! Draw is now closed.

pic via http://home.hiroshima-u.ac.jp/

Caron Tabac Blond: fragrance review

Tabac Blond (1919) was the opening salve of the garçonnes’ raid on gentlemen’s dressing tables. Its name evokes the “blonde” tobacco women had just started smoking in public (interestingly, Marlboros were launched as a women’s brand in 1924 with a red filter to mask lipstick traces). The fragrance was purportedly meant to blend with, and cover up, the still-shocking smell of cigarettes: smoking was still thought to be a sign of loose morals.

Despite its name, Tabac Blond is predominantly a leather scent, the first of its family to be composed for women and as such, a small but significant revolution. Though perfumery had recently started to stray from the floral bouquets thought to be the only fragrances suitable for ladies (Coty Chypre was launched in 1917), it had never ventured so far into the non-floral. Granted, there are floral notes, but apart from ylang-ylang, the clove-y piquancy of carnation and the cool powdery metallic note of iris don’t stray much from masculine territory. Amber and musk smooth down the bitter smokiness of the leather/tobacco leaf duet, providing the opulent “roundness” characteristic of classic Carons. And it is this ambery-powdery base – redolent of powdered faces and lipstick traces on perfumed cigarettes – that pulls the gender-crossing Tabac Blond back into feminine territory to the contemporary nose, despite Luca Turin’s calling it “dykey and angular and dark and totally unpresentable” in Chandler Burr’s Emperor of Scent.

Like its younger sister Habanita (1921), Tabac Blond’s rich, golden-honeyed, slightly louche sillage speaks of late, smoke-laden nights at the Bal Nègre in the arms of Cuban aristocrats or déclassé Russian émigrés, rather than exhilarating rides in fast cars driven by the new Eves…

by guest writer Carmencanada

 Notes for Caron Tabac Blond:
leather, carnation, lime blossom, iris, vetiver, ylang-ylang, cedar, patchouli, vanilla, ambergris, musk.

Editor's note on reformulation:
The current eau de toilette starts with the familiar rich, leathery, slightly carnation-floral scent, but the topnotes vanish within the hour, leaving you with the classic "vintage face powder" dry down - retro powdery vanilla and mossy notes, closer to Habanita.

"I'm a Servant to Perfume": Serge Lutens on France24

"Talking of perfume is like talking about everything. When one talks about a perfume there is usually a false story behind it. When you create a perfume it is not created for a man or a woman, it's something to be determined afterwards; it's the people who determine what it is. The sex isn't determined by perfume, choice is.

I am its servant. It's It (perfume) that I have to serve. I am its servant. If I don't serve, I'm but a merchant, making tricks with paper (blotters) like everyone does...

Perfume is not a product; it's something else, it's mystical. [...] A perfume is brilliant when it manages to create a response in itself; if it does not, what's the purpose? [...]{The business} is a vast operation...it's like Viennese waltz, it's mild and turns around and around. That is embarrassing! Before disgust, there's ennui.

If perfume becomes a discourse that is politically & sentimentally correct, it no longer holds any interest."

(NB.the translation follows the most important quotes)


thanks to Alesio Lo Vecchio for bringing it to my attention ETA: And thanks to Bela for dependable bitch-slapping spellcheck!

Knize Knize Ten: fragrance review

Knize Ten is a 1924 fragrance composed by Vincent Roubert (who worked with Coty on L’Or and L’Aimant) for the Viennese tailor Knize. The Knize boutique was famously designed in 1913 by architect Adolf Loos, whose anti-Art Nouveau essay, Ornament and Crime, helped define Modernist aesthetics with its smooth surfaces and pure play on volume.

The scent itself was introduced to complement the clothier’s first ready-to-wear men’s line and in its opening notes, it clearly speaks in a masculine tone. The leather, paired with bergamot, petitgrain, orange, lemon and the slightly medicinal rosemary, is as dryly authoritative as a sharply-cut gabardine suit. As it eases into wear, rose, orris and carnation throw in a gender-bending curve ~Marlene Dietrich (herself a Knize patron) may have well slipped into that suit… The leather itself is of that of the wrist-watchband or fine shoe rather than the pungent “cuir de russie” boot. But despite the richly animalic base – musk, amber and castoreum – hinting at bridled desires, Knize Ten retains the buffered, well-bred smoothness of gentleman who never felt the need to set foot in the cigar-smoke laden cabinet of Herr Doktor Freud…

by guest writer Carmencanada

Notes for Knize Knize Ten:
Top: petit grain, orange, lemon, rosemary and bergamot.
Heart: rose, iris, carnation, cinnamon, clove, cedar, patchouli and sandalwood
Base: castoreum, ambergris, musk and moss.

Korres: New Fragrances & One Discontinuation

It's no secret that Greek brand Korres has created a cult following around the world. The trio of fragrances in old chemist's apothecary-style bottles were named after the main scented materials entering the composition and they became an instant hit shortly after their introduction in 2009. They were originally meant to be limited editions in the USA, the stock quickly dried up and became the object of fervent hunting on international online venues. The fragrances of course are a mainstay in the Greek market.



The original trio included the intriguingly appealing Pepper Jasmine Gaiacwood Passion Fruit (woody oriental) the majestically deep Saffron Agarwood Cardamom (spicy oriental) and Rose Blackcurrant Cyclamen (floral). Of them, one is discontinued even from the Greek market my sources reveal to me, namely Rose Blackcurrant Cyclamen, the weakest link in the chain in my opinion.

EDIT TO ADD 25th Nov: One of my readers, Iliana, kindly notified me that the one she had trouble finding in her city was Saffron Agarwood Cardamom. I'm pleased to say that this is still in production beyond any doubt, as shown on the official Korres site today (choose country option International), showing two of the previous trio (exactly as I had mentioned above) on their index page alongside the new ones (Oddly enough they don't show the Heliotrope Ylang Ylang Citron one, see below). See attached screenshot above for proof (click to enlarge).

You can look at the frag-zine KORRES created especially for its fragrance launch, the editorial concept of which was developed by the brand’s global Communications Director, George Anthoulakis on this link by the Greek page in English on Yatzer. (It's an interesting read with quite some info and is visually very appealing)

However new fragrances are being introduced as of this minute (they're not up on the official Korres site at the time of writing this post), after the success of the former trio, which Perfume Shrine is proud to introduce to the international fragrance community.
The newest Korres fragrance collection includes:

• Heliotrope Ylang Ylang Citron
• Vetiver root Green tea Cedarwood
• White tea Bergamot Freesia
• Iris Lily of the Valley Cotton
• Vanilla Freesia Lyche
• Paeonia Vanilla Amber Pear

I was positively impressed by the Heliotrope Ylang Ylang Citron which is a floriental, not too sweet and with a piqant, "sharp" top note which blends well with the almond/cherry pie note of heliotrope. For those who want a nice "clean" woody-musk that doesn't punch you with its synthetic fist, Iris Lily of the Valley Cotton is surprisingly smooth, with a perceptively rooty-metallic iris note in the background. This is a perfect everyday fragrance which could pass for the natural smell of your skin and clothes.
In my opinion the Paeonia Vanilla Amber Pear was the least original, as it reminds me of Coco Mademoiselle. Of course that might prove to be its strong selling point, although the average Korres consumer is sophisticated enough to not be searching for dupes from what I've seen.
Expect to see international launches in the foreseeable future! The price point is comparable to the previous trio, i.e. good value for money.

The remaining three new fragrances by Korres are reviewed on this page.

photo via yatzer.com

Leighton Meester Blends Her Own Perfumes

'Gossip Girl' star Leighton Meester says she likes to create makes her own perfumes as she likes to smell unique. The 'Gossip Girl' star likes to wear a fragrance tailor-made to her needs, so she visits a store in New York where can pick out her favourite smells and have them made into a fragrance. "I make my own scent - it's mixed for me in a fragrance store in New York. They keep your smell selections on file so you can go back and re-order the same perfume, or you can change it each time." [source]

Penhaligon's Sartorial: fragrance review & draw

Penhaligon’s latest fragrance, Sartorial, is tailored; literally. It reminds me a bit of the Humphrey character in 1980s BBC Yes Minister! satirical series: of a certain age and social placement, immaculate, a bit stuffy suits thanks to the job requirements, yet there is a glint in the eye, no doubt about it. You can't deny there is rhyme to its reason and intrigue to its plot, but is the scent as inspired as it's suggested in the press material?

Still for all its smell-good factor within the tired (by now) aromatic fougère* genre Sartorial by Penhaligon's presents something of a dichotomy: On one hand, it reminds me of my elegant grandpa (he uncharacteristically wore chest-thumbing Givenchy Gentleman and carried an inexpensive white bottle of Tabac with him on beach vacations, of all things), so young blokes might get scared off ~or repelled, it depends on their lineage memories.
On the other hand, it's got something of the ape-to-gentleman British touch which Penhaligon's obviously meant to catch for overseas audiences, so chalk it up to a success at the drawing table, pun intended. What's left to wonder is whether high-end shoppers will immediately realise that it is so reminiscent of older classics of the 70s that have trickled down to the point of "old man scent" (Please refer to our The Perfume Wars Old Lady vs.Older Woman Perfume article to fully realise the implications of such a moniker)

Created by perfumer Bertrand Duchaufour at the nudge of Emily Maben, Penhaligon's marketing director, it was inspired by the scents of the workroom at Norton & Sons, bespoke tailors at No. 16 Savile Row who dressed everyone from insulars Winston Churchill and Cary Grant to "imported Beau Brummels" Fred Astaire and King Juan Carlos of Spain. Now, the tailor's doesn't really smell of much, you might argue, perhaps a bit of that indeterminate wooliness and dry chalk that is par for the course where flannels and fine cashmeres are cut to produce those bespoke suits we admire. And you would be right! So, we're dealing with a transposition of Englishness into a brand which is characteristically British to a fault to begin with; it's a bit like putting a huge beret on the Eiffel Tower or an extra pinch of sugar to a square of Turkish baklava!

According to Penhaligon's:

"Sartorial is a contemporary interpretation of a classic Fougère; the traditional notes of oakmoss, tonka bean and lavender have been exquisitely stitched together with woods, ozonic and metallic effects, leather, violet leaf, honey and spices to create the perfect illusion of a tailor’s workroom. The modern thread running through Sartorial is beeswax; echoing the blocks of wax each thread is run across before stitching. This sweet smudged note ties together the more traditional elements; the oiled flash of shears cutting cloth, the rub of fabric beneath fingers, tobacco tinted cabinetry, puffs of chalk in the air and old paper patterns vanilla with age".

Nice story, but what is original in Sartorial is first and foremost structure: One of contrasting duality between tradition and deconstruction (is it old or is it new again?), and one which reinterprets programmatic elements into an abstract impression, much like the fougère itself. Lavender, oakmoss, patchouli and often geranium with coumarin as the sweeter note act as the skeleton of the fougère, the most archetypally "virile" genre, but also one which doesn't evoke a natural smell but rather the Victorian salons where men were allowed to scent their handkerchiefs with "clean" colognes and waft them in the air. That's so Penhaligon's I could tear up a bit. The dichotomy is so clear as if Terence Stamp is weilding his sabre in Far from the Madding Crowd and then shoots a baddie in The Limey.

The arresting top note in Penhaligon's Sartorial is nicely misleading, seemingly giving the impression of a masculine cologne citric blast (thanks to traditional distillate neroli, often featured in men's colognes as a mid-hesperide, mid-floral top note). But it's actually a careful, intelligent nugget which belies any classification: It combines the sharp notes of ozone with the soapy-clean-after-shave effect of aldehydes, sprinkled with the metallic-watery note of violet leaf (very cliché, as it's featured in so many unisex and masculine contemporary scents, so obviously Bertrand is toying with us). Despite the mention of spices, the effect is not pronounced (a bit of pepper is all I sense). Sartorial is not a spicy fragrance and none of the spices make themselves known per se; the wonderful leather, lavender and patchouli-coumarinic facets rise soon after the top notes dissipate and persist for long: The caramelised end of the spectrum of lavender is supremely coupled to the naturally occuring dark cocoa note of natural patchouli absolute. It just smells good!
The earthiness of patchouli is a given for Duchaufour who has proclaimed the earth's smell as an eternal inspiration (and who uses the Racine base** to infiltrate his compositions with it very often, a note between aged vetiver and polished woods): The effect is not exactly "dirty" though (as in dirt), as it is closer to yummy, honeyed and lightly incense-like (more myrrh than frankincense) and somewhat musky: think of Luten's mysterious and intense Borneo 1834 with its roasted notes and Ayala Moriel's Film Noir than Chanel's fluffier chocolate meringue Coromandel.

Penhaligon's Sartorial weaves its strange spell by its poise and cocksure attitude at the tailor's fitting: Not only does it not proclaim whether it's a "leftie" or "rightie" (is this too much information for a Brit?), it's snuggly enough to be filched by a woman as an androgyne backdrop for when she ventures out to turn the tables; only if she's supremely feminine however!

One carded sample is available for a lucky reader. State what you think if you tried it in the comments; or, if you haven't, whether you like its concept or not and why.

Notes for Penhaligon's Sartorial:
HEAD NOTES: Aldehydes, Ozonic Effect, Metallic Effect, Violet Leaf, Neroli, Cardamom, Black Pepper, Fresh Ginger
HEART NOTES: Beeswax, Cyclamen, Linden Blossom, Lavender, Leather
BASE NOTES: Gurgum Wood, Patchouli, Myrrh, Cedarwood, Tonka Bean, Oakmoss, White Musk, Honey Effect, Old Wood Effect, Vanilla, Amber

Artist Quentin Jones was commissioned by Penhaligon’s to create a stop-motion animation exploring the story behind the new gentlemen’s fragrance Sartorial. Filmed at the Norton & Sons shop on Savile Row, the animation features the fragrance’s creator Bertrand Duchaufour. Patrick Grant, the owner of Norton & Sons, also makes a cameo appearance. The opening scenes depict perfumer Bertrand Duchaufour at Norton & Sons, absorbing the scents and smells of the workrooms. Bertrand is seen smelling the fragrant scents exuded from the rolls of fabric, machinery and paper patterns before he is able to embark on the creative journey to craft a contemporary fragrance or cologne inspired by the scents and smells of the famous Savile Row workrooms.



*Aromatic fougère is a subcategory of the "fougère" family of scents: Essentially, an accord of lavender-oakmoss-coumarin (from tonka beans) creates the classic fougère (examples of which are the historical Fougere Royale by Houbigant which started the "family" and the 70-80s classics Azzaro Pour Homme, Paco Rabanne pour Homme, Drakkar Noir) and touches of aromatic plants (usually herbs) are added.
**Corps Racine by Symrise or 2-(3-phenylpropyl) Pyridine according to H&R

In the interests of full disclosure, the company sent me samples in the mail to try it out.

The winner of the draw...

...for the Le Labo samples is Gregory. Congratulations and please send me a shipping address, using the email contact on Profile or About page so I get these out to you soon!
Thanks everyone for the enthusiastic participation and till the next one!

How will the LVMH Hostile Stake Affect Hermes Fragrances?

It's no news that Louis Vuitton Moët Hennesy (LVMH) acts as a real-life Pacman, trying to eat all pac dots, i.e. luxe companies, through the maze of the international luxury market, digesting them into an undistinguishable mush which tends to divest them of their artisanal roots and top-notch quality control in lieu of creative bean-counting and super profits for crass product that screams "look at me".

Their latest desire to impose a hostile takeover at Hermès International (or at least the deciding majority of votes at board meetings), as announced at the end of October 2010, poses some serious problems and lots of opposition, no less from the heirs of the late Jean Louis Dumas. Of course with Hermès set to report another revenue increase, a 30% for the third quarter 0f 2010, it’s easy to understand why LVMH CEO Bernard Arnault ~whose own profits have slipped in the last year~ has such a keen interest in the company! "The family has clearly and unanimously told Le Figaro that the French mogul is to back off: "If you want to be friendly, Mister Arnault, you need to withdraw," Bertrand Puech, a fifth-generation descendant of founder Thierry Hermes, was quoted as saying. The family owns about 73% of Hermès' share capital, and its partnership structure means no change in contral can take place without family agreement. Afterall, it's family-run which cemented both their heritage and their endurance during the international economic crisis. With Arnault banging down the door, "will class be turned to mass", as Newsweek wondered?

It is not widely known however that LVMH had already acquired some shares at the beginning of 2008 through societies which belonged to them (equity shares), but it was the announcement on Reuters of 17,1% retaining of the total capital of the rue du Faubourg Saint-Honoré house which sparked the flames, especially since it was reported to the saddle-producing house only hours before going on air: Actually it was 5% and 10% of the capital of Hermès on October 21st and 15% on October 24th, to be more precise. According to the same source "LVMH said over the weekend it had acquired its Hermes holdings at an average price of 80.5 euros a share, or a 54 percent discount to Hermes' closing share price prior to the announcement, raising questions as to how it had secured such a price."

Women’s Wear Daily reports that the company used a number of stealth maneuvers, including cash-settle equity swaps and use of several cannily named LVMH subsidiaries, to increase its stake in Hermes by over 14% without identifying itself as a competitor to Hermès brass! [quote] Is Bernaud Arnault the Anti-Chirst? Meanwhile, the group will await the French market regulator's decision on whether LVMH's stake purchase happened legally.

The fiercest competition and the heavyweight fight concerns handbags, the two competitors owning the top prestigious manufacturing of coveted luxury handbags in the world. But since they also own some of the best known and respected fragrances sectors respectively the questions does enter the scope of the Perfume Shrine.

Hermès is a peculiar case and merits its own analysis, because it's the last ultra-traditional, ultra-refined, top-notch recognisable luxe company with fragrances in its portfolio standing on French soil still. The historic house of Guerlain has been already taken-over by LVMH several years ago and the effects have been somewhat less than satisfactory for those of us who appreciate history, family-held tradition and minute attention to quality controls and artistic concepts. The flux of the the behemoth's money benefited the refurbishing of the perfume mecca that is the flaship store at Champs Elysees, yet it has resulted in dubious reformulations, an avalanche of questionable releases priced for Arab shieks with a penchant for showing off French insignia and the reliquinshing of the firm's control by the last heir, Jean Paul Guerlain.
Parfums Dior have suffered an even worse fate in the hands of LVMH, lowering the quality of the vintages and repackaging blatant lies with the same names on the tags but half the soul. Givenchy, the former bastion of restrained elegance under Hubert de Givenchy, became the producer of myriads of mainstream fragrances for men and women who dare not differ from their fellow commuters on the train to work.
Chanel, on the other hand, although still independent, stirred surely by the Wertheimers, has profited by a long-held respect and almost awe which it doesn't wholly deserve nowadays. Although the Les Exclusifs move was one of quality, albeit also of impressionalism and opposite awe towards Hermes who had just issued the Hermessences before them, the latest releases ~from the shampoo-formula trite Chance Eau Tendre to the uber-bland and predictable masculine Bleu de Chanel~ point to a downspiral fall which is echoed through the halls of Rue Cambon and its mirrored staircase in no uncertain terms.

The only one left to guard Thermopylae in what seems like the last bastion of French tradition is Hermès and I for one sincerely hope it does not go down in history for a Spartan ending. In perfumery terms, that would mean a capitulation to the lowest common denominator, an eradication of everything and starting afresh (look what happened to the Italian house of Fendi parfums, which had a sudden discontinuation of ALL its perfumers upon seizure by LVMH) and a spike at prices on faux-luxury "fountain" extraits de parfum with fancy names going for several thousands of dollars...

Luxury writer Dana Thomas, who famously wrote the pithy Deluxe: How Luxury Lost is Lustre is fingering the French mogul as a fiendish money-making former property developer with no artistic sensibility and comparing Louis Vuitton to McDonald’s “A million served,” says Thomas drily. The logo is as recognisable as the golden arches. “It really is. I would certainly put it in the top 10, along with Nike, Coca-Cola...”

Hermès, to their credit, continued to be family-run in a world which moved into complex corporate circles and in a rare perceptive move hired an in-house perfumer of international renown, Jean Claude Ellena, who with his masterful, very refined palette and distinctive style imbued the Hermes fragrances with a clear signature, a refined intellectualism and a sense of true old-money luxury: not trying too hard, no gilted logos, no vulgar display of affluence, a in-the-know hush-hush acceptance of secret codes. Of course this move proved to be financially intelligent while still a continuation of the spirit of the house: The fragrance sector for Hermès bloomed to unprecedented heights and the company even considers expanding to the Asian market with a specific line geared only to them.
Would a take-over by LVMH signal the destruction of such a happy co-existence of quality and successful presence in the market?

According to a very perceptive and spot-on article in Forbes: "Unlike many of its competitors, including major French conglomerates Louis Vuitton Moët Hennessy and PPR, owned by billionaires Bernard Arnault and Francois Pinault, respectively, the brand has been able to increase sales by continuing to please its core customer, rather than aiming to attract a broader audience. At Hermès, you won’t find a $500 dollar handbag like you will at PPR-owned Gucci, or $300 plastic costume earrings, which are on sale at privately-owned Chanel. Instead, the 170-year-old company focuses on producing limited editions of their handbags, which begin at $5,000. “What’s really interesting about Hermès is that they have not followed the typical luxury model,” says Lucian James , president of Agenda Inc, a brand strategy firm in Paris and San Francisco. “When other luxury brands were reaching to a slightly bigger mass market, Hermès made a very specific decision not to do that.”

It's interesting to note, according to an interview in French newspaper Le Figaro, how the manager Patrick Thomas has since opposed the behemoth's insatiable appetite in no unclear terms, going at the root of the matter: “Hermès has absolutely no need of help, support or guardian.” “This culture (of craftmanship and strong traditions) is hardly compatible with one of a big group. It is not a financial battle, it’s a cultural battle.”

Indeed...

All opinions pronounced by Elena Vosnaki are the sole responsibility of its author and are not endorsed by any luxury house.

pics via mediairte.com, newsweek & dana thomas

Thierry Mugler Womanity: fragrance review

All Mugler fragrances create a stir, from the iconic Angel to the stomping woody jasmine in Alien, the metamorphosis-inducing androgyne tuberose of À Travers le Miroir to the surprising Miroir des Envies with its Nutella chord: Womanity, a woody, sweet (fig notes) and salty Eau de Parfum which was advertised with fish references (the caviar accord) alongside the name cannot but conjure images of female genitalia to the fertile imagination. And maybe this was at the back of the mind of Mugler and the creative team at the Clarins group all along!
The designer's house has almost gone bust, kept afloat via perfume & accessories and the man has buffed himself up into a mutilated rendition of a seedy-magazine bodybuilder named Manfred. Something has got to keep the perfumes at the position they are nevertheless and that something is innovation and originality. Womanity is no exception, the definition of a love-it-or-hate-it fragrance, much like all Mugler perfumes are with the possible exception of Cologne.

"Womanity is the quality of being a woman. We differentiate ourselves from the rest of huMANity in biological, social, cultural and spiritual terms" (according to womanity.blogspot) Colour me unimpressed. Yet the composition which perfumers at Mane concocted for Parfums Mugler is nothing short of apocalyptic (in both senses of the word). The overwhelming sweetness (and loudness!) of the fig note is flanked by the austerity of wood and a salty nuance (ever so slight) which manage to create something that doesn't conjure anything concrete, and doesn't recall any other fragrance on the market. In fact if the saltiness was more pronounced (as the woody drydown progresses the arch seems to fall flat and become dull and incongruent) we would be talking about a true classic-to-be.

Smell and compare with other fig fragrances ~such as the two classics, Philosykos by Diptyque and Premier Figuier by L'Artisan Parfumeur with their hint of coconut and bitter leaf note; or the ultra-refined Un Jardin en Mediterranée by Hermès with its herbal aromata~ and you will see how Womanity differs. First of all, there is a watery-sweet note on top which is very unusual: The fruity note passingly resembles that in Un Jardin En Mediterranée or Figue Amère by Miller Harris, but whereas the warmth co-existed with the cool in the Hermès fragrance, laid on thin over the green notes, and it was bitterish-cool in the Miller Harris, in Mugler's Womanity the figs have caramelised. Their succulent flesh id more apparent in the sun than the leaves or the bark of the tree, with a nod to fig cookies as well. And then the salty note, said to evoke caviar!! Its intimate, lightly animalic quality is musky and intriguing. Pierre Aulas, olfactive director of Clarins Fragrance Group, revealed that it was a true challenge to work on Mugler's idea of combining savoury and sweet notes. The ambery-woody drydown is the "weakest" part aesthetically, borrowed as it seems from Alien, and not exciting enough, echoing as it does a base common in other fragrances on the market.

The finished effect though is so powerful that it is worth amassing some of the quotes of people who have sampled Womanity and publicized their impressions on Fragrantica. Those range from the impressionist ("a futuristic scent, or what perfume would be like on an alien planet" and "something a mermaid would wear. Overpoweringly fishy at first as she rises from the sea, but later as she is sitting on a rock combing her tresses, breezes from the nearby fig groves sweeten the air. Perhaps she is on a Greek island somewhere in the Mediterranean") to the programmatic ("I know many people get citrus, fig, salty caviar, nail polish or bad body odour, but I smell spicy cookies" and "Womanity smells like popcorn from a movie theatre, filled with gobs butter"), all the way to the purely dismissive ("It smells dirty, like youd been cutting trees all day and smoking at the same time, but smells even worse than that if you can imagine"). A fragrance which creates strong feelings......but a very strange one!

Thierry Mugler has once again jumped into the deep end with Womanity, proposing a new release which sounds odd but will definitely open up new doors, possibly more refined along the way. If the previous Mugler scents are any indication to the spawn they leave behind, then expect to smell more of this combination in the future. I don't think I would personally wear Womanity, my tastes running to subtler, more intellectual routes concerning personal fragrance, but I cannot deny its risk-taking as the proper stance to take at the moment, even if not entirely successful. If all fragrance houses did this, the world of perfumery would be much more interesting at least, without a doubt!

NB: The review is based on my own sampling at store and at home and NOT on the promotional pre-release "kit" which several other bloggers got in the mail in summer 2010.



Related reading on Perfumeshrine: Thierry Mugler news & reviews

Caviar on Fig photo by Boverthemoon

Bertrand Duchaufour: "My work always seems to come from bumping into someone unexpectedly"

How romantic is it for a modern day perfumer to get initially interested in perfumery because he fell in love with a girl with great taste in fragrance at 17? (She was wearing Chanel's No.19) And is it any wonder that Guerlain's Mitsouko and Jacques Fath's Iris Gris still remain to this day the olfactory monuments by which consequent artists set the bar?

Bertrand Duchaufour, perfumer for Comme des Garcons, L'Artisan Parfumeur and Penhaligon's among others, who trained at the Lautier Florasynth group in Grasse while also working at Florasynth Paris and Créations Aromatiques (the two companies merged in 1997), is revealing these and other interesting points about his tastes and work perspective in a short & sweet interview hosted on Osmoz.com on this link.
Worth a read!

Yves Saint Laurent Belle d'Opium: fragrance review

When the perfume gods are chastising your Hubris (in this case taking the original Opium and changing the hell out of its familiar, groundbreaking spicy bouquet "thanks" to IFRA restrictions), Nemesis comes in the guise of bland innocuousness meant to flop, namely Belle d'Opium. Long forgotten are the droves of protest ~and inevitable adoration~ on the addictive powers of the original Opium by Yves Saint Laurent; the almost contraband repackaging in certain countries so that it wouldn't pose challenges at customs; and the Australian peanut growing governor who banned its sales in his county. Belle d'Opium merely raises an eyebrow at best with its almost masculine structure, which isn't wholly intentional and belies the fanfare and the Romain Gavras commercial (watch here) with which it was launched to the scene a little while ago.


It's no fault of the competent perfumers, Honorine Blanc and Alberto Morillas, but rather a capitulation to the sacrificial pyre that the "Intentional Fragrant Abyss" (our own patented IFRA acronym, which seems more like it) is pushing most modern perfumes into. Firmenich, who produces the juice for bean-counters L'Oréal, is obviously too afraid to bypass these new restrictions and given a cheapskate budget they are following the bland and confused brief to the letter: Make a programatic spicy floral-oriental for people who are afraid to venture outside Lahore for fear of coming to terms with real poverty and those who think visiting Paris means shopping for scarves signés, stuffing on croissants and doing Le Louvre in under 3 hours.
Oddly, the perfumers were obliged to pronounce such silliness as "the fragrance was inspired by France's cultural references such as the Belle de Jour film or Belle du Seigneur book [they wish!] but also international references, like Bella Swan in Twilight [there you go!] who is a fresh-faced young woman, a romantic figure later acquiring dark psychoses." [sic, I kid you not]. It's very bad timing that Armand de Villoutreys, president of Firmenich, was put on record in the September issue of Cosmétique Mag admiting there is no time for the company to work properly: "We receive an avalanche of briefs and the whole chain is overheated. It's mechanical, in the sense that we ought to be very quick and we don't have the necessary time to devote to each step". Uh huh...

Although the listed notes of Belle d'Opium include jasmine, gardenia, peach, sandalwood, lily and pepper, I'm scared to report that the whole smells of neither, but rather an abstract and shapeless spicy-woody composition, beggining with a muted fruity-cardamom note and ending in the familiar woody-ambery-patchouli drydown of myriads of modern fragrances, plus an incense hint. Spicy perfumes, like masterful ganster films, have the great advantage of having a core duet of players who battle for reign within the gang crossing each other and siding with other forces in order to prevail; you're at the edge of your seat to see who will overpower whom. Just observe the majestic (and statement-making) Poivre by Caron with its pepper & clove shot-down at dawn. If only Belle d'Opium had the guts to double-cross its partners, we might have something memorable in our hands. As it is, we're not only far from -even- PG13, but firmly into the Nickelodeon channel.

To add insult to injury, neither the sillage nor the lasting power are technically adequate for an Eau de Parfum, which ~with said perfumers involved~ suggests a quickly churned out "generic" please-the-masses deodorant for the price of a proper perfume.
What bugs me most? According to inside info I have the name Belle d'Opium was chosen to ride on the heels of Yves Saint Laurent's best-seller and will be eventually pulled in favour of simply "Belle". If Belle reminds you of... B'Elle (a fictionary flanker of Elle by the same brand maybe?), it's because that's the concept to begin with. Be Elle? Nah....Shame, really!

Available at major department stores in Eau de Parfum concentration (from 53 to 90 euros).

photo collage originally uploaded on stylista.gr

Le Labo AnOther 13 & Baie Rose 26: fragrance reviews & draw

Never were two fragrances by the same niche line been so contrarily contrasted: Where I expected the pedestrian I got a brilliant surprise and where all signs were siren-calling (the rare, the uber-exclusive!) I was crest-fallen. I'm referring of course to Baie Rose 26 and AnOther 13 by Le Labo, this autumn's newest releases by the hip niche line who provoke, as much as put things up for an interesting discussion on the boundaries of art and marketing.

Baie Rose 26 comes as a welcome surprise in a market inundated with the plethora of pink peppercorns (i.e.baies rose) peeking from ultra-fruity compositions with the requisite patchouli base that makes for modern "young" juice (what's accusingly called a "fruitchouli" ). The initially piquant top note of pink pepper sets the scene for a very diffusive fragrance, which radiates from both blotter and skin, slowly revealing a generous rose heart; like roses half-hidden in an aluminum chest under bullet-proof glass in an Ian Fleming novel.
Perfumer FrankVoelkl, who composed both Musc 25 and Iris 39 previously for Le Labo, tackled pink peppercorns (which naturally have rosy facets) and made them woody-musky with a prolonged drydown full of Ambrox reminiscent of the finish of Mille et Une Roses by Lancôme and Stella by Stella McCartney. There is even a deliciously weird, but oddly very becoming, "vomit note" that reminds me of Karo Karounde, an exotic essence which is used in Pleasures by Lauder. If that makes you queasy, fear not: it's only an impression and a little bit of jarrigness makes for an artistic outcome.
Although Rose 31 is already a best-selling fragrance in the Le Labo portfolio (a spicy cumin-rich rose note which makes for a rose "sweating" from the inside), the perfume enthusiast could find merit to include Baie Rose 26 in their collection all the same. I admit I'm sorely temped!

Baie Rose 26 notes:
Ambrox, Clove, Pepper, Rose, Baie Rose, Musk, Ambrette, Cedar, Aldehyde

Baie Rose 26 by Le Labo is available only in Chicago (it's a "city-exclusive", following Le Labo's annoying but business-savvy ~apparently~ technique of saving some frags for specific cities around the world).

AnOther 13 is the definition of a limited edition: only 500 units are produced globally, in partnership with so-hip-it-hurts AnOther mag in London. This project was born thanks to Sarah of Colette boutique in Paris who initiated the creative collaboration between the Le Labo founders and Jefferson Hack, editor in chief of AnOther Magazine. Jefferson Hack is a renowned British journalist and magazine editor who co-founded Dazed & Confused in the early 90’s and who launched AnOther Magazine in 2001. Perfumer Nathalie Lorson (praised on our pages for her Poivre 23) was called to blend a "dirty musk which your nose will want to go back to the skin that wears it more than you want to". Errr, no, actually; if you put this on skin, you run the risk of having your arm fall off!

Let me explain myself after this provocative statment: AnOther 13 is a monochromatic take on Ambrox and musks (three major musky aromachemicals, Muscenone delta, Ambrettolide and Helvetolide; more on different synthetic musks here) which murmurs disparaging bon mots with vicious intent and which unfortunately has the half-life of plutonium, i.e. you will be scrubbing and scrubbing if you happen not to appreciate that sort of thing.
Ambrox has certainly been toned & honed through several popular fragrances in the last decade (see our article on Ambrox here), but 2010 has seen it being writ large on the marquise, as the prominent star, which is a new twist. Contrary to Juliette has a Gun Not a Perfume, though, AnOther 13 is not solely based on Ambrox but is rather a composite of strong mostly woody notes which project with the force of steel. Helvetolide, a synthetic musk with fruity aspects (apple and pear-like) contributes a note which can be identified as "wet dog", Delta muscenone is reminiscent of real ambrette seed (and could stand for that) while Ambrettolide is strongly musky with a warmer feel. Yet the Le Labo fragrance isn't a "musk" in the traditional sense, nor is it nauseating in the aquatic and eerie mould of Sécretions Magnifiques: The piercing woody-ambery metallic note has something of the tormented Erica Kohut as she stabs herself aimlessly (and certainly non lethally) in lonely despair. A disturbing fragrance, to be sure!

Le Labo AnOther 13 notes:
Ambrox, Salycilate, Muscenone delta, Helvetolide, Ambretteolide, Cetalox

AnOther 13 is available in numbered bottles at Le Labo boutiques and at collaborating partners around the world: Liberty in London, Isetan in Tokyo, Barneys in the US, and Colette in Paris. It comes in one size (100 ml/3.4oz) and is sold at regular Le Labo 100 ml prices (i.e.200$) .

For our readers, a draw!Draw is now closed, thanks for the participation! Create the next frag concept for Le Labo in the comments & enter to win a sample of both exclusive fragrances!

Disclosure: For these reviews, I both paid out of my own pocket for decants for reviewing purposes through splits and was sent (a little later) samples in the mail by the company itself. Funny timing, but a great opportunity to be generous with our readers.
Asia Argento in a provocative photo shoot uploaded by girlsgirlsgirls on Photobucket. Another 13 photo found on Basenotes.

Ormonde Jayne Opens on Sloane Street

Ormonde Jayne celebrates its tenth and most exciting year with today’s launch of the new flagship boutique in world famous Sloane Square, London. The third and newest address of Ormonde Jayne in London is 192 Pavillion Road (site of the old General Trading Company) and like the first boutique in Old Bond Street, it neighbours with Tiffany’s, Cartier & Links of London. Designed by Caulder Moore, the smoked glass & antique gold shagreen walls give the store Ormonde Jayne’s trademark sophisticated decadent look. According to the founder Linda Pilkington, it was waiting to happen because it was so fitting the concept of the firm anyway: “When I first saw the “to lease” sign on Pavillion Road, I knew it would be the perfect location for Ormonde Jayne and I have always loved Sloane Square. Our original business plan was to start looking by the end of 2011, but I operate on instinct! As we are an independent company without outside investors, we have the luxury of making quick decisions. Following the success of our debut in Harrods earlier this year, it felt like the next logical move. Sloane Square is an international address in the heart and soul of London & we are thrilled to be opening today”.

Don't forget to check our other Ormonde Jayne articles and news.

Outlaw Perfume: Revolutionizing the Industry One Step at Time

If you are one among the many perfume enthusiasts who in the last few years has been informed of the restrictions which have been self-imposed by the International Fragrance Association and the lobbying at Brussels in the European Union of several groups concerned with the allergens, hormone disruptors and other assorted impending signs of the coming Apocalypse in your humble Eau de Toilette, and have been severely icked, irrated and all around cussing beneath your breath, wielding your fist at the powers that be who nanny this existence for you, then read on. And rejoice, because not all is black and doom. A handful of perfumers (natural perfumers of the Guild on this occasion, but how far can more mainstream perfumers be?) are rebelling against perfumery restrictions which do not make much sense.

We're not talking about materials which have been proven to cause brain damage (a miniscule amount already banned since many many years), but of such innocuous and traditional ones such as citrus essence or lavender. Outlaw perfumery is not about being irresponsible, but about being level-headed. In a world where nuclear power risks and air pollutants pose a far greater risk, it seems adhering to a noli me tangere frame of mind is becoming unreasonable and ultimately laughable. If by any chance you had been a castaway these past 3-5 years in the middle of the Pacific or haven't really understood what this furore is all about, you can read all about it on these pages under Restrictions and under IFRA.

The guidelines of the International Fragrance Association (IFRA) and the laws of the European Union (EU) have created an era of vapid, soulless, synthetic perfumes due to the banning or severe usage level limits they have placed on historic perfume ingredients that are used in leave-on or wash-off fragrance products. Rose, jasmine, oakmoss and many other aromatics are now allowed only in tiny amounts, and their scentual presence is dimmed. Independent perfumers are not members of IFRA, but if they are in the EU, they have to abide by the rules. Independent perfumers are also aware of safety issue due to photosensitization, allergenic sensitization and irritation, et al. The Natural Perfumers Guild takes the stand that a warning label should be enough to allow us to use citrus, oakmoss, jasmine, rose and other cherished perfume materials in our creations. If a warning label is good enough for the potentially-deadly peanut, it should be good enough for a perfume that may give you a rash.
One among the perfumers, Anya McCoy, the president of the Natural Perfumers' Guild, says "Just by being a natural perfumer, I’m an outlaw in the eyes of the perfume establishment. I don’t use their synthetic materials and I am self-taught. It’s not a surprise I would not follow the dictates of the International Fragrance Association (IFRA) or the European Union (EU)"
A warning label suggested would perhaps read: “Warning label: Enjoy your Outlaw Perfume! It may contain aromatics or alcohol that could cause a slight skin reaction, so it be used with caution. Don’t apply perfume and go out in sunlight. As you would with any scented product, we recommend a patch test or you may spray the perfume in your hair, on an item of clothing, or on a small piece of cloth to tuck into a pocket or sleeve.” In fact isn't the Victorian idea of wearing perfume on a handkerchief, a locket or on hair a very romantic notion? Eschewing skin contact, our beloved perfumes can be reclaimed as our own! If they only let us...

So from this coming Monday November 15th expect to see news & reviews of Outlaw perfumes submitted by a pleiad of natural perfumers under a collective umbrella, crafting compositions that disregard the excessive fear and litigiousness of IFRA on these participating venues:

Gaia at The Non Blonde
Donna at the Examiner.com
Felicia at Fragrance Belles Lettres
Carol at Waft by Carol
Ida, Mark and Monica at Ca Fleure Bon
Lucy at Indie Perfumes
Beth at Perfume Smellin Things
Pat at Olfactarama


In fact I would be personally interested to hear your suggestions for the industry's perfumed products Warning Labels: keep them coming!!

pic originally uploaded on MUA

First Museum Exhibition of Perfume as Art Form in Museum of Arts & Design

"The first-ever museum exhibition on perfume as an art form will premiere at the Museum of Arts and Design in November 2011. Organized by MAD and curated by Chandler Burr, the scent critic for The New York Times, The Art of Scent, 1889-2011 will examine ten pivotal scents as masterful works of art, crafted from both natural raw materials and synthetic molecules. A special installation designed by architect Toshiko Mori that utilizes atomizing machines will provide visitors with a pure, olfactory experience of each work in the exhibition.
The Art of Scent highlights major stylistic developments in the history of olfactory art, beginning in the late nineteenth century—when the use of synthetic materials ushered in the modern era of fragrances—through the present day." [source]
The interesting part is that it will be a semi-blind reception of the odoriferous craftmanship that is ingrained in the 10 fragrances presented: the viewers will be smelling the scents in identical canisters, devoid of the outer characteristics and only demarcated by name, perfumer and year of creation; this idea is carried on to the exhibition catalogue that will offer 10 identical sample vials of the perfumes presented alongside essays by Chandler Burr. His goal? "My goal for this exhibition is to transform the ways in which people respond to scent artists and their art. The works presented in this exhibition are ones that have each had a profound impact on the history of this artistic medium." These works include Jicky, Chanel No.5, Fracas, Eau d'Issey, Angel and Pleasures.

Holiday Gift Guide 2010

It's that time of the year again, when we think about those we love and want to treat to something that will make them smile. Preferably if it caresses the senses it's even better! So let's see some suggestions for every need.

• For the pampered type or the great-ambience-loving friend:

Diptyque limited edition Noel 2010 candles trio: A collection of the famous Diptyque candles, 70g each, in Feu de Bois (Woodfire), Pomander and Sapin (Fir tree). They go for 66euros. Diptyque also makes big stand-alone candles(190g) for the holidays in festive-coloured glass jars with similarly festive scents to aromatize the house for the holidays: Pin (pine) in green, Oliban (olibanum/frankincense) in royal blue, and Orange Epicée (spicy orange) in ruby red.

And of course I can't but highly, highly recommend my beloved Opopanax which is sumptuous powdery orientalia in fragrant vapour... An amazing winter scent!!

• For the serious perfume-philiac:

Traversée du Bosphore, like its namesake strait, is the link between West and East, or rather, between cutting-edge modern French perfumery and its ancient Oriental roots.
Duchaufour eschewed cliches to come up with a composition that marries on the one hand Anatolian leather (suede more like it) and Turkish delight into a unique interpretation of the leather genre. Dry, powdery iris dusts the top notes, while saffron provides another leathery touch. on the other hand a fruity accord of tart apple and pomegranate referencing the apple-scented tobacco smoked in hookahs and the pomegranate juice sold in the markets. The final aftertaste is the rose pistachio-accented Turkish delight. A sweet leather scent for both sexes.

• For the cosmetics junkie:

I was sent info on a new line of non sticky, non glossy lip balms called Lip Elixirs. Created for both men and women, Lip Elixirs is an all-natural line of lip balms in a variety of cocktail flavors including Mimosa, Mojito, Vanilla Bourbon, Sassafras and Chocolate Martini.(You knew there would be some aromatic temptation, wouldn't you?) The lip products are made of Kukui nut oil, aloe and cocoa butters blended with all-natural essential oils and are packaged in a understated retro tin. I admit I would love to receive some Sassafras (with the taste of traditional root beer) or the rather unusually scented Mimosa myself!

• For those with a naturals streak running through them:

Cimbalom by Roxana Illuminated Perfume: This pure botanical fragrance has been named after the stringed instrument closely related to the hammered dulcimer. Like the exotic musical chordophone that can be found dating back to 3500 BC, melodic notes of jasmine with percussive beats of resinous amber and a flourish of citrus rind engage your senses. Cimbalom is a rich floriental featuring Labdanum, Indonesian Patchouli, Indian Jasmine, Ginger and Orange. The fragrance contains a limited edition tincture of jasmine sambac blossoms from the perfumer's woodland garden paired with three different jasmine absolutes. It is available as a liquid perfume extrait in .25ml, 1 ml (sample sizes) and the 7ml flacon as well as in a solid format at Roxana's E-shop. (And while there take a look at the Victorian lockets filled with solid perfume!)

Natural Perfumers' Guild Subscription: Treat someone who wants to seriously learn about perfumes (or yourself!) to a subscription to a great value program, hosted by the Guild of natural perfumers. All new members will receive 20% off the current membership fee. The categories below show the reduced rate, and will be available to all new members who join between October 20, 2010 and November 30, 2010. As a signup bonus, new members will be able to download 50+ vintage, classic and current valuable perfumery and perfumery-related books and articles. You can read the prices and sign up on this page. Give the gift that lasts a whole year! Anya McCoy also gives personal perfumery classes, providing a degree for those following the course, at Perfume Classes. Worth checking out as well.


Don't forget to read more suggestions on gift shopping on these blogs:

IndiePerfumes (Lucy)

Illuminated Perfume (Roxana)

All I Am- A Redhead (Ines)

Scent Hive (Trish)

pic of candle and macaroons via Chasing Rainbows, Kissing Frogs.

Serge Lutens Jeux de Peau: new fragrance

Serge Lutens is as prolific as ever and this coming March 1st another fragrance will join his olfactory seraglio in the oblong export bottles: Jeux de Peau (Zø de POH) aka Skin Games, a fragrance for both genders which reportedly smells like buttered toast! (And might even include a wheat extract we're told).
The eccentric idea of a novel gourmand (I recall the last major launch with grains notes was Simply by Clinique, although there were others) wants Serge Lutens seeking to recreate the odor of the buttered toast he enjoyed so much as a little boy! The unusual, "oriental-charred-wood scent", invites guesses as with all Lutens fragrances, while Serge himself professes in his usual controversial way, ‘Eat, for this is my body’. The Christian symbolism aside, Serge does invite personal mementos entering his fragrances which makes them all the more intriguing.
The formula like a nurturing and appetising breakfast of tartines and butter exhibits pronounced sandalwood/milky notes at the top, progressing into a "toast accord" with a few sweeter and floral facets next (reminiscent of rosewood), alongside sweeter and spicier ones such as a mix of licorice and coconut. The finish is built around a fruity touch (between apricot and osmanthus).
"It gets me back to the 'don't forget to pick up the bread on the way back from school!' At the boulangerie at the end of the road, its captivating odour and its blond and warm light, a golden moment..." says Serge. To recreate this harmony, Lutens and his perfumer have assembled dozens of essences, but also wheat and barley.

NB>I have updated with a full review of Jeux de Peau on this page.

Edit to Add:
The upcoming (export) fragrance by Lutens for summer 2011 will be called Vitriol d'Oeillet (Vitriolic Carnation) and naturally will be a carnation composition (as "oeillet" means carnation in French). The moniker Vitriol alludes to some brilliantly wicked take as the one in Tubéreuse Criminelle (Please perfume gods, make it so! Not to mention I have prayed for a carnation-spiked the Lutens way for a long time...)

Addition April 1st: The next Paris exclusive is De Profundis, coming out on September 1st inspired by Baudelaire's poems and death. De Profundis by Serge Lutens includes gladioli, chrysanthemums and dahlias in a green, almost aldehyde-like and darkly delicate fragrance, encompassing a chamomile withered peony effect.


Thanks to reader Uella who set me on the track of trademarked names to find this before any official news broke!

pics & notes via osmoz