Why Does Pee Smell After Eating Asparagus?

Peeing after eating asparagus can be daunting: The liquid takes on a strange, pungent, rotten odour which can be off-putting, to say the least. But why is that?

Asparagus contains asparagusic acid which is broken down into volatile (smelly) chemicals released in the urine as soon as half an hour after consuming the vegetable. These chemical components responsible for this effect are: methanthiol, dimethyl sulfide, dimethyl disulfide, bis(methylthio)methane, dimethyl sulfoxide and dimethyl sulfone.

The really fascinating fact is that some people do not produce smelly pee after consuming asparagus (though they're rare among the population), and some people still might produce it yet not be able to smell it as offensive! Scientists have not gone into the screws & bolts of how and why this is, but the most widespread explanation is genetic variations: Some people have genes that dictate their system to process asparagusic acid somewhat differently, while variation in the smelling perception spectrum is hypothesized to be a combination of genetic and societal factors coming into play.

pic of asparagus via pellanews.gr

Perfume Quote: "All I can think about is her wearing nothing except that perfume."

Fragrance and scent in general plays a big role in what guys find attractive (or not) on a woman and on a recent Shine article titled "10 Beauty Moves Guys Find Sexy" it features prominently. Experiences range from the clean & scrubbed effect to having perfume lingering on a pillow...

"I don't know how she does it, but she always smells delicious," says Brent, 29, of his girlfriend, Cate. "Even when she just gets out of the shower!"
"I love inhaling her right here," says Damien, 35, pointing to the area of his girlfriend Veronica's neck right under her ear, where she says she applies Burberry's The Beat perfume every morning. "She smells amazing, all sexy and soft."
Mike, 30, loves his fiancée Nadine's Jo Malone Vanilla & Anise perfume. "All her stuff smells like it" he says. "I love it when I wake up and she's gone, I can still smell it on her pillow."
Tyler, 26, says his girlfriend "asked for a bottle of Stella Nude by Stella McCarthy for her birthday, and now I know why. She smells incredible in it. It's seriously like an aphrodisiac for me. All I can think about is her wearing nothing except that perfume."

Ladies, you have been warned!

Myth Busting: What Fragrance Concentration Really Means (Eau de Toilette, Eau de Parfum, Eau de Cologne, Extrait de Parfum, Parfum de Toilette, After Shave, Mist etc)

Although received knowledge wants fragrance concentration to be synonymous with lasting power and "strength" of the scent, largely influencing selling price as well, the truth is a little more complicated, with obscure terms like Parfum de Toilette, Eau Parfumée, Mist, Esprit de Parfum, Eau d'Abondance etc. confusing even some of the more knowledgable perfume lovers! In this small guide, prompted by frequent questions by our readers on fragrance, we try to explain the different terms that pertain to fragrance concentrations with some historical data showcasing the reasons why.

The concentration of a fragrance refers to the concentration of aromatic compounds in the solvent; in fine fragrances this is typically ethanol or a mix of water and ethanol, as denoted on the list of ingredients/allergens on the box. Although a general guideline is presented about ratio of aromatic compound percentage, different perfume houses assign different amounts of essences to each of their perfumes, further complicating the matters. Most agree on at least the general truth of the following though.

Extrait de Parfum, also known as parfum or pure perfume (or even as "perfume extract" following the literal translation from the French), is the highest concentration of scent, containing 15-40% of aromatic compounds. According to the International Fragrance Association (IFRA) the typical percentage is closer to 20% than to 40%. Even though extrait de parfum demands high prices (sometimes stratospheric) and comes in the smallest bottle, making you believe that it should be the strongest concentration, it would be more accurate to say that is in fact the longest-lasting. Several extraits de parfum can be rather subtle and skin-friendly, wafting from the wearer in a less aggressive manner than a loud Eau de Parfum formulated with lots of "projection" or sillage potential. Especially in classic fragrances, which are epoque-representative (such as Guerlain Mitsouko, and Shalimar, Caron Alpona, or Lanvin's Scandal ) or in cult, rare scents, such as Hermes Doblis and Shiseido Nombre Noir, experiencing the scent drop by drop, as befits something precious is the only truly satisfying method of cherishing them.

Originally all fragrances came in extrait de parfum: The perfumer mixes the compound for testing before diluting to several variations. Colognes (or more accurately Eau de Cologne scents, which follow a traditional recipe of citrus & herb notes with very little anchoring by base notes, in reality being a trademark and a specific fragrance) were the exception and formed a category of their own; indeed these were also made in abundance by local apothecaries and pharmacies throughout Europe, each had their own "edition". When fine fragrance was democratisized in the turn of the 19th century, through the invention of aroma synthetics, and more pointedly in the 20th century when it became a veritable industry, perfume houses began offering an Eau de Cologne (EDC) version of their popular scents: This meant a lighter concentration (about 5% of aromatic compounds) in a bigger bottle, which would mean lower price and more juice to be splashed on. These Eaux de Cologne however were not the traditional recipe, nor were they only "lighter" in strength and lasting power compared to the parfums they interpreted. Very often, as is the case of Guerlain, classic Dior and Chanel fragrances from the first half of the 20th century and into the 1960s or even early 1970s per individual case, these Eaux de Cologne were formulated to contain more of the brighter top notes as opposed to their more concentrated counterparts, so as to provide a "sparkle" upon putting on skin, familiar to the consumer from the quasi pharmaceutical/aromatherapeutic use of traditional Eau de Cologne for all ailments. Thus the progression from buying at the chemist's/apothecary and buying at the perfume counter of a famous couture or cosmetics house was made seamless.

Testing a vintage Eau de Cologne (see Guerlain's excellent Vetiver which retains that wonderful tobacco-laced accord) by Lanvin, by Guerlain, by Chanel or by Coty often means a quite lasting fragrance, close -or even better lasting in some cases- than a contemporary Eau de Toilette! They also tend to present different fragrant nuances than other concentration, exactly due to different construction (as infamously evidenced in many Chanels).

Eau de Toilette (EDT), a concentration of between 5-15% of aromatic coumpounds, is also a time-honoured concentration catering to the needs of those who could not afford the precious extrait de parfum, yet still wanted to partake of the dream of glamour that perfume promised, or alternatively  the version meant for daywear, instead of the parfum which was indicated for night-time wearing, much like jewels in bobbed hair and silk satin. The phrase came from the French "faire sa toilette" which denotes the ritual of getting ready, getting dressed. Putting on perfume was considered the final touch on an exquisite presentation of the self.

The first perfume to have the parfum made as an afterthought is rumoured to be Coco by Chanel: Perfumer Jacques Polge was intructed to think of the Eau de Parfum, the popular 1980s concentration, while composing, rather than the denser extrait: By the time that Coco launched, the new generation of consumers were oblivious to the old habit of applying droplets of scent with the dropper/stopper and were familiarised with sprays which had become the norm throughout the 1960s-1970s, catering to the "women on the go". Sprays/atomisers by their very nature tend to dispense a lot of liquid, thus familiarising consumers with abundance. As the 1980s rolled their weird mix of consumerism, carnality, frantic social climbing and political conservatism, fragrances became more and more agressive, a form of olfactory shoulder pads. Thus the idea of a stronger concentration that would introduce the wearer before they even entered the room was born: Eau de Parfum (EDP). Typically 15% (and fluctuating between 10-20% of aromatic compounds), this is a concentration that lasts a long time and is very perceptible in terms of "waft". For those who were of the "bang for the buck" school of thought it also made perfect economic sense, being the best of both worlds.
In certain brands, there might be a separate nomination to denote that, such as millésime at Creed (a term borrowed by wine, denoting a particularly good year).

Some Eau de Parfum fragrances are in marked contrast to their Eau de Toilette counterpart: This might be one of the reasons why the scent you smell on another smells rather different when you buy a bottle yourself. Famous examples include Chanel Cristalle which in EDT is a bright citrus with a light chypre-like base, while Cristalle EDP is a full-blown floral chypre with honeysuckle emphasized in the middle. Yves Saint Laurent Paris is more powdery and crisp in EDT, while being sweeter and more liquer-like in EDP. Chanel routinely twists their fragrances to be slightly different within the different concentrations.
In rare occasions they're a completely different fragrance altogether! Rykiel Women (Not for Men!) in EDP is a sensuous musky-leathery skin-scent. In EDT it is a bright and sweet fruity floral! Elixir des Merveilles, the EDP version of Hermes Eau de Merveilles (EDT) injects fruity-chypre tonalities in the sparser woody-salty scent  ambergris formula of the original.

From then on, there is a bit of chaos. Generally speaking Parfum de Toilette (PDT) is the equivalent of Eau de Parfum, perhaps a bit more spiked towards the higher end of percentage of aromatic compounds (20%), a very lasting, velvety concentration. One of the houses that really rode this notion high in the 1980s was Guerlain, before dropping the term in lieu of the standard Eau de Parfum in the 1990s: Each and every one of their Parfums de Toilette in their popular perfumes was stellar.
Esprit de Parfum  (no abbreviation available for obvious reasons) is a term that is seldom used: Poised between EDP and extrait, containing almost 30% aromatic compounds, it is most famous from Dior who used the concentration in their iconic of the 1980s scent Poison: Interestingly Poison originally came in Eau de Cologne concentration and Esprit de Parfum (alongside extrait de parfum of course), before these two being dropped in favor of the more standard Eau de Parfum and Eau de Toilette in the 1990s.
Secret de Parfum is a specific variant used by Yves Saint Laurent for Opium in the mid-1990s: The maroon bottle involved lattice-work, the concentration akin to Eau de Parfum, but the subsequent substitution with a reformulation of the formula for the Eau de Parfum wasn't unjustified: the product had a greasy, opaque tonality that betrayed the better facets of the original perfume, while the newer Eau de Parfum was truer till very recently (till the 2010 reformulation). 

Perfume Mist, Brume de Parfum, Voile de Parfum, Eau Parfumée, or Eau Sans Alcohol is typically the lightest form of a feminine fragrance: The ratio of aromatic compounds varies between 3-8% while solvent is typically non alcoholic. This was necessitated for two reasons historically: The aerosol mists using propellant were formulated so as not to sting or squirt alcohol in the eyes. Secondly, in the 1990s, when concerns about the allergenic properties of fragrance became more widespread, companies introduced the notion of a non photo-toxic version of their fragrances so that they could be worn all over or at the beach. Some of these fragrances are specifically made as such, such as Dior Bronze "Sweet Sun", which incidentally is launched as "Eau de Bienfait" (approximately Feel-Good, Beneficial Water, as it was included in their suncare line Dior Bronze). Yves Saint Laurent has a very light Opium flanker called Opium Voile d'été.
Please note that the older the fragrance tagged "eau", the greater is the chance that it is quite decent in the smelling/lasting department (superior to a modern variant by the same name): witness Eau de Lanvin concentration for instance for several of their vintage perfumes (My Sin, Arpege etc.)

Masculine fragrances present a mix-up: While as we said Eau de Cologne refers to either the traditional Eau de Cologne recipe/trademark scent first made in Cologne, Germany, or the lighter concentration of a given perfume, many men refer to their fragrance as "cologne". This is mostly an American or Anglo-Saxon phenomenon, due to the reluctance of ascribing themselves as "perfume wearing" (considered effeminate).For instance in Greek the term "cologne" (as well as perfume) is used to denote fragrance for either sex.
More elaborate, additional terms after the name on bottles, such as extrême, intense, or concentrée might seem like indicating concentration but usually they pertain to completely different fragrances, related only because of a similar perfume accord: compare and contrast Chanel's Pour Monsieur and Pour Monsieur Concentrée.
After Shaves of non-lotion-consistency are more old-fashioned: These typically contain a fant 1-3% of aromatic compounds, meant to create a feeling of euphoria upon putting them on without stinging sensitive freshly-shaven skin and quickly disappear altogether.

Eau Généreuse or Eau d'Abondance is a relatively new term, denoting the luxury of huge, honking bottles, meant to be splashed with abandon, a luxury trait inaugurated by the house Hermès (see Un Jardin après la Mousson for instance and the rest of their Jardins fragrances) and followed by Cartier (see Pasha Eau Généreuse or Declaration Eau Généreuse) These scents come in homonguous bottles but in reality are of Eau de Toilette concentration as usual.

Of course there are several other fragrant products, especially in vintage fragrances, when such practices were more common and more varied, from hair lotion (stillboide) by Guerlain to hand-sanitizing water, Eau de mouchoir (handkerchief scent from the Victorian era) and eau de dentifice (for oral hygiene). But they're beyond the scope of this little guide; perhaps we will return on a subsequent guide.

As with everything, largely concentration perception is a personal interpretation within the official guidelines: What seems more lasting or more forceful might have to do with personal sensitivity to specific ingredients and with associations rather than fixed ratios. So, when heading to the perfume counter or when savouring a vintage treasure, give a minute or two to think about what you're smelling exactly.

pics via gildedlife.com & seharm/flickr/somerightsreserved

"Stop Dousing with Musky Perfume" (From Facebook) & a Giveaway

It's always interesting to hear about the perception of people on fragrances and scent related matters. So when I came across a mention* of an actual Facebook post that addressed the dreaded "old lady perfume" phenomenon, I knew it had hit a chord. The actual FB post wrote: "Dear Middle-Aged Women, please stop dousing yourselves in musky perfume. No one enjoys it but you. Thanks".
This is probably the most passive-agressive thing I have read in a long time. Let me count the ways:

1. Condescending tone: Pretty obvious, dear Facebooker!

2. Blanket statement: Obviously not all middle-aged women resort to that behaviour.

3. Confusion: What exactly is "musky" again? As we have discussed, there is a huge cultural association of musk in perfumes and most people don't even know what they're talking about (precious few have smelled real musk from the deer musk). Musky emphatically does NOT equate aldehydic, nor mossy/ dry/ powdery (most usual categories of mature women's perfume due to fashions at their heyday), nor even animalic per se, as we have determined in our extensive Old Lady vs Older Woman Perfume Wars article.

4. One iota of truthfulness, but meddled: Indeed dousing one's self with perfume might be too much. Touché! But again, "dousing" is relative. What's much to you might be little to me and so on. Who makes the rules?

5. The pièce de résistance: God forbid if anyone does anything to please themselves!! No, in this Botox-ed, plastic boobs & prosthetic butts, fake hair tresses and spinning-toned bodies' society you have to first think about how you appear to others and only later (much, much later) on what pleases yourself. If this is how we're supposed to live from now on, you can count me out. I might have more fun in my coffin.


Just because someone has a public soapbox on Facebook gives them the impression that they can vent publicly on whatever irks them on day to day life. Let us discuss at length our nose snot, isn't that interesting.
Some of us are only approaching middle-age, but we could cite many younger (or older or same-age, doesn't really matter!) people we have met, who were wearing the most obnoxious, far-reaching, oversurupy plastic-fantastic fragrant stuff that would make us want to reach for the barf bag if only we weren't brought up with piano and French.

In the end it's all a matter of choice: Affronting the issue by taking that someone close by, in private and -depending on level of intimacy- voicing your displeasure in direct, concerned and polite terms. And accepting all the while the option that you might be shot down with a "It's what I like and it's within my rights"! Which it is, you know, unless you're literally dying from some rare anaphylactic case as soon as you touch their perfumed skin. Or posting passive agressive statements on public venues (where -worst of the worst- your intended target might casually read and have no means of retorting) blanket-stating your disdain on all concerned, as if anyone gives a fig. It merely reflects on a lack of communication skills and effectiveness radar threshold on the poster's part.Which do you choose?

To rub salt on the wound (I know many would be right now tearing their hair in protest), I'm giving away a bottle of my own personal collection: a musky perfume all right, which is de trop in my own collection which already comprises many concentrations of it. An older vintage Bal a Versailles by Jean Desprez in Eau de Cologne. Draw remains open till Thursday midnight.


*mention by cykeane/mua
pic of Meryl Streep and Alec Baldwin in It's Complicated via womensvoicesforchange.org

Pinning it Up chez Caron

The pin up Sasha Philippe (from holala.ch) is discovering perfumes and cosmetic powders at the Caron boutique. The concept belongs to Caroline de Surany. Sasha Philippe talks to (and kisses on the cheek) directeur de Caron monsieur Romain Alès.

The clips are directed by Thomas Leroux.

Father's Day Guide: Masculine Fragrance Recs for the First Guy in Your Life

With Father's Day around the corner, we're rethinking our fragrant gifts, opting for elegance, quiet sophistication and a sense of fun. Why shouldn't dads share in our appreciation of smelling good? After all, as we were growing up, they formed our perception of how males should smell like (I know it happened to me). With that in mind, here's a brief guide of fragrance suggestions for dads and beyond by Perfume Shrine: By no means conclusive, and pliable to inspire classical-leaning boyfriends and adventurous daughters, stealing a spritz or two in a gender-bender game, like when they were little ones.

• For the Traditional Dad

Hermès Equipage 
It's hard to do a more elegant, more traditionally classical composition than this fragrance, originally created by legendary perfumer Guy Robert for Hermès in 1970. A scent of single-malt scotch; rich, warm, with a pungent leathery undercurrent, yet never heavy, it speaks of a lost kind of elegance. Even the modern, reformulated version by Jean Claude Ellena is excellent.  

Aqua di Parma Colonia Assoluta Eau de Cologne
Fresh, sensual and vibrant, Colonia Assoluta comprises crisp notes of hesperidia (Sicilian bitter orange, bergamot and sweet orange) with warmer spicy notes of cardamom, pink peppercorns and paprika, resulting in a hearty, sunny melange that feels reassuringly graceful and dependable.

• For the Trend-Savvy Dad

Dior Homme 
Never mind it's everywhere, this is one of the most interesting masculine releases of the last decade, because it brings a most unusual iris root note, halfway between face powder and dusty dried flowers, into an otherwise masculine formula.

Le Labo Santal33 
Santal 33, a butch, ruggedly woody scent from a hip brand, develops in roughly two main stages, not wildly opposed: The opening is full of the roughened up dry woodiness, as much due to Australian sandalwood as to cedarwood and its synth conspirators, with that characteristic duet which makes its appearence in masculine perfumery to great aplomb. Cardamom makes a welcome respite, although nowhere as prominent as in Cartier's Déclaration. The woods are fanned on copious amounts of ionones from the violet & iris "note" listed. The latter stage includes an amplifying of the ambery-woody tonalities due to the marked presence of Ambrox. As trendy as it gets and very "macho".

• For the Outdoors-Loving Dad

DSquared2 He Wood
Wood is by nature a solid and reassuring substance, but also aromatic reminiscence, personal refuge, vibrant sensation... The creative duo behind fashion brand DSquared2, Dean and Dan, were inspired by their native place, Canada, and designed the bottle of He Wood to be framed by Canadian Red Alder. The scent is among the nicer woody fougères* to come out in recent seasons, cool and warm at the same time.

Annick Goutal Eau de Sud
Less well-known than Eau d'Hadrien, but with a mossier, more dusky feel, it evokes summers in Provence and Tuscany: the freshness of the breeze coming from the groves, the mist of summer sprays and the aromatic herbs off the garden and the warmth of the sun. Citrusy on top but with a peppery middle due to basil Eau de Sud (Water of the South) dries to a mossy-patchouli-leafy scent that lasts rather long.

• For the Sophisticated Dad

Chanel Sycomore
Chanel is synonymous with style and restrained elegance. Sycomore is perhaps its most graceful specimen in their boutique exclusive line Les Exclusifs. Sycomore emphasizes the aristocratic dryness of vetiver's humble origins with a tangy grapefruit opening and subtly cooling, clean muguet notes that complement the Haitian vetiver variety, also used in Guerlain Vétiver. Almost simultaneously it allows soft impressions of a warm incense cloud slowly setting upon evergreen needles, woodfire smoke and rooty dirt to uplift you into a wistful and introspective contemplation.

Amouage Epic Man 
Amouage Epic for Men is luxurious in every sense of the word: It recalls an old-fashioned leathery ~due to castoreum~ fougère* (a little reminiscent of Bel Ami or even Jules), with spicy accents and a light oud/aoud note throughout which is pleasing to me as the dense mustiness of oud usually leaves me with sensory overload unable to smell anything else. The spices, of the cool type, such as prominent cardamom, mace and nutmeg, meddle along with the tea note. The musky drydown phase of Epic Man is sprinkled with incense, in an interplay of animalic with more austere elements.

• For the Cosmopolitan Dad

Caron Yuzu Man
Yuzu is named after a Japanese citrus fruit that is renowned for its clean and fresh aroma. It marries vitality with serenity and a feel good factor. In Caron's latest masculine, East meets West in a refined fragrance which also includes Indian verbena and Indonesian basil over the more green, oleaginous notes of Provencal fig and Spanish lentiscus (i.e.lentisque or mastic). The woody basenotes anchor Yin and Yang in this scent bathed in sunshine.

Guerlain Sous le Vent
Technically a chypre, yet poised between that and an aromatic fougère*, Sous le Vent bears no great relation to the mysterious guiles of Guerlain's Mitsouko but instead harkens back to the original inspiration behind it, Chypre de Coty, and another Guerlain thoroughbred ~Jicky. Sous le Vent starts with a rush of subtly medicinal top notes of herbs that smell like lavender, rosemary and tarragon, a full spectrum of Provençal aromata. A tart bergamot note along with what seems like bitterly green galbanum skyrocket the scent into the territory of freshness and a smart "clean". Its next stage encompasses dry accords, soon mollified by the heart chord of a classic chypre composition of dusty moss with sweet tonalities of generous flowers that evoke the banana fruit: ylang ylang notably and jasmine sambac. In the final stages I seem to perceive the dusky foliage of patchouli. Wonderful!


*Fougère is a classic olfactory family -mainly of masculine scents- that relies on a chord of lavender-coumarin-oakmoss

Related reading on Perfume Shrine: Summer Fragrances that Last, Top 10 Memorable Masculine Scents

3 Eaux by Lancome: O, O d'Azur & O de l'Orangerie: Fragrance Reviews & Comparison

If you're among those who judge fragrance by its colour as to what to expect smellwise, you're going to be misdirected by the Lancome fragrances trio this summer. Lancôme crowds its counters with three "new" releases: Ô, Ô d'Azur and Ô de l'Orangerie. All three are comprised by the popular-again-concept of a light, chilled "eau" for summer freshening up, but with a new ethereal execution and less of the sscreetchy feel of the 1990s. Of those three, Ô is not new at all: It's a reissue of the classic Ô de Lancôme, reviewed on Perfume Shrine a while ago and still retaining its gorgeous green shade.The other two inadvertedly manage to confuse the customer with their added tint: Ô d'Azur, last summer's edition still circulating, is coloured a fetching light beige, when the name (Blue Water) would suggest otherwise! Ô de l'Orangerie (Orange Grove Water) is coloured a nice, diaphanous celadon, when common wisdom would forsee a yellow tinge, as befits an orange blossom scent! But Pantone scale choices aside, all cater to a laid-back approach to personal scent for the warmer months of the year, with the classic being undoubtedly the best of the three.

Ô de Lancôme falls under familiar concerns: A re-issue is always cause for frantic comparisons among perfume cognoscenti: Is it like it was? Has it been ruined in the process? What happens with restrictions necessitating a slimming course for its body? I am happy to report that Ô de Lancôme hasn't subjected itself to too much Weight Watchers, feeling as crisply green and naturalistically lyrical as it was: Green, like snapped leaves in one's palm, with a citrusy tang which provides an immediate spring on the step, it's no wonder Ô de Lancome, composed by perfumer Robert Gonnon, has been a fresh, bring-on-the-changes scent since its embracement of the revolutionary youths of the 1970s. The re-issue is perhaps a bit attenuated in the final stages of the drydown, gaining the character of a light floral instead of a mossier chypre-like ambience, in tandem with the latest reformulation which happened in the late 1990s, but it's still very good; its execution of transparency without losing substance is akin to that in Bulgari's Eau Parfumee au The Vert. If you liked Lauder's citrusy Pure White Linen Light Breeze a couple of summers ago (this year's Lauder citrus is Bronze Goddess Soleil which you can find reviewed here), you are also advised to try this re-issue: they share the musk aspect under the citrus greenery.

In the newest Ô de l'Orangerie the classic Eau de Cologne mould is most perceived, predominant in the top stages, vibrant, refreshing, snapping with brio.The classic pairing of a bergamot top with light herbal notes and lavender is the combination that evokes cleaning up, splashing on a feel good fragrance to feel "bien dans sa peau", the French expression to denote feeling good about one's self. The concept is great, which is why it has withheld for centuries, but the problem has always been how to extend the duration on skin; traditional perfumers solved part of the problem with using alcohol tinctured with ambergris or musk: a smidge gives a little tenacity so top notes do not evaporate instantly, though too much would completely overshadow the delicate effluvium. Modern perfumers, such as in this case, solve the problem with synthetic musks: The composition progresses to a "clean", non indolic orange blossom that reads as "fresh floral", a "clear" jasmine buyoed by musks, benzoin and a tiny bit of cedar (read Iso_E Super). This gives great lasting power and wafting to what would otherwise be a fleeting cologne. It's pretty, but its lack of character means it won't substitute my beloved Fleurs d'Oranger by Lutens any time soon.

Ô d'Azur originally came out in spring 2010, to commemorate 40 years of the introduction ofthe classic green Ô. It is supposed to evoke that fantasy of so many: a Mediterranean summer, all white-washed houses atop bare rock, brilliant in the sun, with the blue waves crushing softly and interminently. It's not an easy task to do and many fail miserably (see Elizabeth Arden Mediterranean which -frankly speaking- smells nothing Med!), usually suffusing everything with an ironfist of Calone (that synthetic "melon" note). Others manage to evoke the ambience, by going about in unusual ways, like with salty florals: see the magnificent Lys Mediterranee by F.Malle. Perfumers Domitille  Bertier and Sophie Labbé didn't do too bad for Lancôme, although the end result does feel a bit of a pastiche. With the hindsight of thousands of aquatics and diaphanous fruity florals on the market, the composition is reminiscent of several things at once. Still, it manages to stand a bit on the upper side of that abysmal depth, the impression of what could have been "elegant" were it fleshed out properly. L'Oréal regretfully doesn't invest the budget to do so. Official notes include: bergamot, lemon, rose, peony, ambrette seed and musk. Ô d'Azur in reality is pretty, built on an indeterminate cyclamen-rose accord with pink pepper on top, layered over "clean" and skin-like musks (ambrette seed among them) that keep a low hum to the fragrance for a long time, although the fruity and floral touches disappear quite soon.It's a no brainer, but its dullness would probably get to you after a while.

Ô, Ô d'Azur and Ô de l'Orangerie by Lancome come in Eau de Toilette concentration (Sizes are 50ml, 75ml and 125ml. For reference 2.5oz retails for $55, available at major department stores). Even though they remind one of summer limited editions, they're not supposed to be: Lancome means to keep them in the line for good. The commercials and advertising images with Lancome face Daria Werbowy are ticket for fantasy, to be sure.

Chanel No.19 Poudre: A Perfumer's Pride Matter as per Christopher Sheldrake

"The original No.19 was created in the 70s," Sheldrake says in a full-bodied British accent. "This was an era of the emancipation of women and for me this is the epitome of the spirit of Gabrielle Chanel. She was the ultimate rebel who refused to be categorised as the girly, pink flower type of girl. Chanel No.19 is a little bit like wearing trousers for a woman. It enhances the femininity."
Somehow the fragrance's associations with a free feminine spirit faded, along with Charlie girls and the liberated models in advertisements for Virginia Slims cigarettes exclaiming "You've come a long way baby", but other perfumers continue to be inspired by its formula of iris and galbunum [sic]. So Chanel's knights in Savile Row armour went into the laboratory to update No.19 for 2011. "It's a matter of perfumers' pride," Sheldrake says. "We see the inspiration of No.19 everywhere in the market today and we felt that No.19 should be there. No one talks about No.19. This is not a marketing idea. It's a perfumer's idea. No.19 is an icon and we shall defend it." [...]The new fragrance went into test groups along with the original. "It had the same result," Sheldrake says. "A minority of people loved it and the majority could leave it. This is a sign of character. Enough of a minority liked it for us to know it was right. The freshness struck a chord. With No.19 Poudre the notes are cleaner and much sexier."

Thus discusses an article in The Australian the launch of Chanel No.19 Poudré which we had announced a while ago on Perfume Shrine (alongside the new Chanel Les Exclusifs Jersey). It therefore seems that the introduction of a flanker (aka, a new fragrance coat-tailing on the success of an established one, borrowing some variation of its name), the first time ever for Chanel No.19, is not devoid of noble causes. It is also admitted by Sheldrake that the new fragrance is having an eye firmly set on China and its evolving market, thus being a wise move from a marketing point of view as well.

The rest of the article talks about how Chanel bought fields of irises alongside the ones containing roses which they owned at the south of France, due to the shortages of those in Florence, Italy, and about the impending rise of prices on raw materials by Givaudan by 100% ,which make it a particularly wise move on the house's part. It also typically goes over how iris is a rhizome in perfumery and not the flower, which is probably par for the course of every article in the mainstream press read by non aficionados. Additionally, there is info on the boosting of the galbanum note ibn Chanel No.19 Poudré, a grass essence imported from Iran, which has been fractionalised to remove the more turpenic and sulphurous (i.e.garlic-like) components.

The new flanker will hit counters in July/August in Europe.

Venezia by Laura Biagiotti is Back

A long discontinued best-seller by Laura Biagiotti, Venezia, the fragrance that launched a thousand upstarts and dupes across the globe, is being re-issued by the company due to high demand. Information weaned from German sites wants it to be a re-issue that is answering the huge demand of fans of this oriental legend inspired by Venetian carnival with the tag motto "A seduction of the senses".

Laura Biagiotti was inspired to give a brief for Venezia after a journey to Pechino, while the pierrot hat is reminiscent of the carnival and the traditional Comedia del'Arte figurines, as well as Santi George's bell tower in Venice.

Venezia, the fragrance launched in 1992, its heart of woody spicy oriental notes typically Italian and was circulating into the middle and late 1990s although its genre was snubbed at the time due to the huge trend of aquatics/ozonics that dominated the decade; it garnered a cult following.

the re-issued bottle of Venezia (pic of official, new campaign)

The top notes of Laura Biagiotti's Venezia feature Italian hesperides (i.e. citruses), a green accord, peach, plum and bergamot. The heart is full of rose, carnation, cinnamon and iris, while the base is comprised of sandalwood, tonka bean, benzoin and vanilla.

Additionally we learn that Venezia will hit counters this coming autumn 2011. The new edition of Venezia is sold only in Germany and Italy, but it is not a limited edition. Actually you can buy the Eau de toilette, the Bodylotion and the Shower Gel in those countries.
Users from Europe and USA can buy the re-issued Venezia perfume exclusively online on the official website www.veneziabylaurabiagiotti.com

Les Nereides fragrances: Several Getting Discontinued

According to live reportage at a US boutique which stocks jewelry and fragrances from Les Néréides, "créateurs de bijoux haute fantasie", (and what's more, who buy their stock directly from the company as well), several fragrances in the line are getting discontinued. The reasons might have to do with low turnover as well as impending restrictions that would necessitate too much hassle to reformulate; it doesn't really matter. What matters is that the niche sector is regularly weeding out fragrances as well, as evidenced on these pages before.

The only Les Nereides fragrances remaining in production, according to above mentioned source, are going to be: Opoponax,Patchouli Antique,Oriental Lumpur and Musc de Samarkand. An up to date cursory glance at the official site reveals Douceur de Vanille being in stock, available for sale, while Musc de Samarkand is not.
The rest are definitely going the way of the dodo! If you are intent on some of them, stock up now or take a walk at your local TJMaxx/TKMaxx where some might surface eventually.

thanks to poppypatchouli/POL for drawing my attention to it

Six Scents Amber: new fragrance

Six Scents collaborates with the biggest fashion exhibition in the Netherlands , the Arnhem Mode Biennale. The exhibition run from Jun 1 to July 3 and Six Scents has had a special interactive exhibit exploring the olfactory notes and themes behind this new fragrance, Six Scents Amber. 

Joff, the artistic director of Arnhem Mode Biennale invited Six Scents to create a scent that would encapsulate the event’s theme of fashion’s muse: Amber. Just as the largest fashion exhibition in the Netherlands is a reflection of the entirety of fashion, Amber has been translated to an olfactory form capturing her alluring, mystifying, transient, omnipresent nature. Arnhem Mode Biennale’s artistic director Joff simply states “This perfume is a token of love from Amber.”
Kaya Sorhaindo , the creative director of Six Scents Parfums describes his vision for the project as follows: “As the skin is the canvas for fragrance, the body is a the canvas for fashion. They are two artistic disciplines that share similar ambitions, to transform and empower. Both are discovered and defined by the individual and this is where they are given new meaning and become masterpieces. Amber is a celebration of ‘the self’ as a medium in which perfume and fashion work and continue to evolve.”
The perfumer for the fragrance was Darryl Do from Delbia Do. He expressed his excitement about the project saying “When presented with this opportunity to create a fragrance from a purely artistic position I was ecstatic with the possibilities. Not having to approach it from a market research profile or trend study is a welcome change”.

Amber by Six Scents includes notes of Sandalwood, leather, amber, violet leaf, cologne [sic], and green melon.
The retail price for the fragrance is €75 for 100ml.

info via press release

Scents that Stick Around: Summer Fragrances that Last

Like summer romances and fickle affairs concocted between sea dips and nightime beach bars, most summer fragrances seem as ephemeral as the situations that they are desperate to evoke. That's fine, if you have made your peace with that. But what happens when you have not? What's available to cater for -say- historians who appreciate marbles still standing weathered by the harsh elements, who like the permanancy of real tatoos which mean something and who are dazzled by the billions of years of geophysical pressure it took to make diamonds? Those people (and I bet they're not solely restricted to these traits) appreciate something more: longevity. Unlike guys and gals that come and go, a great stand-by fragrance should be relied on to provide dependable stability. I call these PPP perfumes (that would make it 4 Ps in a row, beats fraternities any day): the Permanent Pleasure Principle.

I was thinking about this when readers asked about lasting fragrances and therefore I compiled a list of summery fragrances which last really well for you. Some are marketed as feminine, some as masculine, some as unisex, but in my opinion they're all eminently shareable between both sexes.Experiment and see if you agree with me!

• THE CITRUS BLAST

Tom Ford Neroli Portofino
The scent of chic Italian holidays is the elusive holy grail of perfumers: How to capture the jovial, sun-filled warmth of living across the most picturesque villages and bigaradier groves across the shores without losing that freshness along the way? There's a reason this fragrance is so popular it got its own ancillary bath products: Neroli Portofino after the initial bitter neroli and clean orange blossom really lasts thanks to the ubiquitous white musks at the base.

Prescriptives Calyx
How do you convey the scent of grapefruit when the essence of grapefruit is fleeting? Perfumer Sophia Grojsman, years before Jean Claude Ellena perfected his trademark streamlined approach, came up with a bag of tricks that relied on a few well-chosen accords that last exceptionally well. Calyx smells of the freshest, tangiest grapefruit, is using none (instead relies on raspberry-faceted musks, citrus and a cyclamen-rose accord with Calone) and lasts an eternity.

Yves Saint Laurent In Love Again
Somehow the success of In Love Again is that it manages to bypass the Scylla of hyper sweet, with a tart, zesty grapefruit accord that coaxes the sulfurous nature of the fruit into submission, making it easier to wear than the more difficult Pamplelune by Guerlain which often produces a strong ammoniac, catty effect on certain skins. A touch of green leaves, organic and warmed in the sun also contributes to its modern character, as well as what I perceive as tart berries. But it also has a soft ambiance about it, without resorting to the Charybdis of ease that is the powder smell of certain white musks, nor stooping to cheap air-freshener style. Although a modern fragrance wih hints of the fruit-bowl, In Love Again has something about it which makes me enjoy it in the warmer months.

Hermès Terre d'Hermès
The brightest bergamot gains the course by having a particularly long drydown after the refreshing overture; the unusual, intellectual, mineral facets in its core and the great radiance of its woody bottom (accounted by IsoE Super, more on which on this article) are the cornerstones on which the reputation of Terre d'Hermès has been cemented.Extrait de parfum doesn't budge at all.

• THE MUSKY MUSKETEERS

L'Artisan Mûre et Musc
The fruity, musky scent of blackberries warmed in the sun is sensual and enveloping. With the radiant sparkle of the fragrance's top notes, freshness is apparent with citrus fruits (kumquat, bergamot) and aromatic notes lead by basil in the extrait de parfum version. Spicy notes (pink and black pepper) strengthen its contrast and add to the enchantment which leads to the base of blackberry-faceted musk.

Le Labo Gaiac 10
Developed in partnership with cult perfumer Annick Ménardo (Bulgari Black, Lolita Lempicka, Patchouli 24) in 2008, Gaiac10 is a tense formula built on gaïac wood and surrounded by muscs (4 different synthetic musk types in all), with hints of cedar and olibanum (incense). If you like the meditative, cool Eastern incense vibe of Kyoto by Comme de Garçons, you have good chances to appreciate that element in the Le Labo offering. The musks are the "clean" variety, lightly sweet with a faintly fruity tonality, with no funk or sweat involved. The woody background with a light peppery nuance is reminiscent of the base notes treatment in Poivre Samarkande for Hermessences and Bang by Marc Jacobs.

• MOSSY-WOODY WONDERS

Jean Louis Scherrer by Jean Louis Scherrer (original)  
Green and with the rush of sparkling aldehydes it is soon intensly mossy and floral, recalling a bygone era. The violet note is mostly reminiscent of an iris fragrance, slightly metallic and otherwordly; but the brooding synergy with the other ingredients brings out a luminiscent aura that is tantamount to wearing an expensive necklace of Peruvian pre-Colombian emeralds set on antique gold.

Hermes Un Jardin sur le Nil 
Jean Claude Ellena is often accused for ethereal, fleeting compositions by those who simply prefer the oriental school of thought: On the contrary most of his creationslast exceptionally well, being technical marvels, only they do so by humming rather than performing hystrionics. Un Jardin sur le Nil is a particularly good example, and this one actually speaks louder than most, delivering a message of green mango (think tart and tangy) over greenery and somber, serene woods. Perfect in the heat!

• QUIRKY FRUITCHOULI

Thierry Mugler Eau de Star I only need to point out that Eau de Star is Angel's summery little sister to get across my point about lasting power. Probably contended only by Fukushima's current radioactivity, each and every Angel variant is radioactive to the point of having to bury in the attic any fabric that went as far as having an after work cocktail with it (and that's meant in a good way). Eau de Star is no exception, but it has such a bracing, cool mint effect on top that one might pass it for a convincing summer fragrance that won't clear rooms due to potency. It's glorious and it lasts. Why was it discontinued?

• FLORAL PANORAMAS

Estee Lauder Private Collection Tuberose Gardenia
An initial fresh opening that is reminiscent of lemon groves overlooking countryhouses where potted tuberoses are kept takes you on a journey to an inner closed court with a fountain, Moor-style, where gardenias are kept in big pots. Their aroma mingling night and languor, beckoning you, beguiling you. The gardenia accord smells surprisingly true.  

Les Nez Manoumalia
The almost fruity jasmine-y intensity of ylang-ylang and fragrea never fails to make my mind fly to warm tropical paradises even in the midst of winter cold, but it is the earthy unrooted vetiver that provides a grounding touch in Manoumalia, like immersing my hands into a bag of uprooted bulbs.

• JUST OUT OF THE SHOWER SCENTS LASTING ALL DAY

Ava Luxe China Rain
It is said that Ava Luxe was trying to recreate an existing scent with this: China Rain by Body Time, which apparently is something of a cult classic. I haven't smelled the latter (my friends tell me it's very good but slightly different), but Ava Luxe's take is phenomenal in both projection and staying power, while at the same time being particularly fresh. Fueled by aldehydes, giving off a soapy ambience that enhances the rosy floral and lightly musky aromas, China Rain resembles Glow by JLo and is a great choice for casual summer wearing (especially when one doesn't want to buy Glow for whatever reason).  

Aramis New West for Him
Technically an ozonic/ marine fragrance (in fact the first one to inaugaurate the category in 1988), New West for Him is tingingly fresh with a plausible mint note that isn't too toothpaste-like, some aqueous Calone and lots of herbal lavender plus clean musks, epitomizing the ideal of a scrubbed down male who is gorgeous enough to not to rely on excessive preening. California images of rippled surfers fill the mind just by uttering its name.


Of course this is merely a kickstart, there are many more summery fragrances with decent longevity. Which ones are your picks? 

pics via Dailymail and Ulta blog