Gravity Cannot Be Blamed ~In Love Again by Saint Laurent: fragrance review

"Gravity cannot be blamed for people falling in love" is one of Albert Einstein's wittier quotes. Although falling in love never held any sinister accusations against forces of nature in my mind, in a way I find myself equally irrationaly questioning my own reasons for choosing certain smells sometimes; such as a fruity fragrance I reach for in the summer months. What possesed me into buying one and actually enjoying it in the heat, me a self professed fruit-shunner?

In Love Again launched in 1998 as a Limited Edition, composed by Jean Claude Ellena. Yves Saint Laurent intended it as his last fragrance before retiring to celebrate his 40 years in the fashion business and thus it was a limited edition, accompanied by a seasonal makeup range, which was planned to be sold only in 1998. The bottle seen from above, as in a floor plan, was shaped into an irregular heart. The fragrance indeed disappeared after that, despite a devoted following gravitating towards its fresh, yet mischievous scent. Perhaps in an attempt to follow this successful turn, parfums Yves Saint Laurent issued Baby Doll in 1999 composed by Cecile Matton, initially as a Paris fragrance flanker, yet bearing a passing resemblance to In Love Again scent-wise, with its grapefruit opening and sweetly fruity denouement.

Yet fans were not entirely satisfied: Baby Doll just wasn't the same, being much girlier, sweeter and lacking the quintessential sophistication of the Yves Saint Laurent brand. Of course in many ways In Love Again was arguably also a departure from the dry chypre Y, the hedonism of Opium or the metallic aldehydic frost of Rive Gauche and the corresponding image of Yves as the ne plus ultra of French chic. You could picture those latest scents on bazooka-gum-chewing youngsters, carrying Manga-embossed bags.
Bottles of In Love Again went for as high as $500 on online auctions, till the company decided to bring it back. And so they did: They re-launched in a bottle with a hammered gold cap, instead of the harlequin one, and another box in green and blue in 2004, but the fragrance remained the same.

The initial burst of grapefruit rind, like you have just squeezed some with your bare hands dribbling juice all over, is a shot of energy ~a welcome good-morning kiss to kick off the day! In a way I can see how Jean Claude Ellena performed an anadiplosis in his Rose Ikebana for the Hermèssences, the exclusive line for the Hermès boutique as in-house perfumer in 2004: it was too good to pass up. In Rose Ikebana the idea is further explored with a garland of delicate, pulsating rose and tannin tea notes which combine to give a more ethereal and less sweet version like a satin hair ribbon drenched in morning dew. He deducted even more of the sweet elements of this accord in Un jardin sur le Nil, again for Hermès, in which he worked on a green mango note that ends up smelling like a refreshingly bitter grapefruit fresh from the fridge rested atop a smoky wooden counter top.

Somehow the success of In Love Again is that it manages to bypass the Scylla of hyper sweet, with a tart, zesty grapefruit accord that coaxes the sulfurous nature of the fruit into submission, making it easier to wear than the more difficult Pamplelune by Guerlain which often produces a strong ammoniac, catty effect on certain skins. A touch of green leaves, organic and warmed in the sun also contributes to its modern character, as well as what I perceive as tart berries.
But it also has a soft ambiance about it, without resorting to the Charybdis of ease that is the powder smell of certain white musks, nor stooping to cheap air-freshener style. Although a modern fragrance wih hints of the fruit-bowl, In Love Again has something about it which makes me enjoy it in the warmer months.

The comparison to Baby Doll is understandable up to a degree, due to the homoioteleuton freshness and grapefruit tang present in both. There is an element of optimistic dynamism about both, as well as youthfulness, but Baby Doll lacks the musky-woody element that keeps In Love Again from becoming too juvenile and therefore soon tires me with its overladen message of overt sweetness.

Contrary to many people I find In Love Again has good staying power, especially for a fragrance centered on a citrus note: those being almost synonymous to fleeting. The hesperidic burst of course dissipates after a couple of hours (a feat, even so!), but the drydown is detectable after half the day has passed with an inviting human warmth about it. The downside is of course that due to musk anosmia, some people are bound not to be able to detect the remnants at all. But for that only a skin patch test would bear the deciding verdict.

Notes:
Top: grapes, grapefruit, brimbelle/bilberry
Heart: tulip tree flower, grapefruit, water lily.
Base: blackberry, sandalwood, musk.

The collectible bottle is to be found on Ebay. The current version can be found easily online and in department stores. There are two limited editions, which came out in 2005 and 2006 respectively, with offbeat designs on the bottles and no serious pretensions: In Love Again Fleur de la Passion (with an addition of passion fruit, raspberry and peony; subtle and rather less musky) and In Love Again Jasmin Etoile (with a weak, pale jasmine, which doesn't make it very distinctive, plus tangerine and a touch of spicy star anise).

Pic of original ad (with collectible packaging from 1998) via parfumdepub. Pic of current bottle via MUA.

Jo Malone Tea Collection: fragrance reviews

Henry James wrote "There are few hours in life more agreeable than the hour dedicated to the ceremony known as an afternoon tea." There are indeed few indulgences more easily satisfying than warming my hands on a hot gàiwǎnof aromatic tea on a cold and gloomy day; letting the steam of clove-laced tea rise and dissipate in front of my eyes at a tea salon waiting for friends to arrive for an afternoon snack (my favourite is in the elegantly historic Grande Bretagne hotel, Athens); or sipping jasmine tea with mint on my verandah in the hours when the sun is setting into the sea in summer, an orange disk sizzling -as I imagine- as it meets the blue waters.

The new Tea Collection by Jo Malone promised to ignite at least some of those memories at the spritz of an elegant sparse bottle: In part it delivers, while in other parts there are some elements left to be desired, but this portfolio composed by perfumer Christine Nagel. "The ceremony of tea is a timeless, simple and authentic practice, but in relation to fragrance, surprising and original” says Nagel.


The overall character of the Limited edition Tea Collection is one of light, diffusive fragrances which rely on a somewhat simplistic composition, meant to be used for layering or to satisfy a specific craving for ambient music to one's nose; typically Jo Malone concept. In short, if you prefer the more baroque formula of Five o' clock au Gingembre by Lutens or L'Artisan's Tea for Two with its smoky, tarry undercurrent, these tea scents by Jo Malone might prove to be too transparent, lacking the robust character you seek. But if you want refreshing and -sometimes- cuddly spritzes to lift your spirits on a day that just doesn't go the way you wanted it to go, they're easy and mood-altering scents that might fit the bill.

The Jo Malone Tea Collection includes 5 fragrances:
Assam & Grapefruit,
Earl Grey & Cucumber,
Sweet Milk,
Sweet Lemon,
Fresh Mint Leaf

To beging from the bottom up, Sweet Lemon as well as Fresh Mint Leaf are extra refreshing formulae, meant to be savoured best on a hot summer day, respectively emphasizing the properties of sweet-sour contrasts in the rind of lemon and the fuzziness of peaches; and the piquant, slightly spicy (peppery basil) note that is as cool as a Wringley mint gum respectively. I would suspect that paired with the bright and lively Roses in the Jo Malone line that latter Fresh Mint Leaf would make a killer masculine combination or one which more adventurous females might investigate for warm weather wearing.

Assam & Grapefuit is a pleasurable twist on the tarry aroma of black tea under the naturally sulfurous qualities of grapefruit: If cult classic Pamplelune has always impressed you with its realistic grapefruit aroma, but you were wary of the sweaty aspects it might project, Assam & Grapefruit provides a bit of that sting without the humiliation of not knowing if you're offensive to others. The pairing of malty-smelling tea with citric notes is a given, the fruit making the aromatic notes rise to the surface. Which is why Earl Grey tea is such a success too (to the point that it's a pop reference in Star Trek): the bergamot oils used to flavour it bring an aesthetic rounding of its notes into a tune as melodic as one coming from an harp! In Jo Malone's Earl Grey & Cucumber however the balance of a classic blend is tilted and the resulting effect is quite intriguing: The flavour of a good bergamot-laced Earl Grey is there but the freshness here comes not by citrus as would have been expected, but via aquatic notes, masquerading as "cucumber" (and I suspect violet leaves too, as in Fresh's Baies & Cucumber). The reference of course is the famous cucumber sandwiches which are served by the British accompanying a hot tea cup. It's an excellent example of how context makes all the difference, as the bergamot note takes on an almost sensual role amidst the watery freshness of the fragrance formula.
Warm Milk on the other hand, although predictable (it's exactly what its name suggests, a soft-core sort of tea with condensed milk to take to bed and cuddle up) is pleasurable, definitely a skin scent and very long lasting. It's probably what most lovers of light gourmands or light woodies would gravitate to!

Perhaps what's missing from such a quintessentially British brand (though bought out by Lauder in recent years) is a "London Fog" fragrance: bergamot laced tea notes alongside warm milkiness and a hint of vanilla syrup. The building blocks are already in the lab, all that's left is for them to cut the deck once more!

Notes for Jo Malone Assam & Grapefruit:
Top notes: grapefruit, violet, rhubarb
Heart: Assam tea, rose, cardamom
Base: patchouli, musk, almond
Notes for Jo Malone Earl Grey & Cucumber:
Top notes: bergamot, apple, jasmine, water notes
Heart: angelica, cucumber, davana
Base: beeswax, vanilla, cedar and musk
Notes for Jo Malone Sweet Lemon:
Top notes: lemon, bergamot, rhubarb
Heart: pineapple, freesia, peach
Base: cypress, musk, cedar

Notes for Jo Malone Fresh Mint Leaf:
Top notes: basil, mint, bergamot
Heart: water jasmine, rhubarb
Base: mate, musk, cedar
Notes for Jo Malone Warm Milk:
Top notes: star anise, heliotrope, bergamot
Heart: milk, caramel
Base: vanilla, almond, musk

Available at Jo Malone counters in 30ml/1oz bottles, extremely limited edition (grab them while they're hot!), from March 2011.

top pic via le petit ogre

Scents that Stick Around: Summer Fragrances that Last

Like summer romances and fickle affairs concocted between sea dips and nightime beach bars, most summer fragrances seem as ephemeral as the situations that they are desperate to evoke. That's fine, if you have made your peace with that. But what happens when you have not? What's available to cater for -say- historians who appreciate marbles still standing weathered by the harsh elements, who like the permanancy of real tatoos which mean something and who are dazzled by the billions of years of geophysical pressure it took to make diamonds? Those people (and I bet they're not solely restricted to these traits) appreciate something more: longevity. Unlike guys and gals that come and go, a great stand-by fragrance should be relied on to provide dependable stability. I call these PPP perfumes (that would make it 4 Ps in a row, beats fraternities any day): the Permanent Pleasure Principle.

I was thinking about this when readers asked about lasting fragrances and therefore I compiled a list of summery fragrances which last really well for you. Some are marketed as feminine, some as masculine, some as unisex, but in my opinion they're all eminently shareable between both sexes.Experiment and see if you agree with me!

• THE CITRUS BLAST

Tom Ford Neroli Portofino
The scent of chic Italian holidays is the elusive holy grail of perfumers: How to capture the jovial, sun-filled warmth of living across the most picturesque villages and bigaradier groves across the shores without losing that freshness along the way? There's a reason this fragrance is so popular it got its own ancillary bath products: Neroli Portofino after the initial bitter neroli and clean orange blossom really lasts thanks to the ubiquitous white musks at the base.

Prescriptives Calyx
How do you convey the scent of grapefruit when the essence of grapefruit is fleeting? Perfumer Sophia Grojsman, years before Jean Claude Ellena perfected his trademark streamlined approach, came up with a bag of tricks that relied on a few well-chosen accords that last exceptionally well. Calyx smells of the freshest, tangiest grapefruit, is using none (instead relies on raspberry-faceted musks, citrus and a cyclamen-rose accord with Calone) and lasts an eternity.

Yves Saint Laurent In Love Again
Somehow the success of In Love Again is that it manages to bypass the Scylla of hyper sweet, with a tart, zesty grapefruit accord that coaxes the sulfurous nature of the fruit into submission, making it easier to wear than the more difficult Pamplelune by Guerlain which often produces a strong ammoniac, catty effect on certain skins. A touch of green leaves, organic and warmed in the sun also contributes to its modern character, as well as what I perceive as tart berries. But it also has a soft ambiance about it, without resorting to the Charybdis of ease that is the powder smell of certain white musks, nor stooping to cheap air-freshener style. Although a modern fragrance wih hints of the fruit-bowl, In Love Again has something about it which makes me enjoy it in the warmer months.

Hermès Terre d'Hermès
The brightest bergamot gains the course by having a particularly long drydown after the refreshing overture; the unusual, intellectual, mineral facets in its core and the great radiance of its woody bottom (accounted by IsoE Super, more on which on this article) are the cornerstones on which the reputation of Terre d'Hermès has been cemented.Extrait de parfum doesn't budge at all.

• THE MUSKY MUSKETEERS

L'Artisan Mûre et Musc
The fruity, musky scent of blackberries warmed in the sun is sensual and enveloping. With the radiant sparkle of the fragrance's top notes, freshness is apparent with citrus fruits (kumquat, bergamot) and aromatic notes lead by basil in the extrait de parfum version. Spicy notes (pink and black pepper) strengthen its contrast and add to the enchantment which leads to the base of blackberry-faceted musk.

Le Labo Gaiac 10
Developed in partnership with cult perfumer Annick Ménardo (Bulgari Black, Lolita Lempicka, Patchouli 24) in 2008, Gaiac10 is a tense formula built on gaïac wood and surrounded by muscs (4 different synthetic musk types in all), with hints of cedar and olibanum (incense). If you like the meditative, cool Eastern incense vibe of Kyoto by Comme de Garçons, you have good chances to appreciate that element in the Le Labo offering. The musks are the "clean" variety, lightly sweet with a faintly fruity tonality, with no funk or sweat involved. The woody background with a light peppery nuance is reminiscent of the base notes treatment in Poivre Samarkande for Hermessences and Bang by Marc Jacobs.

• MOSSY-WOODY WONDERS

Jean Louis Scherrer by Jean Louis Scherrer (original)  
Green and with the rush of sparkling aldehydes it is soon intensly mossy and floral, recalling a bygone era. The violet note is mostly reminiscent of an iris fragrance, slightly metallic and otherwordly; but the brooding synergy with the other ingredients brings out a luminiscent aura that is tantamount to wearing an expensive necklace of Peruvian pre-Colombian emeralds set on antique gold.

Hermes Un Jardin sur le Nil 
Jean Claude Ellena is often accused for ethereal, fleeting compositions by those who simply prefer the oriental school of thought: On the contrary most of his creationslast exceptionally well, being technical marvels, only they do so by humming rather than performing hystrionics. Un Jardin sur le Nil is a particularly good example, and this one actually speaks louder than most, delivering a message of green mango (think tart and tangy) over greenery and somber, serene woods. Perfect in the heat!

• QUIRKY FRUITCHOULI

Thierry Mugler Eau de Star I only need to point out that Eau de Star is Angel's summery little sister to get across my point about lasting power. Probably contended only by Fukushima's current radioactivity, each and every Angel variant is radioactive to the point of having to bury in the attic any fabric that went as far as having an after work cocktail with it (and that's meant in a good way). Eau de Star is no exception, but it has such a bracing, cool mint effect on top that one might pass it for a convincing summer fragrance that won't clear rooms due to potency. It's glorious and it lasts. Why was it discontinued?

• FLORAL PANORAMAS

Estee Lauder Private Collection Tuberose Gardenia
An initial fresh opening that is reminiscent of lemon groves overlooking countryhouses where potted tuberoses are kept takes you on a journey to an inner closed court with a fountain, Moor-style, where gardenias are kept in big pots. Their aroma mingling night and languor, beckoning you, beguiling you. The gardenia accord smells surprisingly true.  

Les Nez Manoumalia
The almost fruity jasmine-y intensity of ylang-ylang and fragrea never fails to make my mind fly to warm tropical paradises even in the midst of winter cold, but it is the earthy unrooted vetiver that provides a grounding touch in Manoumalia, like immersing my hands into a bag of uprooted bulbs.

• JUST OUT OF THE SHOWER SCENTS LASTING ALL DAY

Ava Luxe China Rain
It is said that Ava Luxe was trying to recreate an existing scent with this: China Rain by Body Time, which apparently is something of a cult classic. I haven't smelled the latter (my friends tell me it's very good but slightly different), but Ava Luxe's take is phenomenal in both projection and staying power, while at the same time being particularly fresh. Fueled by aldehydes, giving off a soapy ambience that enhances the rosy floral and lightly musky aromas, China Rain resembles Glow by JLo and is a great choice for casual summer wearing (especially when one doesn't want to buy Glow for whatever reason).  

Aramis New West for Him
Technically an ozonic/ marine fragrance (in fact the first one to inaugaurate the category in 1988), New West for Him is tingingly fresh with a plausible mint note that isn't too toothpaste-like, some aqueous Calone and lots of herbal lavender plus clean musks, epitomizing the ideal of a scrubbed down male who is gorgeous enough to not to rely on excessive preening. California images of rippled surfers fill the mind just by uttering its name.


Of course this is merely a kickstart, there are many more summery fragrances with decent longevity. Which ones are your picks? 

pics via Dailymail and Ulta blog

Vetiver Dance by Tauer: Fragrance Review and Draw

“She is the embodiment of grace. She flows like water, she glows like fire and has the earthiness of a mortal goddess. She has flowers in her hair, jewelled hands and kohl-dark eyes. Her eyes speak a language that her hands will translate, her feet move in tandem to make the story complete. She is a danseuse, she is a performer, she is almost ethereal.”
~Photosindia-com

Vetiver Dance, the newest Andy Tauer fragrance dances around vetiver the way an Indian dancer dances like water, like fire. It is completely fabulous and if you're even in the least intrigued, there is strong motive for you to read through so as not to miss a spectacular surprise. I got a preview previously and after focusing on vetiver these past few days, it was a natural progression to come back and give a full review.

One of the traits which I appreciate most in niche Swiss perfumer Andy Tauer's oeuvre, apart from his excellent customer service of course, is that he doesn't resort to syncatabasis. His creations do not condensent to soothe the audience into the false sense of security of presenting them with artisanal pretentions yet producing eerily derivative works. Every one of his scents can stand alone, even though the common thread between them is unmistakeably his signature. Although I do not wear all his fragrances due to personal quirks and preferences, some of them have caught my attention and became friends immediately and forcibly: L'air du desert marocain was my first apodrasis into the desert, Rêverie au Jardin promenaded me into a soothing afternoon vignette through a Provencial field, while the duo of Incense took me from the austere bedrock of a hermite of Incense Extrême to the bright lux in tenebris filtered through the colourful vitraux of a spacious church on a festive morning of Incense Rosé.

According to the Tauer press release:

"Vetiver oil is one of the most fascinating natural fragrances to work with.Exploring the dark, raw and almost damp earthiness of vetiver oil you may discover hidden gems. Delicate lines of green leaves, clear spices, and soft flower petals. Trying to expose these treasures, I was working for more than a year on the fragrance that was later baptized “Vetiver dance” thanks to a creative online community. It is a fragrance where the dense and rich notes of vetiver oil balance the lightness of citrus, where wet dark earth nourishes white flowers, and where green spices extend vibrant woody chords".

An enumeratio of the creation was slowly unfolding on Tauer's blog, for months on end, leading us through the steps. In it all, there comes the contraption that needs to be patented: Vetiverometer ~a term coined by Andy Tauer, a "machine" measuring the “vetiverness”, the proximity to the real thing and reading the results, on an open logarithmic vetiver scale, so you get an idea where your scent is. Of course this didn't aim at a quality reading but instead the proximity to the material itself which varies a lot according to the soil vetiver has rooted on and drank upon, as we explained before.
Tauer finally managed to come to his desired effect: vetiver is clearly visible within Vetiver Dance, yet the pepper, clary sage and the cleaner aspect of lily of the valley garland it into a playful hide-and-seek.

Vetiver and grapefruit notes were allies for a long time, as even the natural oil depending on the source might have this kind of nuance to it. Natural grapefruit essence as well as tangy lemongrass oppose and enhance the rooty aroma in Vetiver Dance. The vetiver derivative Vetiverol extends the earthy Javanese note, upping the vetiver ambience to high volume, dry and tonic. Vetiver Dance is not as single-minded rooty as Vétiver Extraordinaire by F.Malle with its unexpected wet touch, but it is far removed from the starchy cotton-shirts of the bankers of classic Guerlain Vétiver. Its fierce peppery note, very distinct and a source of great hedonism to this spice lover, is supported by natural coriander, clary sage leaves' essence and a slight touch of cardamom oil. To me, the protagonist in the initial stages is the pepper along with the vetiver-grapefruit accord, fiery, dry; cold and hot at the same time.
Although Tauer lists lily of the valley (a recreated note which has been here centered around the soapy Lilial) as well as Bulgarian rose, the fragrance isn't floral or "clean" in the way of several more conservative vetivers in the market, like the two by Creed.
But the surprise comes when the fragrance dries down, revealing a delicious ambrein background which hovers on like a skin-scent, warm, pulsating and sexily tantalising, making this a vetiver fit to be worn on intimate rendez-vous and shared between lovers.

Notes: vetiver oil from Java, grapefruit peel oil, black pepper seed, clary sage, Rose absolute from Bulgaria, lily of the valley, ambergris, cedar wood, Tonka bean and cistus extracts.

Vetiver Dance by Tauer will be available in 50ml/1.7oz of Eau de Toilette starting October. His fragrances are available online from First in Fragrance, Luckyscent and Aedes. Click over to Tauer Perfumes to learn more details. Andy Tauer will be at Scentbar in Los Angeles on October 4 & 17 to introduce Vetiver Dance.
Andy also has a secret in the works which I am not allowed to divulge just yet, but rest assured it will make many fans smile. If only he releases Hyacinth and a Mechanic as well!

For Perfume Shrine readers Andy Tauer suggested a spectacular draw: THREE NEW FULL BOTTLES of the yet unreleased Vetiver Dance. I will randomly pick the winners through random.org and direct them over to Andy who will send them their prizes!
But as a consolation prize, he also sent me a few samples for some more winners*, so state your interest and if you're lucky you will get a chance to get a preview for yourself!

*NB: In the interests of full disclosure, I decided to keep a couple of samples for myself and my S.O., to enjoy this wonderful vetiver till the time comes when I buy my own bottle in October.

Pic of actors rolling in Aristophanes' performance from Epidaurus, via athinorama.gr. Bottle pic via Tauer press release.

Les Colognes Hermes ~Eau de Gentiane Blanche, Eau de Pamplemousse Rose: fragrance reviews

One day I might stop raving about the vision and artistry of Jean Claude Ellena, but not today. His new creations for the house of Hermès depart from the classical Eau de Cologne structure into drier and more mineral arpeggios, the melodies of his two new compositions humming on my skin like Pan-pipes made of an outer-space-born hybrid.

Eau de Gentiane Blanche and Eau de Pamplemousse Rose join longstanding bestseller Eau d’Orange Verte (composed by Françoise Caron, its 30th anniversary this spring) for the new collection of unisex Eaux de cologne from Hermès, expected to be joined by more in the coming seasons. In a long discussion with Jean Claude he confided his and the House's desire to focus on a renovation of the Cologne genre which "needs a lot of love", as both a hark back to traditional perfumery and a modern choice of indulgent refreshment in the classic Mediterranean style.
The new compositions are both wonderfully pleasurable, but it's one of them which has literally swept me off my feet and regular readers of Perfume Shrine will not be hard-pressed to tell which one!

Eau de Pamplemousse Rose (translated as 'grapefuit & rose' and not 'pink grapefruit', as insistited upon by Ellena himself in his interview to us) is the more neoclassical of the two, denoting a citrusy facet at the beginning which echoes his other grapefuit compositions; namely In Love Again for Yves Saint Laurent and Rose Ikebana for Hermessences. However the new formula is different than the previous tries: If I were to imagine this as a ladder to absraction, I'd say that from the hologram of bitter-sweet grapefruit of the former and the delicate jewelled sparkle of the latter, the new composition is seen through the beam of a laser-jet printer which merges pixels in high resolution on a high-weight paper that seems powdered out of the package.
Compared with the other emblematic grapefuit, that of Guerlain's Pamplelune, one is stunned by the different approach of the two styles: Pamplelune is executed in a magnificently proficient style that manages to orientalise the sulphurous note in the arms of patchouli which warms and fans out the naturally sweet-smelling tonalities of the fruit. In Eau de Pamplemousse Rose the foot is firmly set on the West and the approach is leaner, tangier and less love-or-hate. A molecule patented by the house of Firmenich, called Rhubofix, possessing fresh "green rhubarb", woody-spicy, and floral facets combines with the rose scent, merging in a slightly ~and very pleasantly~ bitter composition which transcends the cologne genre. It would be a disillusionment to approach this if you're in search for rose, however, as it is only a mere whisper and neither is vetiver immediately apparent. Already being the proud owner of both In Love Again and Rose Ikebana, as well as Kelly Calèche which sports a little wink of this element too, as part of my fragrance collection, I am not certain whether I will sprint to get a bottle of the latest; but it's really well done and worth investing for the summer months if you have a dent in the fresh compartment in your fragrance wardrobe.

Eau de Pamplemousse Rose includes the following notes: lemon, grapefruit, rose, Rhubofix, vetiver.

Eau de Gentiane Blanche, on the other hand, is an adorable bone-dry masterpiece of novelty which eschews the traditional structure of Eau de Cologne much like Ellena's Vanille Galante took over the vanilla bandwagon; and thus I am earnestly putting a big bottle of it on my wishlist. Currently Eaux seem to be everywhere from Dior's Escale de Pondichéry, Miss Dior Cherie L'Eau and J'adore L'Eau Cologne Florale (review coming up) to Cristalle Eau Verte (ditto) and the instigator of it all Eau de Cologne by Chanel. Still Hermès and Ellena, much like Sinatra (or Sid Vicious, take your pick) "did it their (own) way" and the magnificently androgynous and distinct result is highly wearable as well.

Contrary to Robin of NST I do not peg Eau de Gentiane Blanche as a too clean scent, although it's undoubtedly fresh; perhaps an allusion to Alpine snowscapes where gentian grows abundantly. Yet, smell this take on freshness and you know you've been under azure skies in the early hours of morning in Göreme in the Cappadocia region of Turkey, all mineral landscape around, no plants, no water, nothing but dry white dust and rock as far as the eye can see. The huge rock houses of Cappadocia, underground as well as upperground, present the apotheosis of past meets future: one cannot distinguish whether they're in one of the prehistoric shots of "2001 A Space Odyssey" or in one of the first episode of "Star Wars". The cool feeling imparted by Eau de Gentiane Blanche reminded me of that experience along with the caves at the famous nude beach of Matala on the island of Crete: cool solace from the scorching sun.

Upon testing Eau de Gentiane Blanche on my skin, I was struck by one sledgehammering impression: This is how I wanted Chanel Les Exclusifs No.18 to smell like on me!! The touch of ambrette seed in the Chanel is here magnified, the sophisticated bitter character bringing it full circle along with the vegetal, earthy-powdery halo or iris instead of the rose of No.18 and I seem to detect some of his signature Iso-E Super.
Jean Claude Ellena also extolled the innovation of using gentian absolute, here featured for the first time in a fragrance. This, apart from the stylistical difference, might explain the striking difference with Guerlain's Aqua Allegoria Gentiana, another fragrance pegged on the gentian plant. In the latter nevertheless the pear aroma-chemical along with the sweeter nuances of lime, limette and vanilla conspire to give a fresh, yet slightly sweet composition (not quite in the patiserrie Guerlain later style, thankfully) whereas in Eau de Gentiane Blanche the dryness is the undoubted seal of sophistication.

Eau de Gentiane Blanche includes notes of white musk, gentian, iris and incense.

Both compositions had an average tenacity on my skin, longer on the blotter (and I would surmiss on clothes) but they perform better on skin and thus the latter method is highly recommended when testing. Remarkable they do not dry down diametrically opposite, which lends a uniformity of style in the line. Philippe Mouquet's design of the trio of flacons for the Colognes Hermes vibrates in three nuances of green: vivid bottle-green, grey-green and dark forest green. The Hermes colognes are available as splash at major department stores and Hermes boutiques in 100ml (3.4oz)/$125 and 200ml (6.8oz)/$165 while Eau d'Orange Verte specifically is also available in the Tesla-size of 400ml (13.6oz)!

Related reading on Perfume Shrine: Interview with Jean Claude Ellena, Hermès fragrances, Eau de Cologne history & scents
Pics of fashion shoot at Goreme, Turkey via Corbis

Pheromone-ladden Body Washes and the Myth of Cumin as Related to Sweat

"Body washes, cosmetics, perfumes, and more all boast of their pheromone contents. There’s just one problem: There is no scientific evidence that people produce or respond to pheromones at all, or that dabbing them on will make you more attractive to potential mates.
This dearth of scientific evidence didn’t dissuade Dial, however. The soap-maker recently released a “pheromone-infused” body wash, then held a speed-dating “experiment” in which nine blindfolded women had to choose between nine men (some had used the wash, some hadn’t) they would go out with in order to 'prove' the wash worked" [...] “We don’t claim using our product you’re going to hit a home run,” said Ryan Gaspar, a [Dial] brand manager. “We say, ‘We’ll get you to first base'." Read the whole article on Discoblog from Discover Magazine.

On the other hand, and far from the lathering board, cumin, an oriental spice of most often Turkish production, has been inumerable times linked to the scent of sweat on online fora and communities. The source of this rumour has been firstly the use of the cumin spice in many classic French perfumes which have a slightly "dirty" undertone starting with Roudnitska creations, the re-issued Femme by Rochas and numerous Jean Claude Ellena compositions; and secondly a quote from the book by Chandler Burr where he likens the smell of cumin to female sweat. Researchers at Firmenich however have disagreed: men's sweat smells of cheese and female sweat smells of onions, according to their research in their Swiss laboratories.

According to an article at the New Scientist: "[...]research in Switzerland involved taking armpit sweat samples from 24 men and 25 women after they had spent time in a sauna or ridden an exercise bike for 15 minutes. The researchers found marked differences in the sweat from men and women. "Men smell of cheese, and women of grapefruit or onion," says Christian Starkenmann of Firmenich, a company in Geneva that researches flavours and perfumes for food and cosmetics companies. The team found that the women's armpit sweat contained relatively high levels of an odourless sulphur-containing compound - 5 milligrams per millilitre of sweat versus 0.5 milligrams in men" , making female perspiration the more "unpleasant" one. Sulphur-rich materials include onions, garlic and grapefruit (which is why so often grapefruit scents can turn "garlicky" and sour on many women). The female sweat had ten times the level of an odorless sulphur-containing compound than men. It turns out that when this ingredient interacts with bacteria present in the axilla, it creates a chemical called thiol—which is the cuplrit for smelling like onions. Men had increased levels of an odorless fatty acid, which gives off a cheesy smell once it mixes with the armpit bacteria.

Incidentally experiements as to the attractive properties of androstenone secreted into male sweat have proven that clean sweat from men at a reproductive age is considered attractive to a substantial segment of the screening subjects.
Your cumin-containing fragrances can be absolved, ladies!!

Cumin (Cuminum cyminum) however is a fascinating material for perfumery indeed: almost green and aromatic on one end, very warm and aniseed-faceted on the other end. It is no wonder that Pharaohs, ancient Greeks and Romans all prized it for its rich aroma and its stabilising aromatherapy properties. One imaginative tradition wants newlyweds sharing a cumin-laced tisane as a means to ensure stability in their marriage.
The oil comes from steam distillation of the dried and ground seeds of the small annual plant that blossoms at the border of the Mediterranean, in China, and in India (the latter is the largest provider of black cumin, a more powerful variant from Northern Kashmir, which is prized in North Indian dishes and is frequently featured in the Garam Marsala sweet spice mix). It is frequently featured in men's perfumes to offset lighter notes and it imparts a wonderful carnality in feminine fragrances. It being a great divider, however, several people find a prominent note of cumin too foody or too "dirty", so sampling is definitely recommended for the following list of fragrances containing it.

Please also refer to my What are Animalic & "Skanky"-Called Fragrances Anyway article for more details. 

Notable Perfumes Containing Cumin (with an asterisk, when prominent):
Links below redirect to full reviews
Alexander Mac Queen Kingdom (*)
Amouage Jubilation 25 (*)
Aramis Havana for MenAramis Tuscany Forte (*)
Bobo Dinner (*)
Bond No.9 Andy Warhol's Lexington Avenue
Cartier Déclaration (*)
Clarins Eau DynamisanteComme des Garcons Stephen Jones
Comme des Garcons 2 (*)
D&G 11 La Force
Dior Diorella (*)
Dior Jules (*)
Diptyque L'Autre (*)
Frapin Caravelle Epicée
Frapin Terre de SarmentGiorgio Beverly Hills Red for Men
Gucci Eau de Parfum I (2002, brown juice, square bottle) (*)
Hermès Eau d'Hermès (*)
Histoires des Parfums 1876Jacques Fath Green WaterJean Paul Gaultier Le MâleKenzo Jungle L'Eléphant (*)
Le Labo Rose 31
Maison Francis Kurkdjian Absolue pour le Soir (*)
Parfum d'Empire Aziyadé
Patricia de Nicolai Vétyver
Penhaligon's Amaranthine (*)
Ralph Lauren PoloRalph Lauren Polo CrestRochas Femme ~NB. the reformulated 80s version (*)
Serge Lutens Arabie
Serge Lutens Chêne
Serge Lutens El Attarine (*)
Serge Lutens Fleurs d'Oranger (*)
Serge Lutens Serge Noire (*)
The Different Company Rose Poivrée ~NB.before the latest 2008 reformulation (*)
Vero Profumo RubjVersace White JeansYves Saint Laurent YvressePic via fitho.in

Viktoria Minya Hedonist Cassis: fragrance review

The fallen berries that get smashed and mushed underfoot reflect something of the realization of so much waste around us that even useful, succulent things fall to their unintentional demise through a drive that obeys cosmic rules; gravity, fall, squish. Hedonist Cassis by young but talented perfumer Viktoria Minya is certainly not wasteful, bring the tang of blackcurrant and grapefruit into the core chord of Hedonist, her original creation, making for an intense experience that recalls gathering berries in the countryside waiting for mr.Fox.

hello mr.fox on flickr, via Pinterest

Viktoria Minya has indulged her original composition with a cluster of variations, each highlighting a separate ingredient, Iris, Rose, and Cassis. The latest, Hedonist Cassis, possibly comes in the most attractive bottle, purple-ish with a touch of the late Prince, if you will.

Berry fragrances probably owe their heritage to the cult best-seller by L'Artisan Parfumeur, the original "berry" which spawned a hundred offspring over the decades since its inception.
The composition here however reminds me much more of the appeal of Yves Saint Laurent In Love Again (a combo of grapefruit and blackcurrant) by perfumer Jean Claude Ellena and doesn't fail to make me smile. The rose note is reminiscent of the chord in L'Ombre dans l'Eau by Diptyque; if like me you tend to shy away from overly prim, Jane Austen roses, and appreciate instead the tang that blackcurrants give to the above mentioned Diptyque fragrance, then Hedonist Cassis is sure to hit you with the epiphany of "oh, there's rose in it". Yes, but oh so delicious.

I am reminded of inconsequential things that have to do with late summer: the droning sound of the bees, the lazy contours of the calamus in the distance, the gentle softening of the sky as dusk sets in lilac hues; refreshing juice full of sour and sweet citruses served on the balcony and the canopy shading the rays while we're reading L'Education Sentimentale, the heroes leaping off the page in their game of social graces, platonic loves and carnal disgraces; freckles slowly forming on a long hellenic nose and lashes prettily faning on a smooth cheek, the comfortable silence of well trodden territory.

Extraordinary lasting power in Heodnist Cassis is an added bonus. For those of you who love a tart synthesis with great balance between sweet and sour and a stonking beat of lasting musky-wood this is your fruity floral pick for summer wear.

Fragrance Notes for Viktoria Minya Hedonist Cassis:
Top notes are black currant, grapefruit and rhubarb;
middle notes are bulgarian rose, grass and cassis;
base notes are cedar and musk.

The Different Company South Bay, Kashan Rose and White Zagora: new fragrances

The Different Company introduces three new additions to their esprit collection, South Bay, Kashan Rose and White Zagora, all composed by perfumer Emilie Coppermann and priced at 86 euros each for 90ml of eau de toilette.

Kashan Rose is a surprising fragrance, developing with notes of the Persian rose celebrated at the festival of the May rose in the city of Kashan. The fresh, fruity and spicy blend of sage, litchi, pink pepper and cardamom, segues to Persian rose. Rose petals are surrounded with hawthorn and peony, on a base of ambrette, sandalwood and musk.

Notes for Kashan Rose
litchi, sage, cardamon, pink pepper Persian rose, hawthorn, peony sandalwood, ambrette seed, musk 

South Bay is a luminous woody composition with fresh citrusy accents. The composition opens with a luminous blend of grapefruit, mandarin leaves and tamarind. Woody accords of grapefruit tree with freesia flowers and eglantine (Rosa rubiginosa) become stronger in the central layer of the composition, enhanced with creamy sandalwood, vetiver and suede creating the base of the perfume.

Notes for South Bay
grapefruitt mandarin leaf, tamarind grapefruit wood, freesia, eglantine sandalwood, suede, vetiver

White Zagora is a sensual oriental fragrance based on orange blossom accords. The top emphasizes neroli, citrus notes of which bergamot is the most discernible, with orange blossom in the heart, sweetened with honey, tuberose and sweet peach blossom. The base is warm, sensual and soft, via osmanthus, white musk and amber.

Notes for White Zagora
neroli, citruses, bergamot orange blossom, peach blossom, tuberose osmanthus, amber, musk

More on the official site.

Hermes Un Jardin sur le Nil: fragrance review

 My friend Chandler Burr unfolded the story of how the charming and cerebral Jean Claude Ellena was inspired for this fragrance in a New Yorker piece which catapulted a series of events for both him and perfumery reportage. Looking for the starting point of inspiration in Aswan, traveling the Nile, aquatic plants gave way to unripe mangoes as the team of Hermès travelled up to the roots of the great river. An aura of coolness enveloped the French perfumer: he now had the idea!

 via

 Un Jardin sur le Nil was the second of the Hermès Garden series, following the bitter green smelling one, Un Jardin en Mediterranee inspired by a plate of figs offered in a Moroccan garden.

  This unisex Hermès fragrance, Un Jardin sur le Nil (a garden on the Nile) smells more like claw-wound grapefruit than the green mango inspiration behind it. This idea of grapefruit has been on the mind of Jean Claude Ellena ever since In Love Again for Yves Saint Laurent. He has been toying and toiling with it in Rose Ikebana, for the Hermessences boutique exclusives and in Cologne Eau de Pamplemousse Rose. The idea of a lasting, fresh, juicy grapefruit which retains the tartness and subtle bitterness underneath the citrusy quality is a holy grail for him. Here it is triumphant and energizing, effervescent almost, a bullwhip for the flesh. 

via

But Un Jardin sur le Nil soon settles into a woody and starchy serenity that lends some welcome peace of mind (and courage) to a very hot day. Its incense aura lasts...and lasts...and lasts...as long as the journey to the sources of the Nile itself.

Beautiful in any season and very welcome in a hot spell. 

Christmas '09 Gifts Ideas: Jo Malone

Jo Malone is spoiling us rotten this Christmas with nifty gifts and sets encased in their delicious waffle-like, chic packaging. Here is the round-up for your ease, take notes:



TEA BOX DELUXE CANDLE COLLECTION A suite of three Deluxe Candles are presented in a stately cream-coloured box accompanied with a silver-plated wick trimmer, candle snuffer and key. The Collection features Eau De Cologne, Parma Violets and Sweet Almond Macaroon Deluxe Candles; each candle includes an engraved Jo Malone Candle Lid. 3x400g for 395 $US

SCENTED TRAVEL CANDLES Add the finishing touches to your home by decorating the interior with the delicious scents of Amber & Sweet Orange, Grapefruit, Lime Blossom and Orange Blossom. Sold individually the travel candles are easy to get anyplace to add an ambience of style, sophistication and warmth in any room. Each Candle is 60g for 35$


COLOGNE COLLECTION The Cologne Collection celebrates the artistry of scent through six colognes in small atomisers in a luxurious box, allowing perfume lovers to get to know the Jo Malone line intimately. The scents may be worn alone or layered to create unique combinations. The collection includes Grapefruit, Nectarine Blossom & Honey, Pomegranate Noir, Sweet Lime & Cedar, Lime Basil & Mandarin and White Jasmine & Mint. 6 sprays x 9ml for 95$

BATH OIL COLLECTION An invitation to unwind via aroma. Six glass decanterswith six different scents to be used alone or in comvination. The collection includes Grapefruit, Nectarine Blossom & Honey, Pomegranate Noir, Sweet Lime & Cedar, Lime Basil & Mandarin and White Jasmine & Mint. 6 vials x30ml for 85$

LIME BASIL & MANDARIN fRAGRANCE CHRONICLE™ The Lime Basil & Mandarin fragrance Chronicle™ is a new idea: Combine accords to the classic rich citrus formula embellished with notes of aromatic herbs and sensual woods to create your very own compelling signature scent. Transform Lime Basil & Mandarin with the accords of Mandarin, Sweet Basil and Amberwood. The Chronicle includes Lime Basil & Mandarin Cologne 30ml, Mandarin Cologne Accord 9ml, Sweet Basil Cologne Accord 9ml, Amberwood Cologne Accord 9ml, all for 95$.

POMEGRANATE NOIR PAMPER KIT The limited-edition Pamper Kit includes Bath Oil, Shimmer Body Powder and Body Crème, all with the mysterious, regal scent of Pomegranate Noir.
Presented in the Jo Malone signature gift box the kit includes Bath Oil Glass Decanter 200ml, Shimmer Body Powder with Ultra Luxe Puff 70g, and Body Crème 175ml for 245$

POMEGRANATE NOIR DELUXE CANDLE Combining the sweet, fruity notes of raspberry, pink pepper and pomegranate with patchouli, frankincense and spicy woods, it comes with an engraved Jo Malone Candle Lid presented in a Jo Malone signature gift box. 400g for 130$

PINE & EUCALYPTUS COLLECTION Savor the season with Pine & Eucalyptus, a limited-edition scent from Jo Malone. The crisp aroma of pine is entwined with velvety eucalyptus to evoke the sense of winter. The Collection includes: Bath Soaps 3 x 100g 50$, Bath Oil 250ml 60$, Living Cologne 200ml for 95$, Home Candle 200g for 65$, Luxury Candle 2.5kg for 345$

Available at Jo Malone Shops, http://www.jomalone.com/, Bergdorf Goodman and in select Neiman Marcus and Saks fifth Avenue stores.

Info via press release. Pic of Christmas display via katie-d-i-d.blogspot.com

How the Gods trick us into hubris ~Alpona by Caron: fragrance review

I distinctly recall the first time I tested Alpona: it was the holiday season of 2006 and I had come very late to the cult, considering my perfume habit dates back to the time I was collecting minis and mixing (nay, ruining) my mother's expensive perfumes as a child. Having tested myriads of fragrances by then and having almost exhausted the Caron subject studiously and laboriously as most of them were not available to my country, with only a few sitting pretty on my skin, my nose and my sensibilities (the rose accords have to be a certain way for me to be moved) I had almost no hope of liking Alpona.
How the Gods trick us into hubris...

I had read of it described as a bitter chypre and I imagined it as very harsh and wasted a la Cabochard reformulated, one of the major disappointments of my perfume life because of the precious memories it had held for me personally.
Leafing through hefty tomes of arcane perfume lore I had come across authors describing it as fruity perfume as well and it was at that moment that I became convinced that I wouldn't like it in a million years, given my antithesis to such proclivities. Yet , the desire to test it even to formally and terminally "diss" it was persistent. I was a snob in reverse on the hunt of the elusive: Alpona had been created as extrait de parfum and those were only available through the "urns", Baccarat crystal fountains of liquid gold to be had at the Boutique Caron in Paris and New York City.

It was in a friendly exchange with a lovely lady that I had been able to procure some, opening the little bottle with trepidation not unlike the one shown by the bishop annointing France's Charles VII Dauphin upon his crowning in Reims with Clovis' Sacred Ampoule holding the Holy Oil.

And then.....I put it on! And it took only seconds for me to not only like it , but to positively love it for its peculiarity, its dry and sweet mingle, its character, its depth. Its weird grapefruit-rind note and the rich oakmoss marriage. These two elements dominate the composition. Another devotee was at that very minute approaching the Altar of Alpona, shyly skirting the edges of the marble, gingerly grasping the golden handrail, laying bouquets of piety at the Goddess' feet. And it solaced my soul that she forgave and welcomed me into the Order like a deflowered Vestal Virgin who has entered the priesthood of a secret cult.

Caron launched Alpona in 1939, in tandem with the New York Exposition, inspired by the Garden of the Hesperides. Hercules according to the Greek mythology defied the nymphs Hesperides, guardians of the garden, and stole from the Greek gods the secret of immortality, the "golden apples". Alpona was the first acclaimed fragrance to combine flowers with lemon and grapefruit inaugaurating the “Hespéridé” family. These tart citrus fruits (known as "hesperideans") give the perfume its modernity. Sun-ripened fruits basking in an orchard in the last foothills of the Alps with considerable darkness and richness underneath thanks to the inclusion of oakmoss and the infamous Mousse de Saxe base was at the mind of its creator Ernest Daltroff.
Alpona is recommended according to Caron "for immoderate indulgence by every woman who wants to get the juice out of life".

My fallacy that it would turn for the sour were dispelled by the reality of it unfolding its fruit rind swirls on skin. Alpona is actually quite sweet in the drydown, rich and full-bodied.
It has personality. Backbone!
Alpona smells like a weird holiday in the mountains, but not the snowy Alps, there is no cool snow theme here, despite the name. It's as if you are squeezing grapefruits and oranges for the morning juice, drinking it in a lichen-overgrown attic on the slopes of an autumnal mountain lodge; gorging the sunrays coming through the open window, basking in their warmth, with a little plate of candied orange and bergamot rind by your side, leafing through old textbooks of your granny who was learning Russian as a hobby. Decked in light woolies and breathing in the moist air, the trampled upon tree branches and just dead leaves, sighing with pleasure and abandonment, savouring the spicy dryness, Alpona is like discovering long-forgotten trinkets and family heirlooms in a cedar chest tucked away in the attic.

According to the official Caron site:
Notes: Lemon, Grapefruit, Bergamot, Rose, Orange, Jasmine, Orchid, Thyme, Patchouli, Myrrh, Cedar, Sandalwood, Musk, Oakmoss

I will never again say I won't like something just because. That's a promise Alpona made me give. I will sorely miss it now that they discontinuing it...
You can still get it at NYC boutique located in the Phyto Universe day spa on Lexington Avenue at West 58th Street, so take your chance while supplies last.
HOT FROM THE PRESS:
Paris Caron boutique representative refutes the rumours on discontinuation. Please note that this is not definitive and it might mean that they will keep it only in Paris or the plans are for later on.

Painting by John William Waterhouse, Diogenes

Herbal & Tangy, Aromatic & Green: Unusual Scents from the Bountiful Garden

Have you ever wanted to bottle the sweet smell of an herb garden or the tangy scent of a tomato? Such a mental image is enough to send your mind spinning into fantasies of having your own little patch of greenery or the memory of cutting the stems of fresh, organic vegetables grown in your childhood's garden. I suppose these are daydreams we all have but have yet to find the perfect scented memento to make them come alive again. Well, now you can, apparently.



 Great American Scents, a New Albany, Ohio based company that creates unique fragrances and candles, recently launched a new line of scented candles and perfumes called Bountiful Garden. These artisanal scents were created for a woman (or a man!) who loves the natural smell of the earth’s bounty; they signal freshness and impart the free-feeling spirit of the outdoors.

The 2013 Spring and Summer Collection features these enticing fragrances:

Tomato Leaf
Nothing signals a garden in full bloom more than sweet and luscious red tomatoes on the vine. And to their succulent charm Great American Scents added the oh-so slightly tart scents of verbena and rhubarb. Plus the beguiling earthiness of oak and moss. This is summer heaven. Top Notes: verbena, rhubarb, tomato stem; Mid-Notes: Olive flower, crushed green leaves; Dry Notes: oak moss, guaiac wood

Flowering Herbs
Nothing complements a garden and kitchen like a delightfully fragrant herb garden. Bright grapefruit and crisp apple scents, followed by fresh hyacinth and luscious peonies with pretty patchouli notes underneath will greet anyone who walks through a room. Top Notes: Grapefruit, green herbs, apple; Mid-Notes: Hyacinth, lotus flower, peony; Dry Notes: sycamore, patchouli, blonde woods

Sweet Magnolia
Conjure up the romantic South more with the honeyed goodness of magnolia blossoms. With a touch of lemon and hyacinth for brightness, and that most charming of scents – gardenia. Beneath it all Great American Scents has stirred in the timeless intrigue of iris and sandalwood. Top Notes: Lemon, gardenia leaves, hyacinth; Mid-Notes: gardenia blossom, lotus flower, magnolia; Dry Notes: skin musk, sandalwood, iris.

Beet Root
Delight in the earthy and spicy scents of bergamot, cedarwood and musk, wrapped with a hint of green leaves, orange blossoms and sea lily. Then sweet and fruity notes of fig, oleander and orange blossom join in this fragrant melody. Top Notes: Bergamot, green leaf, fig; Mid-Notes: sea lily, oleander, orange blossom; Dry Notes: cedarwood, warm wood, musk

Victory Garden
During World War II, Victory Gardens sprung up all across America with their crisp aromas of basil and sage. Walk a little further and a touch of citrus, violets and lavender appeared on the nose. And for good measure the warmth of cedar and mahogany added depth and dimension. Top Notes: Bergamot, petitgrain, basil; Mid-Notes: lavender, violet, crisp sage; Dry Notes: warm woods, cedarwood, mahogany

Orchard Blossom
When the orchard begins to blossom the delicious scents of fresh fruit can’t be far behind. Here Great American Scents starts with sweet apply, lush apricots and morning dew. Then delicate tiare flower joins in. And the warmth of orris and musk add a comforting finish. Top Notes: Apricot, apple, dew fruits; Mid-Notes: Apple blossom, tiare flower, stardust peony; Dry Notes: blonde woods, orris, musk.

Sunshine Grove
Come to the Grove and pick the sparkling fresh scents of citrus fruit with Great American Scents. And take joy in the uplifting fragrances of lemongrass blossom, sage and iris. Plus Great American Scents has added a whiff of intoxicating vanilla and musk. Top Notes: Orange, sage, clementine; Mid-Notes: lemongrass blossom, neroli, lily; Dry Notes: vanilla, iris, musk


For more information about Bountiful Garden, visit http://www.greatamericanscents.com, http://www.facebook.com/GreatAmericanScents or http://www.twitter.com/AmericanScents.

Guerlain 180 Ans de Creations: fragrance review & history

Back in the 19th century, when the beginnings of the Guerlain brand are to be traced, perfume was considered racy; proper ladies stuck to barely there floral eaux and no one put scent on themselves, but rather on items of clothing. Tracing Guerlain's 180 Ans de Créations fragrance to these beliefs is like a porthole of what made Guerlain revolutionary and great in the first place but also a palingenesis. Its powdery, polished amber character is emotively majestic; and yet it wafts with grace and good manners, making us lament the days when luxury was considered a notion that pertained more to style and connoiseurship than affluent cash bying the latest "it" collectible just because.

180 Ans de Créations was issued to commemorate the 180 years of Guerlain history and revealed in June 2008 as a non-commercial gift aimed at loyal customers and industry insiders, hence its spartan baptism "180 Ans de Création 1828-2008". I was grateful to receive some via a discernible reader of mine, Emmanuella, who procured it through a French connection and was eager to hear my thoughts on it. (Sincere thanks to both are in order).

Casting back our minds to how Guerlain came into being offers glimpses into how the recapitulation of such heritage could be accomplished. The history of the house of Guerlain is richly nuanced, from the "Parfumeur Vinaigrier" days of Pierre-François-Pascal Guerlain at 42 rue de Rivoli in 1828 to the move into not one but two locations on rue de la Paix in 1840. The first big break came with a commission from the novelist Balzac, a person very immersed in sensual exploration himself. Later Pierre-François-Pascal scented the pages of Le Journal des Elégances as well, thus catapulting a custom consultation for the most recognisable personalities of the times: the Prince of Wales, Queen Victoria, the Tsar of Russia and notably Napoleon’s III wife Empress Eugénie de Montijo. Guerlain dedicated the citrusy-smelling verbena-rich Eau de Cologne Impériale to her (1853), composed with the aid of his sons Gabriel and Aimé (the latter his creative heir in 1864 and the composer of Jicky in 1889). He took pains to decorate the flacon with golden Napoleonic bees and thus started a delightful optical tradition, hints of which we can admire even today. In 1914 the opening of the boutique at Champs Elysées kickstarted the unfolding of a saga that persists.

Presented in Eau de Parfum concentration, the idea of Guerlain's 180 Ans de Création is a stripped-down representation of La Guerlinade, the famous accord that makes fragrances instantly recognised as Guerlain progeny. For 180 Ans its perfumer Jean Paul Guerlain twisted the idea of the classic accord, realising its aura is often perceived as admirable but a little outdated and thus added contemporary accents in the form of grapefruit, pink pepper and white musk. The choices weren't random, far from it: the bitterness of grapefuit is a work of marvel in Pamplelune, the most technically merited in the modern Aqua Allegoria line; the spiciness of pink pepper along with its surprising creamy quality (thanks to α-cadinol) is complimentary to the powdery feel of retro scents; the skin-like emission of musks is contemporary and lifting the powder into the realm of familiarity for audiences raised on home products laced with synthesized musks. Yes, 180 Ans is a calculated scent that hits just the right spot!

Starting with a shadowy feel of amber gloved in suede ~masterfully accented with a slight bitterness via grapefruit and possibly thyme to my nose~ Guerlain's 180 Ans de Creations encompasses the very characteristic bergamot-heliotropin-vanilla chord of many Guerlain edible scents without being sweet, as well as an inkish peach-pit almondy shade which reminds me of both Mitsouko and L'Heure Bleue. An allusion to the oppoponax-vanilla powderiness of Shalimar is finishing it off on a intimate base of musks and the coumarin delight that tonka beans provide so generously to numerous Guerlain creations. Neither supremely feminine, nor typically masculine, its caliginous amber can be likened to the series of fragrances that reworked the original Mathilde Laurent Guet Apens scent: Attrape Coeur, No.68 limited edition, Vol de Nuit Evasion. Nevertheless it is overall less ambery, with no discernable violets as in Attrape Coeur and it projects with more discretion. 180 Ans also possesses a mysteriously twilight chill beneath the warmth, contrasting with it and enhancing its dry powder (an effect of synth musks and dry woody aromachemicals?) which fascinates me. The thing most evoked in far drydown is the suede plush of vintage Shalimar (a hint of quinolines) and the cool powder of Habit Rouge: lovers of the later please take note!

If Guerlain after their LVMH acquisition seem to have drunk from the river Lethe losing memories of their past lives in the process, there are still some signs like 180 Ans which give me hope of a Pythagorian transmigration of the soul. After all Pythagoras didn't occypy himself with counting numbers only, despite what everyone says...

180 Ans de Créations is offered in the oblong flacon that houses L'Art et La Matiere and Elixirs Charnels, with the name placed on a thin metal plate that runs vertically from top to bottom on the front. It is still currently in production according to records as we speak, although cryptic enough to only procure one (from someone who got it last year obviously). I hope that changes soon!

Related reading on Perfumeshrine: Guerlain series

Pic of bottle via Mr.Guerlain and vintage poster via tallulah-album/photobucket