Bulgari Jasmin Noir: fragrance review

What does it say if a perfume writer ~who is supposed to stay atop trends and new things (or at the other end of the spectrum occupy herself with rhapsodising over classics and unearthing rare vintages)~ decides to write about a perfume by Italian jewellers, coming out as recently as 2008 and semi-forgotten amidst the plethora of new releases? Is it a testament to delayed reflexes, that upon revisiting Jasmin Noir by Bulgari (or Bvlgari if you want to keep the Roman spelling) several months after its launch, I found myself captivated mid-bottle by its rich, woody, full-bodied and curvaceous silhouette? At this point, I cannot deny the pull that a mainstream but really well-made fragrance can exert upon me.

After a handful of maudlin and wall-paperish "me too" scents by the brand in recent years, like Omnia Green Jade, Voile de Jasmin or Bulgari Aqua, I didn't really expect waves; yet I was pleasantly surprised to find myself curiously attached to my classic bottle which reprises the elegant, frosty glass lines of Bulgari Pour Femme, only this time in lacquered black. Perfumers Carlos Benaim and Sophie Labbée at IFF nailed it this time around: The composition smells rich and classy, with a succulent hint, but not too floral and rather subdued, fulfilling the criteria of modern consumers in the 25-40 group to which they originally catered for. A concept well visualised in the commercials featuring Kate Moss with serious bling on her neck. But the fragrance stands on its own two feet, away from any industry brief or statistical focus group aspirations.

If Jasmin Noir isn't more sung by the perfume trobadours, it has to do with a certain incongruity between name (and therefore promise) and delivery: This is a floral woody rather than the reverse, with segments taken from both Sensuous by Lauder and Tom Ford's Black Orchid, while the emphasis is neither on jasmine nor on any sinister noir proclivities. Bulgari themselves say: "Jasmin Noir is a flower of the imagination. It is white, immaculate, and conveyes pure mystery, revealing intriguing sensuality at nightfall". And I would have to agree with the imaginative part as well as the sensuous promise, if not the white descriptions which leads one to expect a white floral.
Bulgari's Jasmin Noir starts on the sparkling green note of budding gardenia (full of the piquant, fresh note of styralyl acetate) opening into a vague ~not very identifiable~ fresh jasmine vine accord which soon exits the scene. Floral haters shouldn't be frightened, nor should indole-phobics pause: this is the equivalent of a thriller by Roman Polanski; blink and you miss the scary parts, it's so subtle. Nutty and lactonic (milky) accents and the dominant, permeating, pleasant scent of licorice then appear, muting the floralcy and embracing the whole in a different sort of sensuality than that of white flowers; cozy, youthful sexy, very modern with a good dose of aromachemical Ambroxan, but not insipid. This stage lasts at sotto voce (we're talking quite discreet sillage here) almost for the duration of the fragrance's presence on skin, taking a subdued ambery-vanillic haze, flou and sustained for a long, long time. The perfect "I miss your scent on the sheets" kinda of fragrance...

People who like Tom Ford Black Orchid Voile de Fleur for its emphatically feminine floral notes (tuberose) and also like the woody backdrop of the original Black Orchid but are seeking to branch out a bit, are advised to try Jasmin Noir by Bulgari. Lovers of Guerlain's 90s classic Samsara who want something more subdued and youthful might find in Jasmin Noir a helpful ally. Men who are not averse to a little sweetness (and anise) with their cologne and like the idea of Lolita au Masculin might steal a spritz or two as well.

Bulgari Jasmin Noir notes:
Top: green sap, gardenia petals
Heart: jasmine sambac absolute, satiny almond
Base: precious wood, licorice, tonka bean absolute.

Jasmin Noir is available in Eau de Parfum concentration from major department stores and from bulgari.com.



Pic of sexy Greek actress Zoe Laskari via movie-musical-world

Yosh Han: Meet & Greet in NYC

Jodi Arnold NYC is hosting the launch of one of Yosh Han's successful, all-natural fragrances, held at the homonymous fashion boutique this Thursday, Nov. 11 from 6pm-8pm. Renowned artisanal perfumer Yosh Han will appear at Jodi Arnold NYC at 56 University Place (at 10th Street). Come meet Yosh and experience her new Evanescent Collection. The fragrance expert will also help attendees customize their scent, using a unique blend of chakra energy, numerology, and fragrance families.

"The women who say they 'hate perfume' are often the same ones who love the larger world of aromas, like scented flowers, savory cuisine, decadent desserts, and aromatic wines. 'Perfume haters' have negative feelings about the existing conventional way of perfume perception: mass-market department store overload or too much perfume in a small elevator. When you’re in a busy department store, your primal instincts and adrenals kick in. And if you have one too aggressive sales person pushing that smell on you, well, it’s understandable why you may have an adverse reaction to perfume." - Yosh Han

Read a full interview with Yosh.

There is no ticket or reservation involved. You can see more current info on Facebook.

10% off Ormonde Jayne

Ormonde Jayne is no stranger to offering its loyal customers (but also those who would love to try out the prestigious line) incentives to buy every November, as has been witnessed on these pages for a couple of years now. So, indeed, to celebrate ThanksGiving, Ormonde Jayne would like to offer a 10% discount on all orders from 7th November to midnight 25th November 2010.
Just add the promotion code 'THANKSGIVING' at the checkout on the site.

The winner of the draw...

...for the Not a Perfume sample is Margaret. Congratulations and please email me with a shipping address, using the email in the profile or About page, so I can have your prize out to you soon.
Thanks everyone for the participation and till the next one!

Juliette has a Gun Not a Perfume: fragrance review & draw

Damn right! If you want to take the ironic (but reversely spot-on!) name of the latest Juliette has a Gun fragrance literally, then you're most certainly there. Not a Perfume, Romano Ricci's latest project in his niche line features one of his favourite perfumery materials...solely. In short Not a Perfume is a dilution of Ambrox (an elegant, inviting creamy musky-woody material we described in detail on this article) in ethanol, to be sprayed on by people who abhor the idea of smelling of something immediately identifiable as perfume.


Indeed the fragrance opens on a singeing the nose blast of alcohol. Is it any good on the whole? If you're questioning whether it smells good, yes, it does, if monochromatically so (imagine an outfit on ton-sur-ton pearl grey). Ambrox does, you know (again, refer to my Raw Material article on it). And Romano Ricci had predisposed us of this notion by heavily relying on it for his previous effort, Calamity J. and including it in all his perfumes. But is it enough? Not it's not. Even if it hides a small helping of violet leaf or iris as I suspect, it's still not enough.

The problem lies with the utter lack of originality; what was arresting first time around becomes a little tired the second time: The idea of anti-perfume was brought out on the market with a bang by the sultan of orientalia (and thus it was particularly impressive and controversial), Serge Lutens with his L'Eau. The formula relying on a single material was first exploited by Helmut Lang (the rare musk in his defunct Velviona) and perfumer Geza Schoen with his Escentric Molecules. The advertising showing a woman drinking from the bottle as it's supposed to be a non-perfume ~therefore good enough to drink!~ was first explored by Moschino in the 1980s as we showed on a previous post.
What's left? The claim that using Ambrox and Amrbox ONLY is a surefire way to avoid allergies (To test the hypothesis I refer you to Umberto Eco's excellent article in Corriere della Sera from the 1970s about advertising ethos by the Bic pens company and his breakdown of their lacking, misleading syllogism). This's got to be a first, addressing the millions who are increasingly sterilising the public space with their abhorence of anything perceived as floating for the sheer pleasure of smelling like perfume. Brownie points, you've got that down pat, mr.Romano!

For our readers ~and since it serves as an educational tool as to how the raw material Ambrox smells~ we offer a sample of Not a Perfume to a lucky reader (coming from a decant we purchased ourselves for reviewing purposes). [Draw is now closed, thanks!]

Not a Perfume by Juliette has a Gun is available at Colette, Paris for 65€ for 50ml and for 88€ for 100ml. Pricey for what it is!

A harsher criticism of the concept can be viewed on Octavian's post.
Pic via thebeautybutton.co.uk

Ambrox/Ambroxan: a Modern Fascination on an Elegant Material

When a new raw material enters the perfumery scene only the involved few are cognisant of the fact. When this raw material however takes the role of manna from heaven in times of crisis, however (see how synthetically-derived irones for substituting orris butter produced "the year of the iris" and how synth aoud made 2009 the year of "oud") companies invest it with panegyrics extoling its qualities. The latest material to do that is Ambrox and if you thought you haven't smelled it before think again: Almost everyone has a rather good scent memory of it through the ubiquitousness of Light Blue by Dolce & Gabbana, composed by Olivier Cresp in 2001, to name but one of the scents which use this raw material in ample amounts. In synergy with other two synthetics, Z11 and Norlimbanol, Ambrox gives Light Blue that non-perfume smooth base which made it so very popular and instantly recognisable on commuters and elevator partners across the globe.

As is usual on Perfume Shrine when dissecting perfumery materials (this is the list with the posts on them) we revert to a little Chemistry 101 to explain Ambrox and its smell in detail. The chemical formula for Ambrox is C16 H28 O. Ambrox was therefore born through organic chemistry in the 1950s at the laboratories of aroma-chemical producing firm Firmenich SA as a substitute for ambergris (grey amber) which was very expensive for wide use in fragrances and exceedingly scarce. (You can read more on ambergris and its commonalities/differences with the term amber on this article). Although used interchangeably with Ambroxan as they share almost identical odour profile, they are not one and the same. The construction of Ambrox follows the route of sclareol, a product of the process of clary sage, a natural essence known to aromatherapists for many years [source]. Nevertheless another path exists for Ambrox synthesis, this time from labdanoic acid, since 2002. The main diterpenoid of the acid fraction of non-polar extracts of Cistus ladaniferus L.) converts using an organoselenium reagent, is then oxidatively degradated in its side chain, and finally cyclization of the resulting tetranorlabdan-8α,12-diol happens. Thus, Ambrox is obtained by a six-step procedure in 33% overall yield from methyl labdanolate. [source] Other paths include synthesis from (E) Nerolidol and β-ionone, as well as through (+) -carvone and thujone. [source]

Ambrox is typically used as one of the base notes of perfume compositions, due to its extremely lasting velvety effect which oscillates between an impression of ambergris (salty, smooth, skin-like), creamy musky & labdanum-like (read on labdanum on this link) and with "clean"/blond woody facets in the mix too. In short, a fascinating molecule that presents itself as a prism through which different facets can shine. Its reception is undoubtedly one of positive response: You're hit with something that smells warm, oddly mineral and sweetly inviting, yet it doesn't exactly smell like a perfumery or even culinary material. It's perfectly abstract, approximating a person's aura rather than a specific component, much like some of the more sophisticated musk components do. Fittingly, Ambrox solves some of the shortcomings of the latest IFRA restrictions on several musks and animal-like base notes. No wonder it's been used so much in perfumes in the last couple of decades! Although one might argue that synthetics replicate naturals due to increasing constrictions on formula costs on the part of perfume companies, the truth is Ambrox is relatively costly in the mostly inexpensive world of synthetics. However until recently companies were reticent into mentioning its inclusion in a perfume formula. It took the pioneering guts of Geza Schoen and his niche brand Escentric Molecules to elevate chemistry into the realm of bottling single molecules in bottles to be put on one's vanity or bathroom shelf: Molecule 02, solely an Ambroxan dilution was coupled with Molecule 01 fed on only Iso-E Super (details on that material on this link).
Recently companies however took on a different path, actually boasting on their flamboyant, mono-chromatic use of this popular material, thus making ultra-hip Parisian concept-store Colette’s newsletter talk about "fragrances fed on Ambrox"! 2010 might well be the year of Ambrox as apart from Juliette has a Gun who boasts on their sole use of Ambrox diluted in ethanol for their Not a Perfume, other companies bravely declare the emphasis on this synthetic: Another 13, from the New York based brand Le Labo and M Mink by Byredo. The latter fragrance uses Ambrox alongside chypry, aromatic and animalic tonalities which are reminiscent of ink.
Whatever you might think of it, we haven't seen the last of Ambrox yet!

List of Perfumes containing perceptible Ambrox/Ambroxan at the base
(Listed in diminishing order of perceptability. NB. The highlighted links lead to reviews/more info):

Not a Perfume by Juliette has a Gun
Molecule 02 by Escentric Molecules
Another 13 by Le Labo
Calamity J by Juliette has a Gun
Mille et Une Roses by Lancôme
Eau de Fleurs de Capucine by Chloé
Light Blue by Dolce & Gabbana
Vetyver by Lanvin
Géranium pour Monsieur by Frédéric Malle
Baie Rose 26 by Le Labo
M Mink by Byredo
White by Lalique
French Lover by Frédéric Malle
Portrait of a Lady by Frédéric Malle
Rumeur by Lanvin
L'Eau d'Issey Goutte sur un Pétale by Issey Miyake
Midnight Poison by Christian Dior
Emporio Armani Diamonds for Men by Armani
Silver Black by Azzaro
1881 Intense pour Homme by Cerruti
Extravagance d'Amarige by Givenchy
Cuir pour homme by Esteban
A Scent Eau de Parfum Florale by Issey Miyake


Please note that another name for Ambroxan is Orcanox, such as mentioned in Etat Libre d'Orange Malaise of the 1970s. 


pic via perseus.blog.so-net.ne.jp

Jivago 24KGold and Jivago White Gold: new fragrances

The worship of gold has been synonymous with man (and woman) since antiquity. Now it enters fragrances as well. Building on the success of 24K, and continually inspired by the powerful meaning, positive energy and sheer beauty of gold, Ilana Jivago has created the JIVAGO Gold Collection.

24K Gold by ILANA JIVAGO – The Fragrance of Everlasting Love
An elegant, beautiful and feminine floral blend, reminiscent of great loves in life.
Opulent and precious, 24 karat gold adorns those women who have a taste for timeless elegance. ILANA JIVAGO 24K Gold is a luxuriant, modern floral blend showcasing the romantic marriage of Asian Jasmine and Tuberose, flanked by even more flowers: Bulgarian Rose, Lily of the Valley and Orris. A final note of Amber at the base offers a grounding finish, making this scent evocative of true everlasting love. ILANA JIVAGO 24K Gold contains genuine 24 karat gold as an essential element of the composition for positive giving energy. [sic]

White Gold by ILANA JIVAGO – The Fragrance of Pure Love
A delicate, clean and sensationally chic scent, inspired by the idea of love for no reason. Reflective and lustrous, white gold is worn by women who appreciate understated chic. Fresh and delicate, ILANA JIVAGO White Gold is a sparkling floral fragrance that subtly shimmers with a classic bouquet of White Peony, Lily of the Valley and Orris at its heart. These florals rest delicately upon a base of precious Rosewood, Radiant Musk and sultry Vanilla, adding a hint of sensuality to the composition. ILANA JIVAGO White Gold contains genuine white gold as an essential element of the composition for positive giving energy. [sic]

The JIVAGO Gold Collection for Women is available at www.ilanajivago.com and comes in: 2.5oz. Eau de Parfum, SRP $130; 1.7oz Eau de Parfum, SRP $105.00; 2.5 Parfum Diamond (24K Gold only), SRP $104.00; Eau De Toilette 2.5oz, SRP $87.00.

Amouage Opus IV (Library Collection): new fragrance

This December, the House of Amouage is uniting the world against AIDS with the global release of Opus IV from its Library Collection. The latest inspiring creation was especially crafted to instill knowledge and empowerment in efforts to promote HIV / AIDS awareness by Creative Director Christopher Chong, who worked assiduously with renowned perfumers in Grasse.

“Our fragrances have always centered on delivering a distinct and compelling message, not just the creation of artistic and beautiful scents,” expressed Chong. “With the startling number of new HIV infection cases reported globally each year, education remains a powerful and paramount instrument to prevent the spread of HIV and grant universal access to HIV prevention, treatment, care and support services. Opus IV is our contribution to raising awareness on this growing epidemic across all corners of the globe, which today is one of the world’s most pressing public health matters.”
Chong added that Amouage is exceptionally proud to donate fifty percent of the worldwide profits from Opus IV to the National HIV/AIDS Prevention and Control Program (NAP) in Oman, an initiative supported by the Ministry of Health, World Health Organisation, United Nations Children’s Fund and United Nations Population Fund.

Opus IV opens with luminous and invigorating notes of Lemon, Mandarin and Grapefruit with a warm spicy mantle of Coriander Oil that awakens the senses. The heart is characterized by the sharp and exotic Elemi Oil, Cardamon and Cumin that pervades to a sweet blend of Rose Berries, Rose and vibrant Violet Leaves. This inventive fragrance finishes with woody and smoky undertones of Labdanum, Frankincense and Musk. The perfumer is Jacques Fior (of Etro fame) who has closely collaborated with Christopher Chong.
The Library Collection which now includes Opus I, II, III and IV, is a celebration of integrity, creativity and virtuosity. Inspired by the knowledge and experience drawn from the art of living, the Collection unfolds a contemporary face to Amouage while preserving the elegance and effortless classicism synonymous with the brand.

In the USA, Opus IV will be available at Bergdorf Goodman and MiN Crosby. In London, at the Amouage flagship at 14 Lowndes St, Harrods and Selfridges. Opus IV retails for US$325 3.4 oz

Calvin Klein Beauty: fragrance review

I am reminded of the Greek term for "beautiful" while contemplating the concept of the new Calvin Klein feminine fragrance, Beauty. The term is όμορφος which literally translates as "of good shape". Contrary to just a lucky roll of the genetic dice, nevertheless, the Greeks have another word to describe someone who impresses our aesthetics with their comportment and appearence, both: ωραίος. This term etymologically comes from the phrase "of its time" and further signifies someone that is in equilibrium, in harmony with the surrounding world: Clearly being ωραίος requires some degree of intellectual and aesthetic effort, contrary to όμορφος! And yet I can't really say that Beauty by Calvin Klein is either. It's pretty (effort number 3 to describe aesthetic value!) and will wear well on many wearers, but in view of the above it fails to instigate either the sense of awe that a DNA-induced Royal Floss would or the grudging admiration a witty and wily leading of the cards in a whist Grand Slam would produce. Beauty is the equivalent of a computer solitaire game; it passes the time pleasantly and that's it.


Supposedly the fragrance was created to support Calvin Klein's clothes collection, with no aspirations of outward seduction (contrary to Euphoria or Obsession which play their intentions face up on the table). Thus Beauty has been promoted as a scent for mature women who choose fashion from the CK line and enjoy his familiar style and minimalistic brevity. To incarnate these, the creating team chose the calla lily. Now calla lilies are not especially renowned for their potent scent (other varieties are prefered, more on which on this article on Perfume Shrine) so perfumer Sophie Labbé turned her attention to ambrette seed for a little intimacy (it's a natural source of musks), jasmine for a floral heart and cedar for a Laconic, dependable base; or the "neo-lily" as the press material would want us to believe. Briefly speaking, Beauty by Calvin Klein doesn't really smell of any of these components. Probably because these are fantasy notes meant to evoke a feeling rather than a photorealistic representation. Its intent is to follow the path of best-selling Beautiful by Lauder, minus the stigma of "old" which an 80s fragrance would risk producing, and to capture the attention of late 30s-early 40s women who secretly love Daisy by Marc Jacobs but find its "just washed my hair & put a plastic flower on it" contraption too young for them. It's also intended for an audience who shy away from the "dirty" indoles (molecules naturally hidding in white flowers) ~an idea which incidentally Jacobs also tackled with his chaste Blush~ and those who are wary of offending people in the office space, yet want something that has a hint of feminine personality; not another brief splash of eunuch citrus or a super-clean musk that passes as fabric softener... In those regards Beauty succeeds.

The scent of Beauty by Calvin Klein overall projects like a soapy fresh, peachy and somewhat green tuberose/jasmine in the mould of Do Son by Diptyque or Voile de Jasmin by Bulgari with the requisite "clean musk, clean wood" drydown with only a hint of vanillic sweetness: the concept of a fresh floral jasmine scent with a wink of synth lily . Only whereas the charming rural iconography of Diptyque and its Vietnamesque inspiration provided a plausible excuse for a timid, beginner's tuberose lost in the bamboo shoots of the jungle, the much more impressive (and yes, urbanely elegant in its brushed aluminum) bottle of Beauty ~fronted by model/actress Diane Kruger no less~ predisposes for more, so you're kinda left hanging there... You can find an inexpensive and pleasant jasmolactone-based fragrance similar to this one in Sonia Kashuk's Gardenia No.1, as well as in several body products and shower gels advertised as boasting fresh jasmine or gardenia notes ~the latter also based on jasmolactone molecules (you can also detect the accord in Labbé's own refined "gardenia", Cruel Gardenia for Guerlain's boutique exclusives). So, it all depends on whether you like the CK bottle enough to purchase. In this card game, I'm afraid we've been redealt.

Etat Libre d'Orange Secretions Magnifiques: fragrance review

I'm in the attic of an old video store downtown. Stuffy and with the permeating smell of hot, new plastic from the inner jackets of DVDs with questionable material. The seedy sales assistant is dressed and "groomed" like Ian Lamont in the disastrous remake of The Jackal, only he utterly lacks any charm Jack Black naturally possesses. He's oggling female customers with a roving eye, but it is actually the shy, low-browed "help" with the upstraight collar that is really a sexual offender. That attic smells of dried up semen and surreptitious impositions on unwilling females, of threat and defilement, of a sense of panic where your trachea closes as if you can't breath and no voice can come out...no matter how many primary colours change hues beneath your shut eyelids.

I'm in the operating theatre of a hospital, lying supine and cold. The ceiling above me has the listless greyish white of ashes in a crematorium and I feel like I should belong in one. Lochia is oozing off me, the burden of having my guts torn out, hatched job of 20 weeks when the air was still pregnant with hope. There are no salty tears falling off to the edge of the ears making the familiar plonk sound, only the buzz of the fluorescent lights atop. Nothing moves save the mops across the corridors spreading another layer of bleach on the floors.

I'm in a small African camp where Action Aid is volunteering. A teenage mother of no more than 13 is sitting back up the wall of a thatched cottage, as the weather is taking a turn for the damper, her baby infested by a thousand flies, in the same position as it last had grabbed her breast in an attempt to draw life-sustaining liquid. Liquid which trickles down still under her expresionless face, stale, and mixed with sweat and the scent of famine; whitish liquid on black skin, so agile, so puerile, you think you could take this mother and lull her to sleep herself.

Sécrétions Magnifiques rather amazingly smells like all of these places. I just don't want to be in those places...ever.

Definitely out of the Guy Robert perimeter of perfumery standards ("perfume should smell good") and into avant-garde in earnest, this is a fragrance that acts like Duchamp's Fountain (Urinal); it serves as a springboard for discussion more than an art piece to put and enjoy in someone's home. Smelling aquatic-metallic with an algae note and a lot like sweet floral notes and coconut blanched in bleach (featuring Azurone, a Givaudan trademarked "clean" note), with a spattering of spoiled condensed milk and pure bile in the mix as it "opens up", Sécrétions Magnifiques by État Libre d'Orange is a scent not to leave anyone indifferent and is both totally original and undoubtedly a technical feat (the demonic notes reverberate into eternity opening up with gusto). Supposedly it's trying to replicate scents of saliva, milk, blood and semen, these magnificent secretions for which humans are known (if you were hoping for Eau de Merveilles though, forget it) but there is absolutely no animal hint or human intimacy, rather a sterile Alien accord that is a study on every female fear.
Its perfumer, Antoine Lie, has been known for his work at Comme Des Garcons (888, Lime and Grapefruit from the Energy C series, Wonderwood as well as Daphne), as well as others in the État Libre line (Tom of Finland, Rien, Divin Enfant, Je Suis un Homme, Don't get me wrong baby). Sécrétions Magnifiques by État Libre d'Orange is available as Eau de Parfum. Its fame precedes this bête noire; approach with a sense of respect.

Notes given for Sécrétions Magnifiques:
Iode accord, adrenaline accord, blood accord, milk accord, iris, coconut, sandalwood and opoponax.

For a funnier take with less drama, watch Katie's review on Youtube.

pic originally uploaded on mua by mzterrim sent to me by email

Trick or Treat? Top Autumn Fragrances for Any Mood

Which mood is more you? The playful trickster, barefoot and hell-bent on playing mischief to placate the evil Halloween spirits or the mellow pacifist stuffing the mouth with calorific indulgences and the contended smile of "all's good"? Or you can be both, depending on how your day is going. Fragrances can be like that too, you know!
There are scents which are comforting, snuggly like an old favourite jumper when the sky is uninviting, first thing in the morning, and the temperatures are plummeting; a fragrance which smiles at you from within its heavy glass with the sweetness of a kid on a Hallmark card. And there are scents which are devilishly playing tricks on you, requiring that you have either the right attitude or the right weather conditions or the just right outfit (and possibly makeup and jewellery too!) in order to bring out their best; if they want to! But oh, when they do...The latter category might seem like they're ultimately a pain in the butt to have around (what if you look at them in a certain way and they crack from side to side?), but so often they form some of the most satisfying fragrances we possess in our wardrobe. The former... well, they are our fall-back-upon scents and in times like this, this is kinda precious too, don't you agree?
So here is our small selection of "Tricksters and Treaters". Feel free to add yours in the comments!

• THE TRICKSTERS

À Travers le Miroir by Thierry Mugler
A strange tuberose, half-way between carnivorous mentholated flower with bitter touches (reminiscent of a herbal autumn garden) and decaying sweet flesh; yet rather light, if you can imagine that! If you're a man and always wanted to own a tuberose fragrance but found them too Fracas-shouting femme, then this is your bet. Alexis Dadier must be a brave perfumer since he shed tuberose of its black lingerie & berry lipstick to reveal its muscled up (hold the baby oil!) facets. A tuberose of the Tubéreuse Criminelle school of thought!

La Myrrhe by Serge Lutens
Myrrh gum is part of ecclesiastical incense alongside frankincense for millenia. You would expect an oriental, full of resinous mystery, going by the name, right? Lutens goes one better and infuses the bitter ambience of myrrh with candied mandarin rind and citrusy aldehydes which bring this on the upper plane of an airy aldehydic. Somehow it wears lightly but solemnly too and it resembles nothing else on the market. Cool autumn days bring La Myrrhe's attibutes to the fore and it remains amongst my most precious possessions.

Aromatics Elixir by Clinique
It's hard to picture autumn without the imagery of a forest in full regalia, evergreens gaining inches day by day, sepia foliage being trampled underfoot and the promise of fairies in the wings; sorry, behind the mighty oaks, I meant to say... The enchanted forest scentscape of Bernand Chant's masterpiece is among the most challenging, but also among the most complimented and revered, fragrances in the world. If you find difficult to tame this patchouli, rose & oakmoss Godzilla accord in the pure parfum spray, tone it down opting for the Eau de Toilette or Velvet Sheer formulation within the range. Review of Aromatics Elixir on this page and smell-alike on that one.

No.18 by Chanel Les Exclusifs
If you're lucky enough to have this ambrette and rose blend sing on your skin, you're very fortunate. I wish it did on mine and in my memory banks as well. It's probably among the most individual things to come out in the last 10 years and it's quite unique (Although Musc Nomade isn't too far removed in its concept, but the Chanel is more of a subtle perfume than an invisible human aura like the Goutal). Review of No.18 here.

Les Larmes Sacrées de Thèbes by Baccarat
If only because this discontinued limited edition Egyptian beauty will have you scouring the Internet for it but end up paying through the nose (Masochists, please take note! I actually managed to bypass this at a Baccarat boutique when it was available commercially). Somnombulent balsams speek of Egyptian rituals which transport you to a warmer, southern meridian. (Read reviews of all three Baccarat scents for the occasion on this link)



• THE TREATERS

Doblis by Hermès
Doblis is an anomaly: Such a refined composition, the best leather fragrance in the world (and the rarest) just can't be classified in the treaters, where sweet ambers and indulgent gourmands should populate the premises, could it? And yet, Doblis is so silken, so restrained, so smooth, fanning precious flowers onto the most buttery suede, that it transcends into the beatific ecstacy reserved for true excellence. Review of Doblis on this page.

Like This by Etat Libre d'Orange
And the anomalies continue: What is an Etat Libre scent doing in this side of the list? But its welcoming spicy notes of immortelle and ginger and its succulent pumpkin and mandarin heart, set nevertheless in an interesting diorama where one supercedes the other, Like This reads like wise verse by Rumi instead of a Dear Abby column as one would expect; and on top of that it is fronted by the most interesting celebrity to front a fragrance in the last -oh- twenty years...Tilda Swinton! More info on this link.

Shalimar Ode à la Vanille by Guerlain
The smoothness and delicacy of vanilla pods, air-spun here and with a prolonged and rather linear, easy projection of citrus and familiar core. Impossible not to like, impossible to misbehave. More info on this article.

Bois et Musc by Serge Lutens
Autumn can't be autumn without the evocation of woods and this small gem in the Palais Royal Parisian exclusive line by Lutens fulfills the bill admirably, because it highlights both the woody panel of cedar and the skinscent idea of a humane-smelling musk. Simple but very effective and drop-dead sexy. Review of Bois et Musc here.

Coromandel by Chanel Les Exclusifs
Dusty cocoa and refined patchouli to the point that it reads as devoré velvet in shades of deep maroon. Justifiably it's the best-seller in the newer Les Exclusifs (alongside less character-driven, more camel coat & low pumps scent of Beige). Review of Coromandel here.

Related reading on Perfume Shrine: Comforting scents for when the Going Gets Tough, Falling in Love: Scents & Treats for Fall

Photography by Fred Boissonas in early 20th century Greece: a) Edessa 1908 and b) Kastoria Kleisoura manor 1911.

Optical Scentsibilities: For External Use Only

Perfume can be delicious to the point of wanting to drink it. Or so would the perfume industry want us to believe. Recently the ad material of Romano Ricci's Not a Perfume by his niche line Juliette has a Gun introduced a visual that is fitting that concept; and it fits the anti-perfume name as well of course! One could say it is its whole raison d'être. (What's up with anti-perfumes lately, haven't Lutens and Geza Schoen exhausted the experiment yet?) We will come on board on our next post with a review on the unreleased yet Not a Perfume and a lucky draw for a decant, but in the meantime, the image reminded me of something.
Something which was so memorable (and so innovative at the time) that has stuck... Can you see the similarities?



The perfume ad above is for Franco Moschino's original eponymous Moschino perfume from the 1980s. (Incidentally, good juice!)


pics via the moodie report and parfums de pub