Prada Infusion de Rose: new fragrance

Isn't this a pretty sight? Prada issues the latest annual limited edition in the ephemeral Infusion series (see Infusion de Tuberose and Infusion de Vetiver from last season, as well as Infusion de Fleurs d'Oranger from two years ago) in Infusion de Rose.
The notes for Prada Infusion de Rose include Turkish and Bulgarian rose, Italian mandarin, peppery mint, Brazilian maté, and honeycomb from Laos. The fragrances is purported to be "like fresh rose petals mingling with Tea Roses and Honey, crushed in a hand with mint leaves" according to the official blurb. The beautiful bottle is ornamented with delicate designs by James Jean, titled "Trembled Blossom."
Canadian release on April 15th in SDM Beauty Boutiques and Murale. Comparable times for US and Europe.

Floris Amaryllis: new fragrance

Floris, after Madonna of the Almonds, proposes a new fragrance, based on a romantic concept: Amaryllis. The name, common for girls in both Greek and Latin-derived languages, comes from the Greek word ἀμαρύσσω which means "to shine, to sparkle" and is referenced in Theophrastus' Idylls tied to a beautiful shepherdess and later in Virgil's pastoral 1st Eclogue/Bucolic, as a singing wanderer of the woods. The fragrance itself, a spicy ambery floral, is inspired according to Floris by the romantically rural theme and focuses on the botanic connotation, which is beladonna lily (which interestingly enough means "beautiful lady" in Italian). But the devolution of the botanical name of the flower into "pink ladies" and "naked ladies" has surely something to do with the pastoral themes of youths teaching the forest to resound the name Amaryllis ("Sit careless in the shade, and, at your call, 'Fair Amaryllis' bid the woods resound") and of rolling merrily on the grass...




And how should the upcoming Floris Amaryllis smell like?

Notes for Amaryllis by Floris
Top notes: Bergamot, carnation, marine accord
Heart notes: frankincense, amaryllis, myrh, tuberose, ylang ylang
Base notes: Caramel, heliotrope, patchouli, musk, tonka bean, vanilla

pic via Calè and vernabob.com

Down in the Bowels of London

One of my favourite readers, Minette of Scent Signals, sent me the following link which guides us down to the London...sewers! The Guardian video follows Rob Smith, head flusher at Thames Water, who explains how 'fat bergs' (amalgamations of illegally dumped cooking oil and wet wipes) are the culprits for frequent blockage and even flooding. But some more pleasant emanations are still possible, as he attests!

Not a pleasant subject on the whole you might say, even though those sewers have inspired writers Robotham, Gaiman and Updale (Lost, Neverwhere and Montmorency series respectively) as well as video games, with their dark and sinister atmosphere. But the interesting thing is that the London sewer system goes back to the Victorian Age. In the 1850s over 400000 tonnes of sewage were flushed into the River Thames each day, thus rendering the river biologically dead. The ...stinky culmination came in the summer of 1858, during which the smell of untreated human waste was extraordinarily potent in central London, forever giving the time frame the nickname "the Great Stink" and reinforcing the theory of "miasmatic air" as a cause for cholera to last well until at least the 1880s, when Koch re-discovered the bacterium responsible for the disease. (The predominance of the theory of the air carrying miasmata through odours is well documented in Alain Corbin's book The Fragrant and the Foul). Soon Joseph Bazalgette was commissioned chief engineer to oversee the construction of the new London sewage system in 1859.

The London sewers are stratographed in regions of class demarcations, nevertheless; certainly a distinction obvious in British society in general in the past, less so now, except for the respective...effluvium, so to speak. The fearless in the eye of dirt Rob Smith describes the emanations that bypass methane for a more pleasant odour as those coming from the "affluent effluent" ~the stuck remnants of perfumed body oils and bath washes which are used by the richer folks; certain areas smell of expensive oils that carry their aromatic heritage down the drain...
The London sewage system holds a special fascination apparently, a mix of the Gothic tradition with the metamodern V for Vendetta flair for underground scheming: With such names of "hot spots" as Devil's Gate, Itself, Labyrinth, and Rubix, is it any wonder perfume managed to sneak in there too?


Next post will be a review & lucky draw for a new niche perfume. Stay tuned!

sketch of Faraday and Father Thames via wikimedia commons

Smells Like 2010: Hits & Flops in Perfume

In an article in the New York Times, penned by Catherine Saint Louis, we learn which fragrances made it and which tanked last year, according to the NPD Group market research team. Oddly enough the text reads like a nicely placed endorsement instead of a critical commentary one would expect on the results, but of course the scope of the article never was to criticize, merely to report. Additionally, it's mentioned that "Final annual tallies from NPD won’t be available until later this month". So why the rush dear?

The most important feature is this quote however:

"Ms. Grant dared to hope for “at least a flat year,” which would be an improvement, she said, considering that “fragrance has pretty much been in decline, except for a few years with celebrity fragrances” since 2001."

So which were the big sellers? In the mainstream circuit, they were:

Gucci Guilty

Chanel Chance Eau Tendre

Bleu de Chanel (apparently the biggest men's premiere in Bloomingdale's ever)

Ralph Lauren Big Pony collection

May I say yawn, at this point...

The celebrity fragrances were many (as usual, especially in view of the above quote) but apparently they didn't do that well, Beyonce's Heat mentioned in those. It's a bit contradictory to what was circulated at the moment of launch, when Heat was quoted as being a "fly off the shelves" item that was unprecedented. Hmmm.....

The other interesting thing that begs for commentary is Jennifer Aniston's celebrity perfume, initially hailed as Lola Vie (LOL@vie, if you're slow on the up-taking) and then changed into simply Aniston . Everyone is reporting that it didn't sell well, it flopped etc. Now, where's the catch? It's definitely not a reflection on Jennifer's popularity which remains as strong as ever. It's simple really: Aniston, the fragrance, was launched as an exclusive at Harrod's in the UK who didn't ship outside the country, thus effectively cutting off the core audience of Jennifer (America) from access to the product that would first and foremost appeal to them! The rationale behind such a distribution move remains to be seen, as Aniston did make it all the way to London to appear to the launch, hugging the bottle in rapture, apparently oblivious to what would ensue.

Best-selling fragrances in the niche sector (according to Barney's and Aedes)?

Byredo M/Ink

Bois 1920 Classic

Santa Maria Novella Melograno

Gendarme original cologne

Aedes de Venustas by L'Artisan

F.Malle Portrait of a Lady

Somehow, I don't think the rather iconoclastic minerals & musks M/Ink or the intricately complex Aedes de Venustas fragrance can be viewed in the same light as Gendarme, or Portrait of a Lady, which cater to more traditional tastes. But this is what has been reported all the same. Melograno is such an old niche mainstay that I can't but think these are repeat buyers.

As to trands to look out for in fragrance for 2011? The continuation of oud in the mainstream, more flankers coming up (one for Marc Jacob's Daisy for sure), the resurgence of powder (according to Karen Dubin of Sniffapalooza and her love of...Love, Chloé) and the return of ThreeASFOUR by Colette (a concept perfume).

For a glimpse on what we thought as best in 2010, please refer to our 2010 Best & Worst list.

Christian Dior Dune: fragrance review

Originally thought out by perfumer Jean-Louis Sieuzac* (of Opium fame), is it any wonder Dior's Dune smells more like the warmed up sand where lush Venus-like bodies have lain in sweet surrender rather than the athletic Artemis/Diana figures which aquatic/oceanic ("sports") fragrances ~the classification in which the house puts it~ would suggest? The French have been known to prefer Venus over Diana in their artistic depictions over the centuries anyway. It's perhaps unjust and a sign of the celebrity-obsessed times that this Aphrodite of a scent is recurring into the scene because word has leaked out recently that Kate Middleton wore it as a signature scent when she was a student.

But at least it might give newcomers into the cult of perfume a chance to experience one of the lesser known Dior fragrances: Curiously enough, for something that has stayed in the market for 19 years and belongs to the LVMH portfolio, Dune, apart from a men's version Dune for Men of course with its tonka beat backdrop, has no flankers...

*[Although Jean-Louis Sieuzac proposed the formula, his submission was rejected by the Christian Dior perfumes head of development at the time. It took a modification by perfumer Nejla Bsiri Barbir (working at Parfumania) which sealed the deal and got Dune on the shelves in the end...]

Dior's Dune is a case study not only in the house's illustrious stable (scroll our Dior Series), but in the perfume pantheon in general: The zeitgeist by 1991, when the fragrance was issued, demanded a break with the shoulder-pads and moussed-up hair of the 1980s which invaded personal space alongside bombastic scents announcing its wearer from the elevator across the hall...or -in some memorable cases- across the adjoining building three weeks after the wearer had passed through its halls! The advent of ozonic-marines was on as a form of air freshening (and a subliminal chastity belt to attack towards the AIDS advent) and L'Eau d'Issey, interestingly issued exactly one year after Dune, was paving the path that New West by Aramis had started a few years ago. Where the Japanese aesthetic for restraint put forth mental images of limpid water lillies by the drop of water on a sparse zen bottle of brushed aluminum & frosted glass, the French were continuing their seductive scenery: the model was all prostrate on a sandy beach, the colour of antique pink silk underwear hinting at fleshy contours, eyes closed, giagantic eyelashes batting slowly, reminiscent of broom stems, a world capsized into a sphere of tranquility... Interestingly it's also routinely fronted by blonde beauties, suggesting there is an oriental for them apart from the flamenco-strewn dark-haired territory other classic fragrances have mapped out so well. Lately advertising images for Dune sadly capitulated into the slicked, oiled-up bodies that infest other Dior fragrance advertisments, but I prefer to keep the original ones in my mind.

Perfume taxonomist Michael Edwards recounts how the heads at Christian Dior wanted to create a "marine type" of fragrance but without the harsh ozonic notes that were catapulting the market at the time. The original idea was a monastery's garden by the coast, herbal and aromatic.
To do the trick they relied on both a clever construction (which was more "smoky oriental" than "marine") and some ingenious, suggestive marketing to compliment it later.

The imagery was easier to devise, although not easy to pull off exactly as planned: The packaging was an inviting hue of peachy, as was the colour of the juice, to suggest femininity and soft flesh, while the star ingredient that suggested beachy slopes and wild growth, broom (what the French call genet) was featured on the advertising images in an effort to reinforce the suggestion of wild beaches of escapist delights. The seaside town of Biarritz, where the official launch was scheduled, gathering a huge amount of press professionals, was practically painted peach to echo the livery. A chic picnic on the beach was set to kickstart the festivities. But someone had forgotten a small detail in the mix (or was he/she nonchalant enough the European way not to check it out?). It was a nudist beach...

The composition is never too clever by half, it's intelligent: The dissonant opening impression of Dior's Dune relies on a bitterish interplay between the tarriness of lichen ~alongside the distinct bracken feel of broom (in reality deertongue goes into the formula)~ with the sweeter oriental elements of the base. It's almost harsh! The phenolic, after all, is never more aptly played than when juxtaposed with a sweetish note (such as in natural honey in the form of phenolic acids), as exhibited to great effect by Bvlgari's Black which was to follow at the end of the 1990s. The intelligence of Sieuzac nevertheless lied into injecting a "marine" fragrance with exactly the element that no one would expect from an oceanic-evoking landascape: warm oriental powder! If you lean closely, the top stage of Dune with its bitterish tendencies almost immediately gives way to a dry impression that almost recalls gusts of powder, but missing completely the candied violet-rose & makeup feel of the mainstays of feminine guiles, powder puffs. The official notes proclaim orris, but the effect is due to carrot seed (often used as a replication of the earthy, powdery undergrowth). This is a fragrance that is conceived as an extension of the boudoir into the outdoors, not an accoutrement out of it.
The warm amber (but not too sweet) and the musk base is there too under the other elements, almost like fig-filled biscuits rolled into floral tanning lotion. In fact I believe the Dior Bronze "summer fragrance" called Sweet Sun, was directly inspired by Dune. But the diaphanous interpretation of Dune allows it to pose as borderline "fresh". Almost "natural". Someone described it as "flesh-toned in the creepy way of artificial limps, not real ones", continuing into pronouncing it "marvellous" and "the bleakest beauty in all perfumery", and this Plastic Venus off the Waves stands indeed on a unique podium amidst the whole of modern perfumery: There's simply nothing quite like it.



Notes for Dior Dune:
Top:bergamot, mandarin, palisander, aldehyde, peony, rosewood and broom
Heart: jasmine, rose, ylang-ylang, lily, wallflower, lichen, orris.
Base: vanilla, patchouli, benzoin, sandalwood, amber, oakmoss, and musk.

The Eau de Toilette is my preferred concentration in this scent, possessing in greater degree the jarring elements which make Dune so very interesting to begin with. There is also an alcohol-free version for use in the sun, called Dune Sun, but as usual with alcohol-less versions, it lacks much staying power.

pic of plastic venus by lo boots via deviant-art

Newsflash: L'Eau Serge Lutens in new size

The derisive L'Eau Serge Lutens (find our review and musings on these pages) now comes in a smaller size for those who want to try it or carry it on the go: 50ml for 69 euros.
Available online.

L'Osmotheque participates in Esxcence exhibition

The most important perfume conservation museum in the world, l’Osmothèque, founded in 1990, is going to be participating in Esxcence The Scent of Excellence 2011 this coming March (find more info on links below).
Initiatives and opportunities to smell some of the meticulously recreated masterpieces from the early 20th century history of perfumery will be available to the public. Among them, historic and extremely hard to find specimens of Houbigant's Fougère Royale (1882), Coty's La Rose Jacqueminot (1904), Coty's L’Origan (1905), Houbigant's Quelques Fleurs (1912), Coty's Le Chypre (1917), and Millot's Crêpe de Chine (1925). An opportunity not to miss!

Serge Gainsbourg & Jane Birkin sing for Caron

When commercials and advertising jingles were tender and softly caressing, without crassness or hard sells...


Serge Gainsbourg, poète maudit of the 70s, and Jane Birkin, the siren-muse, sing on a promotional disc for the perfume "Pour Un Homme" de Caron, which was released in France on April 1st 1972 (it can be found here). The song is now on the official Caron site: Hit English and it takes you to the page with the free download, alongside a nostalgic vinyl disk turning). Or just play the clip right here on Perfume Shrine below. The little 45disk was offered to customers who purchased the cologne at Caron counters (how cute is that?)and has since made appearences on Ebay, hence the photo.
The Gainsbourg song is also audible on the Pour Un Homme page, allegedly "the secret of Serge's seduction". Like the lyrics say: "Je passe pour un homme, pas très beau garçon" (i.e. I pass for a man, not a pretty boy)
Of course Caron's Pour Un Homme is a true classic since its issue in 1934, its vanilla-laced lavender accord a dependable mainstay in masculine perfumery. Thanks to parfums Caron for starting the year in a nostalgic, truly lovely way!

Narciso Rodriguez Essence Eau de Musc: new fragrance

Narciso Rodriguez is crazy about musk, his fetish material...as we needed reminding. His eponymous creation (the many confusing concentrations broken down in this article) is full of the warm, intimate aura of a "clean" musk. For women who like musky scents as much in order to reveal the femininity inside every woman, Rodrifuez issues a new flanker to his Essence fragrance, called Essence Eau de Musc.

The new eau de toilette will be available from February 28th 2011 and is inspired by the house’s latest perfume, Essence (reviewed here), but introduces more floral-sparkling facets, highlighting the delicacy of the white musks trail. The heart allies the musky notes with bergamot and iris.
“It’s an airy and luminous fragrance that reflects a new energy and a lighter state of mind,” according to the official blurb. The mirrored bottle has gotten more slender for the occassion and the package has been updated, too. Narciso Rodriguez Essence Eau de Musc will retail from 49, 75 to 95 euros for 50ml, 100ml and 125ml respectively.

And Let the Seperation's Pain Sleep in the Heart

Clip from Ulysses' Gaze by Theodoros Aggelopoulos. The song is traditionally sung on New Year's Eve in Greek gatherings, while the time-play of the elapsing years in the film is a nod to post-world-war II Romanian history, in the greater Balkans cadre.

May history smile on all of us in 2011. Happy New Year!

Natalie Portman: new face for parfums Dior

Natalie Portman had signed a beauty endorsement deal as the new face for Dior, as far back as June 2010. The talented and beautiful young actress who announced just two days ago, on Monday 27th, that she's been engaged and is happily pregnant, has starred in such box-office hits as Star Wars as well as critically aclaimed films such as Closer and Black Swan. Good coup, Dior, as Natalie is so famous as to even have an MP3 download on Amazon titled "Natalie Portman Poops" (I kid you not! )
Christian Dior chief Claude Martinez called Natalie “charismatic and elegant.” The actress, on the other hand, who hasn't worked in the beauty business before, says: “I’m pretty casual in my beauty routine in my real life. Some might say sloppy.” She also regards beauty, for which she's often justifiably praised, as an obstacle or annoyance: “Beauty can be a hindrance, especially if that’s the only thing that matters to other people. I’m also aware that being considered attractive can be a huge factor in getting work in my profession. Beauty can be boring if you’re with a guy who is focused on his looks or your looks all the time. I know a lot of male actors who are totally obsessed with creating a certain look.” [source of quotes]



Her presence in the Dior portfolio will involve her fronting the new perfume campaign, substituting model Maryna Linchuk, for Miss Dior Chérie. The new commercial will again be directed by Sofia Coppola (see the on-the-set shot above), after the very successful clip she had shot with Maryna 3 years ago. It coincides beautifully with the reopening celebration of Dior’s 57th Street boutique in N.Y.C., where Portman appeared to celebrate alongside Dior’s head designer John Galliano.
The print campaign was shot by Tim Walker while Sofia Coppola directs the TV ads. The advertisements will see the sultry star, who's 29, with a hunky young model, appearing in glossies and on screens in March 2011. “I felt like a big old cougar. He’s, like, 20. The commercial is subliminal advertising for my film,” Portman quipped, as it features a shot of a white swan. If one feels that way at 29, though, just imagine...

We're very much looking forward to them all the same!

photos via fashion style and stylefrizz.

2010 perfume recap: The Best (& Worst) in Scent

What is the end of the year without summarising lists? And what is the end of a year in the fragrance industry no less without comprising a "best of" (and worst of) of sorts? To that end, a select team of bloggers brought our minds together to bring you opinionated verdicts on what you should not miss and what you might as well be spared when passing the perfume counter or browsing on your laptop.
For clarity's sake, my own list comprises only releases from 2010 (with one exception), not things I might have discovered this year which were issued previously. That doesn't mean I consider the following the "best of" in all perfumery in general (and I'm well known for sticking to favourites no matter when issued), just the best -and worst- in 2010.


Perfume of the Year: Absolue pour le Soir by Maison Francis Kurkdjian.Perfectly balanced between "dirty" and perfume-y, like perfumes of yore with its alliance of ylang ylang, honeyed rose and scads of cumin, it curiously draws upon a retro "skankiness" that's not really vulgar, more lived-in; like the precarious equilibrium a certain Mediterranean lady keeps between the mysticism and languor of the East and the rationality of the West in her own heart of hearts.
Beware skank-o-phobics! It can be intense.

Perfumer of the year: It must have been Bertrand Duchaufour's year.I don't know whether it's through bloggers' promotion or simply overindustriousness (Amaranthine -technically from end of 2009- and Sartorial for Penhaligon's, Nuit de Tubereuse and Traversee du Bosphore for L'artisan), but it seemed like he was everywhere this past while. Not that he doesn't deserve it, mind you.

Best feminine fragrance (department store circuit): Sensuous Noir by Estee Lauder
Best masculine fragrance (department store circuit): Voyage d'Hermès by Hermès
It's difficult to make something worthwhile in the tsunami of thousands of releases that will -fatefully- be discounted in 6 months' time at consignment shops. These two are solidly built (one on patchouli, the other on woody aqueous musk), not wildly differentiating themselves, but very pleasant, lasting and with a whiff of intelligence built in.

Best Shared niche fragrance: Sartorial by Penhaligon's.
I do prefer Duchaufour's work in Amaranthine for the same brand though, only that one is much more feminine. Sartorial with its honyed, waxy lavender and patchouli is as suave as Terence Stamp in his 1960s days, with a reassuring expectancy.

Best fragrance under 50$US: Fleur Chérie by L'Occitane.
A fresh and airy interpretation of neroli & orange blossom on a bed of cedar and blackcurrant to bring forth happy thoughts in the dead of winter. Available online.

Best Limited editon: Arsène Lupin Dandy by Guerlain.It's not poised to be a limited edition, but something tells me it will be short-lived, nonetheless. A very refined soft leather for men, ready to be snatched by women as well.


The fragrance I loved (and wore) most: Boxeuses by Lutens.The icy sensuality of Bas de Soie is also quite fetching, but with Boxeuses Serge and Sheldrake revisit at last their favourite territory of the souk and the polished hides on the walls of a Berber dwelling which I had missed. Spices, candied fruits and the backdrop of nubbuck. A special someone finds this scent terribly sexy on a certain dark-haired historian and who is fool enough to argue with that?

Best new fragrance concept: If Womanity by Mugler had managed to reconcile the savoury with the sweet in a less strange and loud summation, we'd be talking about the surest trend to follow shortly on a perfume counter near you. I still believe we're to see more in this vein, only I hope more polished and assured next time.

In memoriam (discontinued): The disappearence of Bulgari Black from the UK market. It's still available in other European countries nevertheless and there is no official word on its eclipsing from production. Attrape Coeur (formely known as Guet Apens) is definitely missing in action, as we had announced almost a year now. Shame...
Worst News of the Year: Belle d'Opium signaling the death toll on the original Opium, thinned out from reformulations to the point that it's become Whitney Port where it used to be a zaftig Catherine Zeta Jones.

Trend we can do without: Need I spell it out? A-m-b-r-o-x-a-n.Dear perfumers, I get it: It's a shortcut for you, it provides the backbone you are denied by all those IFRA restrictions, it's practical and stable, it can even be nice sometimes, but please: Sufficing a composition with ambrox/ambroxan isn't going to make a proper perfume. Why is everything from Baie Rose 26 and Another 13 both by Le Labo to Juliette has a Gun Not a Perfume have to be based on it now?

Best celebrity scent: I don't really follow celebrity scents sampling-wise (my loss, you might argue). I still wear Lovely by Sarah Jessica Parker which is the best celebrity fragrance this side of the eponymous Catherine Deneuve in my books.

Most ridiculous celebrity for a scent: Paris Hilton channeling Marilyn Monroe (she wishes) for the launch of her latest scent. Now I've seen it all.

Best Buzz: Andy Tauer generates the greatest niche buzz every year. Is it any wonder?
This year he repackaged his entire line, issued new fragrances, he launched a new website and immersed himself into a good cause: promoting art in perfumery.
I was also pleased to see the Vero Kern line of Eaux de Parfum reach the States finally. Rubj is particularly stellar and Vero herself does nothing by halves.

Best Ad: 2010 hasn't been particularly memorable on the visual front: The last exciting perfume commercials I recall have been Chanel No.5 with Tautou (2009), Midnight Poison with Eva Green (2007) and Miss Dior Chérie by Sofia Copolla (2008). Bleu de Chanel directed by Scorcese is all right (mainly for its atmospheric use of blue as a reflection on the fragrance's name and flacon), but still not thrilling or imaginative enough (and don't get me started on the completely lukewarm fragrance itself!).

Worst Ad: Bang by Marc Jacobs.An oilied up Jacobs is posing with his legs apart hidden behind a giant bottle "banged" by a fireshot? If this is a pick up line, it's the crudest I have ever set eyes on. Pass me the barf bag, please.

Best Natural Scent: Light by Anya's Garden is exactly what its name implies: In a word, luminous.


Favorite Flacon: I'm not much of a fangirl for elaborate perfume bottles, prefering the architectural sparsity of Lutens, The Different Company, Chanel Les Exclusifs, Hermessences etc, but I kinda dig the latest Agonist Liquid Crystal eau de parfum flacon. It looks like some fungus life form preserved in formaldehyde on Holmes' desk while the rest of the tubes are bubbling merrily and it never misses to make me lean and observe more closely for clues as to what it contains. So weird, it's a classic!

I would have liked to see more of: Green, green, green.
For some reason, in a time when green is the byword in the cosmetics and skincare industry, it's sorely lacking in the perfumery business. Issey Miyake A Scent was a good effort, but its commercial flop was kinda disappointing. The leathery trend (see Boxeuses & L'Heure Fougeuse in "Les Heures de Parfum" for Cartier, by Mathilde Laurent) is having me enraptured.

Best name of a fragrance company: Odin never fails to make me think of Scandinavian mythology. If only they hadn't attached the New York moniker right after it...

Best Flanker: I'm possibly cheating with this one (as "flanker" is industry speak for a fragrance which reprises the name and design of a previous best-seller to introduce a quite different scent with minimal change in name, rather than a different concentration) but Parfums Caron, probably the world's most unprobable creator of flankers, has scored: Parfum Sacré Intense is capitalising on Jean-Pierre Béthouard's 1990 original Parfum Sacré (itself a study on an older Caron scent, Or et Noir) and made a beguiling spicy oriental of clove-strewn rose to lose your heart into. I certainly have.

Rising Star of 2010: "Outlaw" perfumers doing what they darn please irrespective of perfumery restriction, just for the heck of it. It was about time...


Don't forget to visit the other participating blogs in their best & worst 2010 lists:
Ca Fleure Bon, Olfactarama, Mais Que Perfume.