Amouage Epic for Women & Epic for Men: exclusive fragrance preview & review

It's no secret that Amouage, the Omani fim with a cult following, has impressed us with their dense, proudly classical compositions which hark back to an era of intense glamour and calculated style which by now seemed long-forgotten if not for them. As if one entered the Atlantis in Dubai and found out all the water faucets were of solid gold but made to look matte from a distance. After all, we have already lovingly reviewed the utterly gorgeous Jubilation 25 and the appealingly unusual baroque Ubar on these links, so there's no denying it.



The concept of the new Epic duo (in contrast to Ubar it is presented in both declinations, for men and women), explained when we scooped the news, is a fusion coming directly out of the Silk Route, the fabled course from China to the West through the hard desert soils of Arabia. The two new fragrances incorporate traditional Middle-Eastern notes of oud and frankincense, as well as tea and Chinese flowers representative of the Far East, like heroes crossing the steppes in their own personal quest for inward glory. Of the two I was much more swayed into contemplating a big bottle purchase by the magnificence of the feminine and let me explain why.

Amouage Epic for Men recalls an old-fashioned leathery (due to castoreum) fougère, a little reminiscent of Bel Ami or even Jules, with spicy accents and a light oud note throughout which is pleasing to me as the dense mustiness of oud usually leaves me with sensory overload unable to smell anything else. The spices, of the cool type, such as prominent cardamom, mace and nutmeg, along with the tea note, could have escaped from Cartier's Déclaration. But careful: in order to envision those notes in Epic one should picture the former's perfumer, Jean Claude Ellena, having gained a few pounds, accordingly acquiring a taste for heavier molecules and jotting down notes at a smoky oriental den where assistants bring in mysterious batches of eastern ingredients instead of the luminous and diaphanous atmosphere of Cambrais. The musky drydown phase of Epic for Men is sprinkled with incense, but the interplay of animalic with more austere elements stop it short of it being an erotic sense in the Kama Sutra sense of the word, although it possesses sensuality of its own. My man pronounced it "trying a bit too hard perhaps" despite its ~on the whole~ rather light and somber (rather than flamboyant) nature; which I deduce is his equating such scents with overt manifestations of masculinity when there is no need to. Although it is an easy entry into real oud and should have people approach it without fear, I think I prefer the more distinctive Jubilation XXV myself.

Amouage Epic for Women stands a magnificent specimen of artistic triumph for the house, its distinctive marriage of oud and rose perhaps the loveliest espousal of those precious ingredients on the market today.
The sophisticated, otherwordly character of this scent is immediately apparent, with the dark, velvety petals (underscored by complimentary geranium) unfurling into infinity under the gaze of medicinal and shadowy oud/oudh; the latter lending a strangely cool & warm aspect to the composition along with a nutty aftertaste. Greenish and fresher tonalities peek beneath the gauzy gowns like a gust of wind that surprises. This interplay of temperature has been a favoured game since at least the gothic Tubéreuse Criminelle, but it has come out to the fore again with another Lutensian composition we reviewed recently, the just launched Fille en Aiguilles. In Epic for Women the rounder ambery and floral elements underscored by a discreet sweetness conspire to produce an achingly beautiful synergy of brainy and sensuous elements fit for a princess. But its Parthian shot is there are no seductive stakes in the cards and this is a young, pensive woman (or man, who could wear this equally well) with an introspective, contemplative look who can fall hard for legends; "a faithfull heart who makes wishes come true".



Notes for Amouage Epic for Women: Cumin, pink bay, Damascena rose, cinnamon, geranium, jasmine, tea, amber, musk, incense, sandalwood, patchouli, vanilla, guiacwood, orris, aloeswood/oud.
Notes for Amouage Epic for Men:Pink pepper, cumin, cardamom, saffron, mace, nutmeg, myrtle, geranium, myrrh, aloeswood/oud, sandalwood, leather, incense, cedarwood, musk, castoreum.

The two flacons for Amouage Epic reflect the well-known design of the brand now interpreted in a luminous imperial green, the colour which is thought to protect from evil in the East, decorated with a Swarovski crystal. The Eau de Parfum is presented in 50ml/1.7oz and 100ml/3.4oz bottles. Soon at select boutiques and now online at the official Amouage site. If nothing else, click to watch the oneiric video of a woman dressed in flowing black gowns (with Japonesque makeup) accompanied by the grand 2nd movement of Beethoven's 7th Symphony.
The talented creative director of Amouage, mr.Christopher Chong informed us that he will be at the Pitti exhibition in Italy in September to answer the queries of perfume enthusiasts and present the new fragrances.

Related reading on Perfume Shrine: Amouage scents and news
Pic of Peter O'Toole and Omar Sharrif in Lawrence of Arabia via thecia.com.au

Top 10 Memorable Masculine Fragrances

With Father's Day around the corner, I was contemplating about those formative scents that marked my budding route to the position I am now: The fragrances my parents wore were a constant olfactory homeland, shaping my tastes and creating the desire to at once emulate and differentiate myself from. So today in collaboration with my guest writer Mike Perez and on a joint project with Gaia of The Non Blonde we're listing the top 10 masculine colognes (classic, modern, niche or mainstream) that we feel can fondle the imagination and create a halo of cherished, unforgetable memories to those that come in contact with their wake. And hopefully make the person wearing them seem a little closer even in absentia...

The female perspective: Elena's top 10 list

Aramis for Men by Aramis
Suave name that belies its intentions opening on a crisp note of artemisia and bergamot with intense woodiness, thanks to sandalwood. Composed by Bernand Chant and the male version of Cabochard, Aramis made it OK to leave a bombastic luxurious sillage announcing itself in Wagnerian ouvertures that demanded their own Brunhilde following yet still smells distinguished after all the Polo and the Drakkar Noir.

Bel Ami by Hermès
The most refined and smooth leather scent imaginable, this "beautiful friend" was recently reformulated with more lemony top notes.

Déclaration By Cartier
Modernised version of both Eau d'Hermès and classic Eau Sauvage, Déclaration successfully juxtaposes fresh tonalities with more risqué animal magnetism in an idiosyncratic mix. A slightly cocky chap in pressed chinos enjoys his aromatized inky tea taken in long, sensuous sips while checking the attractive passersby’s. [review link]

Derby by Guerlain
Leather notes rest atop moss and minty herbs, with a thick, spicy clove introduction. Later a floral phase of carnation and jasmine peek through a smooth richness that goes into the forest floor of a traditional men’s fougère. The leather note of a battered jacket has withstood the elements in a battle at some far away place.

Dior Homme by Christian Dior
An iris fragrance for men sounded like an oxymoron a few years back but the grace of Dior Homme shattered preconceptions about what is feminine and what is masculine leaving the choice to us.

Habit Rouge by Guerlain
My father used to wear this one and his tender nature has stayed with me. Named after the red riding jacket of men for going hunting on horses in the english countryside this is both class and comfort in a bottle. It opens with citrus, then meanders along a slightly spicy path to some cinnamon paired with patchouli, finally leaving a subtly leathery, vanillic caress.

Muscs Kublaï Khan by Serge Lutens
Do you hide a man from the souk in your heart? All khol-ed eyes and heavy languorous lips that tell a thousand tales of musk? I'd love to smell this on a man...

Pontevecchio Colonia Maxima by Nobile 1942
A hint of frankincense lends a cool and mysterious tonality to what is essentially a neoclassical masculine composition that recalls silver-screen heroes and their infinite grace. [review link]

Sycomore by Chanel
From the delicately smoky, citrusy trail emphasizing its aristocratic dryness and the subtly cooling, clean muguet notes that complement the Haitian vetiver variety, to the earthy, almost chocolate & licorice-like lasting impression, Sycomore is an object of beauty that speaks without words. [review link]

Vie de Château by Patricia de Nicolaï
So often men searching for an Eau Fraîche fall into the trap of buying a bestseller off Sephora like Cool Water, Aqua di Gio or Kenzo Homme. Go one (OK, three) better and create memories with this unusual choice: posing as an Eau de Cologne (with its grapefruit and herbs), but it's so much more!

The male perspective: Mike Perez's List

1.British Sterling by Dana (My Dad wore this when I was a kid and somehow the scent is inextricably tied to him and the scented handkerchiefs he always kept in his pocket. I’m sure it’s been reformulated, the last time I sneaked a sniff at the pharmacy it smelled weak, pungently metallic and empty. Back then it reeked of warmth, woods and a small whiff of tobacco – the smell of my Dad)

2. Grey Flannel by Geoffrey Beene (The signature violet leaf fougere – you either love it or you don’t. Affordable classy exuberance. My late grandfather wore this and while I don’t own a bottle of this, just a whiff of GF on someone else makes me melancholic and wistful)

3. Rive Gauche Pour Homme by Yves St. Laurent (When I was growing up, my dad shaved with Barbasol brand shaving foam. RGPH incorporates that retro, barbershop component and adds an extremely compliment gathering, anise prominent, fougère glimmer. One of those scents that I can wear to the gym or the office and it always works)

4. Vetiver by Guerlain (Is any Top 10 list of masculine scents complete, without Guerlain’s Vetiver? I personally wear the harder-to-find vintage Eau de Cologne formula [rectangular non-frosted/striped smooth glass bottle, gold color juice, green label edged in gold]. The salty, crisp vetiver has a more toned down and integrated tobacco note than the ‘new’ EdT. You can splash on liberally – perfect for all climates and occasions. The only fragrance that I own two bottles of)

5. Fumidus by Profumum (Almost an exercise on vetiver: single malt scotch-like top notes, woods, extremely harsh and smoky. An over-the-top masculine that commands attention - yet it dries down to a plush soft and tender peat-wood, creosote aroma. The only drawback is the luxury pricing ($240/100ml) – making it, then, the perfect Father’s Day gift to receive!)

6. Habit Rouge by Guerlain (There are seven different versions: Eau de Cologne, Eau de Toilette, Light [Legere], Eau de Parfum, After Shave, Parfum [Extrait] and the newly released Sport. My favorite is definitely the vintage Eau de Cologne. The animalic-dusty-lemon-vanilla pastry aura is only matched by the equally brilliant feminine counterpart, Shalimar. Essential)

7. Nostalgia by Santa Maria Novella (A list of scents for fathers must include a leather scent, no? Well this one smells like the car engine [under the hood specifically], the leather interior, the leather wrapped steering wheel – winding up with a silky and elegant vanilla finish.)

8. Devin by Aramis (A dash of green galbanum atop a healthy dose of castoreum give this a virile, lived-in-favorite-pair-of-jeans feel. I prefer this masculine chypre over the more formal ones like Derby by Guerlain and Bel Ami by Hermès, and Devin is more affordable & easier to source too.

9. Yatagan by Caron (Resinous, woody, dry, strong, dirty and distinctive enough to smell like nothing you currently own. Enough said: just get a bottle. When you do try to source a vintage bottle from the 1970’s or 80’s: the black capped vintage bottles – the pungent, celery seed top notes are less strident in the vintage bottles)

10. Mouchoir de Monsieur by Guerlain (A quiet, animalic lavender scent that I have recently fallen in love with. This one just reeks of quality ingredients and masterful blending. A subtle scent that speaks in hushed tones, but with a commanding respect. I, myself, am not a father, but if I had children I would want them to remember me with a fragrance that smells like Mouchoir de Monsieur)


Please check The Non Blonde for more memorable masculines!

Related reading on PerfumeShrine: Top 25 of current fragrances we can still enjoy

Pic of Alain Delon in Rocco e i suoi Fratelli via teegardennash.com and with Claudia Cardinale in El Gatopardo via calidoscopio.net. Burt Lancaster pic via armyfamilyok.files.wordpress

Tom Ford Grey Vetiver: fragrance review

~by Mike Perez

Has it really been 18 months since the last Tom Ford masculine scent (Tom Ford Extreme) was released? In the rapid-fire release schedule for fragrances, it seems like Mr. Ford took his time releasing a new masculine (unlike the 4 unisex Private Blends he launched in less than a year and his new feminine, White Patchouli).

Our patience has been rewarded: his newest masculine, Grey Vetiver, is slated for a fall 2009 release and Perfume Shrine was able to obtain an exclusive pre-release sample.

It is easy to love the fougère-oriented top notes – reminiscent of violet leaf, angelica and something slightly watery and pungent. Imagine holding your breath in an outdoor pool, under the surface, and then once reaching the surface to fill your lungs the air smells of grasses, plants and leaves…mixing with the scent of dripping water. Not an aquatic fragrance (thank goodness, the men’s fragrance counter has more than its share of this kind of scent), yet the smell of wet and thriving plant life clearly define the beginning notes of Grey Vetiver.

The vetiver note seems as if it has been genetically spliced – all of the dirty and soiled bits have been removed leaving a shiny, metallic and distinct vetiver accord that increasingly gets richer, smoother and softer as it dries on skin. Grey Vetiver belongs to the clean vetiver family, of which Encre Noire by Lalique and Series 3: Cologne Vettiveru by Comme des Garcons belong – yet it also leans a bit towards the theme that Frédéric Malle and Dominique Ropion strove for in Vetiver Extraordinaire (loads of vetiver, crisp, no sweetness). Ever so often, I got a whiff of acidic lemon.
My first thought, after I enjoyed wearing this scent was: do I need another new vetiver scent? The answer is, no! Yet, there’s something entirely unique about this one.

It’s barbershop-oriented top notes will make it easy for men to love this on first sniff (my hunch is, this will be a big hit for Tom Ford Beauty), but the modern salty vetiver and spiced woods should appeal to those who like to mix it up a bit (think KenzoAir, minus the anise-headspace radiance). Even though Ford is releasing this as a masculine fragrance, it has a delightful fresh-as-a-summer-breeze manner which defies being categorized as only for men.

The only official notes we were able to get from Tom Ford Beauty are: vetiver blended w/ sun drenched citrus, refined spices and rich woods. The 1.7 oz bottle (a frosted glass version of the iconic TF men’s fluted bottle) will be $85.00 and is set to be released September 2009.

Tom Ford will be in person, at Selfridges (Oxford Street) UK department store on Wednesday, June 10th 2009 from 5:30pm to 6:30pm to sign bottles from his Private Blend collection and to introduce the newest in the line up, Bois Marocain. {click for review}

Related reading on Perfume Shrine: Tom Ford scents, Vetiver Series

Pic of a bunch of vetiver roots that are reinforcing a wall in Australia, from Vetiver World Wide. Pic of Tom Ford found by Mike Perez

Arabian Wood, Bois Marocain and Italian Cypress by Tom Ford – three reviews

~by guest writer Mike Perez

Looks are deceiving. Which should not be a problem when talking about fragrances, right? Wrong!
I am just as guilty as the next guy, when I allow the concept of a fragrance (the ad, the bottle or the celebrity’s name (or the attractive model’s face [and body] associated with it) to tempt me into giving a fragrance my attention - when actually I should be more interested in how the fragrance smells on my skin.
So, I admit it. It’s something I’m trying to get better at. I’m trying to not believe the hype (online or otherwise) that surrounds every new fragrance release and smell fragrances (new and old) with no expectations. It is extremely hard to do. Since I’m a big fan of a bunch of Tom Ford fragrances I decided to practice my new approach by testing the 3 new Private Blend scents: Italian Cypress, Arabian Wood (currently only available at the TF Kuwait boutique) and Bois Marocain (scheduled to be released in May 2009 exclusively to the London boutique).
Here are my fragrance reviews:


Arabian Wood
The first spray of Arabian Wood is neither woody nor ‘Arabian’ but something imperceptibly fougère-like, herbal and slightly nose tickling (angelica?) combined with a sharp varnish / nail polish remover accord. It took a couple of wearings for my nose to become accustomed to it and then only when it’s warmed on skin for at least 20 – 30 minutes do you start to perceive a warm, ashy gentle frankincense accord.
I’m familiar with a handful of pure aoud oils, which to me vary greatly in overall smell and complexity. A few of the high quality oils are just gorgeous. Arabian Wood conveys this same accord not as an oil, but as a fragrance (not easy to do) while avoiding the typical medicinal (Band-Aid like) sharpness. It reminds me of the dry down of aoud fragrances (the Montales and Amouages) after a couple hours – almost as if 5 to 10 hours of sharp, medicinal notes are fast forwarded and skipped and you instantly arrive at the plush, velvety floral/wood aroma. I love it! The frankincense blends seamlessly with the taif style rose and then a gentle white floral note finishes it off in a luxurious and sensual style.
Arabian Wood by Tom Ford is exclusive to the city of Kuwait (one of the richest countries in the world) and this scent feels appropriately decadent. However, unlike genuine Middle Eastern attars, Arabian Wood diffuses and doesn’t wear thick or heavy – its incense and complexity aren’t trapped close to the body of the wearer. I wish it lasted longer – it is gone in 3-4 hours. I also wish it was more affordable – but compared to pure Arabian attars prices, Arabian Wood is lower priced (for once). Imagine that?

Notes for Tom Ford Arabian Wood: Patchouli, Lavander, Galbanum, Bergamot, Gardenia, Jasmine, Rose, Oakmoss, Orris and Sandalwood

Bois Marocain
I’ll get right to the point: Bois Marocain (Moroccan Wood) is an extremely safe and predictable wood fragrance; this is majorly disappointing coming from a luxury line like the Private Blends.
The top notes are a resinous blast of synthetic incense (a very sharp slightly metallic incense – think Nu by YSL) that evolves within less than an hour into a typical linear sandalwood note. Not creamy (or anything remotely trying to smell like Mysore sandalwood) or complex – but a Demeter version of Sandalwood: generic, linear and short lasting.
Rush for Men by Gucci and H&M by Comme des Garcons have walked this line before (pencil-shavings cedar notes lying underneath a raspy incense note) and while I have worn and enjoyed both of these scents before, the fragrance world does not need another, using the same two recycled accords – at almost quadruple the price.

Italian Cypress
Tom Ford said, prior to the release of Italian Cypress in Women’s Wear Daily, "It's a very Seventies gentlemen's fragrance, the kind that you don't encounter very much any more..."

He was partially correct. It is a 70’s style fragrance.
I love a great cypress note (Cypres Musc by Creed was love-at-first sniff when I smelled it years ago) and IC’s is a great cypress scent. In the first few seconds the resinous, coniferous notes are stiff, dry, bitter and very wonderful. Let’s call it the Yatagan-effect (I love it!) but then it head spinningly transforms into a wide expanse of green pine needles, fresh air (well, the effect of oxygenated pine needles) and a breezy mosaic of cypress trees, leaves, twigs, branches, sap, the whole darn forest. An extraordinary beginning! A green so true, that if you gathered together all of the shades of green in the world and picked the greenest, the epitome of green, this is the one you would choose.
But the top notes are not enough to win me over completely.
What Tom did not mention is that the middle and base notes are just like Polo (1978) by Ralph Lauren. As the scent progresses its parallel similarities to Polo are astonishing. The creamy wood effect. The whiff of leather at the edges of the green. Ford managed to copy everything about it except for Polo’s longevity since Italian Cypress lasts on me only about 3-4 hours and then disappears (unlike Polo which lasts + 8 hours). Perhaps TF sought to compete with the wonderful flanker Polo Modern Reserve.
A friend of mine snatched up a large bottle when he visited New York recently and loves it (he thinks it has a very Z-14 by Halston slant to it – another 70’s scent!) Me? I’ll pass. Polo retails for $57 (4 oz) and can be found online at discounters even cheaper - whereas Italian Cypress is $450 (4 oz).
In this case, ‘not believing the hype’ saves me a bunch of money!

Hayden Christensen is up for a Challenge

Challenge, the new masculine fragance by Lacoste, picks Hayden Christensen for its face. The young actor has been most memorably cast as the young Darth Vader in the Star Wars prequels. (episode 2 and 3). The choice is refreshing and Hayden is a rather good actor, so no booing on by side. Stefano Galluzi has shot the print ads while Paul Gore has directed the commercial, in which Christensen is about to fly catching a bottle of Lacoste Challenge instead of the raquet. The slogan of the campaign is "Don't resist to the appeal of the game" which of course ties with the tennis tradition of René Lacoste.

The aromatic cologne is based on an hesperidic top (tangerine, citron, bergamot) over a heart comprising of notes of ginger, juniper, lavander and violet. The finishing polish is provided through Ebony wood. (this is an aromasynthetic for those of you wondering).

Challenge will launch in 50, 70 and 90 mL at 40, 50 and 60 euros respectively, and a line of ancilary products.

STR8 to the movies

Of all the very successful commercials of the Sarantis Group for their fragrances (C-THRU, B.U., Xpose etc) the ones which made more of an impression to me due to their very cinematic and sensuous nature are the ones for the masculine fragrance STR8 (ie. straight), titillating without being vulgar and with small details that make them a little "story" in themselves.

The constants are cars, American "heavy" cars in particular with their big skeleton of steel, expanses of skin mapped like roads, darkness and light, liquid drops oozing like pearls and teeth (mechanical and otherwise) gnawing on soft parts...

The first one set the tone under the haunting notes of Motorpsycho's Stalemate with its rhytmic staccato echoing the editing "cuts".



The one to follow had a gothic-vampiric feel seen through the masterful direction of Eric Barbier and the jazzy ambience of The room by Sillyboy.



The newest one makes the very American Kerouak's On the Road take a whole new dimension with the long-winded J.Butterfly from the longplay "From One Human Being To Another" by Mourah.



All clips originally uploaded on Youtube.

Declaration by Cartier: fragrance review & comparison with L'essence and Bois Bleu

In horror fiction phantoms are creatures who consume other life forms as sustenance, and are able to perfectly mimic any creature they consume. Déclaration by Cartier is perfumer's Jean Claude Ellena's own homage to a phantom's mental connotations and in its turn the propagator of legion of phantoms in modern perfumery. But like its namesake aviation F-4 counterpart (affectionately called "the rhinoceros", although its first proposed ~and quickly rejected~ names were Satan or Mithra) it has done everything in a stealth of silent power!
Largely unsung and not given the proper attention it so richly deserves, almost taken for granted, it is nothing short of an absolute masterpiece of fusing cutting-edge modernity into a classical aromatic cologne formula for men. Eau d'Hermès (a 1951 Edmond Roudnitska creation) has been haunting Jean Claude Ellena's subconsious for ages, it seems. Its fantastically ripe, "skanky" interweaving of cedar, cumin, birchwood and moss manages to provide snippets of Jean Claude's insignia in almost everything he touches, interpreted and sieved through the most minutiae-capable colander; in Déclaration we see the student at once pay homage to the teacher and further the cause in most confident and spiritual brushstrokes of a mature Sōsho calligraphy. So much so that Jean Claude himself has admitted a partiality to this one out of his scented progeny. But whereas Eau d'Hermès went for the leathery, Jean Claude opted for the dry woody, injecting a large dollop of woody synthetic Iso-E Super, a material with which he has been experimenting for years to impressive effect.

"Created for men, but also enjoyed by women, Cartier's Déclaration was created for those who are in love, have an appreciation of openness, and feel passion". The fragrance erupted on the scene in 1998 like the ripples of lava slowly coming down the mountain: it has since consumed everything in its trail, influencing major players in its aromatic wake and pre-empting the new sharp, dry woody masculines like Colonia Intensa for Aqua di Parma (also by Jean Claude Ellena), Cipresso di Toscana by Aqua di Parma, Gucci by Gucci, John Varvatos Vintage and the newest niche masculine by Ormonde Jayne, Zizan; fragrances which gracefully followed the dearth of marines inaugurated by Bourdon's Cool Water two decades ago. And not a moment too soon!
My own personal encounter with it was buying it for myself upon launch, lured by the sexily fresh-sweat-vibe it exuded and then having my other half smelling it on me, usurping it most decisively, claiming it and making it his own ever since, to the most delicious effects which are better left to the reader's fertile imagination. It makes him feel refreshed , as if he's seeing the dawn for the first time opening windows which give on a view of the autumn forest, he says. Needless to say Déclaration occupies a very special segment of my olfactory cortex!

My friend Dane described it in a conversation as "a taxi driver in a forest" the other day and he couldn't be more accurate. If he had likened Déclaration to chantey, that would be close as well: The sweaty side married to the freshness of open horizons, all obeying a rhythmical discipline that engulfs you. The marriage of lucid clarity and sous-bois depth prove its masterful treatment of contrasting elements.
The jolting cumin opening is often feared as coming across as sweaty and indeed this is no scent for Waspy brokers who want to exude the prolonged latheriness of a morning shower-blast topped with a hundred grooming products à la Bret Easton Ellis heroes. On the contrary, this is very à la française, a scent for men the old style. Not caricatures of manufactured virility, you comprehend, but men who breathe and live and wear T-shits or wife-beater vests with a little humidity on their chest hair; a little overbearing or even narcissitic at times but passionate and sincere nonetheless. The idiosyncratic bitter citrusy elements (bergamot and bitter orange) and the green artemisia recall the comparable treatment Ellena reserved for his lustruous bitter-orange and limes themed Cologne Bigarade and Bigarade Concentrée for the Frédéric Malle line. But the real coup de grace comes in the guise of another exotic spice, cardamom, which makes me envision a slightly cocky chap in pressed chinos enjoying his aromatized inky tea taken in long, sensuous sips while checking the atractive passerbys.
This is Ellena's nod to Bulgari's tea-themed creations he authored previously, Eau Parfumée au Thé Vert (1992) and Eau Parfumée au Thé Vert Extrême (1996). What is left is the ambience of a lasting warmth, not rendered easily by laundry musks but fanned out on dry, luxurious, slightly smoky woods, which manage to not obscure the composition but play upon light and shadow like a black & white photograph of a compelling and charismatic French actor.

The bottle reprises the watch mechanism of Cartier watches' winding section with its cap (You have to pull the little metal holder down to let the sprayer free, just like releasing the security of a watch winder). The glass part looks as if two parts of a whole have been cut and re-assembled at an angle creating a small heart on the shoulders if looked from above, which gives a playful and even eerily girly vibe (and which bodes well with the unisex concept).

Notes for Déclaration by Cartier
Top: bergamot, bitter orange, birchwood
Middle: cardamom, wormwood, juniper wood, artemesia
Bottom: vetiver, oakmoss, cedarwood

Déclaration by Cartier is available at major department stores around the world.

Two flankers exist, both created by Jean Claude Ellena: L'essence de Déclaration (2001), a minimally different version on the original with the addition of rosewood, immortelle, a little amber and a lightening up of the slightly medicinal aspects of the original, encased in the same design bottle in teal glass; and Déclaration Bois Bleu (limited edition in 2001), which is a "fresher" interpretation in a light blue bottle (which to me is usually foreboding of "sporty" things for people not into sports, really). For the latter Chandler Burr commented: "This one is PG-13, but that simply means the cuminic body odor is gone (some will miss it; more will not). Its personality has been smoothed and calmed and de-Frenchified". Personally I'd rather have the original, as I feel the aquatic addition skews it in a direction I am not sure I'd want to stalk.
There is also Déclaration Eau Genereuse (a Limited edition from 2003), of which "generous water" the concept of is reportedly a re-working in Eau de Cologne style.
Cartier went on and produced Roadster for men recently. Which is pretty nice, but no match for the strange allure of Déclaration, despite aiming at roughly the same demographic.

Related reading on Perfume Shrine: Jean Claude Ellena scents and opinions, Masculine fragrances.

Pics via Couleur parfum and Parfum de pub. Vincent Cassel photographed by Vincent Peters.

Polo Modern Reserve by Ralph Lauren: fragrance review & comparison

~by guest writer Mike Perez

Wood. Pine. Evergreen. The Christmas season 2008 has arrived (is it just me, or is the entire fall/winter season just a blur!?) and the green/wood smell of a fresh Christmas tree is one of my favorite smells. In Miami, I can’t walk into a snow covered forest and smell the trees – so the smell of a tree or wreath filling my home is as close as I can get to the real thing.
I’ve looked diligently, for fragrances that smell like this: Fou d’Absinthe by L’Artisan Parfumeur recreates it nicely, alongside a generous helping of boozy absinthe; Aqua Allegoria Winter Delice by Guerlain smells just like a stiff / dried-out Christmas wreath (pine cones, twigs, dried holly berries) folded into a gingerbread cake accord with a resinous incense base.
I asked someone on Basenotes for a recommendation, and they mentioned Polo by Ralph Lauren.
Polo and I never really got along. Maybe because it was so easy to hate. Back in the 80’s I smelled this scent on just about every single male, in my junior high school locker room. Its irreverent wood/pine accord is unmistakably strong and diffuses in the air quickly…I always felt that it’s a ‘male’ Poison.
Now older, I realize how many colognoisseurs respect and admire Polo as a classic men’s masculine. I softened to the idea of owning it and even tracked some vintage (aerosol EdT) bottles of it on Ebay once – but I never bought a bottle.

Now Ralph Lauren has released Polo Modern Reserve, their 30th Anniversary Edition, created by the very same perfumer responsible for original Polo, Carlos Benaim. The original Polo has NOT been discontinued – rather they both are available.
It’s confusing, since both share the same bottle color, shape, cap, gold lettering and logo – the only difference is the new scent says ‘Modern Reserve’ on the front of the bottle.
When I sampled it I noticed a much more spicy (almost soapy) top note that isn’t harsh at all. Less resinous. But not ‘typical’ or ‘fresh’ (thank goodness). The scent evolves quickly through a few stages and one could easily miss them if you’re not paying attention: soapy basil; spice; a hint of leather and/or birch tar; the tiniest bit of smoky resin (myrrh?); and then: the vintage smell of Polo. The sharpness and piercing effect of the notes has been softened (the tobacco is gone). I, personally, prefer this change. The original always smelled less like something in nature (animal, plant) and more like a manufactured ‘smell’ of green foliage, woods and the outdoors. It suffered for this: It was lumped into the bargain fragrance category (along with other outstanding masculines like Paco Rabanne Pour Homme, Aramis and the discontinued [prior to reformulation/ vintage] Brut). When so many other products (hand soap, dishwashing liquid, carpet cleaner) are scented like this too, it’s no surprise many have a knee-jerk aversion to it. Maybe this is why Ralph Lauren decided to re-brand, re-bottle and reformulate it?
Me, I’m impressed: This new edition impresses me without cheapening the quality of the original scent. It highlights all of the lovely facets while it simultaneously plays down those less-than-friendly parts with a more balanced vetiver/leather base. It also, just like the original, lasts hours and hours! Which, I’ve come to learn, is what many men look for in their fragrances. {Stay tuned for a post on longevity, here on Perfume Shrine, soon}.

Does it smell like a Christmas tree? No. But, then again, it doesn’t smell like a polo field either. However a bottle, along with a copy of the scratch-and-sniff book ‘The Smell of Christmas’, underneath my Christmas tree might be just do the trick! :)

Notes for Polo Modern Reserve:
Top: Cardamom C02*, Fresh-cut Basil, Pimento Berry.
Heart: Vetyver-leather, liquid Jasmine, precious Myrrh Incense.
Bottom: Humidor Wood, Patchouli, Sueded Leather.

Prices: $62.50 / 120 ml bottle or $200 for 240 ml (limited edition, only 3,500 gold lettering bottles produced, in a numbered wooden box). Available at major department stores and http://www.ralphlauren.com/



*CO2 extraction or supercritical carbon dioxide is an increasingly popular solvent for extracting volatile oils and fragrance compounds from various raw materials used in perfumery, due to the relatively low critical temperature and reactivity of CO2 which diminishes damage or denaturing (otherwise the materials' odour would be altered).



Clip originally uploaded by Modetopiamodel on Youtube. Pics of bottle and polo player Nacho Figueras provided by MikePerez.

Ormonde Jayne Zizan for men: fragrance review

Zizan by Ormonde Jayne comes as a prolepsis of sorts after a variegation of scents that want to appeal to men's feminine side, getting them in touch with flowers or traditionally girlier concepts such as Dior Homme, Kenzo Power and Prada Infusion d'Homme. Not jarringly different than announced, Zizan is hairy-chested in a supreme Sean Connery Scottish-accent-in-place way when he's stoically sighing "Oh, the things I do for England" as he undresses yet another of his female conquests atop a helicopter no less, getting us right back to 1967. A fragrance of the good-old times when men were men (and the sheep were very nervous!); when they opened the door for you and never offered to split the check. I could live without some of the other addendum to that era, but one can't deny a certain sweet nostalgia for things ironically one hasn't lived through.

Although to the world traveller the name recalls the Zizan people of Myanmar, in fact it simply derives from vetiver zizanoides, the Latin taxonomy for vetiver species (and if you're missing out on what this mysterious grass is and the magical things it does to fragrances read our Vetiver Series). Funnily enough, the name "zizan" is given in Greek to any stubborn weed that emphatically refuses to be eradicated and metonymically to personalities in a similar vein. Perhaps this is exactly the description of the sort of man (or emancipated woman) that would fit Ormonde Jayne Zizan perfectly: stubborn, sturdy yet gentlemanly solid.

The crescent of the duration of the fragrance on skin resembles the course of dawn to dusk with the brighter citrusy elements gaining momentum to then slowly pave the way to autumnal shades of lightly smokier mists. Three varieties of vetiver and hesperides' essences combine to produce a lasting and refined old-style cologne that outlasts Isfarkand (with its bracing opening that soon pales). With elements of the refreshing, refined and care-free style of classic Roudnitska creation Eau Sauvage (citrus, hedione, vetiver) along with the aromatic accents (laurel, clary sage) of Paco Rabanne pour homme, Zizan includes a discreetly sweet little note that surfaces much later along with the woody, dry elements coalescing on the skin and lending it the mantle of humaness. I think Ormonde Man is more unusual and perhaps therefore more intriguing, but I cannot deny the charm that such an elegant allusion to a bygone retro handsomeness produces.

Women could partake of this essentially burly, macho fragrance as a memento of a close encounter that retains the dejection of parting or as an exploration of how liberating it feels to wear something so wonderfully masculine. King Leonidas is guarding his own Thermopylae as always, he's smelling fabulous and I don't think he's set to lose this time!

Notes for Zizan:
Top: Sicilian lime, lemon, bergamot,clary sage, pink pepper, juniperberry.
Heart: Bay, violet and jasmine.
Base: Vetiver, cedar, musk and amber.

Ormonde Jayne Zizan for Men comes in Eau de Parfum ceoncentration in 50ml/1.7oz bottles for 64£ in the classic Ormonde Jayne presentation. Available directly from the Ormonde Jayne boutique in London and Dubai and from her site.

One sample will be given to a lucky reader! (Enter your name in the comments)

Further related reading on Perfume Shrine: an interview with perfumer & founder Linda Pilkington here and a review of Tolu.

Pic of Gerlad Butler via gerald-butler.net. Pic of Zizan bottle via Ormonde Jayne.

Ormonde Jayne new fragrance Zizan and Discount for our Readers

Ormonde Jayne, project haute parfumerie of nose Linda Lilkington, has spoiled us rotten with quality all around. (You can see the rationale and philosophy of the brand explained in the interview Linda Pilkington granted to Perfume Shrine). Now catering to the needs of men who had only two scents (Ormonde Man, Isfarkand) to claim as purely masculine in the line ~although several could be borrowed from their female companions anyway!~ a new masculine is introduced: Zizan.

Zizan, a perfume like no other "because it has everything a man could possibly want in a single spectacular scent. This is a powerhouse perfume. Expect a deluge of boisterous Sicilian lime, lemon and bergamot but to smooth the biting edge, a brilliantly refined concentration of vetiver.
Zizan belongs to the domain of the worldly, highly sophisticated and cultivated. It also belongs to the strategist - the man who knows how to seduce".

The notes include a refreshing top of Sicilian lime, lemon, bergamot, clary sage, pink pepper and juniper berry; a rich aromatic floral heart of bay, violet and jasmine; and a refined base of Vetiver, cedar, must and amber.

Price is £64 for the standard luxurious 50ml/1.7oz presentation of the Ormonde Jayne fragrances in the potent concentration of Eau de Parfum.
Available from Ormonde Jayne Perfumery, 12 The Royal Arcade London W1S 4SL, UK and Ormonde Jayne Perfumery, Boutique 1 Jumeirah Beach, Dubai. Soon online.

Ormonde Jayne has also recently introduced a multiple-wick candle, in time for the darker season and the holidays, to lend a touch of fragrant luminosity into those cold nights ahead.
And because they want to spoil us to the point of no return, there is a special event on Thursday 20th November (with roasted chestnuts and Father Christmas appearences along the street) in which Ormonde Jayne perfumery participates with a discount of 10% off for in-person-purchases on that day or even by phone or online with code NOEL.
Furthermore, visit the official website Ormonde Jayne and profit of a 10% discount with code THANKS (duration of offer till 27th November).

As my loaded schedule tucks in projects, errands and duty travelling to other places, London visits have to wait till Christmas time, so I am eyeing a bottle of Ormonde Woman to stand beside my beloved Tolu prompted by this. What will you get?

Pic through press release.

Vetiver Extraordinaire by Frederic Malle: fragrance review

If in vetiver veritas you pledge your allegiance, look no further. The whooping percentage of pure unadulterated vetiver essence in Vétiver Extraordinaire for Editions des Parfums Frédéric Malle goes for indubitably maximum overload for hardcore vetiver fans: you'd be hard-pressed to find one that contains more Haïtain vetiver out there (an alleged 25%) or is less devoid of the oily decorations of other contenstants.
Luca Turin praised perfumer Dominique Ropion's work here by saying that "lead-pencil cedar notes and a touch of lemon [...] act as makeup to hollow the cheeks of perfumery vetiver and give it back some of the striking bone structure of the starting material". I will go further and say that Vétiver Extraordinaire with its raw, wet cobblestones intensity recalls craggy faces of gaunt figures in chain-mail armor, shaded and revealed alternatively by a bright white light before they suddenly strike with a gigantic sword out of a dense dank forest.

The background story on its 2002 creation is caprivating: Frédéric Malle and Dominique Ropion had collaborated at Roure Bertrand Dupont in the past where Ropion had created an unusual exotic woody accord that Malle remembered fondly. When Ropion received a new extraction of vetiver that highlighted the qualitative nuances of the material in an unprecedented way, Malle had the idea to combine it with the old unfinished woody base and thus after extensive twinkering, the finished modern classic emerged. Ropion is well known for his style of overornate, dense, baroque signature, as evidenced in Ysatis or Amarige by Givenchy but also the intriguing Une Fleur de Cassie also for Frédéric Malle and it seems fitting that he achieved the painful intensity of extreme accuracy by addition instead of substraction using "a new essence of Vetiver, stripped of its bitter edge, which he matches with five woody notes to play up the scent's various facets".

Compared with soapy or citrusy vetivers like Vétiver by Guerlain or sweet, licorice-like vetivers such as Vétiver Oriental by Lutens, Vétiver Extraordinaire seems like a challenge: It lacks the light smoky refinement of Chanel's Sycomore, the nutty flou of Vetiver Tonka by Hermès or the spicy sexiness of Tauer's Vetiver Dance, elements which all contribute to easier acceptance. It should therefore be approached only when searching for something bitterly wet yet with a peppery, fresh herbaceous and earthy scent that will draw out a little savagery misleadingly dressed in bohemian clothing. The rooty, cardboard opening emphasizes the more difficult aspects of the genre but the overall character makes it delightfully panseasonal. The lasting power is excellent and the sillage moderate. Perhaps the closest to it is Encre Noire by Lalique which utilizes the same concept minus the foresty mossy tones, so those who have no access to the former, might find a pleasing alternative in the latter suggestion.


Notes for Vetiver Extraordinaire:Bergamot, Bigarade Orange, Pink pepper, Nutmeg, Floralozone*, Haïtain vetyver, Sandalwood, cedarwood, Oak moss, Myrrh, Cashmeran, Musketone**, Tonalide**.

Available in 10ml, 50ml and 100ml spray bottles and as shower gel at Barneys, Les Senteurs, and directly from Frédéric Malle boutiques and their site.

For a comprehensive analysis of vetiver fragrances click Vetiver Series.

*Florazone is a synthetic ozone muguet note patented by IFF with a fresh aldehydic floral profile reminiscent of ocean breezes.
**Musketone and Tonalide are synthesized musk variants.

Photograph of Hugh Laurie by Justin Stephens(Corbis). Bottle pic through F.Malle

Roadster by Cartier: fragrance review

by guest writer Mike Perez

I have been a fan of fragrances with mint, for quite some time now. Mint is prominently featured in many men’s fragrances and I think it’s a ‘love or hate’ note. Either one enjoys the bracing, vivified effect from this sharp, pungent herb – or it negatively conjures up olfactory images of aperitifs, mouthwashes and toothpaste.

Roadster, the new men’s fragrance from Cartier (by perfumer Mathilde Laurent [Shalimar Light and Cologne du 68 by Guerlain]), marketed as a mineral fougère - mixes notes of bergamot and mint with vetiver, patchouli, cashmere wood, cistus labdanum and vanilla. I’m not sure if Cartier (or the men out there Cartier is trying to sell to) fully understands the mineral fougère categorization. Nonetheless Roadster, smells wonderful.

The top notes are dominated by a soft, yet instantly recognizable ‘green’ diffusion of galbanum. I admire this entry (being a fan of ‘green’ fougères like the classic country cologne Devin by Aramis) and can appreciate the oh-so-smooth transition to the next herbal explosion of mint. Mint is tricky (sharpen it too much in a lackluster scent and it radiates menthol), but this mint is subdued, slightly cool to the back of the nose when sniffed and slightly foamy. I’m reminded of the smell I taste, when swallowing mint infused bottled water (such as Metromint).

Unlike some mint fragrances that tingle and cool my skin when applied (Booster by Lacoste by the masterful Jean Kerleo; the limited edition Feuille Verte by Creed; Eau d’Orange Verte Refreshing Body Gel by Hermes) – Roadster’s cooling properties happen only in my nose. It eschews the typical ‘sport’ vibe of mint and uses it in a more sophisticated, modern version of ‘fresh’. This makes sense, since Cartier chose to release this scent right before autumn and the arrival of cooler weather (when a cooling mint fragrance wouldn’t be appropriate).

The base notes are slightly woody (very faint) and sweetly vanilla prominent. Ms. Laurent’s past work for Guerlain shows in the dry down. Complex, blended, subtle whiffs of the fragrance combine with the mint, vanilla and woods in a very unique accord: a fresh baked, delicate vanilla and cream pastry with a steaming hot cup of herbal mint tea. I found myself catching whiffs of myself all afternoon when I first tested this – inwardly smiling.

The Roadster bottle (held horizontally on its side), mimics the hand dial of the Roadster watch by Cartier (which itself mimics the design of a roadster automobile). Heavy, clear glass and polished chrome cap. It’s worth noting that the bottle is VERY heavy. It feels solid in your hands. Perhaps too heavy, for easy application of the scent (held vertically). But…wrapped up in a gift box – it’s solid and substantial weight would make a great gift (who isn’t intrigued by a small, heavy, wrapped present?)

Roadster by Cartier is available in 100 ml. and 50 ml. (Eau de Toilette) for $100 and $75 (although I have seen the 100 ml online - discounted at $73). Visit the extremely slick (and slow loading Flash based) website here: roadster.cartier.com

Notes for Cartier Roadster: bergamot, mint, vetiver, patchouli, cashmere woods*, cistus labdanum, vanilla

Watch the interesting video with Cartier perfumer Mathilde Laurent talking about Roadster and the Cartier fragrance line!

*Cashmere woods or Cashmeran is a IFF patented, complex aromachemical that provides a beautiful, velours note with diffuse nuances of earthy-wood and spicy notes (pine, patchouli), fruits and flowers (heliotrope, red fruits, apples and jasmine) and is softly musky-vanillic. It's featured in Ysatis, Amarige, Michael, Lacroix Rouge, Perles de Lalique, Dans tes Bras and many more.

Pic of Henry Cavill courtesy of Jocasta/Photobucket, chosen by helg. Clip originally uploaded by Primeprojects on Youtube. Bottle pic courtesy of Cartier and of Roadster watch courtesy of jomashop.

Power by Kenzo: fragrance review

by guest writer Mike Perez

The new men’s fragrance, Power by Kenzo, is ‘on paper’ a fragrance that easily entices my curiosity: The perfumer is Olivier Polge (Dior Homme, The One for Men, Flowerbomb) It’s a floral fragrance marketed to men. The shiny, stainless steel ‘sake inspired’ bottle is modern, sleek and just gorgeous.

What struck me at first, when I carefully read the box was Kenzo released this scent as an Eau de Toilette Fraiche. Most men’s fragrances are usually released as an Eau de Toilette first, and then if the scent is popular they’ll roll out a flanker product (Light, Summer Version, etc.) With Power, they released the ‘lighter’ version first. Which got me wondering: Has anyone ever done this before, in a men’s release?

The top notes, immediately upon impact with my skin, smell fruity, powdery and creamy. If you know me, you’ll know that I find this mixture oddly uncomfortable. Perhaps the only way I could describe it is: powdered cherry soy milk. If there was such a thing. Once my skin warmed up, the fruit became more subdued and the creamy powdery aspect of the scent transitioned into a much more floral scent. Let’s talk about those ‘florals’. Like Flower by Kenzo (their woman’s scent) Power attempts to recreate an ‘imaginary’ flower smell. So, what does this imaginary flower (for a man) smell like? A few things: sweet, sugar sprinkled iris; a little violet, but extremely light violet notes; powdery floral notes – reminiscent of something slightly edible (remember those purple and yellow flowers made out of icing that you see on wedding cakes – that smell).

A man uncomfortable wearing iris (as I mentioned in my review of Infusion d’ Homme) or other flower prominent scents (Fleur de Male by Gaultier, Insense by Givenchy, and Saville Row by Richard James – to name a few) will probably not enjoy Power. Having said that, I think men and women who love subdued floral fragrances will adore this scent. I am amazed that Kenzo chose this as a masculine (rather than releasing it as a unisex) scent.

Once the fragrance has warmed on my skin, the florals pull a ‘Houdini act’ and poof (!), they’re gone. Replaced by a very hushed woody base with a touch of powder. There is a drop of something aquatic also in the base, but I can’t put my finger on it. I’m reminded of the watery woody He Wood by DSquared₂ - whitewashed woods floating on sweet, cool, lightly floral water.

Which leads me back to my first statement – yes, this scent has enticed my curiosity and my nose but I can’t imagine wanting to own a bottle. I’m reminded of a few scents that I’ve tried over the years, fragrances that the guys and gals over at Basenotes go bananas over. I hunt down a sample, try it, sample it a second time, put it away, re-try it a third time…you know the story.

I find it extremely admirable that a designer house is marching into the masculine fragrance world with an extremely flower prominent scent. Big thumbs up! But still…

Power is a scent I want to love. But I don’t.




Visit the Kenzo Power website here.

Clip originally uploaded by antonpan1201 on Youtube (song: Tom MacRae "You cut her hair"). Pic from film "Secretary" via sexkitten.com, pic of Jasos Statham chosen and uploaded by Mike

Infusion d'Homme by Prada: fragrance review

~Introducing guest writer Mike Perez

Iris. In a men’s fragrance. What’s the first scent that pops into your head? I would be surprised, if you didn’t immediately think of Dior Homme by Christian Dior.

Dior Homme, released in 2005 has become the iris scent favorite for men (and women) due in part to: a root prominent (carrot-y, Turin has called it in an interview he did with Fantastic Man magazine) iris accord; a subdued powdery gourmand sweetness; and a hint of leather and tobacco folded skillfully into the dry down. Dior, realizing that they had a ‘hit’ on their hands with Dior Homme, has released numerous flankers: Dior Homme Cologne [2007], Dior Homme Intense [2007] and Dior Homme Sport [2008]. This however has not taken away from the acclaim or popularity that Dior Homme has garnered. A friend of mine, who travels to France, claims that it is extremely easy to smell Dior Homme on men all over ‘the streets of Paris’ - similar to how I smell Le Male by Gaultier or Acqua di Gio by Armani on many men here in the US.

When I first smelled Dior Homme, I was totally unfamiliar with the iris note. Perhaps because of this, I intensely disliked it. It smelled like powdery makeup! Later on, when my nose became attenuated to florals (including iris), I revisited it - this time in a small travel sprayer, gifted to me by a fragrance enthusiast who didn’t like it himself. Smelling it again, something clicked. Iris! Oh…this is what they’re talking about, I thought.
Many other iris fragrances I tested after that have impressed me (Iris 39 by Le Labo and it’s civet/green iris; Iris Silver Mist by Serge Lutens – the smell of iris, in the clouds up above, orbiting Earth) and disappointed me (Iris Pallida 2007 by L’Artisan Parfumeur was too, too dry and weak on my skin; Hiris by Hermes felt too powder prominent). Yet, here I was – finally excited about iris scents!

Prada has just released their newest iris scent for men, Infusion d’Homme. The perfumer (who also did the intensely popular Infusion d’Iris by Prada for women), Daniela Andrier, has been quoted saying Infusion d’Homme, ‘…has a very fresh, crisp smell — like a man just out of the shower.’ When I read this, I immediately thought to myself, ‘Oh no…not another boring ‘shower fresh’ scent!’.I’m here to report that Prada has created a fresh scent. But NOT a boring one.

The extremely iris prominent top notes (dry, almost brittle and throat parching) feature just a pinch of neroli slightly overpowered by a pure soap accord that appears almost immediately. It is extremely soapy. Fans of soapy scents will be thrilled: it smells bubbly, aqueous and floral. The first time I skin tested this, I missed the soap accord and my nose zeroed in on the iris. Repeated wearings, especially on warm, humid days revealed the soap. I am reminded of the biting, almost lye-based hand-milled soap notes of Puro Lino, or the green/flower accents of White Linen by Estee Lauder.
The iris/neroli/soap combo dries down revealing a light, transparent vetiver mixed in with the top notes. The light whiffs of vetiver made me wish for a stronger vetiver presence - the iris wears very strong and linear on this fragrance. I smell no incense or benzoin in the dry down, with only the slightest woody accord (cedarwood?). It is a more evident vetiver accord than Infusion d’Iris, and although I wouldn’t classify this as more masculine (although many women might do this), I think it just smells more crisp and starchy.
Overall it manages to evoke a freshly showered feeling, awash in flowers.
The scent is not groundbreaking, in terms of fragrance releases, but it is much better than the large number of aquatic, marine and synthetic men’s fragrance clogging department store shelves. I applaud a designer scent that is not afraid to be flower prominent. It seems that Kenzo, is right on the heels of Infusion d’Homme, with their new floral prominent fragrance for men: Power, which I will review here, soon.

Longevity of Infusion d’Homme is average. It stays quite close to my skin when I wear it and when I wanted it to wear stronger I remedied this by overapplying it. Perhaps the ancillary products (bar soaps, shower gel) might extend the sillage?? But, then again, showering with products that are scented to smell like a ‘fresh shower’, sounds a little ridiculous doesn’t it?

The Eau de Toilette comes in a gorgeous tall, rectangular metal-embossed bottle with a grosgrain ribbon wrapped cap – in 1.7 oz, 3.4 oz, 6.7 oz, 13.5 oz and a whopping 25.5 oz bottle (the size of a small television).
To stream nine short films (unveiled at the Spring/Summer ’09 show back in June) commissioned by Prada for Infusion d’Homme go to http://www.prada.com/ (click on Projects>Short Movies for Infusion d’Homme) or Wallpaper Magazine to see stills from each film.

Official Notes:
Top: Mandarin Orange, Neroli, Clean Note
Heart: Iris, Galbanum, Cedar, Vetiver
Base: Benzoin, Frankincense, Powdery Note


Pic of Infusion d'Homme by Prada bottle via Osmoz
Pic of Jake Gyllenhaal chosen by Helg unbeknownst to Mike (hehe), originally uploaded on MUA

Vetiver and Vetiver pour Elle by Guerlain: fragrance review

I guess I have to thank Elle McPherson: Australian 6-feet "the Body" supermodel of the 80s, whose signature fragrance has loyally been the masculine Vétiver by Guerlain. It makes sense: anything more traditionally feminine on that gorgeous specimen of Amazonesque womanhood and she'd burst!
Prompted by this unrealistic image, beknownst to me via religious leafing through British Vogue and French Elle editions, my teenager feet brought me before a Guerlain counter where I was spoilt for choice ~and in retrospect treated like a mature woman instead of a girl: Shalimar ("soft powder" the matronly but kindly sales assistant purred), L'Heure Bleue ("wistful flowers" she daydreamed), Mitsouko (I didn't need any coaxing on that one; I knew it well from my mother's dresser) and...off my hand went and grabbed the Vétiver tester. "That's for men, honey!" she gently admonished. And yet, why shouldn't I make it my own, like Elle had? The day was hot, school was out and I was determined to treat myself. Thus Vétiver and I became friends. For life.

Historically Vétiver was first created for the Mexico market, one of the biggest consumers of Guerlain's "Vetiver extrait". However Carven's strikingly fresh Vetiver (1957), already a huge success and the inspiration of the green packaging behind subsequent vetiver scents, prompted director Jean-Pierre Guerlain to modernize their own formula for larger distribution; especially since the house hadn't produced a true masculine since the days of their Eaux de Cologne, Jicky and Mouchoir de Monsieur. The commission was undertaken by his then 22-year-old nephew Jean-Paul. He focused on "the smell of the gardener" as a source of inspiration: outdoorsmen, their presence evoking the warmth of the earth with the freshness and vitality of nature, marrying tobacco to vetiver root.
If Givenchy's Vétyver is one of serene and self-assured patrician crepuscular composure, Guerlain's Vétiver is a bright day's morning optimism when anything seems achievable. Its vibrant, upbeat character with a citrusy edge helped made it a huge success, while Givenchy's languished, thus earning Guerlain yet another slot in the Pantheon of Greats.

Vétiver by Guerlain starts with a crisp citrusy accord that sustains itself for about 15 minutes, like ice crushed between jaws feels tingling the back of one's neck in the heat of August; or an hesperidic cologne with soft musks, fresh out from the fridge, sprayed on hot skin, creating goosepumps. Haitian vetiver is very complimentary to the lemony notes, rendering them ever so slightly soapy.
Technically classified in the Woods family by Michael Edwards, it soon proves why. The cascade of spicy, slightly bitter notes dominating is delightfully refreshing and addictive. As it puffs on a Romeo y Julietta, a bittersweet tobacco note emerges,rounding out the edges and providing the assurance of one's beloved dad in the days when he was a dynamic and suave young man, taking you in his arms for a goodnight kiss. Or another of its famous fans: Andy Garcia in his heyday, Cuban tobacco trailing off.
Vétiver is a comparatively light scent, compared to mustier, earthier renditions of the material, which however lasts well.

Despite Guerlain's claim to keeping the composition of Vétiver unaltered, my vintage from the 80s, in its squat square bottle similar to Habit Rouge, but with a deep forest green label (the label became more bottle-green in the 90s), points to a smokier and sweeter ambience with a rounder feel to it. It's thus more comforting and more insinuating, like what one imagines Lady Chatterley's Lover to be smelling of after working on a warm day, although the current version is also excellent, if rather drier and crisper.
Vetiver relaunched in 2000 with a new packaging and half clear/half frosted glass bottle (designed by Robert Granai) and more acid green juice rather than straw-coloured, which might indicate a slight tampering with the formula.
In 2000 a special edition was incorporated in Les Parisiennes lineup in a 500ml bee bottle for Boutique Guerlain, 68 Champs Elysées, Paris.

Notes for Vétiver Guerlain: orange, bergamot, lemon, neroli, pepper, nutmeg, coriander, capsicum, vetiver, cedar, tobacco, tonka bean.

Modern masculine spins (flankers) on the classic masterpiece proved somewhat lacking: Vétiver Eau Glacée ("Frozen Vetiver") has minty and nutty tonalities, but it lacks the richness of the original. Vétiver Extrême starts with a lathery sportly cleanless, adding a tarragon accent veering into the too herbaceous, while the development is quite oily and sweet due to a licorice background (a trait of many vetiver extracts) or according to Luca Turin "cheap English Leather drydown that would be ideal in furniture polish". (ouch!)

Vétiver Pour Elle by Jean Paul Guerlain, on the other hand, a feminine twist on the classic formula, was issued initially as a limited travel exclusive for people taking flight off Paris airports or railway stations, as a memento of their stay in the City of Light. It was encased in a bottle reminiscent of Mitsouko and L'Heure Bleue (with the cap an upside down heart).
The story behind Vétiver pour Elle is that women had been usurping the masculine fragrance from their men and were always nagging Jean Paul to create something comparable for them, so he finally did! Whether that is the truth or whether Guerlain saw the untapped pool of exclusivity afficionados who have become more vocal and more visible due to the Internet is food for thought. In any case the fragrance is lovely and perhaps this proves their marketing radar is razor sharp: the furore around it resulted in its joining Les Parisiennes at the Guerlain Boutique, in the particular bee bottles of the line, as a permanent fixture.

Drawing upon the quiet tenderness of his superb Chant d'Arômes, Jean Paul Guerlain added a soft garland of fresh, green jasmine along with subtler, clean notes of lily of the valley and orange blossom and musks, to circumvent the tobacco backdrop of Vétiver for an added feminine touch, while the skeleton of bergamot, nutmeg and vetiver roots is kept intact in its classical, almost chyprish beauty. The result seems unisex like the enigmatic smile of a Mona Lisa: is it a woman model than we're seeing or the artist merely masqueraded by feminine wiles?

Notes for Vétiver pour Elle: bergamot, lily of the valley, honeysuckle, jasmine, nutmeg, orange blossom, vetiver, tonka bean

Vétiver pour Elle is currently available in the 125ml bee bottle of Les Parisiennes line and can be bought at the 68 Champs Elysées boutique Guerlain, Paris. Use this conctact for inquiries.

Pic of masculine Vetiver (pour lui) ad with the vintage bottle depicted and of the travel edition bottle of Vetiver pour Elle, courtesy of Parfum de Pub.
Pic of Elle McPherson via Cinema-stars.com. Pic of Andy Garcia from the film "The Untouchables", via Geocities.