Prada Infusion de Tubereuse: fragrance review

The newest Prada fragrance Infusion de Tubéreuse (announced here alongside the masculine Infusion de Vétiver), the latest in the Ephemeral Infusion collection, seems like a triumph of looks over essence: literally!

The gorgeous packaging is based on an old print in the Prada textile archives, where the petals of the flower seem immersed in ink and pressed in a dégradé manner on the carton. I especially like a small details: the caps are "dressed" in the same material so as to co-ordinate. In short, it looks supremely lovely in a 70s Five Easy Pieces way: you suddenly become enamored with cross-eyedness! A new Infusion by Prada would be just as well be launching as "Infusion of a Longing", as the Prada line has so many fans. Obviously someone at the marketing and designing team has a pretty good idea of what they're doing. But, alas, those hunting for a true tuberose scent, that strange mystical mistress of the night with its intense mix of blood, rubber (methyl salylilate) and even meat aromata, will be more than a little crestfallen by this dematerialisation.

In drawing terms it is the opposite of Albercth Dürer's Underweysung der Messung (Instruction in Measurement), showing an artist viewing his subject through a window, compartmentalized into squares, in the hopes to methodically understand and record each detail on gridded drawing paper.
The press material talks about an unexpected tuberose from India, but having familiarised myself with that incomparable, intoxicating essence I remain a little sceptical (Thank God they do mention it's a "fantasy infusion"). No rubbery wintergreen start like in the icy Tubéreuse Criminelle (Serge Lutens), no creaminess as in the diva-esque Fracas, no coconut smidge alongside the mentholated greenery as in Carnal Flower (F.Malle), no decaying indoles to talk about. The woody-musky drydown of the Prada ~and especially the Infusion~ line is there though. Like in Infusion d'Iris, there really isn't a dominant effect of iris ~but rather of a woody blend (much like in Infusion d'Homme too). Was the idea to do a brief impression with a lustrous, cheery beginning like they had done with their Prada boutiques exclusive #6 Tuberose (also opening on neroli notes) or was it simply in line with the Infusion concept of olfactory poltergeists, a "Pradanade" so to speak, spoken in hushed tones and felt in its effect more than being seen?

Perhaps there really is no reinvention of the wheel after all: Do Son by Diptyque was a timid, introductory tuberose gouache with a subtle almost skin-like effect in drydown. Not very true to the essence rendered from the flowers, even though it feels like a composition with naturals; and this is the diverging difference with the Prada. To the pastoral theme of Diptyque, Prada and Daniela Andrier intentionally juxtapose futurism, via more amped up synthetics, which account for a superior staying power, even though it's discreet enough to have those familiar with the Grand French Manner (I assume you're taking the hint) bound to be complaining about it.

As anyone who has a hankering for seeing how "notes" of aromachemicals find their way into the commercial blurb for consumers on the other hand, I have to give them credit for mentioning "dynamone", a Penta chemicals manufacturing product with a sublty amber aroma that is indirectly derived from cistus ladaniferus, in the composition. Why haven't you heard of it before?, you ask. (In fact you have, if you paid attention; it's also included in Closet Queen by Etat Libre d'Orage) Because it's hard to harness into a formula due to technical problems, even though its diffusiveness and tenacity provide a helpful hand in prolonging "skin-scent" accords, such as this one (see a similar concept of that via another route in Prada's L'Eau Ambrée). Personally I wasn't too impressed by the previous limited edition, Infusion de Fleurs d'Oranger , and this one seems to be riding the fast way to nowhere just like Bobby Eroica Dupea. I'll stick with the excellent L'Eau Ambrée myself.

Prada Infusion de Tubéreuse for women is a blend of notes of Indian tuberose, petitgrain bigararde, Italian blood orange and dynamone. It retails at €67 for 50mls at major department stores, available starting April 2010.

Related reading on Perfumeshrine: Fragrances with tuberose, Prada reviews

Photo of borken model dolls by Daikichi Amano via Who Killed Bambi

Roxana Illuminated Perfume Chocolate Fragrances Giveaway

I have been the recipient of a generous giveaway coffret offered by an all naturals perfumer who has appeared on these pages before. Namely Roxana Villa and her cute solids, this time perfectly timed for those who are too old for the Easter Bunny but who have something of the bunny in their heart of hearts. So, do read down, there's a generous giveaway of assorted solids from the collection below to be given to a lucky reader who leaves a comment!

Inspired by the South American seed of the Theobrama cacao tree, also known as The Food of the Gods, Roxana has created a series of Natural Solid Perfumes based on the love elixir Chocolate. Creamy, luxurious unguents in a botanical chocolate base made with Scharffen Berger 99% cacao, cocoa butter, organic cocoa powder and theobroma cacao extract from South America. The completely natural formulation also contains unfiltered beeswax, jojoba seed oil, infused vital plant materials and botanical fragrance accords. Embellished with the artists signature icon wax bee stamp each pot is contained in a gold foil cup within an adored box. A feast for all the senses awaiting to seduce and enchant. It's advisable to rub just a tiny bit and add more as you wish and they can be layered too!

The Chocolate collection includes:
Figure 1: Noir Like it's edible counterpart, this chocolate is deep, dark and mysterious with a strong musk note.
Figure 2: Cerise Succulent cherry weaved with a base of rich chocolate.
Figure 3: La Forêt A dense conifer forest meets an ocean of chocolate.
Figure 4: L'Orangerie Mouth watering citrus in a base of rich chocolate.
Figure 5: Bois de Chocolat Smokey woods and chocolate.
Figure 6: Épices Spice, a hint of vanilla and chocolate.
Figure 7: Pétales is rich with Rose, the Queen of fragrances.
Figure 8: Coeur de Jasmin Rich heart of jasmine enveloped by creamy chocolate.
Figure 9: Fleurs de Orange A buzz with orange blossom flowers, honey and chocolate. Figure 10: Blanc, opposite of Noir, is a a milk chocolate truffle, featuring the Vanilla Orchid Bean at center stage.
Figure 11: Chêne A tribute to the mighty Oak with notes of wood, resin, moss, and oud. The cacao note is more subdued.

I have tried 4 out of the collection and they're quite different from each other even if they share the chocolate theme. I guess I'm not helping you weed out the selection, am I? Typical of a fragrant omnivore...but I digress.
Figure 1 Noir is fabulous for those who want their chocolate patchouli-deep and appreciate the earthier blends in which some good old-fashioned patchouli is really amping up the sexiness, which is pretty much saying I love it! There is a citrusy top which really lifts the fragrance and compliments the patchouli. Figure 3 La Forêt has a pine-y scent to it, also a bit oak-ey, at a crossroads between summer and autumn, warm Mediterranean settings alongside more shady magical branches of the North. Figure 5 Bois de Chocolat is woody again, close to Figure 3, but a little less sunny in lieu of some smoked woods which gave me a more crepuscular impression. This could make a great masculine. Last but not least, Figure 11 Chêne is the less chocolate-y of them all, but curiously (curiously because I am a chocolate fiend, be warned) it's probably my most favourite thanks to its complex scent redolent of tannic notes & moss which shine through, evoking an oak forest or big oak barrels hiding rich red wine. Fans of her Q perfume should definitely try this version, as I think the bouquet of resins and oud in this are sublimated by the chocolate touch and render it very friendly and sensual. As a matter of fact I can see these little solids easily incoroporated into a promising erotic session. Oops, did I actually write that or just thought it? Anyway, a lucky reader commenting will be the recipient of the solid chocolate fragrances giveaway to find out for themselves *wink*
Draw will remain open till Easter Sunday, midnight. Draw is now closed.
You can of course buy some of the chocolate perfume solids either on this link on Etsy or the whole collection presented like chocolate candy in a heart-shaped box on that link on Etsy. (And while you're there browse around, there are individual samples and solids lurking as well at affordable prices)

Giveaway coffret was provided by the perfumer. I swapped for mine.

Takashimaya: Bad News Ahead

WWD revealed that elegant Japanese department store Takashimaya which occupies more than 37,000 square feet for retail and office space on New York City's posh Fifth Avenue will close its flagship store in June. The building is owned and controlled by Takashimaya Fifth Avenue Corp. and Takashimaya Singapore Ltd. "Takashimaya said it plans to sell the real estate and dedicate the proceeds to faster growing markets in Asia," the paper reports in a short blurb. [source]

Somehow this reminds me of what I had said (a propos LVMH expanding into new markets via Tony Blair's consulting, scroll the article to the last paragraphs) in regards to the move of western companies into the Asian expansion being the only solution right now. Hermes as we had reported a while ago is even launching an exclusively Chinese line called Shang Xia!

The current issue of WWD reveals that the Takashimaya closing will be effective come 10th of June 2010. "This June, the company will shutter its New York flagship at 693 Fifth Ave., between East 54th and East 55th streets. It has been at the building, which it owns and plans to sell, since 1993, though its first store on the gilded Fifth Avenue strip opened in 1958" [source] while WWD mentioned that the store "will no longer be merging with H2O Retailing Corp., parent company of Hankyu and Hanshin department stores". Apparently not only is the Fifth Avenue store closing but another 6 stores have already closed in Japan. The reason isn't hard to see: Low sales have given the kiss of death. Given that they recently announced carrying the elusive (and unjustly underrated) Mona di Orio line, let's hope it didn't jinx it. (This is only a joke, folks!)
On the whole it was a matter of time before the hen that lays the golden eggs, namely the sector of niche fragrances, becomes oversaturated and confuses the consumer who cannot be fooled into paying, especially in this economy, for triple-the-price concoctions which are made the same way as mainstream fragrances but circulate in a je ne sais quoi way supposed to make them more "luxurious" and "exclusive"...

If interested to follow my thoughts on this track, I had posted an article wondering How Much Will the Niche Market Bear? on this link and recently discussed Niche Degeneration on that link on the Perfumism website.

Pic of Takashimaya New York via Atherton Bartelby

Paco Rabanne Calandre: Fragrance Review

"Imagine its spring. A rich young man arrives in his E-type Jaguar to pick up his girlfriend. Imagine the scent of fast air, speed and leather seats. He takes the girl for a ride along the seaside. He stops in a forest. There he makes love to her on the bonnet of the car."
~Marcel Carles recalling Paco Rabanne's brief for what became Calandre.

I was browsing one of the blogs I enjoy, namely Perfume Posse, the other day, when I came up upon a post by Patty in which amidst other musings (such as her antipathy for my beloved Fille en Aiguilles, how can this be I ask you?), she was crestfallen about the discontinuation of Calandre, a floral aldehydic that comes from 1969 (composed by perfumer Michel Hy) and which is just about one of the friendliest rose aldehydics in existence.

This Rabanne is also respendid with interesting trivia: It has rose oxides which give a slight "metallic" tinge to the flower, supposedly to translate the notion of "calandre" into scent, it being the car's radiator grille in French. Actually the first perfume "draft" was too reminiscent of a hot car (Spanish-born Paco Rabanne's brief) which made it rather unwearable, so back to the sketch board it went! The bottle, designed by Pierre Dinand, was sparse, with metal overlays in brushed silver finish which gave a high-tech look about 20 years before this would become the norm.

Calandre has been special to me personally for two reasons: First, it was given to me as a gift as a young teenager (we're talking about 13 here) by my sophisticated grandmother. I cherished my little bottle and had it alongside my other precious gems for years ~Anais Anais, Chanel No.5 (you read this correctly), Tosca and 4711 by Muelhens and Opium (you read this correctly too, I've said my piece before) alongside several minis I snatched up every chance I got.
Secondly, in the face of the deterioration of Rive Gauche by the oversexed, modernisating Tom Ford stint as creativer director of Yves Saint Laurent Parfums, Calandre remained more faithful to the former's idea of what I call its spirit of frosty allure, "what KGB agents would have worn to seduce James Bond"; almost the way "black pudding" is the faithful reminder of our primeval, barbaric and needy of ready nutrients nature.
The comparison between Rive Gauche and Calandre of course is the very antithesis of cognitive dissonance: Perfume lore wants Jacques Polge to have been instructed by the people at Yves Saint Laurent to produce something similar to the ~at the time~ avant-garde Calandre which had been issued the previous year. The result came in the market in 1971 in a striking blue and silver metal aluminum can and with the passage of years managed to eclipse the pulchritude of the original: Yves Saint Laurent with his flamboyant colours, rustic decadence and matchless tailoring became all the rage in the 1970s, while the futuristic Rabanne sewing with pliers and a blowtorch on his space-age plastic chain-mail Barbarellas had become a little less relevant to the zeitgeist; only Mylene Farmer continues to evoke the futuristic extravagances today. Overall Calandre is more American than Rive Gauche and it pre-emptied the trend of American-style fragrances that followed (White Linen etc)

Calandre has a wonderful olfactory profile: citrusy, slightly sour top note which segues into both oily green hyacinth and a fresh (laundered, thanks to lily-of-the-valley) white rose, elements which peter out slowly into an undefinable vaguely herbal base with honey and light musk touches that is its own thing more than anything that morphs into the wearer. Compared to Rive Gauche, Calandre is less frosty aldehydic, more lemony and with a softer overall character but equally abstract like you can't really point your finger on what you're smelling: Is it iced linens off the fridge on a hot day in a tamer version of The Seven Year Itch heat-remedy? A florist's fridge when the flowers have long departed? Or the cool breeze through a vetiver-sewn canopy in a non-tropical climate? That's Calandre's charm!
Cue into the last few days: The news of a possible discontinuation of Calandre bombed. Smiles were wiped off faces. The official response from Paco Rabanne on the question on discontinuation luckily came through a POL member, Cubby:

"Thank you for your message and for your interest in Paco Rabanne. Further to your enquiry, the Calandre perfume is still available in our current collection. Could you please notify us of your residential area so that we could indicate you the details of your nearest stockist. We remain
at your disposal for any further information. Best regards,
Paco Rabanne Online"

So now you can rest easy! It's even available as an Eau de Toilette on Amazon still.

Notes for Paco Rabanne Calandre:
Top: Aldehydes, green notes, bergamot, lemon
Heart: Rose, lily of the valley, geranium, jasmine, ylang-ylang, orris root
Base: Vetiver, oakmoss, cedar, sandalwood, amber, musk

Related reading on Perfume Shrine: Aldehydes, what are they and how do they smell?

Perfume ads via parfum De Pub. Pic of chainmail dress by Paco Rabanne via In Memory of All Things

What Sells? A Case Study

An astounding number of articles tackles the latest, apparently unexpected ~from what I deduce, since it makes such an impression~ phenomenon: Namely that a "celeboscent" really made it. (This term is short for "celebrity scent"; those fragrances eponymously launched by stars, supposedly inspired by their personalities and lifestyle, but in fact churned out by perfume producing companies with minimal involvement by the stars themselves). Trusted reportage says that this particular frag is selling like crazy! What is it? It's Heat by Beyoncé Knowles!

"At the recent Retail & Luxury Goods Conference at Harvard Business School, Macy’s CEO Terry Lundgren revealed that its already made more than $3 million in worldwide sales since its launch" [NB We're talking 3 months here] while he said that in an meet-and-greet with the singer herself "72,000 bottles of her perfume were sold that in that hour". To convert this in monetary values, Women's Wear Daily reported that first day Macy's sales made $60,000. (Talk about WOW!!) All to the point that "trying to pick up a bottle of “Heat” at Macy’s.com estimates over a month before it ships" now. "This morning I woke up and they told me the fragrance is the number one fragrance in America,” Beyoncé told Access. “I had absolutely no idea.” We're clearly talking about a huge commercial blockbuster. That made me think...

So the question arises: I am wondering whether the success has to do with the bootilicious sexy appeal of the singer herself (surely overall a positive role-model in today's celebrity world which is filled with human trash) or with the fragrance style and its perfect top-to-bottom design (corresponding so well to the celebrity herself, I mean, as celebrity brand expansion). Certainly it's not a "bootichouli" fragrance like we had suggested and hoped for on a previous occasion, at least going by the description, in which "Heat blends a floral mix of magnolias, neroli, and red vanilla orchids with the scent of almond macaroon, honeysuckle, nectar, and crème de musk" composed by perfumers Claude Dir and Olivier Gillotin. March on Perfume Posse observes that "Heat smells like a thin veneer of canned peaches in syrup over the most powerful, intensely animalic stank of unwashed ladyparts that I have ever smelled in a perfume, and I don’t mean that in a good way." Robin at NST on the other hand pegs it a warm fruity musk adding "I don’t find it even slightly sexy, and it isn’t what I’d call memorable, but it doesn’t much matter: it’s by Beyoncé and it isn’t a complete mess". Others report that real human testers (in Miami) perceive it as a cotton candy and amaretto fragrance. Take your pick!

Whatever it is, it's definitely a case-study for the heads at Coty (the perpetrator), Parlux et al. and for marketers everywhere. Expect more of the same very, very soon! And if fashion designers are "only worth as much as [their] latest collection's success", then celebrities will soon be worth the amount of their celebrity scent sales. Mark my words!

The Perfumatic: Coin-Operated Perfume Dispenser

According to Susan Berberet, Assistant Curator of Collections at the Oklahooma History Center, the prevalent in the 50s and 60s coin-operated perfume spraying machine (the Perfumatic) found in ladies' rooms of posh hotels and restaurants was emitting such classics as Chanel No.5 and My Sin by Lanvin (Can you hear my jaw hitting the floor in amazement at the mention of the latter?).
Or as the recollection of those who have actually used some of them goes, perhaps copies of those two popular scents. It doesn't really matter for our purposes here. The machine used a thin dime coin and for just that price sprayed you with a healthy dose of perfume, in order to freshen up or just in case you neglected that height of grooming before going out. Sounds like a great idea, didn't it?
Older generations fondly remember the ritual in the States while these pastel machines, alongside others with actual vials attached existed for scenting your handkerchief; useful when those were the cotton & linen variety and not the disposable kind.

The even more impressive info is that actually this goes far, far back; much further than imagined: "The first group to demand such on the spot purchases were the Greeks. The first mention of a coin-operated dispenser was in 215 B.C., by a mathematician and engineer named Heron (or Hero) of Alexandria [The one who also invented ύδραυλις/hydraulis, the precursor of the Organ]. His machine would accept a coin and then dispense a set amount of “holy water” in the Egyptian temples!" But Susan Berbet goes on to explain that it would only resurface in the Industrial Revolution age, when the technology to make this cheap and functional finally emerged.

But the idea isn't only an antiquated one. There are modern, aluminum-shiny examples with "perfume" and "cologne" in them to be sold still!
Perfumaniac, a New Orleans-based blogger blogging at Yesterday’s Perfume first published a photo of a perfume vending machine which sold perfume "nips" (small plastic "packets" like samples for perfume applying), in which she mentioned how such 20s popularities as Soir de Paris (Evening in Paris) by Bourjois or Arpege by Lanvin (again) were sold at the literal drop of a coin. Then Dr.Avery Gilbert took it over on his own blog, where he discussed about the idea of an olfactory museum. Can I just say I think there's good money to be made if this idea is ever materialised.

And to revert to the initial point of interest which made an impression on me, it does make you wonder which would fragrances would be chosen for today's market to be put in the ladies' room, if such a thing existed still. What do you think?

Read Berberet's article on this link ("Found in Collections" blog, Oklahoma History Center)

Thanks to Sillage for bringing this to my attention

Li Edelkoort, "Priestess of Trends", Predicts

Reading the credentials of Dutch-born, Parisian-living Li Edelkoort, sounds like an astounding pile of worthy accomplishements: Internationally acclaimed for pioneering the trend-setting concept, named by Time Magazine as one of the world's 25 most influential people in fashion and an unparalleled lifestyle expert, Li is president of Edelkoort Inc. but also of Trend Union Paris, Trend Union Japan, Studio Edelkoort and Edelkoort Editions. In short, if anyone is thinking of gauging what the market will bear, they only have to set their eyes on this meek-looking yet truly hypnotising and persuading woman with the piercing blue eyes code-named in the industry as "the oracle". As anyone who has met her knows well, she is able of persuading cows to buy milk!
So investigating about her views on upcoming beauty and lifestyles trends naturally interested me a lot and here are some thoughts worth sharing with you.

The whole notion of lifestyle is defined by Li Edelkoort as "an ensemble of ideas, attitudes, designs and aesthetics geared to celebrating life", the focus being enjoyment, deriving pleasure out of the process. But what made her become involved in it? Does she make the trends or does she read the trends? In her opinion trend-shaping happens by the public itself and by the environment. "Trends reside in the collective subconscious and in the unknown and can be detected by individuals who trust their intuition and are trained to detect signals at an early stage".

Reverting to the beauty and fragrance industry, reflecting upon the focus on wellness in the past decade, one is wondering what the evolution will be: Will there be a completely new concept or simply a recalibrating of the wellness ideal? According to Li, well-being will not cease to be important, verging not only to health and beauty but also to spirituality: "A more domestic way to look at household chores will ground us and make us appreciate life with simplicity. Sound, dance and music will be part of the well-being continuum".

For 2011 specifically the continuation of the "green" movement in the beauty industry and beyond and the reversion to the earth is looking like the main direction, especially in the realm of an economic crisis. In that regards she proposed grey as the transitionary colour. She hopes that a stronger bond between humans and animals will be generated, while the research for sustainable products as well as interesting new looks and moving fragrances will continue.

The opening of the new decade on the whole presents new challenges as the world is changing and after 30 years in the business, it comes as no surprise that Li is not only vaguely referencing a trend but putting a very specific context on it: Birds! I admit I was sceptical too, but hear her out please: "We believe that we will be moving in the next decade towards more community-oriented behavior. Our attitude will be one of respect for our environment and our species; this is the reason why we entitled our latest lifestyle & design forecast "we are family". Also, we were intrigued by birds and their social behavior for our new Trend Union autumn / winter 2011-12 fashion season, which we called "Taking Flight". Birds are a model of social connectivity and communal efficiency, as well as an incredible source of inspiration to develop rich color cards, fantasy fashion shapes, and nest-like weaves. Birds can also be a source for ideas in creative make-up, hair color, and hair styling".

Also worth reading, an article into the beginnings and confessions of Li Edelkoort on Wall Street Journal Magazine by Cecilie Rohwedder.

Li Edelkoort photo taken by Marie Taillefer

M. Micallef discontinuation?

It's rather with a heavy heart that I bring myself to report news of discontinuations, especially of popular fragrances. But even though a dirty job, someone has to do it...and give a spin to them, when needed to nuance news.
The latest contender is the very popular and fairly recently introduced (2007) Note Vanillée by M.Micallef, which is no longer carried on Luckyscent. Note Vanillée includes top notes of tangerine and hesperides, seguing to middle notes of jasmine and honey and finishing on a blend of sandalwood, amber, bourbon vanilla, cognac and rum. It strikes a no man's land between boozy, citrusy and floral.
On the other hand the official site of M.Micallef still lists Note Vanillée as usual. It is therefore with some itrigue that I am revealing that a new enterprise of M.Micallef USA is going to be slowly unveiled very soon as per my sources, which means they're withdrawing from distribution so as to rebrand themselves.

The winner of the draw...

...for the Annete Neuffer parfum sample is Mystic Knot. Congratulations and please mail me using the email on the Profile page with your address so I can have this out to you soon.
Thanks everyone for the enthusiastic participation and till the next one!

Greenwitch and Tethys for Spring Awakenings

Fire on the mountain shall find the harp of gold
Played to wake the Sleepers,
oldest of the old;
Power from the green witch,
lost beneath the sea;
All shall find the light at last, silver on the tree.

The eternal return of spring and the regeneration of nature are deeply ingrained in this side of the world: A glimpse of the wild nature that bursts forth with renewed vigour is enough to understand how ancient Greeks sanctioned it in several myths. Some of them tied to the sea involve Tethys, the Greek aquatic goddess, and the sea-creatures she protects.

For the occassion of the Spring or Vernal Equinox, Roxana Villa of Roxana Illuminated Perfume came up with GreenWitch, an all-natural perfume, dedicating it to Tethys. She was inspired by the GreenWitch novel by Susan Cooper (1974), part of the authors Dark is Rising Series. The characters Simon, Jane, and Barney return to Cornwall with their Uncle Merry after learning that the grail they had found in Over Sea, Under Stone (Harcourt, 1966) has been stolen from the British Museum. Soon they are joined by Will Stanton and his American uncle. Older local women are preparing a celebration creating a doll from sticks and leaves which they toss into the sea as an offering to the White Lady or Tethys, goddess of the sea, "for the greeting summer and charming a good hearvest of crop and fish". Jane's unselfishness in the ritualistic wishing process wins her the favours of the effigy and thus the secret to the manuscript that will enable her to decipher the Grail's writing later on.
Tethys (also known as "The White Lady" in Celtic lore) daughter of Gaia and Uranus according to Hesiod, is one of the Titans in Greek mythology. Wed to her brother Oceanus ~obviously the family relationships of classic mythological figures supervenes any modern notion [sources: Callimachus, Hymn 4.17, and Apollonius, Argonautica 3.244] ~ she became the mother to the rivers known to the ancients and thousands of daughters called the Oceanids.

GreenWitch as a perfume follows the formula of a traditional Chypre where oakmoss and labdanum in the base are balanced with bergamot in the top and where seaweed enters to render the sea accord. It's interesting to see such a "sea/marine" accord in a natural setting as I wouldn't be able to conjure it in my mind besides the expected ambergris. And yet, it can be done. Green Witch has some facets of deep blue in there! What I liked was the contrast between the marine and the earthy, as if brown algae were dancing in front of my eyes. Another novelty enterting the perfume is Africa Stone, the fossilized excrement of a small animal called the rock hyrax (providing an animalic edge and longevity)
A complete breakdown of the ingredients and the composing process is included on this link. Balance is one of the main themes of Meán Earraigh (the Celtic spring equinox) as the light is evenly matched with the dark, as in this fragrance. A percentage of the profits from purchasing the flacon support GreenPeace. The perfume is available in the quarter ounce flacon pictured in the photo, 1 gram vials and in sample packs here. (stock is regularly replenished, according to demand)

Please visit the rest of the participating blogs at the following links:
Ida at BitterGrace Notes
The Non Blonde
Tom at Perfume Posse
Portland Examiner
Scent Hive
The Windsphere Witch
Roxana Illuminated Journal

Painting Les Océanides (Les Naiades de la mer) by Gustave Doré, French, 1832 - 1883 via ArtMagick. Bottle photo and illustration by Greg Spalenka.

Top Comforting Scents

Sometimes, things get a little hectic, life is a bit stressful, weather is acting up on you when you least expect it and you're finding yourself reaching for some comfort. Where do you seek solace? Today I am participating in a blog-o-rama with thirteen fine bloggers under the united theme of Comforting Scents for Uncomfortable Times organized by fellow blogger & perfumer Ayala Moriel. Come aboard and indulge in the selection!

Library smells
Odd beginning, but I wanted to get this off my chest: There is something deeply comforting about an old English-style library; velvet-upholstered Chesterfield couches, mahogany desks, green-hued lamps, the trails of blond tobacco pipes smoked by those who inhabit it and rows and rows of leather-bound books. A little armagnac in a tumbler wouldn't hurt either! I intend to recreate this ambience in a special room in my house when I'm older. People might say I have the tastes of a dried-up old man going hunting, but I don't care. In the meantime, I'm recreating that atmosphere with Etro Gomma, the magestic sweep of Doblis, the elegant Diorling and the home candle for the otherwordly Messe de Minuit. For me, they feel like home.

Orange Blossoms & the Sea-Spray
The smell of spring coming, rushing in might be an apter term. Even when the first hot rays are shining, it's the promise budding orange blossoms bring on the bigaradiers that flank the streets of where I live that signal their happy song, ushering in Easter and the return of Bacchus. And it is the salty, iodine scent of the sea brought by the gentle breeze of the evening, rolling along the coastal avenue under the palm-trees that speaks of the joys but also of the yearnings of the Big Blue.

Chanel Bois des Îles
It's not hard to see the appeal of fine cashmere: Its luxurious, pliable, warm but never stuffy yarns, enrobe the body like a beloved's hug. There are several fragrances which claim to be "a cashmere scent" (short for I-want-to-cuddle) but this classic by Ernest Beaux remains unsurpassed, especially in extrait de parfum where its artistry shines like a bright star in the galaxy. Its creamy sandalwood, the doughy iris that provides the plush, some ylang-ylang, hazy opoponax and the labdanum smidge in the drydown account for the most huggable scent you can think of. Simply sublime!

Ava Luxe No.23
This is like cheating as it is along the lines of the afore-mentioned Bois des Iles, at least in general concept. But it bears its own mention because the creamy sandalwood base along something like cheery citrus on the top just makes me feel safe and peaceful. The acacia and hawthorn notes are like sugar-spun biscotti, the musk is warm, powdery, inviting. I guess that's comfort...

Frédéric Malle L'Eau d'Hiver
There is a hint of spiciness hidden, a little heliotrope and hawthorn, some sweetness and the feel of a choir of angels singing atop a lightly salmon-coloured pillowy cloud and I'm transported. I always loved this one, composed by Jean Claude Ellena in 2003 and only this winter did I invest in my own bottle. From now on, the ethereal song can be repeated at will.

Baby scent
Those little creatures burb and poop and pee and perform all possibly imagined inelegant functions, but there is something about their own personal smell, their innermost buttery, milky, a little musky essence that one cannot possibly fully appreciate it until they have a little one of their own and it cuddles up to bed with them. It's yummylicious and utterly addictive!

Hearty, humble food
There is something to be said about the comforting aspects of reverting to the womb through indulging in the familiar scents and tastes of childhood. But what is most surprising is that even though possessing an inquisitive palate early on, it is those humbler carbohydrate-rich tastes which bring on that sense of psychological satiation like you're at peace with the world. I often long for a hearty plate of lentil soup, its garlicy vapours engulfing me on a dreary winter's day, or some on-the-spot composed zabaglione I recall gulping down as a treat after classes when little. Its aroma between a dessert and a vitamin-full supplement has something compelling about it. And of course organic strawberries eaten with fingers, scooping fresh cream along the way: What's more decadent, more delicious, more like a final declaration of spring-coming? I may be a fan of Slow Food, but there's nothing wrong with a couple of easy dishes sometimes. And, oh, cooking by itself is comforting (and sensual) by its very nature.

Salep
This traditional Turkish drink has always been something of a remedy-all at my house. Probably because it does aid a rough throat, which is all I ever suffered from (and it was quite often, I can tell you that!). The poppy-seed dust folded into warm milk has something of the ritual of arcane shaman practices that catches the imagination. And the crushed cinnamon on top adds to its attractiveness: It was only later I learned cinnamon is sometimes tied to Aphrodite. Figures...

So which are your comforting smells? Share them with us!

Please visit the rest of the participating blogs on these links:
All I Am A Redhead,
A Rose Beyond the Thames
BitterGrace Notes
I Smell Therefore I Am
Katie Puckrick Smells
Notes from the Ledge
Olfactarama
Perfume in Progress
Roxana's Illuminated Journal
Savvy Thinker
Scent Hive
SmellyBlog
The Non Blonde

Photo by Ayala Sender
The song is Southern Cross by Thanos Mikroutsikos on poetry by Nikos Kavadias, sung by George Dalaras

Annick Goutal Sous le Figuier candle: available again

Inspired by their latest creation, Ninfeo Mio, Camille Goutal and perfumer Isabelle Doyen invite us, through this candle, to a moment of escape in the Italian garden of Ninfa, at the shadow of a fig tree warmed by the sun. The candle Sous le Figuier would sublimate your rooms with its fruity notes of fig and peach mingled with mint to bring freshness and tonicity, sweet violet leaves and cedar wood for a warm final note. The softness and sensuality of the fig enter this elegant candle, presented in a clear glass streaked with gold and light and adorned with the Annick Goutal logo.