Cacharel Scarlett: fragrance review

It is with a sense of disillusionment that I encountered Scarlett by Cacharel while perusing the aisles of Sephora in search of a gift. The brand has something of νόστος, of L'Éternel Retour for me: Anais Anais with its funeral parlour lillies (no offence inferred) always attracted me with its subtle autumnal romanticism which so contrasted with our innocence of the times; Loulou has been a sweet memory of long-ago, a shadowed Lolitesque reprise of L'Heure Bleue behind the parapet of a circus (and it still has devoted fans); Cacharel pour Homme was rampant in school, even though it probably didn't merit quite such a popularity; Eden and Eau d'Eden had the merit of being completely individual in their own little way (a wet wools fruity-oriental and a watermelon ozonic that didn't hiss at you, respectively); Noa is a pretty white musk with a powdery little whiff that can be an office-friendly scent that's not completely trite thanks to a hint of coffee; and Gloria was ~before its unexplained discontinuation~ a pipe-tobacco dream on the lips of a modern young coquette posing at some night-club wearing a pailleté top and licking Amaretto off her lips.
Then they started producing über-sweet fruity stuff that was mediocre at best: Amor Amor, Promesse and Liberté seemed like efforts to tune in the craziness of everybody else issuing fruity florals with intense sweetness on a bed of cleaned-up patchouli, no doubt hot on the heels of Coco Mademoiselle's commercial success: efforts with results hard to deferentiate between and ultimately forgettable. Along with a pleiad of flankers that didn't shine any too brightly in the galaxy...

Scarlett goes even lower, reminding me of a deodorant mist or a shampoo more than a perfume and it really pains me to say so. Composed by such experienced and talented perfumers such as Honorine Blanc, Olivier Cresp and Alberto Morillas, it's probably a testament to the rush of companies to issue new things at a breakneck speed giving them about a week to come up with something. Or alludes to the desire to adress a pre-nubile audience raised on Japanese-style erasers and soapy non-perfumey "perfume" on their mothers: If you're brought up on Amazing Grace, anything more smelly than a bar of soap just might trip you into sensory overload. "Soapy" isn't necessarily bad, if done right: Great aldehydics of yore as well as modern musky florals prove it can be pleasant and even refined. The wrong kind however can tilt the scales into floor cleaner, deodorant cream and the laundry cupboard.

Scarlett starts on fresh pears that hint at the lightly gourmand and innocent opening of Petit Chérie by Annick Goutal and continues on girly transparent (and completely artificial, detergent-style) flowers, while vaguely being reminiscent of Juicy Couture overall only less polished. It completely belies both its wonderful flacon ~designed by Christophe Pillet~ and its fiesty name that would allude to passion and sensuality (this is neither O'Hara, nor Johansson). And just because someone had it phrased so very wittingly I am borrowing their words for once and quoting: "If Scarlett had worn this, she could have stopped the war all by herself. The yankees would have suffocated on their approach to Atlanta, and Rhett Butler would have donned a bonnet and crinoline and danced with Ashley Wilkes rather than endure our whiffy heroine".

But its invitation is so short-lived that a testing spree shouldn't leave you with too much to wash off, so do give it a try when you approach a department store and see if you think differently. I thought it wouldn't work too great on blood stains anyway...

Eau de Celebrity: Waning, waning...?

In the last 10 years everyone who is recognised a bit more widely than their schoolmates, their own mother and possibly their hamster seems to have issued a fragrance bearing their name in gilt lettes on bottles produced by Parlux and Coty (mainly). The phenomenon nicknamed "celebrity fragrances" had accumulated epic proportions in the last couple of years when even reality game players had their own eponymous scent on the market (no disrespect to poor late Jane Goody), adding to a massive churn-out in the class of the hudnreds. Thankfully (to many, ourselves included) it seems that, despite Beyonce, Kim Kardashian and Peter Andre all having a scent in the works, the trend is on its waning phase.

"[...] it has recently been revealed by retailers that these products don't have the longevity of classic fragrances and that customers actually don't want to smell like someone off Big Brother after all. Jason Zemmel, founder of online discount store halfpriceperfumes, said: “It’s a fickle market with celebrity scandals and poor album sales having a direct effect on sales of celebrity scents. It used to be the biggest stars that brought out a scent but we now have all manner of C-listers churning out fragrances whenever they have something to promote.”

Adding that:

“Whilst some, like the Britney Spears range sells well, we’ve found many have shunned the scents of lesser known celebs. We’re now seeing resurgence for classic scents such as Christian Dior, Elizabeth Arden and Chanel, that have been around for years,” said Zemmel.

Parlux is on record for losing $4.3m last year and a reported $2.5m loss in the second quarter of this year. Whether the economic recession is having any relation to the buying patterns of consumers who would rather spend their money on something they really perceive as necessary (or as prestigious, when they do spend over budget)is not accounted for. It does seem that overexposure to specific names has created satiation and boredom and that only strong names are surviving, such as the Jennifer Lopez empire of scents or the Beckham duo.
Shall we all heave a collective sigh of "oh good!" and forget about the overexposed faces that greet us with their candid shots on the front pages of Hello magazine? Here's to hoping! Or at least that from the collective stink only the nice fumes (no matter how few) will surface victorious and sustain their life on the shelves.

Read the full article on Body Confidential.

Victoria Beckham pic courtesy of American Elle magazine.

The winner of the draw....

.....for the complete set of Essentially Me fragrance samples is Flora/Donna.
Please email me your information using the addy on my Profile and I will have these out to you in no time.
Thank you everyone for your enthusiastic participation and stay tuned for the next one!

New Exhibition and Books on Perfume: Annick le Guerer & Pierre Dinand

Annick Le Guérer, historian and no newcomer when it comes to fragrance and smell writing, is coming out with another exciting tome, titled Quand Le Parfum portait remede (When fragrances produced a cure), reprising the title of the exhibition she helped organise at St.Antoine L'Abbaye (June 14th till November 11th 2009).
The exhibition proposed a new approach to the prophylactic and therapeutic use of scent, going back to the beginnings of materia medica, when smells were considered to serve as remedies to a pleiad of ailments. Discovering the Medieval scented waters which were recreated in the 19th century, its distillation found way into the glossy pages of a book by Annick Le Guerer and (hold on to your seats, this is exciting!) olfactory illustrated by perfumes which have been rejingled by master perfumers Daniela Andrier and Dominique Ropion of Givaudan and Internation Flavors & Fragrances. Visit the official site for more info.

50 Years of Design reprises the work of acclaimed flacon designer Pierre Dinand, the man who almost single-handedly has optically enriched our appreciation of fluted crystal and innovative shapes appearing on our vanity cases and in our bathroom shelves and a living legend. His creations are too many to list in their entirety since he was producing half the bottles produced in the last 30 years, (well-known triumphs include Opium, Calandre, Eternity, Ivoire, Fendi, Madame Rochas, Obsession, L'Occitane bottles, the Mure et Musc limited edition mure flacon...) but after so many years in the industry he now dedicates most of his time to sculpture. His work can be seen at the Oita Kaori-no Mori Perfume Museum, Kiushu, Japan. The book will feature illustrations, photographs and stories about some of his most aesthetically triumphant and commercially successful work for perfumery. To be eagerly anticipated this coming winter.

Pics via lesamisdu7.com and Pierre Dinand site.

Tomorrow Starts Today by Atelier Parfum Beaute ~new fragrances & products roundup

I was just sent a wonderful and comprehensive presentation of the latest offerings of L'atélier Parfum et Beauté, a company with years of expertise in the field of beauty with the creative collaboration of Federico Restrepo and Olivier Aron (founder of Rosae Audit & Action). Coming out with new services and products soon, here is a recap for all of you:

Cash Cash is a new line of fragrances which aims to provide opposition to the pretentious luxe contestants by coming out of left-field: anti-gadget, economical and simple, it presents itself in Eau de Toilette of 3-4% concentration at 20 euros for 100ml/3.4oz. The first three offerings will be a floral, an oriental and a Fresh composition to target different tastes. The presentation is well thought out and it seems like an idea presented to combat the tendency of the consumer nowadays to supress expensive purchases when possible. The name says it all: Cash Cash is playing cache cache (hide and seek in French) with our cash and hopefully making us keep some cash in our pocket!

The designing team is offering La Niche aux Parfums, a premium line of fragrances in bejewelled flacons reflecting excellence in design. Four fragrances available: floral, chic hesperidic, oriental and incense.

New Jack Rose on the other hand is a homage to La Rose Jacqueminot de Coty, re-inventing the soliflore, with key words being potency, eternity, purity.

Bio d'Arômes targets another kind of consumer, the one attuned to natural and ecological products. The first line of bio-aromatherapeutic perfumes, it encompasses two referecnes in simple bottles with corked stoppers: a tonic of hesperidic-woody notes and an orange blossom relaxing infusion. The bio-chic is coming to your door. The brand ties beautifully with a naturals-based makeup line offered named Kiss My Bio, focused on recharges for every item (thus recycling packaging).

Sir Sterling is another line, intended for men, offering robust and solid packaging that looks luxe in two fragrances: Woody Spicy by Sir Sterling and Fresh by Sir Sterling. Despite the typical direction, going by the names (I haven't smelled any of them), I am hoping for something that might be as nice as the packaging looks to be.

Last but not least Ruby Love is the reworking of the love story, hiding underneath most perfumes' concept but here revealed in a beautiful ruby-colooured flacon with an opulent floral in its heart. Addictive, surprising, romantic, the concept seems destined to be a Valentine's gift.

The presentation looks very well-thought out, the designs and sketches are promising, I have not smelled anything yet, but hopefully they will have a couple of pleasant surprises amongst them. Hope to have the opportunity to report back with impressions!

Pics by Atelier Parfum et Beaute, not to be copied/reproduced for commercial purposes

Roundup of Upcoming Niche Releases: Herve Domar, Patricia de Nicolai, Parfum d'Empire

Despite several brands having a hard time coping with the diminished spending on luxury items there are new fragrances croping up like usual: some of them are debuting from brands fledging on the perfumery sector, others are new offerings from well-established niche players. Take some note of the following upcoming releases in niche.

Hervé Domar (optician jeweller from Paris) is issuing 9 new fragrances uniting precious stones ~naturally~ with flowers and scents (a concept which has been explored by Durbano and Bulgari among others) to commemorate his 20 years in business. The creations however have been developed by Drom fragrances, a producing company of prestigious output and with the help of Catherine Disdet and Pierre Dinand. Diamant Noir celebrates amber and incense, Diamant Brun is centered around the flower of patchouli, and Diamand Blanc shines with the lustre of rose. Grenat is dedicated to orange and clementines, Rubis interprets the sensual tuberose and Saphir tells tales of lillies. Tourmaline is dedicated to the same-hued plant of lavender, Tanzanite to cloves while Emerald is tittilating with coffee notes.
Eau de parfum, vaporisateur 50ml, 65€ and refill 200ml, 195€. And 2 Candles (Or Noir with amber incense and Or Rouge with tuberose): 190g, 42€Find H.Domar at Tel: +33146338899, Address:48 Rue Dauphine 75006 Visit the official site here and order through the online boutique. The products are also available at the boutiques By Terry (the famous make-up artist and creator) and there is a personalised service available so your bottles and candles look your own and no one else's (great idea for a gift!)

Patricia de Nicolai, a small Parisian brand that is well known among aficonados for the top quality of the products offered, is coming up with Patchouli pour Homme, a rendition that will fill the void in the line-up. The new masculine will feature notes of orange, rose, patchouli, cedarwood, vanilla and tonka bean. "As far as I’m concerned, it came out right: the note is powerful, yet chic and distinguished too. What’s more, it’s quite unusual, so it gets noticed... and remembered. " said P.d.Nicolai herself. The initial impressions from Basenotes members are: "Nicolai's Patchouli is quite unique in the universe of Patchouli fragrances, because it hasn't the sometimes sweaty, carnal note typical for many other patch frags. It's quite spicy with a nice leather / amber note in the base and a well-mannered, not overly loud patchouli in the background. Very good sillage and longevity. (via Gerald)
A new women's scent is in the works as well, based on Iris Musk.

Parfum d'Empire has come out with two new offerings, 3 Fleurs and Wazamba. 3 Fleurs is a towering flowering inspired by love tales of civilizations past: Galbanum, crisp mint, an abundance of rose, the gauzy whiteness of jasmine, and the wildness of tuberose reinforced by a cocktail of white musk. Wazamba on the other hand evokes the sacred dimension of an inner voyage, focused on such esoteric ingredients as Somalian incense, Kenyan myrrh, Ethiopian opoponax, Indian sandalwood, and Moroccan cypress. Available through First in Fragrance and Luckyscent.

Also don't forget the scents we have already reported on [click the links for reviews and info]: L'Artisan Al Oudh, Havana Vanille and the Mon Numéro one-offs, La Maison Francis Kurkdjian scents, Calamity J by Juliette Has a Gun, Fille en Aiguilles and Fourreau Noir by Serge Lutens, Boise Torride by Guerlain Magnolia Nobile by Aqua di Parma, Vanilla & Anise by Jo Malone.

The history of the Guerlinade accord, original & re-issued Guerlinade perfume by Guerlain

Like many other confusing matters pertaining to fragrance history the often quoted name Guerlinade stands for several seperate things and disentangling them is at large an exercise in minutiae. Historical minutiae being within the scope of Perfume Shrine from the very start however we hope to cut through the knot which perfume companies often present us with. So this little guide is aiming at providing answers to what the Guerlinade accord is, how Guerlinade smells and in which Guerlain perfumes it can be discerned, which fine fragrances were named Guerlinade and their packaging and availability as of this minute.

Originally La Guerlinade was the code-name for an olfactory harmonious blend ("accord" in perfume-speak) ~possibly conceived by Pierre-François-Pascal Guerlain* but first referenced in relation to Jacques Guerlain** ~ that typified Guerlain perfumes in their classical compositions and made them the stuff of legend: Bergamot, jasmine, rose ~especially the Bulgarian version rather than the Turkish one~, orange blossom, iris, (possibly vetiver), tonka bean, and vanilla are said to be the main ingredients comprising it. Of course the exact formula of this special accord is guarded with the zeal Fort Knox is, but most perfumephiliacs can identify the above notes forming the characterist nuance of the chord that runs through the melody of L'Heure Bleue (along with trademark heliotropine) ~especially in Parfum de Toilette and vintage extrait de parfum~, Shalimar and Vol de Nuit; this nuance either captures in its guile or haunts with terror the fragrance enthusiasts. The fragrances composed by Jacques Guerlain especially are intensely redolent of this accord, although Mitsouko is less immersed in it, opting for the oakmoss chypre base under the notorious peach-skin note.

Strangely enough, the term only entered popular parlance outside of the Guerlain labs at the launch of masculine scent Héritage, as Sylvaine Delacourte, artistic director of parfums Guerlain reveals! Like a silky veil, the Guerlinade softens any sharp angles and smothers the composition in the purple hues of twilight. Its feel is polished, bergamot fusing its elegant freshness with rose and vanilla and the tonka bean gives a vague sense of hay, powder and tobacco. But its perfume-y ambience can also feel somehow retro which is why sometimes modern tastes run antithetical to its rich, textured feel.

Guerlinade nevertheless also happens to be the name of a Jacques Guerlain creation from 1921 which came in a beautiful bottle of intensely faceted crystal, shaped like a lekythos. The Guerlain archives include a vegetal lotion issued in 1924 with the same name, an early thought of an ancilary product so to speak. The scent after some "renovation" was re-issued as a seperate, limited edition Eau de Parfum in a new Baccarat flacon design to celebrate the 170 years of Guerlain in 1998 (circulating again as Guerlinade in a presentation that depicted paintings of Parisian life, depicted above) and later re-issued yet again in Les Parisiennes boutique line (in standard bee bottles, depicted below) upon renovation of the 68 Champs Elysées fragship boutique in 2005. Nevertheless the actual scent was different than its predecessor and the famous accord: it had a predominent streak of powdered lilac (a lovely one at that) ~and perhaps a touch of oily hyacinth garlanding it with its "dirtier" streak~ and little relation to the characterist chord that Guerlainomaniacs recognise instantly. Its powdery retro formula (a little iris, a little tonka) explored bouquets of impressionistic vignettes of Parisian life amidst equestrian scenes when gentlemen with horse-drawn carriages would bow down to pick up the handkerchiefs of ladies blushing beneath their veiled little hats. The homage in Guerlinade the fragrance was more that and less an actual reproduction of the exact secret formula for the Guerlain house "signature".

Today the fragrance named Guerlinade is discontinued and no bottles can be found at boutiques Guerlain updrading it into a collectible. Much like happens with other elusive limited editions such as the Harrod's aimed Belle Epoque from 1999 with its musk-veiled tuberose, the No.68 limited edition which reworked Guet Apens, the Champs Elysées Bacarrat turtle/tortoise bottle amongst them...

Yet the renowned accord hasn't died; far from it! The classic Guerlinade harmony was revisited in a Limited Edition commemorative Eau de Parfum fittingly called 180 Ans de Création (meaning 180 years of creation and issued in 2008 to commemorate the 180th anniversary of the house of Guerlain) Jean Paul Guerlain twisted the idea of the classic Guerlinade harmony, realising its aura is often perceived as admirable but a little outdated, and thus added contemporary accents in the form of grapefruit, pink pepper and white musk. The result is elegant, polished and a study in dry warmth and I sincerely hope it becomes more widely available than the gifts given out to the participants of the 180th anniversary celebration. In the meantime we can admire and savour the classical Guerlinade, "un état d’ Esprit", in several vintage Guerlain fragrances where it is shining in all its unadulterated glory.

*ref: Perfume Intelligence Encyclopaedia.
**according to Jean Paul Guerlain
Pics via passionforperfume.com and monkeyposh.blogspot.com

Guerlain 180 Ans de Creations: fragrance review & history

Back in the 19th century, when the beginnings of the Guerlain brand are to be traced, perfume was considered racy; proper ladies stuck to barely there floral eaux and no one put scent on themselves, but rather on items of clothing. Tracing Guerlain's 180 Ans de Créations fragrance to these beliefs is like a porthole of what made Guerlain revolutionary and great in the first place but also a palingenesis. Its powdery, polished amber character is emotively majestic; and yet it wafts with grace and good manners, making us lament the days when luxury was considered a notion that pertained more to style and connoiseurship than affluent cash bying the latest "it" collectible just because.

180 Ans de Créations was issued to commemorate the 180 years of Guerlain history and revealed in June 2008 as a non-commercial gift aimed at loyal customers and industry insiders, hence its spartan baptism "180 Ans de Création 1828-2008". I was grateful to receive some via a discernible reader of mine, Emmanuella, who procured it through a French connection and was eager to hear my thoughts on it. (Sincere thanks to both are in order).

Casting back our minds to how Guerlain came into being offers glimpses into how the recapitulation of such heritage could be accomplished. The history of the house of Guerlain is richly nuanced, from the "Parfumeur Vinaigrier" days of Pierre-François-Pascal Guerlain at 42 rue de Rivoli in 1828 to the move into not one but two locations on rue de la Paix in 1840. The first big break came with a commission from the novelist Balzac, a person very immersed in sensual exploration himself. Later Pierre-François-Pascal scented the pages of Le Journal des Elégances as well, thus catapulting a custom consultation for the most recognisable personalities of the times: the Prince of Wales, Queen Victoria, the Tsar of Russia and notably Napoleon’s III wife Empress Eugénie de Montijo. Guerlain dedicated the citrusy-smelling verbena-rich Eau de Cologne Impériale to her (1853), composed with the aid of his sons Gabriel and Aimé (the latter his creative heir in 1864 and the composer of Jicky in 1889). He took pains to decorate the flacon with golden Napoleonic bees and thus started a delightful optical tradition, hints of which we can admire even today. In 1914 the opening of the boutique at Champs Elysées kickstarted the unfolding of a saga that persists.

Presented in Eau de Parfum concentration, the idea of Guerlain's 180 Ans de Création is a stripped-down representation of La Guerlinade, the famous accord that makes fragrances instantly recognised as Guerlain progeny. For 180 Ans its perfumer Jean Paul Guerlain twisted the idea of the classic accord, realising its aura is often perceived as admirable but a little outdated and thus added contemporary accents in the form of grapefruit, pink pepper and white musk. The choices weren't random, far from it: the bitterness of grapefuit is a work of marvel in Pamplelune, the most technically merited in the modern Aqua Allegoria line; the spiciness of pink pepper along with its surprising creamy quality (thanks to α-cadinol) is complimentary to the powdery feel of retro scents; the skin-like emission of musks is contemporary and lifting the powder into the realm of familiarity for audiences raised on home products laced with synthesized musks. Yes, 180 Ans is a calculated scent that hits just the right spot!

Starting with a shadowy feel of amber gloved in suede ~masterfully accented with a slight bitterness via grapefruit and possibly thyme to my nose~ Guerlain's 180 Ans de Creations encompasses the very characteristic bergamot-heliotropin-vanilla chord of many Guerlain edible scents without being sweet, as well as an inkish peach-pit almondy shade which reminds me of both Mitsouko and L'Heure Bleue. An allusion to the oppoponax-vanilla powderiness of Shalimar is finishing it off on a intimate base of musks and the coumarin delight that tonka beans provide so generously to numerous Guerlain creations. Neither supremely feminine, nor typically masculine, its caliginous amber can be likened to the series of fragrances that reworked the original Mathilde Laurent Guet Apens scent: Attrape Coeur, No.68 limited edition, Vol de Nuit Evasion. Nevertheless it is overall less ambery, with no discernable violets as in Attrape Coeur and it projects with more discretion. 180 Ans also possesses a mysteriously twilight chill beneath the warmth, contrasting with it and enhancing its dry powder (an effect of synth musks and dry woody aromachemicals?) which fascinates me. The thing most evoked in far drydown is the suede plush of vintage Shalimar (a hint of quinolines) and the cool powder of Habit Rouge: lovers of the later please take note!

If Guerlain after their LVMH acquisition seem to have drunk from the river Lethe losing memories of their past lives in the process, there are still some signs like 180 Ans which give me hope of a Pythagorian transmigration of the soul. After all Pythagoras didn't occypy himself with counting numbers only, despite what everyone says...

180 Ans de Créations is offered in the oblong flacon that houses L'Art et La Matiere and Elixirs Charnels, with the name placed on a thin metal plate that runs vertically from top to bottom on the front. It is still currently in production according to records as we speak, although cryptic enough to only procure one (from someone who got it last year obviously). I hope that changes soon!

Related reading on Perfumeshrine: Guerlain series

Pic of bottle via Mr.Guerlain and vintage poster via tallulah-album/photobucket

L'Air du Temps Cristal d'Or: Limited Edition 2009

A special edition of the classic Nina Ricci scent L'Air du Temps code-named Cristal d'Or is issued, 15 ml of pure parfum (ie.extrait de parfum), in a limited edition 2009, numbered.
The press release mentions "the original juice. We know otherwise...
Retail price 400 euros, launches October 2009 in time for Christmas gifts planning.

Pic via auparfum.com who has a wise commentary on the news (in French)

Mona di Orio Carnation: fragrance review

The Mona di Orio line is something like the Meet the Parents' (the Fockers that is) "inner circle of trust": You have to really give your whole before you get past the distrurbing opening to see what lies beneath. What you do past that point is up to you, but the journey there is full of apocalyptic awe and a few surprises.

Ravaged ~on an almost personal level~ by Turania, who apparently paid so little attention that they even misunderstood the very name (Carnation being the one which "blooms not in a flower bed but on a woman's cheeck"), one would have thought that the perfume's and the perfumer's fate seemed sealed to belong to the 9th circle of Dante's Inferno. Perhaps this is an eminent case of the adage "there's no such thing as bad publicity" and "say whatever you want about me as long as you spell my name right" because Mona di Orio not only sufaced victorious ~after a distribution problem~ and is referenced in a gazillion of publications, but she is also producing new perfumes and has participated to great aplomb in the recent Firenze Fragranza No.7 exhibition (Another independent perfumer, Andy Tauer was very appreciative and vocal about it, which is so graceful and so him).

Part of the initial triptych including Lux and Nuit Noire from 2006, Carnation is meant to evoke a tender embrace after a day spent in the sun and although it's a very individual scent and one that probably gets some getting used to (and no doubt some of you won't get used to it no matter what), I find myself most fascinated by its almost leathery impression, despite the description of it being a floriental. It is a par excellence musky fragrance on far drydown, both "dirty" and delicate, more than a little carnal, with mildly spicy accents on a bed of cream (provided by the floral notes). Mona dedicated it to Colette, a woman very attuned to cosmetic and fragrant preparations as well as the sensual world (Her Flower and Fruits book is a good companion).
Carnation's beauty lies in its "flaws": The initial spicy accent (resulting from the giroflée, the plant that produces cloves) is just a tad medicinal, which combined with the woodier elements and the kid's-glue-like complimentary styrax produces an arresting impression of a dentist's office nurse with the wickedly smiling face of Béatrice Dalle, her gap between front teeth an ironic exclamation mark on the artistry of said doctor.
The lasting power is very good, sillage is pleasantly there but non intruding and it should fit both sexes and most seasons (hold August).


Although Mona sat with Edmond Roudnitska, it is true that her style does not necessarily reflect the same aesthetic choices or sparseness of style. She even proclaims herself that the siren of Serge Lutens lured her into a different path of orientalia that diverted from the classic French mold, on which Roudnitska has put his final seal. Her Italian/Spanish heritage might have something to do with it. People who have met her in the flesh comment on her sparkling personality and struggling English, so it might not be so easy to translate her Damascene metamorphosis. To my mind, her imaginative Lux and of course Carnation present opposing impressions of the same coin: luminosity and crepuscular shadows, one after the other in quick succession and prove that a little exploring of her creations is highly recommended to all.

Notes for Mona di Orio Carnation:
Top: Bergamot, girofle, geranium Bourbon
Heart: ylang-ylang, violet, jasmine, precious woods
Base: musk, amber, styrax


Carnation is presented in the trademark cork-top faceted flacon of Mona di Orio's line in Eau de Parfum and is available for purchase in the US at Spafumerie: 2nd Ave. and 48th st, NYC. Tel: 212 644-9525 Email: thespa@spafumerie2.com Fax: 212 644-9529
In Europe Les Senteurs in London carries the fragrance ~as of this minute~ both in store and online, as does Aus Liebe Zum Duft.

Pics of autographed Mona di Orio Carnation bottle ©by Elena Vosnaki
Beatrice Dalle pic via nathalie-agency.blogspot.com

Thierry Wasser and Ora Ito on Idylle by Guerlain

A new site for Idylle by Guerlain (with a chinoiserie rendition of "Singing in the Rain" at the background) has launched and it's carefully orchestrated to reveal facets of the new perfume and its conception. The in-house perfumer at Guerlain, Thierry Wasser, talks (with English subtitles) about the concept, the choice of notes (strong emphasis on the rose as per him) and the image chosen for the newest feminine fragrance for mainstream distribution by Guerlain,Idylle, fronted by Nora Amezeder. Watch Wasser on this link.
Ora Ito, the designer behind the flacon in the shape of a gold drop, talks here. I have to admit that the site is beautifully constructed.
Perhaps the most mischievous thing on it however is the invitation to play online and enter to win a day at La Maison Guerlain.

Impressions of Peace

A girl: "How come we aren't doing all this stuff?
Another girl: "We didn't know."
~from "The Strawberry Statement"

Long before "world wide peace" became the finishing note in the pouting mouths of aspiring beauty queens in pageants across the world it was something less cliché, more noble. I wasn't born in the 60s and only have that strangely appreciative feeling that later generations too will have for that romantically delusional and missteppingly optimistic decade (Historical research suggests things were much grimmer than populary thought of). Someone once said that the 1960s as an "idea" didn't really begin till May '68 (Paris May) and it ended in August '69 at the Summer of Love in Woodstock. I vividly remember watching The Strawberry Statement/ Strawberries and Blood (a 1970 film) on state-television as an impressionable teenager. Simon's tiny apartment worked as a time capsule in retrospect: the "2001: A space Odyssey" soundtrack, the Robert Kennedy photo on the wall, Neil Young's "Down by the River"... The (how ironic!) paean for peace by John Lennon at the final sit-in was waving like the rowing gestures of the quiet hero in my mind for months. Almost 40 years later it still has resonance. (It would take an even more touching, more nuanced film to lightly smudge the impressions in my mind: Johny Got his Gun...)

So what's an essentially political post doing in a perfume blog? But I have long opined that basically everything is political, more or less! Everything we do, the views we have, the actions we perform have impact and they make a difference: To us certainly, but also to the world. The very etymology of "political" comes from the Greek word πόλις which means city-state (the formation of choice in classical Greece) and in that concept the citizen is the one who forms the essence of the city ("it is men who stand as the walls of the city") and is keenly aware and participant in everything that surrounds his/her life, embodying the city and the world around spiritually. The ideal of participating in common affairs was simple yet wise: if the city/world goes well, so will the citizen!

On a related thread I was contacted a few days ago by independent artist and perfumer Roxana Villa, who has created a special fragrance for the International Peace Day: developed specifically to help raise funds for an annual worldwide telecast concert of Superstar musicians performing Sacred Music from the most mystical concert venues on the planet. The perfume is officially unnamed due to the squatting on words perpetuated in the fragrance industry these days...but the Peace sign dangling leaves little doubt; and it rang a bell.

Let's leave Roxana explain the concept in her own words: "This fragrance is very much like the concept music albums that came out in the 60's when the Peace movement became part of mass consciousness. This perfume began with the intention of supporting a friends vision to create a global chant for peace as a series of concerts in sacred sites all over the world. His vision has not yet manifested. I intend that this perfume will facilitate manifesting that vision, just as Q facilitates manifesting consciousness for the California coastal live oaks. The illustrated image, the illumination, was created by my husband Greg. He is an award winning visual artist who has worked both in illustration (Time, Sports Illustrated) and in film (Narnia, Golden Compass). We choose a shade of burgundy from my palette as the color harmony for this fragrance based on the pigments in the image".

The perfume was orchestrated like a symphony with three complex chords of base, middle and top notes. Each chord contains up to seven different essences which come from all parts of the world and what I personally get is an earthy floriental (with a delectable neroli and possibly petit-grain with coriander/ginger opening? Roxana didn't specify but it's piquant!) on a smooth, smoky tobacco-vanillic woods aftertaste (sandalwood? and probably also rosewood in the middle?). It consolidates my faith in Roxana's woody blends and seems like a great, sweet fit for moving into the autumnal season.

Perfume launches September 21st, the United Nations International Day of Peace. The fragrance will give a portion of the proceeds from each of the 7 gram liquid perfume flacons and solid compacts to the POE (Project Peace on Earth) organization to facilitate their vision of a global prayer concert for Peace.
Join the celebrations for peace on the International Day of Peace link and learn about the non-profit project Peace on Earth here.
The perfume will be available as a pure, perfume extract and a solid natural perfume unguent. Visit Illuminated Perfume for purchases and Roxana's Journal for a chance to win two liquid samples.

Please visit the rest of the participating blogs with thoughts on Peace:
Bitter Grace Notes
Examiner Cleveland
Examiner Portland
Illuminated Perfume
Indie Perfumes
Memory & Desire
Perfume Smellin' Things
Scenthive
The Non Blonde
Illustration by Greg Spalenka