Guerlain Petite Tortue: new fragrance & re-issue of historical "tortoise" bottle

The Baccarat "turtle" bottle has just been re-issued in precious few numbered bottles by Guerlain and Vogue Russia dedicates a chapter to it, hence the info on notes, availability and design below.

via

The original "turtle" bottle (la tortue) was commissioned to the Baccarat studio in 1914 [ed.note: Vogue puts it as 1913] to celebrate the change of address to 68, Champs-Elysées to hold the appropriately named Parfum de Champs-Elysées. The scent was composed by legendary perfumer Jacques Guerlain. The shape of the turtle was an inside joke on the protracted construction work that it took to complete the new beauty shrine. 

Today Guerlain re-unites with Baccarat to issue a contemporary "turtle" bottle, the 4th re-issue* since its original opus, to house the new Petite Tortue perfume. The new tortoise like crystal design follows the craftsmanship of the famed house. The crystal is faceted into more than 80 facets to shed light from all angles and holds 60 ml/ 2 fl.oz.

Guerlain Petite Tortue is an extrait de parfum composed by in house perfumer Thierry Wasser. The scent of Petite Tortue is a spicy floral woody which opens with mandarin and pink pepper into a heart of osmanthus blossoms and fruits accord. The base of Petite Tortue is rounded with incense, vanilla and tonka beans recalling the tradition of Guerlain perfumes. 

Les Dames de Table are responsible for the finishing touches of the special presentation: the enamel cap holder can be accessorized with the customer's initials; in a choice of color and with a golden rim.

The special edition of Petite Tortue is presented internationally by Guerlain in only 47 numbered bottles, each retailing at a whooping € 9500.

*The last time Guerlain re-issued the "turtle" (or sometimes referred to as tortoise online) bottle it held  Extrait du 68 (an increased concentration of Cologne du 68 fragrance by Guerlain)

EDIT TO ADD: New information from Fragrantica suggests the Petite Tortue scent is indeed Extrait du 68.

Related reading on Perfume Shrine: 

Really Expensive Perfume Bottles to Feast Your Eyes On

The Guerlain series: Guerlain News & Perfume Reviews

Upcoming fragrance releases

Guerlain Quand Vient La Pluie & Quand Vient L'Ete: fragrance reviews, notes & bottles history

Approaching Guerlain fragrances has me strained on the brink, like the tailor with his home-made parachute when he was about to jump from the Eiffel tower more than a century ago. Contrary to this proto-pioneer of aviation the apprehension comes not from the chill of the unknown but rather from the gloom of having one’s lust non-quenched. Like that supreme stylist Vladimir Nabokov said, “the look of lust is always gloomy; lust is never quite sure—even when the velvety victim is locked up in one’s dungeon—that some rival or influential god may still not abolish one’s prepared triumph.” Thankfully there are instances where neither rival nor influential god can take away from what one has carefully designed, even when it’s relatively of a recent vintage yet sure in the footing of tradition; and who better than Guerlain to be in that position? The two seasonally named, yet of panseasonal capabilities perfumes, "When the Rain Comes" and "When Summer Comes," prove to be amongst those “vintage” (and I use the term very loosely) Guerlains for whom lust is fully justified.

Guerlain Quand Vient La Pluie via 

Find out on this Fragrantica link why that is. plus how these two meta-vintages smell and how they implicate other famous and less famous Guerlain perfumes, such as L'Heure Bleue, Apres L'Ondee, Terracotta and No.25, before being both contained in the limited edition Les Saisons coffret.

Fragrance notes for Guerlain Quand Vient La Pluie include bergamot, rosemary, neroli, heliotrope, violet, jasmine, amber, gourmand praline notes, patchouli and musk.
The bottle was designed by Serge Mansau

the 1910 original formula (loosely inspiring the latter) Quand Vient L'Ete by Guerlain, in Baccarat quadrilobe bottle (circulating to this day) Pic originally from Ebay via 

a later re-issue of Quand Vient l'Ete in the retro bottles, originally on Ebay via  

Fragrance Notes for Guerlain Quand Vint L'Ete (2007 formula) include:

Top notes are mint, lemon and rose; middle notes are lily, jasmine and ylang-ylang; base notes are carnation, iris and vanilla.

Annick Goutal Re-Issues Another Discontinued Fragrance

The discontinuation of fragrances right and left is par for the course with most perfume brands these days, due to several reasons. Allergy restrictions changing, slow sellers, revamping of packaging and positioning, change of distribution patterns or a combination of all of the above account for withdrawing several scents which then gain a cult status (such as Yohji by the designer Yamamoto or the entire Helmut Lang range which was recently re-issued). Perhaps the very action of discontinuing a perfume is responsible for giving it covetability (an exercise in masochism) or perhaps it always had been unfairly unsung and got its due too late.

Some of them are nevertheless increasingly re-issued, such as is the case with L'Artisan Parfumeur who re-issued L'Eau du Caporal, Tea for Two and Oeillet Sauvage last season. Annick Goutal had her own share of discontinuations a couple of seasons ago when they revamped the line and packaging.

Camille Goutal, daughter of Annick and current art director of Parfums Annick Goutal

One of them, the bright airy and sunny Eau du Ciel, a fairy of a scent from 1985 developed by Isabelle Doyen with Annick. Fit for days when the skies are blue and cloudless (or a sliver of hope when those same skies are overcast) Eau du Ciel is re-introduced in the newer packaging. The romantic, delicate notes of neroli, violet leaves, and orange blossom are  a slice of heaven, underscored by a little powdery iris and rosewood.

As usual, some discrepancy with the older bottles one has in their collection will be  discussed online for sure, but the company doesn't proclaim a change in the formula. On the contrary, they re-introduce it to celebrate 30 years of the company. Available as 100ml of Eau de Toilette.

Could Eau de Camille be next?

Welcome Back in Production (Tauer Fragrance Re-Issue)

Next month, in March, Tauer Perfumes #12-Eau d'Epices returns to the shops after an absence of a year and a half.  Eau d'Epices is a quite interesting scent and very much falls into a love/hate relationship with the Tauer clientele. The "love's" are clamoring for the return and here it is!

I will be devoting more space to it since it is a perfume I personally like very much and hopefully there will be lots to discuss about some finer things in the production and distribution of niche perfumes. Stay tuned!

Yves Saint Laurent Premieres Roses Re-Issued

To celebrate the 30th anniversary of Paris perfume by Yves Saint Laurent, the French brand is re-issuing a limited edition version of Paris from spring/summer 2011 called Premières Roses. 


For those who had not been quick to sample it, the Paris Premières Roses flanker is the epitome of spring and an homage to the Centifolia rose (rose de Mai). The fragrance plays with delicate fragrance notes of rose, lighter, a little more powdery and softer than those in the heart of the original Paris perfume.

The top notes are comprised of rose and lily-of-the-valley; middle notes include African orange flower, violet and peony; the base notes revolve around musk and sandalwood. Rose is big this spring, in youthful takes more than ever before, and this tried & true offering is among the most wearable.

The 2013 edition by Yves Saint Laurent differentiates in the packaging, with a more brightly colored box, so as to differentiate from the previous 2011 edition. This is again a limited edition, so if you liked it before, you know what to do.

Related reading on Perfume Shrine: Yves Saint Laurent fragrances & news, Top Rose Fragrances & Scented Products (Beauty & otherwise), Rosy perfumes reviews.

L'Artisan Parfumeur Mandarine: fragrance review

Mandarine by L'Artisan Parfumeur began its "career" under a different guise: a limited edition bottle for summer 2006 under the name Mandarine Tout Simplement (i.e. Simply Mandarin), along with the regular line launch of Fou d'Absinthe, based on absinth. Mandarine is recently re-issued in the regular bottles of L'Artisan, in 50ml/1.7oz size, so it's fitting to give it a review.

Extremely true to the mandarin fruit, succulent and fresh and tart, Mandarine by L'Artisan Parfumeur is really as if you have piched your nails on the rind of a ripe mandarin, juice dribbling down your fingers, the tartness almost spritzing you in the eye. Then it fans out into a little indeterminable wood accord, of which cedar seems to be the main note. It's pretty simple and unadorned by weighty accents.
The succulent, lightly peachy-bubblegum note that you might detect after a while is due to frangipani. Nevertheless, this is not at all a floral perfume by any means, nor a floral fruity either. It stays resolutely within the realm of fruity woody. As soon as one sprays Mandarine one is transported to a sunny place, with a bowl of fruits on the porch and a summery frock on. Sunglasses optional : this is a friendly , not aloof scent at all. Rather sweet, but the tartness keeps it from being cloying.

Perfumer Olivia Giacobetti is known for her unusual watery creations that are far from the "marine" type of frags so typical of the 90s (witness the watery ambience in Navegar or her Preparation Parfumee for Andree Putman) and her beloved dough/yeast note (as in the cucumber-watery lilacs of En passant ), but here I can detect none. That's a good thing to me personally, because sometimes they ruin the perfume for me.
Mandarine makes you go "ahhhhh" at first sniff , but then it disappears suddenly. I have no trouble with most L'artisan fragrances and their staying power (I regularly wear Premier Figuier, Timbuktu,Oeillet Sauvage without problems to give you an idea), but of course citrus and hesperidic notes are volatile to begin with, hence the swift evaporation. For those who complain about short-lived staying power, that might be a concern. Now that it comes in a 50ml bottle, it would be a "killer" to have in your bag and spray away at the first opportunity.

More info on availability &shopping on the L'Artisan site.

Which is YOUR preferred fruity fragrance for summer? 

Painting of Mandarins via Sadie e Valeri blog

L'Artisan Parfumeur Fleur d'Oranger 2011: It's Back!

One of the most elusive and revered orange blossom scents is the two-time wonder by L'Artisan Parfumeur called Fleur d'Oranger: the last 2007 edition was a tad different than the original from 2005, but hope died entirely when reserves even of that one dried up. But L'Artisan has had other plans it seems: Fleur d'Oranger (part of the Harvest Series, alongside the spectacular Iris Pallida and the hay-like Fleur de Narcisse) is back in 2011: This time in a normal bottle of 50ml/1.7oz instead of the big ones in the wooden crates like precious millesime wines. Information wants the re-issue a limited edition, although there is no specific mention on the actual bottle to indicate this is so. According to a sampler friend: "The composition is very similar to the previous two, maybe slightly less sweet comparing to the 2007 version". The current edition is much more sanely priced at 75€ .

It remains the subject of hypothesis whether the use of the typical bottle hints at an abandoning of the Harvest Series by the brand entirely. At any rate, the official L'Artisan site doesn't mention the series any more...

thanks to Elysium for bringing it to my attention

The history of the Guerlinade accord, original & re-issued Guerlinade perfume by Guerlain

Like many other confusing matters pertaining to fragrance history the often quoted name Guerlinade stands for several seperate things and disentangling them is at large an exercise in minutiae. Historical minutiae being within the scope of Perfume Shrine from the very start however we hope to cut through the knot which perfume companies often present us with. So this little guide is aiming at providing answers to what the Guerlinade accord is, how Guerlinade smells and in which Guerlain perfumes it can be discerned, which fine fragrances were named Guerlinade and their packaging and availability as of this minute.

Originally La Guerlinade was the code-name for an olfactory harmonious blend ("accord" in perfume-speak) ~possibly conceived by Pierre-François-Pascal Guerlain* but first referenced in relation to Jacques Guerlain** ~ that typified Guerlain perfumes in their classical compositions and made them the stuff of legend: Bergamot, jasmine, rose ~especially the Bulgarian version rather than the Turkish one~, orange blossom, iris, (possibly vetiver), tonka bean, and vanilla are said to be the main ingredients comprising it. Of course the exact formula of this special accord is guarded with the zeal Fort Knox is, but most perfumephiliacs can identify the above notes forming the characterist nuance of the chord that runs through the melody of L'Heure Bleue (along with trademark heliotropine) ~especially in Parfum de Toilette and vintage extrait de parfum~, Shalimar and Vol de Nuit; this nuance either captures in its guile or haunts with terror the fragrance enthusiasts. The fragrances composed by Jacques Guerlain especially are intensely redolent of this accord, although Mitsouko is less immersed in it, opting for the oakmoss chypre base under the notorious peach-skin note.

Strangely enough, the term only entered popular parlance outside of the Guerlain labs at the launch of masculine scent Héritage, as Sylvaine Delacourte, artistic director of parfums Guerlain reveals! Like a silky veil, the Guerlinade softens any sharp angles and smothers the composition in the purple hues of twilight. Its feel is polished, bergamot fusing its elegant freshness with rose and vanilla and the tonka bean gives a vague sense of hay, powder and tobacco. But its perfume-y ambience can also feel somehow retro which is why sometimes modern tastes run antithetical to its rich, textured feel.

Guerlinade nevertheless also happens to be the name of a Jacques Guerlain creation from 1921 which came in a beautiful bottle of intensely faceted crystal, shaped like a lekythos. The Guerlain archives include a vegetal lotion issued in 1924 with the same name, an early thought of an ancilary product so to speak. The scent after some "renovation" was re-issued as a seperate, limited edition Eau de Parfum in a new Baccarat flacon design to celebrate the 170 years of Guerlain in 1998 (circulating again as Guerlinade in a presentation that depicted paintings of Parisian life, depicted above) and later re-issued yet again in Les Parisiennes boutique line (in standard bee bottles, depicted below) upon renovation of the 68 Champs Elysées fragship boutique in 2005. Nevertheless the actual scent was different than its predecessor and the famous accord: it had a predominent streak of powdered lilac (a lovely one at that) ~and perhaps a touch of oily hyacinth garlanding it with its "dirtier" streak~ and little relation to the characterist chord that Guerlainomaniacs recognise instantly. Its powdery retro formula (a little iris, a little tonka) explored bouquets of impressionistic vignettes of Parisian life amidst equestrian scenes when gentlemen with horse-drawn carriages would bow down to pick up the handkerchiefs of ladies blushing beneath their veiled little hats. The homage in Guerlinade the fragrance was more that and less an actual reproduction of the exact secret formula for the Guerlain house "signature".

Today the fragrance named Guerlinade is discontinued and no bottles can be found at boutiques Guerlain updrading it into a collectible. Much like happens with other elusive limited editions such as the Harrod's aimed Belle Epoque from 1999 with its musk-veiled tuberose, the No.68 limited edition which reworked Guet Apens, the Champs Elysées Bacarrat turtle/tortoise bottle amongst them...

Yet the renowned accord hasn't died; far from it! The classic Guerlinade harmony was revisited in a Limited Edition commemorative Eau de Parfum fittingly called 180 Ans de Création (meaning 180 years of creation and issued in 2008 to commemorate the 180th anniversary of the house of Guerlain) Jean Paul Guerlain twisted the idea of the classic Guerlinade harmony, realising its aura is often perceived as admirable but a little outdated, and thus added contemporary accents in the form of grapefruit, pink pepper and white musk. The result is elegant, polished and a study in dry warmth and I sincerely hope it becomes more widely available than the gifts given out to the participants of the 180th anniversary celebration. In the meantime we can admire and savour the classical Guerlinade, "un état d’ Esprit", in several vintage Guerlain fragrances where it is shining in all its unadulterated glory.

*ref: Perfume Intelligence Encyclopaedia.
**according to Jean Paul Guerlain
Pics via passionforperfume.com and monkeyposh.blogspot.com

Frequent Questions: 2000 et Une Rose vs. Mille et Une Roses by Lancome and a footnote on La Collection

One of the most frequent questions among perfume entusiasts who love roses and are discovering the offerings by Lancôme is what is the difference between 2000 et Une Rôse and Mille et Une Roses and why the different names. The explanation is rather simple: They're exactly the same scent, ambery and slightly fruity roses on a vanillic base composed by perfumer Christine Nagel, but they came about in different ways. Let's see how!

2000 et Une Rôse (2000 and a Rose) was a fragrance meant to commemorate the Millenium celebrations (along with less well-known 2000 et Une Folie and 2000 et Une Nuit), which was issued in 1999 as a limited edition in a teardrop-shaped bottle of 30ml/1oz with an accent circonflex on the "Rose" to echo the one in Lancôme (a practice the company follows often with the names of their fragrances). There is a blue ribbon threaded through a small gold loop around the sprayer, tied in a bow, as depicted. Naturally, after a while the fragrance got discontinued, as it was never meant to be a permanent addition to the line-up. However, fans of its unctuous rosiness who really loved it, searched high and low for it and had been pressing the company most energetically to re-release it. Their prayers were finally heard.

When L'Oreal decided to release the more upscale project La Collection with archived scents from Lancôme's illustrious past (Magie, Sikkim, Sagamore, Climat), they re-issued this one again, the juice tinted blue making a wonderful contrast with the other scents in the coffrets which are peachy, ambery and green. The bottle reprised the design of the scents in the line-up in architectural sparse lines reminiscent of the classic design of yore. The name changed to Mille et Une Roses (in plural, please note, due to grammatical structures of French dictating it) which simply means 1001 Roses, because the millenium celebration moniker was no longer applicable.
While Mille et Une Roses by Lancôme can be found at counters which have the other scents of La Collection (such as Saks), 2000 et une Rôse can be found on Ebay now and the lone etailer fetching quite high prices, aimed mostly at bottle collectors.
Comparison testing also suggests that the fragrance is quite close to the ambery rosiness of Stella Rose Absolute Eau de Parfum by Stella McCartney.

The other fragrances in Eau de Parfum concentration in the current coffrets of La Collection -in various arrangements within each presentation- are:
Magie (re-issue of the 1950 aldehydic-floriental scent),
Sikkim (re-issue of the 1971 leathery chypre scent),
Sagamore (re-issue of the masculine citrus 1985 scent) and
Climat (re-issue of the green aldehydic 1967 scent).
In 2007 Cuir joined the collection, with a rejingling of the juice launched as Cuir / Révolte in 1936, but its availability is limited to Europe and that only at select spots. (You can read a review of the re-issue here)
The newest addition is Peut-Être from 2008 by perfumer Natalie Lorson, merely sharing the name of a fragrance originally launched in the 1936 (Qui sait/Peut-Être which means "who knows/maybe").

Related reading on Perfume Shrine: Lancome scents, Frequent Questions

Pics via perfumenetwork and Saks Fifth Avenue.

Sous le Vent by Guerlain: fragrance review (vintage vs.re-issue)

"Funny business, a woman's career. The things you drop on your way up the ladder so you can move faster. You forget you'll need them when you get back to being a woman." The apothecary splash bottle of Sous le Vent by Guerlain resting atop my dresser with its black, disk-shaped label with gold lettering encircling it, makes me think of the logos of old cinematic companies long defunct starring dramatic heroines with high cheekbones hissing deathly lines clad in impeccable tweeds or gala-time smooth silks. Betty Davies in "All About Eve" comes to my mind as she utters those lines, her character in stark contrast to the outwardly maudlin yet steel-hearted assistant-cum-antagonist Eve Harrington.

Although a literal translation would indicate "in the wind", Sous le Vent is French for "leeward" after the name of the tropical Leeward Isles of the lesser Antilles in the Caribbean: indeed the islands are divided into Windward and Leeward groups. Many among those "greener than a dream" isles were colonised by the French, accounting for an interesting, non-coincidental analogy ~the fruit of the Americas which has been Frenchified into Créole. Sous le Vent was composed by Jacques Guerlain for Joséphine Baker in 1933, according to the charming pamphlet provided by the boutique, as a pick-me up for applying after her notorious dance performances in which she often appeared in nothing more than an all too brief skirt made out of bananas on a string. Strutting her proud gazelle frame in the streets of Paris with a pet leopard in tow made everyone forget about Freda Josephine McDonald's humble St.Louis, Missouri birthplace and her vaudeville beginnings, evoking instead the glamourised image of a jungle animal: fierce, supple, ready to leap! And long before Angelina Jolie and Mia Farrow, she had adopted her own Rainbow Tribe: 12 multi-ethnic orphans, proving that titillation of the public and activism aren't mutually exclusive.

It is of interest to note in the iconography of Guerlain print material on their 20s and 30s scents that Sous Le Vent was featured in characteristic illustrations in the "Are you her type" series that included Mitsouko, Vol de Nuit , Liù and Shalimar, indicating that its eclipse among the classics in subsequent years was not due to a lack of intent. Les garçonnes were its natural audience but the ravages of WWII brought other sensibilities to the fore making an angular androgyne scent antithetical to the femme totemism of the new epoch in which the purring, slightly breathless tones of Marilyn Monroe caressed weary ears. It took Guerlain decades to re-issue it; finally a propos the refurbishing of the 68 Champs Elysées flagship store it was the second one to join the legacy collection affectionally called "il était une fois" (=once upon a time) in 2006 after Véga.

I am in the lucky position to be able to compare an older batch of extrait de parfum with my own bottle of the re-issued juice, and although Luca Turin in his latest book claims that the new is very different from his recollection questioning whether it is his memory or Guerlain's "that is at fault", I can attest that the two are certainly not dramatically different. Being a favourite of the black Venus of the merry times between two world wars, should give us a hint that Sous le Vent is a strong-minded affair of great sophistication and caliber. Difficult to wear as a scent to seduce or invite people to come and linger closer due to its acquiline nature, but very fitting as an unconscious weapon for a woman about to close a difficult business deal, embark on a divorce case or hire a professional assassin. It transpires strength! To that effect the vintage parfum offers rich verdancy, a mollified fond de coeur that is perhaps justified by the very nature of the more concentrated, less top-note-heavy coumpound needed for making the extrait or the diminuation of the effervescent citrus top notes. The modern eau de toilette is a little brighter, a little more streamlined and surprisingly a little sweeter in its final stages, yet quite excellent, making it a scent that always puts me in an energetic good mood wherever I apply it lavinshly -because it is alas rather fleeting- from the bottle.

Technically a chypre, yet poised between that and an aromatic fougère* to me, Sous le Vent bears no great relation to the mysterious guiles of Guerlain's Mitsouko but instead harkens back to the original inspiration behind it, Chypre de Coty, but also to another Guerlain thoroughbred ~Jicky (especially on what concerns the aromatic facet of lavender in the latter's eau de toilette concentration). Sous le Vent is both greener and fresher than Mitsouko and Jicky nevertheless, as it eschews the obvious animalic leapings yet retains the cinnamon/clove accent which will later be found in the fantastically "dirty" and underappreciated Eau d'Hermès. All the while however the piquancy that makes Coty's iconic oeuvre as well as Jicky so compelling is unmistakeably there.

Sous le Vent starts with a rush of subtly medicinal top notes of herbs that smell like lavender, rosemary and tarragon, a full spectrum of Provençal aromata. A tart bergamot note along with what seems like bitterly green galbanum skyrocket the scent into the territory of freshness and a smart "clean". Its next stage encompasses dry accords, soon mollified by the heart chord of a classic chypre composition of dusty moss with the sweet tonality of generous flowers that evoke the banana fruit: ylang ylang notably and jasmine sambac. In the final stages I seem to perceive the dusky foliage of patchouli.

Potent and assertive thought it first appears to be, a take-no-prisoners affair for a lady who was known to dance with only a skirt of bananas on, leaving her country for France and being idolized by all social strata, it screams of individualism and élan; yet strangely Sous le Vent, especially the gangly new version, doesn't invoke the scandalising side of Josephine nor her exuberant nature. Complex and elusive, it is certainly not an easy option for today’s women's sensibilities; it is rather too cerebral, too intelligent for its own good, not sexy enough. These qualities however would make it a wonderful masculine addition to a cocky fellow's repertoire. This travel back into more glamorous and individual times is worth the price of admission. Wear it if you are really interesting as a person, it will only enhance that quality.

Notes for Sous le Vent:
Top: bergamot, lavender, tarragon
Middle: jasmine, carnation, green notes
Base: iris, foresty notes, woody notes

The vintage parfum can be found on Ebay from time to time. The current re-issue in Eau de Toilette concentration is part of the Il était une fois collection exclusively sold at boutiques Guerlain and the éspace Guerlain at Bergdorf Goodman, housed in an apothecary style cylindrical bottle of 125ml with a gold thread securing a seal on the cap.

A sample of the modern re-issue will be given to a random lucky reader!

*Fougère is a classic olfactory family -mainly of masculine scents- that relies on a chord of lavender-coumarin-oakmoss.

Pic of Sous le Vent advertisement courtesy of femina.fr
Pic of Josephine Baker costumed for the Danse banane from the Folies Bergère production Un Vent de Folie in Paris (1927) courtesy of Wikimedia commons.

Vega by Guerlain: fragrance review (vintage vs.re-issue)

Véga was originally created in the 1930's, in 1936 to be precise, by Jacques Guerlain. It was such a loaded year: the Berlin Olympics, the Nobel for Eugene O' Neil and cinematically speaking My man Godfrey with Carole Lombard who could wear this perfume effortlessly. The recreation was undertaken by Jean Paul Guerlain for the opening of the renovated Boutique Guerlain in 2005 and bears his mark alongside the well-known Guerlinade base. It entered the Legacy collection, known under the name Il était une fois (=once upon a time). Belonging to the family of aldehydic florals that first took off with the infamous introduction of Chanel No.5 in 1921 by Ernest Beaux, Véga has the fizzying, sparkling element of the aldehydic opening, that can sometimes smell waxy or even soapy.

Vega is such a beautiful name: being the brightest star in the α Lyra constellation and the 5th brightest star we can see in the sky, it has 58 times the brilliance of the sun, although scientists tell us that they are full of cosmic dust. The name however evokes luminosity and the perspective of cosmos: In 1936 Paris was indeed the capital of Light, the chic metropolis of every emerging trend, the place to be!

The original jazzy Véga in vintage Eau de Toilette traipses along the classic school of aldehydics with a luminous, expansive quality and softly powdery rosey and iris notes that support the warmth of sweet flowers ~notably the piecingly sweet ylang- ylang~ and the familiar vanillic touch of the Guerlinade base that takes a creamy nuance: the lustre of big pearls worn at the open neckline of a soft cloak under marcelled hair to go out for a night of folly.
Perhaps that aldehydic arpeggio is a nod to the take-off in Chanel's No.22 as well. The notes sing in a beautiful choral that hums melodiously.
According to toutenparfum in 1995 or 1997 according to other sources (later which would co-incide with the 1996 LVMH takeover and therefore seems more probable), Véga was briefly re-introduced and swiftly disappeared again. The bottle was short and cylindrical with a bulby cap, resembling the original inkwell flacon shown in the above vintage print ad.

In the 2005 re-issue of Véga those diffusive soapy-powdery notes are softened, to suit modern tastes who have arguably distanced themselves from the more perfume-y tastes of yore. However that is not to the detriment of the perfume at all. Rather it emphasises the rich floral heart while the two versions are not dramatically different. The ylang ylang is the predominant note in the new composition, a jasmine-like scented flower with a somewhat fruity aspect; jasmine and orange blossom come along too from the wings as supporting players. Véga also features fleur de cassie (acacia farnesiana) with its rich smell, like cat's paws immersed in milk, a whiff of heliotrope. Although iris and rosewood are listed, they were not to be found in the re-issue, at least not in the usual earthy version I come to witness in most true iris perfumes, like Luten's Iris Silver Mist or Hiris. That sweet floral heart in combination with the Guerlain vanillic warmth and the plush vetiver-amber base reminds me of the fond of Vol de Nuit and Shalimar at the same time without the smokey den ambienace of the vintage forms of the latter. That is to say Véga definitely has an animalic musky tonality in it that would potentially drive off people not attuned to full, hazy florals. It is not a perfume for shying violets!
Although the heart and base have elements of Chanel No.5, especially in its parfum version, Véga is at once less naughty and woodier. That darker, more serious element is a great attribute of the creation and although it is only an idea of darkness really, it still manages to make the perfume rise above merely pretty. Guerlain has always had an affinity for making likeable and wearable perfumes, often taking inspiration from other compositions and "making them laugh", like Jacques Guerlain did with Shalimar and Mitsouko (inspired in part by Coty Emeraude and Chypre respectively). Guerlain's other aldehydic floral from the period between the two World Wars, Liù, was another one inspired by Chanel No.5, but in comparison to Véga the latter seems soapier and more angular. They both have a bourgeois sensibility that makes for generally very "French"-smelling perfumes; at least in what is considered French in the collective unconscious, France being a vast country embracing many different cultural stimuli. This is the case here with Véga and this aldehydic may be a wonderful alternative for people who cannot enjoy Chanel No.5 or Arpège or even the fabulous Editions des parfums Frédéric Malle Iris Poudre.

The vintage parfum circulated in the inkwell-shaped bottle, while the Eau de Toilette is to be found in the large oval bottles (as depicted) on Ebay. There seemed to be also an Eau de Parfum version which however I have not tried yet. The 2005 re-issue of Véga is currently available exclusively at boutiques Guerlain and the Bergdorf Goodman's éspace Guerlain in Eau de Toilette in a 125ml splash cylindrical bottle tied with a gold thread on the neck and the Guerlain seal flat on the cap.


Notes for Véga:
Top: aldehydes, bergamot, orange blossom
Middle: jasmine, rose, ylang-ylang, fleur de cassie, rose, carnation, rosewood, iris
Bottom: sandalwood, amber, vanilla

Please read another review in French on Ambre Gris.

Pic of Vega ad courtesy of euart.com. Bottle pics through etna.borda.ru, Victoria's Own and mr.Guerlain (collector).