More advertising watching: Mariah Carey, preview for Forever, new celebrity scent

With not one but two signature scents under her belt, M by Mariah Carey and Luscious Pink, and a third one, Forever, just about to launch this September, Mariah Carey seems more set on perfumes than music albums it seems. She’s debuting her ads online exclusively on PEOPLE.com, from where the pic is weaned from. According to Mariah:“Fragrance is so personal and Forever captures that glamorous feeling that I want to share with my fans.” Forever is described as an "opulent floral scent, which will contain notes of lotus blossom, tuberose, gardenia, exotic woods and white musk". The fragrance will retail for $42 for a 1-oz. spray.

What I have to note concerning the imagery chosen by Elizabeth Arden, the company under the aegis of which Mariah's perfumes are materialised, is that the picture looks a little skewed and quite Photoshopped to make Mariah a bit ...unrecognisable. Maybe not as heavily Photoshopped as this ad for Chanel with Keira Knightley we discussed the other day, but messed with, at any rate.

I love the 30s satin dress in ivory and the choice of glitzy art-deco jewelry to match the style like a silver screen siren (shades of Jean Harlow), but the pose of Mariah looks unnatural ~whose hair would adopt such an angle, since if you notice she's not really leaning on the cushions~ and her face looks weird; I've seen her in better pics, honestly! The bottle of the fragrance also looks a little...hmmm....
Anyway, best of luck to her I suppose and hope she gets back to recording her amazing voice.

Pic of bottle via Upscaleswagger

Keira shows some breast instead of chest for Coco Mademoiselle

What is Keira up to now? Ooopsie, doopsie, she's baring a breast or two, nicely plumped through Photoshop of course (a repeat actually), if Internet candids are anything to go by, in order to sell a unianimously best-selling fragrance by Chanel, Coco Mademoiselle.

A photo that looks like a spin on an already artistically successful print campaign which we analysed in detail in our "In a Suspender State of Mind" article. Why? I mean...what's the point? The advertising image was plenty sexy without showing any inch of skin before and although I am no prude, it somehow doesn't need it. Did we give them ideas with our Charlotte Rampling in "Night Porter" references in the above article? Let's not "eulogise our beard" just yet. It would be super neat if big companies listened to perfume writers such as myself and many others, but we're a long way from influencing campaigns, alas.


So what's new? That the behind the scenes shot shows more ribcage or that there is the mysterious double standard that reminds me of the duality of European and American versions of the Tom Ford masterminded Paris menage à trois shoot for Yves Saint Laurent some years ago? (contrasted here on this article) And Tom Ford and Keira have conspired on a nude picture before for Vanity Fair. Hmmm....

What do you think? Do you like it? Do you prefer the more covered one? Why/Why not?

Images sent to me by a valued friend, unacredited. They seem to appear on the Examiner (not any more!) , hollywoodgossip and showhype.com

Kasia Smutniak fronts the upcoming Idole d'Armani

Recently we had speculated whether the face of the upcoming feminine fragrance of Giorgio Armani would be Angelina Jolie when news of an agreement between the uber-mom and the designer had hit the newstands. Backed with the collaboration with David Beckhman for the eagerly expected advertising campaign we had even composed a collage for a prospective naughty shooting idea! Yet the reality as hinted by one of our most clever readers was different: it seems like the powerful celebrity duo will front another franchise in the Armani perfume-brand, especially since Victoria Beckhman has ended her one-year contract with the designer for the brand's Emporio Armani (but her husband has not). The news is that Idole will be fronted by Polish actress Kasia Smutniak.

"I chose Kasia to be the face of my new fragrance, Idole d'Armani, because she has a fresh and modern appeal which combines true feminine sensuality and rare beauty with inner strength of character. She embodies the spirit of the Idole d'Armani woman perfectly", said Giorgio Armani. {source} Judging by her model looks (look at her prominent bone structure!) I don't see many women identifying with her really, nor do I see anything distinctive and out of the expectedly pretty as proposed by the art directors, but maybe I am overpicky visually or premature in my impressions... And with a name like Kasia, I would have loved for the fragrance to be cassia-based. Oh well...

Idole d'Armani will be available in stores worldwide from September 2009 and you can read an article with preliminary (and perplexing I might add) quotes from mr.Armani on this link and some info on the juice and the bottle on this link.

Related reading on Perfumeshrine: Upcoming releases, Advertising series, Armani news and reviews

Pics of Kasia Smutniak via fashionindie.com and shoppingblog.com

The Island of Dr.Muglerstein: what is Thierry Mugler doing now?

Some of us, last time we checked, have singed our retinas with an image of unrecognisable designer Thierry Mugler as Manfred the body-builder (was the name intentionally Byronesque?)in socks, sandals and little else. Everyone is free to do as they see fit with their body and their lives, but it was a strange path to Destructionville.
The Thierry Mugler fragrance line however seemed to have a life of its own, flourising into a multi-million dollar enterprise, creating a progeny of upstart imitators to boot and renewing its own faces fronting the advertisements. Mugler continues with a niche twist: the latest collection of scents was tightly distributed. "Oserez-vous la metamorphose?" (=Will you dare the metamorphosis?) was Mugler's last perfume collection's "Miroir, Miroir"(=looking-glass) motto and this tied in with his own metamorphosis. I am not sure if he envisioned himself as a chrysallis that was waiting to become a butterfly, because that would collide with my own perception, but you know what they say about tastes. Besides, Mugler seems to be after his own personal chimera and there is something painfully romantic about that, if you think about it.

Now, here he comes again with a new online project: The Island of Dr.Muglerstein (L'ile du Dr.Muglerstein), clickable here, brought by the Machinima Association.
The clip is funny in uniting the Moulin Rouge mill with that golden robot from Star Wars, sci-fi and comic books design with Angel and Alien hints. There is also a blog option in which apparently Mugler will be a cosmic storyteller guiding us through his intergalactic mutant adventures, judging by the alien figure emerging at the end of the clip.
And of course the title The Island of Dr.Muglerstein recalls the Island of Dr.No as well as The Island of Dr.Moreau by H.G.Wells (and the hundreds of artwork, novels and films inspired by it). And you do remember what happened in those stories, don't you!

Twisted! What do you think?

Link via POL and PaulJohn. Poster of The Island of Dr.Moreau 1977 film, courtesy of Wikipedia.

The new Shalimar by Guerlain commercial with Natalia Vodianova

A few days ago we introduced the new face of Shalimar by parfums Guerlain, Natalia Vodianova, shot by Italian photographer Paolo Roversi. The ad prints that will appear in major fashion and beauty magazines only give a hint of the upcoming advertising campaign, apparently.
Perfume Shrine is proud to be the first to feature the newest commercial of Shalimar, with Natalia Vodianova, today, kindly supplied by one of our readers who wishes to remain anonymous.
Our newest info suggests that Natalia Vodianova will also be fronting Guerlain's makeup and skincare starting January 2009.
The TV and cinema commercial of Shalimar is full of sensual images of a naked Vodianova, wriggling on an unmade bed, the voiceover recalling the famous Marilyn quip about wearing a few drops of Chanel No.5 in bed, but also visually echoing the controversial campaign of Calvin Klein's newest feminine scent Secret Obsession in which an object(the fragrance) becomes a psychological relation to emotional response. It is almost as if the emotion is transfered onto the object befitting Freudian analysis.



The concept seems to be focused on a conversion between lovers following a passionate tryst, with the man asking the mystery ingredient that accounts for what sounds like an unforgetable memory.
"Qu'est-ce que tu portais sur ta peau?" (what were you wearing on your skin?)
"Quelques gouttes de Shalimar!" (A few drops of Shalimar)

Then again, the immortal dialogue* from Godart's Le Mépris with Brigitte Bardot, reprised in Chanel's latest lipstick commercial* for Rouge Allure, is rather unsurpasable...


*{Click the links to watch!}

Stay tuned for upcoming reviews and little known info on Shalimar as well as its flankers, Shalimar Light (Eau Légère) and Eau de Shalimar.

Ad print courtesy of French Madame Figaro 30th August 08.

New face for Shalimar by Guerlain

One of my loyal and discerning readers, AlbertCan, informed me a few days ago that according to Forbes, Natalia Vodianova had signed with Guerlain (among others) to front products in their advertising campaigns. The news he scooped (and allowed me to elaborate on, bless his generous heart) are that she is to front their iconic oriental, Shalimar.
Perfume Shrine couldn't leave this without some comment, naturally.

Natalia is gorgeous, of course. And her rags-to-riches fairy tale life story makes for interesting reading, peppered with the touches of iconography that fans want their eponymous role-models to assimilate (charity participation, loving family of her own etc). Hailing from the historical Novgorod, a seat of medieval princes (later, under Soviet rule, named Gorgy in honour of the writer Maxim Gorky), she is now a princess herself, married to a Viscount no less. The Cinderella touch...
She even has something nice to say about all the photographers who shot her:

"Paolo Roversi is really Italian and makes you feel so beautiful. Mario Testino has that incredible talent of making not only you but everyone around you feel very special. Steven Meisel is so organized and focused, and he always thinks about you as a person and makes sure you're comfortable. Patrick Demarchelier is like a big teddy bear, and a really nice person. And Bruce Weber is like Father Christmas--he never forgets about you. He's very generous."

Where I am getting at?

Natalia's current image of super-polite ice-princess with a deer-in-the-headlights look somehow doesn't suit the idea of Shalimar as the uber-seductive, cunninigly selectioned potion in the galaxy of orientals; nor the brunette type of orientalised romantic ideal that Guerlain has been cultivating for years through the associations of the name with the Indian Gardens on which a great love story flowered. After Shalom Harlow and Fernanda Tavares, Natalia seems too blonde and too innocent(?) for this kind of job.
Additionally, there is also the issue of always choosing the whitest Caucasian women for big advertising campaigns of European houses, when it would be nice for a change if we saw a gorgeous black model or a Latina -I am not counting Tavares because she's not- for one of those brands (like Eva Mendes for Calvin Klein's latest Secret Obsession) or a genuine oriental type (remember Jasmin Ghauri?): if not for Shalimar, then for what? I am asking you!

On the other hand, some of the photos that Steven Meisel shot of Natalia for Vogue are definitely the stuff of oneiric gazing that doesn't involve labrador puppies and a house with a white fence in the suburbs... Nor does this one from French Vogue 2005. Same goes still for this photo-shoot for W magazine in 2006. Coincidentally, Paolo Roversi who is responsible for some of her most haunting portraits, has just shot the new print campaign for Shalimar.

Possibly, therefore, there are as many facets and as many pools of dangerous waters to a person as she is willing to plunge herself into!
I am thus eagerly looking forward to see how this advertising campaign for Shalimar featuring Natalia Vodianova will go. We will return with commentary soon!

EDITED TO ADD on 4th September:
An anonymous reader has been very kind in getting us a glimpse of the new campaign, so here it is:



Next we will be focusing on detail on the moves of the Guerlain brand, with an article that might instigate discussion.
And inspired by the new blood in the Shalimar project, we will be reviewing both the original and the flankers of this industrious and profitable for Guerlain monument of perfumery next week. Stay tuned!

Pic of Natalia Vodianova from Vogue. Pics of Shalimar ads (with Shalom Harlow and Fernanda Tavares) courtesy of parfumsdepub.

New Face for Coco Mademoiselle yet again!

It seems like it was only yesterday that Keira Knightly was chosen as the face of Chanel's Coco Mademoiselle fragrance, as we reported and commented on here on Perfume Shrine. The commercial finally convinced us that it wasn't such a bad idea after all, or at least the artistry that went into it convinced us on the skills of the artistic team at Chanel and their collaborators.
But Keira's contract at the Coco Mademoiselle stint ends this summer and a new face will front the marquises: that of Mademoiselle Hermione, that is the young actress Emma Watson who plays Hermione Granger in the Harry Potter films.

According to the Daily Mail:

"The 18-year-old actress has signed a two-year contract worth £3million with the French fashion house to promote the brand.[...] Emma has been slowly integrated into the Chanel brand. They have been dressing her for film premieres and parties over recent months to see if she is the right fit. Once it became clear she is growing into a beautiful young woman and wears the Chanel brand so elegantly, they had to sign her up. Chanel realises it is important to target a young audience."

A better choice I should think, judging by the pictures and by the far more expressive face of miss Watson! The only disadvantage is that the girl is far too young for the older consumers to identify with (I deduce Chanel doesn't target those; why didn't they choose her for Chance though?) and hasn't really shown her acting chops in anything less commercial or more artistic. But time is on her side.

That would also indirectly mean that Keira is going to front another product in the Chanel stable:

"Sources said Chanel is creating a new role for Miss Knightley who, in her latest advert, poses provocatively with just a bowler hat covering her modesty".

And probably that would entail a more sophisticated one than Coco Mademoiselle too, as it would mean an upgrade, rather than younger still (Chance is out of the running following that trail of thought). So which would it be?
No.5 is officially taken by Audrey Tautou who is replacing Nicole Kidman. Coco is very much tied to 80s images and it would be a hard act to follow those wonderful Vanessa Paradis commercials as a caged bird by Jean-Paul Goude anyway. Cristalle and No.19 seem to be slowly disappearing from the US market so it wouldn't make sense to have such an advertising budget for only the European and Asian markets. Les Exclusifs are too exclusive for print ads and commercials. Does that leave Allure and Allure Sensuelle (face of latter being Anne Mouglalis)?

Myself I think they're saving her for the Chanel makeup collections or their skincare, for which surely the fresh-faced Keira couldn't be wrong. If someone -other than a professional model- is identified as the face of a fragrance, it usually means they won't be posing for another fragrance so soon.
I am very curious to see now that the great artistic director Jacques Helleu is dead what they will come up with!


So, what is your opinion on Emma as face of Coco Mademoiselle and which is your guess for the next product Keira will front?

Picture of Emma Watson via Dailymail.co.uk. Link brought to my attention by RoseInfo on MUA

New Face, New Scent: CK Secret Obsession & Eva Mendes

According to a WWD article Calvin Klein is launching a new feminine fragrance this autumn, fronted by sexy Latina actress Eva Mendes to a storm of controversy involving network censors. It was only the other day we were talking about the provocative advertising of original Obsession and here we are again!

The new floriental fragrance, named Secret Obsession, is due out in mid-September. Secret Obsession's juice was produced by Givaudan and art-directed by Ann Gottlieb and encompasses the following notes:
Top: exotic plum, mace and damascena rose
Heart: Egyptian jasmine, French orange flower and tuberose
Base: cashmere woods (a popular aromachemical smelling woody/musky), burnt amber, Madagascar vanilla and Australian sandalwood (since the Mysore variety from India is heavily restricted).

Mendes reportedly really loved it as soon as she tried it! She could be earning $3 million to $5 million over the life of a three-year contract for representing the fragrance, so she would say that, wouldn't she? Still, the composition sounds decent enough, so we will wait and see.
Right now it is the campaign that has the world abuzz. The ad campaign was art-directed by Fabien Baron and the commercials and print ads were shot by Steven Meisel.

"The Obsession brand resonates in a very provocative place," said Catherine Walsh, senior vice president of American fragrances for Coty Prestige, which holds the Calvin Klein Fragrances license. "And we wanted to do a provocative ad. But we're not trying to be raunchy. There's a lot of skin, but it's done tastefully."
Evidently not tastefully enough for the network censors, who have banned the ad. "Every time we do TV [with the Calvin brand] it comes back with some sort of push-back from the networks — but nothing like this. This time," she vowed, "we're going to fight."

Rumours say that it's a combination of what Mendes says — and doesn't say — to the accompaniment of provocative music and lots of skin. Reportedly the ad is open to interpretation, having Mendes talk about a sexy secret, leaving a lot to the imagination, which might conjure up wilder thoughts than what is actually happening. Coty executives declined to reveal the spot before its official unveiling which will happen in early June. (so stay tuned, we will present it when it airs!)

Mendes will also star in Calvin Klein's new women's underwear campaign this fall. According to Mendes herself, she was attracted by the idea of freedom of expression and the chance to appear different in a mainsteam venue:

"When I was approached by Calvin Klein, I thought that it would be so satisfying for me to be part of a campaign where I could show women and girls that it's okay to be different. I remember when the Obsession ads with Kate Moss came out— I thought she was so gorgeous. Kate wasn't a conventional beauty, her teeth weren't perfect and she wasn't blonde; my friends and I could relate to that. If I could provide that encouragement for someone with the Secret Obsession campaign, that would be amazing."

However executives are quick to point out that the new fragrance is really not a new twist, but a completely different perfume with merely a sexy image to share. "This is no flanker," said Walsh. Obviously the meaning of flanker eludes them, as the term is generally being used for fragrances that borrow the name or part thereof of a successful fragrance to boost the recognition factor of a new one. But maybe that's too subtle or splitting hairs.

"Obsession put Calvin Klein on the map in 1985 and continues to be an integral piece of the brand portfolio," added Michele Scannavini, president of Coty Prestige. "Over two decades later, we see it come full circle with Secret Obsession. While Obsession epitomized the overt glamour and sexuality of the Eighties, Secret Obsession will become the meaning of what is sexy today — more personal, sophisticated and intoxicating. Eva Mendes is a reflection of how things have changed over the past 20 years."

Eaux de parfum will be sold in three sizes: 1 oz. for $40, 1.7 oz. for $55 and 3.4 oz. for $72. (The 1-oz. size will be exclusive to Sephora). Two ancillaries will also be sold: a 6.7-oz. body lotion for $38 and a 6.7- oz. shower gel for $30. The scent will be available in about 2,200 department and specialty stores in the U.S. Globally, it will be available in all markets in which the Calvin Klein brand is sold.

Just as an aside: Eva Mendes is no stranger to glossies and advertising as she has posed for Revlon and neither to provocation, as attested by the following film in which she flaunts her assets alongside Joaquin Phoenix to the sound of Heart of Glass : We Own the Night.

So what say you: yay or nay for Eva Mendes and the new fragrance?

Pic via WWD.

Obsessive Compulsions

When Calvin Klein came out with Obsession and Obsession for Men in the 1980s, his reputation as a sexual provocateur was consolidated beyond any reasonable doubt. He had started with hinting at it through his infamous Jeans commercials featuring an underage Brooke Shields sineously asking "What comes between me and my Calvins?", to which the answer was of course "Nothing!"; but the perfumes had the potential of allowing so much more!
So today we're devoting space to a brilliant marketeer and the beautiful and disturbing connotations emerging from an admittedly legendary duo of fragrances.

In some cases the experiment was bordering on the paedophilic, earning Calvin a ban in the US with the following commercial which naughtily used the tagline "Love is child's play when you've known Obsession". But this only raised awareness of the brand, boosting sales. It was so infamous in fact that it got satirized on Saturday Night Live as Compulsion, hence the title of today's post.



And in some others, it took a turn for the utterly poetic, borrowing passages from literature accompanied by black and white artistic videos.
First from F.Scott Fitzerald and his The Great Gatsby (chapter6), in an ad directed by David Lynch and featuring Heather Graham and Benicio del Toro in 2001.



Or from D.H Lawrence, from Women in Love, again directed by David Lynch in the same year.




And then, there is this very funny reference to Obsession for Men in a very sweet, very touching, endearing little film, The Sum of Us, starring Russel Crowe, John Polson and Jack Thompson :
click here to watch the hilarious clip
Two potential partners who happen to be gay and share the fragrance one of them loves. And two dads respectively with funny quips about Obsession for Men: one unaware of the son's sexual identity and disapproving of the cologne, another good-naturedly accepting the lifestyle and raising a brow on excess...
But let's not spoil the fun (and a second scented reference towards the end!). Please watch for yourselves!

Clip of 1985 commercial of Obsession originally uploaded by beegib. Clips from 2001 uploaded by austinstar and spdelgado respectively.
Clip from the film The Sum of Us originally uploaded by Osloairport on Youtube.

New Angel Face

According to the latest news, Naomi Watts will be the new face of Angel by Thierry Mugler, exactly at a time when the brand is repositining itself as to be more exclusive and more niche-oriented with its A travers le Mirroir series.

Source: Sev.prnewswire.com

NEW YORK, May 5 /PRNewswire/ -- In 1992, Thierry Mugler's Angel fragrance sprang from a childhood memory and the dream of a star. It created a great impact in the world of perfumery, representing the first Oriental Gourmand fragrance.

For Angel, the world's most beautiful models have embodied the image of a highly glamorous woman. After 17 successful years, its new incarnation is more star than ever...

The artiste perfumer's new angel, Naomi Watts, is an Academy Award nominated actress, who has appeared in an impressive list of films since her notable debut in David Lynch's "Mulholland Drive." Successfully steering her career and choosing her films with care, she has worked with leading directors: Alejandro Gonzalez Inarritu ("21 Grams"), Peter Jackson ("King Kong"), David Cronenberg ("Eastern Promises"). In 2008, she is starring in Michael Haneke's latest film, "Funny Games," and in 2009 she will star in Tom Twyker's film "The International" with Clive Owen.

Naomi Watts was the inspired choice for Thierry Mugler, over and above her beauty and her star image. Displaying a modern touch, the actress projects a personality that blends sensuality, voluptuousness and evanescence to evoke the many facets of Angel. A blond fragility, a natural tenderness, an emotional seductiveness...

Rather appropriately, it was in Los Angeles, city of the angels, and in the Hollywood Center studios, that the commercial was shot, following a scenario by Thierry Mugler and directed by director Bill Condon ("Dreamgirls"). A Hollywood fairy-tale surrounded by a profusion of Angel stars.

To immortalize this mythical moment, Thierry Mugler called on photographer Ali Mahdavi to produce the advertising visuals of his Hollywood dream. A worldwide campaign, glamorous and magical, will begin in October 2008.

Personally I like the choice: modern, expressive, not scandal-monging. Perhaps they went for a cool blonde, and an Aussie as well, the way Chanel did with Nicole Kidman for No.5 with good results in renewing the image of the fragrance. Although Chanel is rumoured of changing its No.5 face too, sometime soon, opting for gamine Audrey Tautou under the direction of enfant formidable Jean Pierre Jeunet.

So: What do you think about Naomi as face of Angel?

Rest in peace Jacques Helleu...

Artistic director of maison Chanel is no longer with us... He left this vain world after a prolonged illness this past Friday, ending a career that spanned 4 decades at Chanel, attending to the revered image of the brand ever since Mlle's death.
His last project has been the new campaign for Coco Mlle with Keira Knightley, inspired by her "natural flaws" as he confided, comparing her to a "Cinderella in the making"; a campaign that I initially panned to later retract myself. He ever took fashion bloggers to the appartment of Coco Chanel in Paris and the factory of the brand a couple of weeks ago!

He made it into the book of records when he masterminded the most expensive commercial in perfume advertising to date: that of Chanel No.5 with Nicole Kidman.

According to him cinematographers are just as important as egeries and he had proved this by his wise choice of the former as well as the latter.
His job had the character of tenure and it was a landmark in the fickle world of perfume.


As a little tribute, may I direct you to the excellent book Jacques Helleu & Chanel. The description goes thus:

Jacques Helleu joined the house of Chanel at eighteen. In 1965 he took over responsibility for promotion and he currently serves as Chanel's artistic director. Jacques Helleu is the eye behind the House of Chanel's enduring image, having explored the meanings of this legendary brand in daring commercials and fabulous print ads for the past forty years. He has given tangible, glamorous shape to the essential mystique of Chanel's perfumes, by bringing together artistic luminaries (from photographer Helmut Newton, to director Baz Luhrman, to actress Catherine Deneuve, and countless others) and masterfully guiding the creative combustion that has resulted.

You can order it from Amazon.

May every artistic director be as successful as he was...

Pics from okadi,imagesdesparfums and fashionspot

It’s the mating season..roar…

Remember when we talked about the new XX and XY fragrances by Hugo Boss and lamented the loss of a great commercial clip on Youtube? Well, it's here in all its roaring glory and you're the first to be privy to it. Guaranteed!



In the style of a National Geographic documentary on the mating practices of the species, as if recounting the rituals of lions in the jungle, it takes place in an art gallery with sinuous sculptures, where two major players -ever so greatly turned out stylistically- "dance" around the exhibits exuding animal magnetism and silent mating calls, displayed by their choice of perfume. Which combined creates a sensual aroma that is combastible. Hear me roar, baby!
Secondary players, such as the older male or the other female in the pack are waiting in the wings in this brilliant voice-over commercial that although very long for a TV screening is nonethless smartly conceived to play with our innermost notions of perfume as sexual attractant and silent mating call tongue in cheek style. We're hooked!!

Clip uploaded on Youtube by Hugofragrance

Boss XX and XY: new perfumes, new campaign

"What exactly is human nature"? A tall order to answer that, you'd say, as anthropologists, psychologists and philosophers have tried for centuries to no avail.
Hugo Boss is trying too, I guess, launching the fragrance XY for men and XX for women, relying on a more biologically-oriented premise, that of the chromosomes. Hey, it's all in the DNA, haven't you heard?

The fragrance duo reflects the ongoing battle between the sexes creating a sensual aroma that when brought together has natural chemistry.
XY is a mix of cedrat, ice accord and muskroot, while XX contains notes of basmati rice heart, jasmine sambac and fruity top notes.

The following commercial, directed by Chris Applebaum, places Jonathan Rhys Myers and an attractive brunette model into a boxing ring to cement the notion of "battle of the sexes". Playful!
There is another commercial that is longer and more interesting -especially stylistically- combining a trio of characters without Jonathan Rhys Meyers this time, in what seems an art gallery, but it's nowhere to be found on Youtube for now, as it mysteriously vanished. Pity...

In any case, watch the clip here:


In it, there is an interview by Jonathan Rhys Meyers on a french channel, in which he says how Boss approached him and how the previous campaign was quite successful. The director insists that it is important to cement an image of the scent for the viewer and that JRM was the best choice to accomplish that. The latter also interestingly mentions how the scent actually smells better the longer it stays on the skin, which is the badge of approval for that kind of thing. Yup, we thought so too!

Pic from official Boss Fragrances campaign

I just might have to take it back…

Remember when Perfume Shrine was the first one to report on the new Chanel ad campaign for Coco Mademoiselle featuring Keira Knightley? It was the first one to meow about it too.
Much as I hate to do it, I might have to take it back (well, only part of it, as there is no love lost between me and ms.Knightley) and eat humble pie, as I came across the videos and making of of the new campaign and I have to admit it is looking much better than expected and actually has a cool edge to it! Rather like a F.Scott Fitzerald heroine, Keira bobs her hair and dons 20s style dresses with especially cool jewels adorning her lithe physique.
Of course Chanel has always paid great attention to its commercials and it shows, but it's nice to see that they are not abandoning the tradition. Especially after letting go of Kate Moss, who to Jacques Polges was a great choice for the representation of Coco Mademoiselle. And with a surname to beat all others in the realm of fragrance to boot. But fashion isn't anything if not fickle. (You can however click here and here for great nostalgic pics of the campaign with Moss).

There are two clips in rotation with the same song, by two different artists.

The Joss Stone version



And the original Nat King Cole version



And on top of that there is this clip that features some great shots from the campaign and of the wonderful jewels, albeit scored by a completely different premise of city. Ah well...


Chanel had the good sense to set up a new site just for the occassion and I urge you to explore it. Click here for lots of fun!

And to top it all, Chanel have launched new products in the Coco Mademoiselle line, available through their official site, such as the elegant limited edition gold compact of solid perfume depicted above (120$) and a 7.5ml/0.25oz solid white flacon for the purse of pure parfum/extrait(100$).

Can't wait to see the commercials running on my TV screen. Will hold definite judgment till then.

Clips from keiraweb.com and uploaded by Knightleyfan, pics from Chanel official site and okadi.

Suck it, you bitch!

Regular Perfume Shriners will be a little shocked by this undoubtedly vulgar display of bold title and accompanying advertising image, but not really surprised as they have come to expect some scathing commentary on fragrance advertising on numerous occassions in the past, recent and not so recent (Click here for part1, part2, part3, part4, part5).
So the news is mr.Ford is issuing a masculine sidekick to his Black Orchid for women scent this season called Tom Ford for Men and the advertising comprises the image above.

I know, I know...It is no secret that mr.Ford has been playing the "sex sells" card again. This is the only adage he has been exploiting for quite some time now. In fact as long as I can remember his pretty mug entering my consciousness. Mr.Ford had been exploiting a subtler aproach while at Yves Saint Laurent, although one would be hard pressed not to admit that it somehow clashed with the extraordinarily chic facade of the venerable house, a fact that brought him into direct confrontation with mr. Saint Laurent himself (the latter with genuine Gallic nonchalance selling his House and retiring, thus admiting there is little chic in today's designing world).

And yet one cannot find major fault with the images of the advertisements for Yves Saint Laurent perfumes while mr.Ford was in charge. From the infamous print ad for the masculine M7 which depicts an uncircumsized hairy male in all his nude glory (click here for a pic) to the daring suggestion of a menage a trois in the Paris ads ~which for a nano-second made me look upon this fragrance with quite a different eye (shame on me!)~, his stint at Saint Laurent was characterised by an aesthetic that was bold, daring but rather tasteful albeit in a Hollywood-sort-of-way.

The porcelain nude skin of Sophie Dahl for Opium stands among the most memorable ones and this one for Nu eau de toilette featuring director Roman Polanski's wife, french actress Emmanuelle Seigner, from 2003 is among the ones I personally find quite alluring. Of course Emmanuelle Seigner does have the heavy features that denote some sort of vulgar carnality that helps make her compelling despite her lack of serious talent in such films as Bitter Moon and The Ninth Gate. Still, the entanglement of bodies in amorous embrace in the print ad captures my fancy and makes me dream a little.
Which is not what the new ad for Tom Ford for Men does. And not for prudish reasons either.

Amorous couples in passionate embrace have always been at the heart of perfume advertising, since seduction we are led to believe is at the core of perfume wearing. Of course this is not always so and perfume lovers who appreciate perfume as an art form would have serious disagreement with this; however from a mass market point of view ~which marketeers aim at in the first place anyway~ this is true. Dolce & Gabanna accomplished this admirably in a series of advertising images that encompass both taste and passion and of which the accompanying image is my personal favourite.

It seems to me that mr.Ford has taken the place of sexual provocateur that Calvin Klein used to be in the 1980s, although with a much more agressive stance and ~dare I say it?~ less modesty and self-constraint. The above might seem ironic for someone who built a reputation for racy ads such as this one for his scent Obsession in 1988.
Simply put, the current ad for Tom Ford for Men lacks taste. But what is even more interesting is that it also lacks sexiness. That elusive quality that an image which possesses it makes you look, look away and then look again with renewed interest, much like a really intriguing woman on the street would have you double-checking instead of ogling at her openly displayed attributes. The supposedly orgasmic O of the red lips as a signal of availability, the distorted shape of the breasts with the talons painted in red holding them tight for a titty-fuck, the dominance of male over female in a position that reminds one of a porn flick: all these things debase the previous aesthetic of Ford efforts into the realm of the basest shock value attempts at capturing the interest of people by getting banned from major magazines. And this is coming from someone who wouldn't venture into what he is showing everyone else, due to his own sexual preferences. So, is this choice a deliberate attempt at a new form of exclusivity? In accordance to his Private Line of perfumes which supposesdly target a more daring audience? This is something for mr.Ford to answer and we can only speculate. I am trembling at the thought of what he might conceive next!

For the purpose of aimless exercise and because there is such a thing as collective memory, let's witness some sexy advertsing images that do not usually get mentioned. The following two are for the classic scent Ma Griffe(=my talon/my signature),

proving that older advertsing isn't necessarily less sexy or daring and the other one is from Lacoste pour homme which depicts a fetching specimen with a Y chromosome aimed at the discerning women that account for more than 70% of the sales of men's scents anyway.

But I guess mr.Ford missed that little factoid. On the other hand, as he is indeed a brilliant marketeer (as attested by his success so far) he might be privy to some information of greater magnitude, so I am keeping my mouth shut on more comments for now. Which is more than I can say for the woman in the ad!

Last but not least, he could have gone for the highly camp effect which would have earned him humorous brownie points, such as this one for Centaur Cologne. There, that's so much better!

Pics courtesy of wwd, okadi, imagesdesparfums and psine.net

She's only got 2 & 1/2 expressions, for Pete's sake!!

I am not a catty person. Really, I am not. But the news some months ago that the expresioneless, manufactured-to-be-a-star, young, skinny Keira Knightley would be the new face of Chanel, substituting Kate Moss in the ads for Coco Mademoiselle perfume brought out the meow in me.
And this September the prospect of opening any glossy or switching on the TV risking to come face to face with her pouty mug is somehow giving me the creeps. You can say I am positively repelled.

Obviously, my opinion in corporate marketing doesn't matter at all; otherwise instead of coping with papers and mycenean amphorae I would be sitting at a board meeting vetoing choices like the above. Not that I regret it, because -let's face it- it's a fluff business at heart. However it would be kind of fun to shot down faces like Keira's.

The girl was all right in "Bend it like Beckham". Nobody knew her, she wasn't smug, the other girl was great in this film and Jonathan Rhys Meyers was exhibiting his own charm aplenty. And the film was original and refreshing!
Since then I can safely argue that I haven't seen her in anything in which she -specifically- was worthy of mention and her nomination for the Academy Awards for "Pride and Prejudice" (a flat, boring adaptation if there ever were one; what happened with that perfect BBC version?) convinced me we have to bear with ms.Knightley as long as the studios think they have the new version of sliced bread on their hands. Like I said, the girl's only got two and a half expressions (one of which is that pouty one depicted above)...Have you actually seen her laugh? Small children are intimidated into eating all their veggies when faced with such a toothy chukle.
I won't even think of commenting on her pretend angry/tough "face", because, really, you don't want to hear any more meow out of me...

But Perfume Shrine has a responsibility to the readers. And the same way we were the first to report the lovely news and pics of Kate Winslet as new face for Trésor, so we had the responsibility to not lag behind because of our personal displeasure. So here it is. The print ad and the stills from the TV spot shot by Joe Wright that will air on our screens in the upcoming months.

Chanel has always been very careful about their advertising campaigns and their Chanel No.5 series is testament to that, as well as their wonderful Egoiste and Coco commercials, two of the most memorable ones in all perfume advertising. Perfume Shrine had elaborated on a series of those commercials in the past.
You can read the whole article on No.5 clicking here and on Egoiste and Coco here with multimedia links to the commercials themselves.

The statements exchanged for the new campaign went somewhat like this
(reported in this link):

"Keira Knightley is a bright, young actress who has already made her mark in a diverse portfolio of films, including her Oscar-nominated performance in `Pride & Prejudice'" said Chanel artistic director Jacques Helleu in a statement.

He also said Knightley's elegance, beauty and modernity parallel some of the brand's other previous famous faces, including Catherine Deneuve and Nicole Kidman, who represented Chanel No. 5.

"(I am) really proud to have been asked to work with such an iconic house as Chanel, and thrilled to follow the extraordinary women who have been associated with it before," Knightley said in a statement.

"We think Keira is perfect because she is always incredibly alluring and seductive," said a Chanel spokesman. "She would not have looked out of place in the Forties or Fifties, and that's why she was chosen - to show a timeless chic that will never fade."

Keira herself went as far as to suggest that "Chanel's Coco is the first perfume I've ever worn" , which oddly (enter sarcasm) reminds me of a parallel statement by Nicole Kidman when she was signed for the No.5 campaign. No matter that we do know she opts for several others over it....

In the new ads Keira is trying to cement her sexy(?) and naughty(?) reputation -supposedly she was voted "sexiest actress" in a UK poll- playing around with a bowler hat, Berlinesque-stripper style (oh, she should get some lessons from Charlotte Rampling...) and indulging in gentle gender-play (no relation with those great commercials that you can read on and see here).

And frankly? I think the red Karl Lagerfel dress does not suit Coco Mademoiselle. But you can always say that my fangs are showing...


Pics come from popsugar, poponthepop and style.popcrunch sites.

Treasured features for Trésor

It was just a few days ago that Perfume Shrine was talking about revamped ad campaigns, inspired by the news that Kate Winslet, the quintessential English Rose of tremendous thespian abilities had been chosen to represent the almost classic fragrance by the house of Lancôme, Trésor.

I always thought she would bring pathos and freshness in anything commercial she might touch, remembering her in such roles as the romantically exalted Marianne in Sense and Sensibility or the outwardly rebellious, inwardly sensitive Clementine in the Eternal Sunshine of the Spotless Mind". Even for a quite heavy handed composition as the original Trésor eau de parfum by Sophia Grojsman, a fragrance that first appeared in 1990 to subsequent throes of overpopularity that made it a little banal. Perhaps now is the time to lure in new customers who will see it with virginal eyes.
For your delectation, here are the first pics that have been sleuthed for you. Enjoy!


Pics originally uploaded at jjb.yuku.com