Guerlain Shalimar Ode a la Vanille: new fragrance

Shalimar with vanilla exalted...the upcoming fragrance by maison Guerlain is taking the beloved gustatory note into new heights, after several games with it (Spirituese Double Vanille, Cuir Beluga, Ylang & Vanille etc) in other fragrances. Lovers of the classic will take note, while new converts will find a new spin on the old. Hopefully, not too patisserie-like...

The iconic Shalimar (and Guerlain in general) has always relied on vanilla, but this time they're capitalising on two precious varietal essences which will infuse the upcoming Ode à la Vanille (Ode to Vanilla) in a new bottle designed by Jade Jagger. The new fragrance is a limited edition to be released later this year.
A unique composition of 2 types of vanilla, it includes vanilla tincture from Mayotte (teinture de vanille) and Absolute de vanille from Madagascar. Created by in house perfumer Thierry Wasser.
50ml/1.7 Fl.Oz for $110.00

As reported on Basenotes by Primrose

A.Tauer Carillon pour un Ange: fragrance review

The newest fragrance by Andy Tauer, Carillon pour un Ange, takes its inspiration from a material that is often described as angelic, lily of the valley. Hence the working name during the creation process was Gabriel. Actually, truth be told, lily of the valley (or muguet as the French call it) is not exactly chastity material as a recent study revealed. Still, the piercingly sweet, very clear and green aroma creates the impression of puerile innocence, of tender cheeks and pouty small mouths.
A carillon on the other hand is a musical instrument composed of at least 23 cup-shaped bells played from a baton keyboard using fists and feet, its sound chiming with piercing clarity, much like the aroma of lily of the valley pierces the air with its declaration of spring's final assertion. So carillon pour un ange, a carillon for an angel... The seraphic allusion is certainly not lost, the fragrance is quite lovely.

The greeness in Carillon pour un Ange is delightfully tinted with the darker, oilier hint of hyacinth as was the case in a former Tauer scent, Hyacinth and a Mechanic. Even though the latter was an experimental batch, serving an SOS purpose on its bottle-message across the world (more details here), it featured at least two of the elements which infiltrated themselves in Carillon: the green hyacinth and the leathery note. In Carillon the leather is very subdued. Instead one almost loses the lily of the valley field for the hesperides grove at some point. Tauer has fetish materials which he uses over and over to great effect: I seem to feel his mandarin peel materialise again and again; it's such a great lifting note that it makes for immediately inviting openings, often coupled with rose as in Une Rose Chyprée, or Incense Rosé. (click for reviews of both)

The challenge with lily of the valley is twofold: One the one hand, it's so easy to lapse into the "salle de bains" hygienic note or the Aisle of Glade (as March puts it), due to its ubiquitness in functional products via several synthetic replications (natural extraction is not cost-effective or yielding enough). Andy Tauer is using a combination of IFF's Lyral and Lilial for his own creation, bypassing the problem of sharpness by the injection of a sweet note reminiscent of violets and lilacs (pink jasmine might be actually creating the lilac impression, the two share a bubble-gummy nectarous headiness).
One the other hand, there is the sacred Diorissimo, an über alles classic if there ever was one; impossible to surpass and one would be wise to not even try. Then again, now that Diorissimo is not recognizing itself in the mirror all too clearly these days due to multiple surgical interventions, one might reconsider. Still, the cleverness lies not in trying to create a limp-wristed or sharp rendition of lily of the valley, nor a pastoral gouache, but to boldly propose a third path: that which marries the white bell with other flowers and which contrasts it with elements to which it is naturally emerging from: the decaying leaves being eaten up by fungi, the woods where it grows, the green tapiserrie on which it sprouts its minuscule bell-shaped blossoms. Thus the base of Carillon pour un Ange takes on woody and skin-soft nuances, mossy, non dirty really (it would be paradoxical, after all), with the shades of love, death and rebirth winking to a theatre full of children watching mesmerised a play of magical marionettes.

Polish composer Zbigniew Preisner says "For me there exists only one music -good music"...and "I compose what is close to my heart". Substitute music with perfumery and you've got Tauer to a T.



Notes for Andy Tauer Carillon pour un Ange: Top: rose, ylang ylang, lilac
Heart: lily of the valley, jasmine, leather
Base: ambergris, moss, woods.

Carillon pour un Ange is available as Eau de Parfum Riche (which lasts very well) in small hand-poured 15ml bottles directly from Tauer Perfumes or on Luckyscent. Samples are available here. We're hosting a giveaway for two full bottles, comment to enter.

Painting Sleep lost in Dreams by James C.Christensen via morgenthruston
In the interests of full disclosure I sampled the perfume through the generosity of the perfumer himself; his is well documented.

The new Tauer "Carillon pour un Ange": Bottles Giveaway!

It's our pleasure to announce Tauer Perfumes is giving away two bottles of his latest fragrance, Carillon pour un ange! So leave a comment below and two winners will be randomly picked to receive their full bottle prizes!

Carillon pour un Ange was formerly known during development phase as Gabriel (fittingly, eh?) Andy is inviting you all (in celebration of his five years blogging and the unveiling of his new site, check it out!) on e-book charity project, "a panopticon on lily of the valley". The topic is: “A MOMENT WITH LILY OF THE VALLEY". You can write a poem, draw a picture, or write us a story.” Anything, really, as long as it's not copyrighted or previously appearing online or in print. You can either email it to them or mail it to them (instructions on this link). A selection of the submissions will be published in an e-book, with the proceeds donated to charities chosen by a vote on his blog. As Andy says: “I see an environmental, a human development and a charity devoted to push forward peace as the selection for the vote.”

As to the new fragrance? Tauer envisioned it as “a green choir of flowers; smelling lily of the valley is always a joy for me [ed.note: his mother wore Diorissimo]. I love the idea that you cannot buy a natural concentrate of lily of the valley, that the flowers resist to any large scale concentration of their fragrant soul.” It's an interesting note to be sure, in more ways than you had imagined as we had pointed out (naughty article is linked!) For a comprehensive article on Lily of the Valley as used in perfumery please refer to this link.

Andy constructed a base that bypasses some of the latest IFRA problems "rich in ambergris, then there is a bit of vetiverol (woody, vetiver like note without the dirty earthiness), some oakmoss fitting with EU regulators, a hint of a sandalwood note to fix things, and a fine styrax line that again fixes things, adds a hint of leather, sets an accent…“ The fragrance comes in those cute 15ml bottles he used for Une Rose Chyprée as well, as Eau de Parfum Riche (everyone knows you always get your bang for the buck with Tauer perfumes!). This is intended as a prelaunch until spring 2011 according to the perfumer, when upon the bottle just might change (I suppose this means if the fragrance is loved a lot, a bigger presentation might ensue).

Carillon pour un Ange contains notes of rose, ylang, lilac, lily of the valley, jasmine, leather, ambergris, moss, and woods.
I will follow up with a review shortly, but here's your chance to win one of the two bottles of the newest Carillon pour un Ange! Don't be shy!

Mystery of Musk: Graines de Paradis by Sharini review

Graines de Paradis is the alternative name of spice called "maniguette", a close relation to cardamom pods with a more peppery scent (hence the vernacular Pepper of Guinea), coming from a small perennial plant out of Africa. But in Graines de Paradis by Sharini Parfums Naturels, the paradisal spice is all its own and not due to any Amomum melegueta. Not that it would have hurt: The Arabian inclusion of the spice in rich dishes featuring flower petals in the traditional cuisine is not miles off the lush, taste-buds titillating floral musk that Sharini produced.

Sharini Parfums Naturels is a very small company based in Aniane, near Montpellier, headed by Nicolas Jennings, a perfumer who is also contributing to the harvesting and producing of some of the essences used in his all-natural perfume. Not only are they natural (a growing niche which has been knowing a true renaissance) but they're also bio-certified (Eco-cert), according to the website, where little bottles topped with wooden caps with a rough top-side hint at the somewhat rough experience of getting to know organic perfumes (I'm sorely tempted by Iris Véritable and Jasmin Céleste, too, I can tell you). Sharini was part of the German organic exhibition in Vivaness as well, while their workshop is open for the public from the spring equinox (March) till the autumn one (September) at Atelier des Sens, 8, Rue Font de Portal, St Guilhem le Desert 34150. It does look like a mighty fine cave of precious wines...

Sharini's submission for the Mystery of Musk project was amongst the first samples to arrive at my door for evaluation. Kudos for being so professional Nicholas! A lesson for all. And a nice experience it has been wearing the perfume for a few days.
Graines de Paradis (Paradisal seeds) is woven around the musky scents of angelica and ambrette seed, seeping in and out of the composition at regular intervals, while tiaré, neroli, jasmine and the unusual, bracken-like broom lend their own rich aromata. The flower essences yielded their spirit by the -now almost obsolete but utterly charming- method of enfleurage which captures the dying breaths of them as they wither in layers and layers of animal fat (in this case it was vegetal fat, please note), the process repeated for 20 to 25 times by the industrious Nicholas and Crystel (who harvested the broom themselves). The thick precious pomade resulting is then treated with solvents to release the aromatic droplets, gathered one by one; one can almost feel the anticipation, the drops of sweat on the brow dropping with an audible "plong" while waiting for the other, sweet drops to fill the glass vials...
Not only flowers, but other more succulent ingredients enter the formula of Graines de Paradis as well: wild cherries, Rooibos red tea and vanilla enter in the form of tincture. Tincture in perfume speak is an "infusion" of the materials which are seeped in alcohol until a light-smelling but sufficiently aromatized liquid is produced. This is the method that natural perfumers use to "fix" their alcohol via "heavy", animalic ingredients such as ambergris or other good fixatives (like blond tobacco or vanilla if the formulae are thus inclined). A bit like creating an aromatized grappa liquor by adding rind of kumquats! (Do try it!) Nicholas Jennings is using corn grain alcohol. There is a hint of musty bitterness too in the composition, which could be produced by the agarwood inclusion, which tempers the florals and the sweeter notes well.

The overall feeling of Graines de Paradis is rich, sweetly floral (very good quality flower essences) with the gourmand quality of almond paste in the background and intensely lasting on both blotter and skin, thanks to the tenaciousness of the base notes (patchouli, vanilla, ambrette seed).

The best thing of all? Only 25 bottles were produced, making it an almost bespoke scent for the very, very few. There was a draw for a bottle at Grain de Musc.

Please visit the rest of the participating blogs and fora on the Mystery of Musk project following the links provided.

The winners of the draw....

...for the Aftelier giveaway are: Lilacskin, Mimi Gardenia, Lavanya & arch.memory.
Congratulations, you get to pick your scented prize!
Please email me using the contact on the Profile or About page with your shipping address and your preferred prize, so I can notify Mandy to have your prizes in the mail for you soon.
Thanks for the participation everyone and till the next one!

Montale Mango Manga: new fragrance

Pierre Montale, the French brand which brings Oriental gardens closer to the Western lifestyle, is going to present his new fragrance launch Mango Manga at the Pitti Fragranze 2010 exhibition in September.


Created as an exclusive for the Japanese market in 2005, Mango Manga plays on the exotic allure of mango fruit and the very Japanese reference of Manga illustrations. Now it's hoping to catch the interest of Western perfumephiliacs as well. The fragrance is refreshed through the sweet note of mango, allied to neroli, orange, jasmine Sambac, and ylang ylang while the base rests atop the familiar oud note of the Montale line, alongside vetive, cedar and musk.

Available in Eau de Parfum 100ml.

Kim Kardashian Launches Second Celebrity Scent!

Kim Kardashian, the reality-TV persona and perpetrator of a celebrity to her name already, Kim Kardashian (which we discussed on this space) is issuing a second one in February 2011, since sales for the first one went so well. According to blurb on her own blog: "I am so excited to tell you guys that my second fragrance will launch in February of 2011!!!!! I wanted to let you guys know here first so you can all share the excitement with me :) I’m at the commercial shoot now and cannot wait to get all glammed up! Look at these amazing dresses I get to choose from!
I’ll keep you guys updated on all my fragrance news here on my blog!"

The devotion to celebritoids is blind as attested by one reader commenting [sic]: "Im so glad bc honestly your current fragrance didnt work for me, I really wanted to like it, I bought to support u bc I love u and am a big big big fan, but the scent was to “flowery” for me. Hope your new one is different, so i can wear. But regardless I will purchase it!" And in case anyone thought guys would be left hankering, here is a nudge from one of the XY chromosome type readers: "So cool, you need to do a men’s fragrance next!"

The photo is from Kim's photo shoot for the second, upcoming Karashian fragrance.

Etat Libre d'Orange Sex Pistols: Cultural Anatomy of a New Fragrance

Two new fragrances are getting issued from French-based brand extraordinaire Etat Libre d'Orange this coming autumn 2010. News had leaked at the beginning of the year, but now it is officially confirmed. And the first of them demands its own dissection since it hinges on several cultural axes and one relating the political with the "scentsical"; always within the scope of Perfume Shrine.

Le Parfum Sex Pistols, the brainchild of Etienne De Swardt, the owner of the infamous niche brand is "the scent of anarchy and rebellion worn to bring out your inner punk". Etat Libre d'Orange despite their French roots seems hell-bent on bringing out the most influential of the British: what with their collaboration with Tilda Swinton for Like This recently and now with the Sex Pistols, the revolutionary punk-rock band of the late 1970s whose motto was "We are not into music, we are into CHAOS". All too brief (just 2,5 years of presence and one LP album) and they're still being discussed, nevertheless. Not least because of the legend of "doomed youth" of its tragic man Sid Vicious (his name ironically taken off Johnny Rotten's pet hamster), dead at 21 after a heroine overdose following the accusations of doing his girlfriend in while on a drug-induced high.


The coincidental timing wanted the new fragrance to be scheduled right after impresario Malcom McLaren's death, the man who proclaimed he "used people like clay, like a sculptor would" in order to make the Sex Pistols, initially a subcultural manifestation aided by his lover fashion designer Vivienne Westwood, his very own anti-establishment art project, taking full credit years after the band's splitting for creating the social and cultural phenomenon. To wit, watch the Great Rock n'Roll Swindle. Yet critic Greil Marcus reflected on McLaren's contradictory posture: "It may be that in the mind of their self-celebrated Svengali...the Sex Pistols were never meant to be more than a nine-month wonder, a cheap vehicle for some fast money, a few laughs, a touch of the old épater la bourgeoisie. It may also be that in the mind of their chief terrorist and propagandist, anarchist veteran...and Situational artist McLaren, the Sex Pistols were meant to be a force that would set the world on its ear...and finally unite music and politics. The Sex Pistols were all of these things" [quoted: Hatch, David, and Stephen Millward, From Blues to Rock, p. 170]. Of course the underlying chasm between McLaren and charismatic (and intelligent) Johny Lydon -or "Rotten" as he was widely known "thanks" to his early-70s-British-teeth; the lads sport pearly whites now- makes the auteur's ambition on McLaren's part rather ambiguous. The political agenda was inchoate, the effectuation of change not really solid in anyone's mind, the identification with the working classes not really there [Campbell, Sean, "Sounding Out the Margins", pp. 127–130.]
If it had been any other perfume brand, I would have talked about spoliation... Yet something about Etat Libre makes the most unlikely projects seem acceptable! After all they did a scent after homoerotic sex artist Tom of Findland. And another one called Fat Electrician, sporting the (predictable) dawn of a butt-crack on the advertising images. McLaren himself had stated "[Punk's] authenticity stands out against the karaoke ersatz culture of today, where everything and everyone is for sale.... [P]unk is not, and never was, for sale." Then again, there is a lot of "watering the wine" with the passing of years, as even the mouthpiece of the band capitulated to commercialization. All right, it was to fund the reunion of his PiL group because Virgin Records (who had the Pistols signed) refused to sign them, but still...it looks incongruent. And nowadays when the international economic crisis is sending off people into their own little conservative cocoon, how does a conceptual project materialize in a product?

Also related is that De Swardt has "set up a new company, Editions des Sens, to create fragrances which are a little less niche and have a slightly wider market appeal". [source] A reverse concept of "editions" for a wider audience rather than more limited, the way it was back when Malle introduced his own. It's interesting to contemplate in the greater scheme of things.
The unisex juice for Le Parfum Sex Pistols by Etat Libre D'Orange was created by Mathilde Bijaoui from Mane and opens with lemon, grey pepper and ambrette notes. The heart has black plum, aldehydes and heliotrope, drying down to patchouli, orcanox and leather at the base. Luckily not the vomit note of warm beer consumed in punk concerts...we've been spared.
Anyway, the perfume hits international stores in September. Never mind the rest, here comes Le Parfum Sex Pistols!

"Your perfume is giving me the hives/ a headache/ asthma!"

How many times have you heard that line in one variation or another? Or are you one of the sufferers who feels like you're going to erupt any minute now from the fumes that are coming your way from down the hall? There are two sides to every argument and the modern (mostly Americanised) phenomenon of complaining about perfume-wearing in the workplace and public spaces is interesting to dissect, if hysterically overacted in some cases. Like the one involving Susan McBride, a Detroit city employee who claimed a co-worker’s perfume and room deodorizer caused her to suffer from migraines and nausea and in turn sued the city, claiming the scented workplace hindered her from working properly.

Most impressively, nevertheless, McBride actually won a $100,000 settlement and Detroit city employees in the three buildings where McBride works are now being warned not to wear scented products, including colognes, aftershave, perfumes and deodorants, or even use candles and air fresheners! Incidents like this and reportage from common folks who comment on MSN articles citing the incident as an example of a greater issue make me think. And the majority of interesting questions in this world begin with one simple word: "why". WHY has scent been given so much importance in today's society? Why is this annoyance greater now rather than decades before? And why is perfume and scented goods demonized in such a way? Is perfume wearing the new taboo? Or the new smoking?

Let's start by a typical example, taken from actual comments by readers. One woman complains about her co-worker constantly brewing fresh chai tea five times a day on her desk (Talk about a lot of constipation, but let's not tackle this right now). The smell of tea being brewed bothers her. She complains she's getting a headache. The other woman quips by saying she got a headache by the smell of the noodles that the other woman brought at the office the other day! The situation escalates to the point that the incident is reported to Human Resources and the floor manager. Chair brewing is brought to a halt. You see...nothing is as uncomplicated as a simple repulsion to the smell of something. Imagine how this can take on other shades of meaning when the offending item in question is a scented gift from a beloved one or even if it takes on the "enlightened" appeal of aromatherapeutic products. Or...the horrors, a humble deodorant (banning it risking a major case of the BOs) or the cleaning fluid for the floors!

Allergies and headaches triggered by scented products are a serious issue. I don't deny that for a minute! Let me repeat: I don't deny it. People battle with symptoms that can be debilitating. Some are even seizure-like, recalling epilepsy ("sensitivity to strong smells, flashing lights and certain noises"). For all that there is proper medical care, while common sense dictates to respect people and tone down whatever is making them ill, assuming the pinpointing has been successful. But how much of that is real and how much is simulated for various reasons? Even scientists are sometimes baffled. Where does one draw the line between having something hurt them ("I'm getting nauseated") and having something just annoy their aesthetic principles ("I hate that scent")? Reportedly the percentage of genuine medical conditions is very low. "Hey man, you stink!" is politically incorrect, whether the stink comes from body odour or perfume or smoke...Has this political correctness which has pervaded the American society prevented men and women from giving voice to what displeases them in a rational and level-mannered way, thus provoking secondary reflexes that lead to overacting and passive aggressiveness? I think it has.

Scent mapping is starting to become the equivalent of turf wars and a victim attitude that would "pay" for other things, some of which are tangible in the form of monetary recompensation. People have got ideas, after that $100,000 settlement. But it is the power trip which gives the thrill. Scent has always biologically been a way to mark one's territory and man (and woman), a grown-up animal out of the jungle, is refining the process by donning olfactory shoulder pads, marking one's personal space. Refuting someone's right to gnaw on your own personal space -within the public one- seems like resistance to usurped authority, claiming part of the common territory back, setting the line on someone's power. Doubly so, as perfume choice and individual odour is such an intimate, personal matter. It reads as rejection of someone on a deep, core level. How many times have you rejected a potential lover because you didn't like the way they smelled? And how many times have you felt flattered because someone praised your scent?

"A person doesn't necessarily have a right to wear perfume, but the person does have a right to be able to breathe in the workplace" is cited as reason for the indignation. Clearly perfume wearing is considered frivolous. The floodgates on entitlement to rights and the cult of "me" opened up at some point during the last 20 years, after which a major step back in basic manners and common sense ensued. Which brings me to another point: It's noted that the majority of complaints and the escalation of such cases is witnessed in the US (and to a lesser degree Canada). Other countries do not have such a problem (yet, at least). Why is that? I believe it has to do with a couple of reasons.

First of all, the frivolity of perfume seems ingrained in a WASP mentality, the glorification of soap and water of almost religious significance. "Cleanliness is next to godliness", right? Interestingly, the aphorism is similarly coined in other languages to extol the value of cleaning up; but the connection is not made to the divine, but rather with other values, such as social status. To further this syllogism, one might argue that by eschewing the god-prefered clean smell of soap and water, covering it up with perfume is "reeking" of suspicious motives. What are you trying to cover up, dude? Perfume wearing has for long being tied to members of the fair sex of low reputation in particular (parfum de puta), trying to cover up the smell of other men on them, or a witch-hunt mentality in which scent was used to ensnare men and control them through the subliminal medium of olfaction.

Another reason might be that the cubicle farm culture is most prevalent in the US rather than other countries. The tight-knit space does induce discomfort, conflict and ennui! Someone has to be blamed and perfume is so easy to target. Especially so since smells invade our space and trigger emotional responses. Which makes me further the thought: Has no one considered Sick Building Syndrome? Several of the symptoms described for perfume intolerance happen to be identical with those for the above condition.

What is perhaps even more intriguing is that I distinctly recall a perfumer saying that American perfumes are made with a higher concentration within the established Eau de Toilette and Eau de Parfum concentrations so as to satisfy the taste to have your perfume announcing you, a form of "olfactory shoulder pads" which used to be very demanded by the market focus groups on US soil. Historical fact confirms that some of the most potent, powerful fragrances first met with success in the US, such as Narcisse Noir by Caron, due to this preference. In a globalised market perhaps this isn't always the case, although several popular fragrances do get produced at different factories for different countries ("made in US" vs "made in France" etc., plus the difference in the alcohol used as a carrier vehicle for the essences) Several of the modern "clean" scents bearing American brand names (the Clean brand for instance) are so harsh and synthetic that they do pierce sinuses. In view of the above is it any wonder that lots of Americans are complaining? I don't think it's entirely their fault! But it does make for a new arena for the claim of personal space in an increasingly tight, overpopulated world.

On to you: Is perfume the latest taboo? Is it the new weapon to battle one's battles in the workplace? Do you have any problems from someone else's scent?

pics via legalblogwatch.typepad.com and dentalcollectibles.com

Mystery of Musk: Verdigris (Belly Flowers perfumes),Tallulah B (Jane Cate)

Reflecting upon the musk fragrance samples I have received (a couple still missing in action) for the Mystery of Musk project, I am reminded of how the mind works and what associations and -sometimes received- expectations we place upon things. The Mystery of Musk began as an innovative project in which natural perfumers tried to render a viable, sustainable animalic musk through non-animal (musk deer) sources. As we had announced, this was an across the globe project challenging us into coming with terms with different interpretations of what each of us holds as "the standard" of what musk should smell like. Some of them deviated from the path; fledging full compositions which gained independence and "indie-pendance".
What I mean by that: Most of the time, one cannot forget that they're smelling artisanal perfumes produced along a specific set of parameters, although they accomplish some of the aesthetic criteria we've come to expect. But in the arena of musk specifically, there are unexpected twists and turns to be taken and today we're tackling two of them. To cut a long story short, two musky versions which are not particularly...musky. But they have other things to recommend them, should you find yourself interested.

Jane Cate of A Wing and a Prayer Perfumes was inspired for her Tallulah B by classical Hollywood glamour and specifically the bon vivante Tallulah Banckhead who liked to proclaim she was "as pure as the driven slush". With role models like this... Still for Tallulah B the perfumer went for a subtle, botanical vibe which feels like a daguerréotype: the focus is not verisimilitude, but rather an impression of a person or object. The scent feels indeed like a woody floral, a delicate one with the trail of ambrette pods. Much like Connie Porter in Lifeboat (1944) by Alfred Hitchcock, it seems like it laughs in the face of heavy, seductive type musk recalibrating our perception of it, proposing a fragrance that utilizes the note in a roundabout way, underscoring subtly the soft florals (child-like linden blossom, a tincture of muguet...is that really possible? Would it produce a spectre of the little bells?). Cynical like Porter? Not really. More like a different take from someone who admits "I don't usually blend with musk".

Disclaimer & correction: Jane Cate has issued two versions of Tallulah B, recalling the first one (hereby reviewed) in favour of Tallulah B2 which is muskier, meeting the requirements of the project. Since I haven't received the 2nd version yet, I limited myself to the first (sorry for the confusion), but will amend when having sampled the second one. Watch this space!
Wing and Prayer Perfumes appear on the official site and on Etsy.


Verdigris by BellyFlowers Perfumes says it all by its name, a paronomasia uniting "ambergris" and "verdant" but also evoking the patina on copper or bronze metalware, the greenish tinge that the French called "vert-de-Grèce" (Greek green) when referring to the specific colour in painting. Probably inspired by both those references as well as the lush tropical feel of the Florida state where the perfumer Elise Pearlstine is stationed, which would be conductive to not only copper oxidizing into copper acetate but to inhibitions also, Verdigris is presented as "musky and green, rich and sexy".
Green, the scent certainly is, mating green accents of lavender, clary sage and violet absolutes, folded by a heart of powdery soft opoponax absolute. In the base, the muskiness is achieved through the synergy of ambergris tincture and labdanum absolute (the latter is clearly detectable). The opening has the herbal aroma that herbalists would prescribe for a case of rebalancing, while the progression veers into an earthier palette with the deep, hypnotic lappings of labdanum. Compared to sweeter and more body-conscious renditions, we're dealing here with a fragrance that doesn't aim to provide a heavy-lidded, khol-eyed musk and this is quite apparent: Whether it was the intended goal, I leave it to the perfumer, but something tells me that it was.
Belly Flowers Perfumes are accessible here.

Both fragrances have average tenacity, which means they perform pretty well for all-naturals compositions, considering.

Please refer to this list for the other participating sites on the Mystery of Musk project.

Photo of Tallulah Bankhead via Film Noir Photos blog and of verdirgis design of rbanches on black scalloped ring via Miss Fickle Media Com blog.

Sony Wafts Welcoming Scents

The electronics giant we all know, Sony, employs a special blend of smelly essences in its stores diffused through scattered electronic devices in order to welcome women and men projecting feelings of ease and quality. The special blend includes essences of vanilla, mandarin, bourbon and other secret ingredients.

This is what we learn through an article in the ABC News: "Gino Biondi, the chief marketing officer for ScentAir, the company that developed the scent for Sony and makes the diffusers, says the smell of vanilla puts women, typically intimidated by electronics, at ease, while the mandarin denotes class. The bourbon is there for the guys. "It basically enhances the environment for a first great impression," says Biondi, whose company serves everyone from Express clothing to Mandalay Bay Resorts".
But scent in general aids consumerism. A study appearing in the Journal of Consumer Research, affirms that scents improve consumers' memory in relation to products, according to scientists at the University of Michigan and Rutgers University. The co-authors Aradhna Krishna, May Lwin and Maureen Morrin claim that scented products perform better in info memory tests vs. non-scented products. "This occurs even though the product scent is not reintroduced at the time of recall, and even when memory is assessed as much as two weeks after product exposure."

Martin Lindstrom, author of "Buyology: The Truth and Lies about How we Buy" gives some examples of how specific odours act subliminally and how they're used: Vanilla is considered comforting due to its evoking breastfeeding milk, therefore "making you feel childish, young, energetic" while wood reflects a back to nature, earthy, solid, classic set of values. On the other hand fruit is summery, thus making people feel "more open-minded, happy and sexual", while lavender affects the heart beat by slowing it down thus making people linger longer in the stores. Cigars and leather are the perfect choice for banks and law firms, apparently, as these odours reflect "conservative values" (supposedly people in power having the money to afford the smell items, I'd presume, so you feel like you're in the hands of authority and successful monetary churning). Several companies from fashion to cars (and even real estate) work with these guidelines in mind and the trend is only going to expand.

Pic via blog.se-nse.net

Mystery of Musk: DSH Musk Eau Natural (Review & Bottle Giveaway)

Musk Eau Natural by DSH is a wordplay on the Americanized phrase "au natural" (from the French au naturel) and "eau", denoting nudity and intimacy. The feeling was inspired by the Art Deco period, the 1920s and 1930s that is, when musky fragrances entered the vernacular again after almost two centuries in absentia, alongside with a fascination with the Orient and its hedonic mysteries. The perfumer Dawn Spencer Hurwitz intended this fragrance to have a vague chypre feel which is also in keeping with some of the popular styles of perfumes in the Art Deco period (alongside the westernised Orientals of course). The simplicity of the fashions, following the revolutionizing by Jean Patou and Coco Chanel, fitted the structured character of streamlined compositions: vast expanses of -usually ivory- skin, a decided marked contrast with architectural-looking hair (bobbed or not) and select ornamentation getting to the point demanded straightfoward fragrances that weren't limp-wristed or wallpaper-ish.

The fragrance is presented in pure parfum/extrait version (30% concentration of essences) for two reasons: the rich feel of musk dictating a lusher concentration and naturals having a problem of tenacity; the extrait version would help the scent linger. We're hosting a giveaway of a very generous 5ml extrait de parfum of Musk Eau Natural courtesy of DSH Parfums des Beaux Arts. (The photo represents the actual bottle, we're talking about pure parfum here, folks! It should last you months.) So comment away, saying what you find exciting about musk if you want to enter the draw to win it! And to make it a bit more interesting I will pick the entry I find the most interesting!

But back to the fragrance and its creation process, a very intriguing one indeed. Dawn followed the directions of the Guild in regards to which sustainable essences provide a musky note to a T while composing her fragrances. Here is the list of natural sources of musk components, the first three coming from non-cruelty animal sources, the rest of botanical nature:

Ambergris
Beeswax
Hyrax
Goat musk
Ambrette seed
Angelica root
Sandalwood
Labdanum
Vetiver
Spikenard
Oud
Vanilla
Musk rose
Black currant
Jasmine sambac
Patchouli
Cumin
Black pepper
Costus
Seaweed and Carrot seed

Only two of the botanicals ~ambrette seed and angelica root~ contain macrocyclic musk molecules same as the natural deer musk essence, as we have noted before. And from that limited palette Dawn chose to only use beeswax out of the non-cruelty-animal-derived choices. Plus she omitted vetiver, vanilla and patchouli, so as not to overwhelm the botanical bouquet, as these are notes that bring their own potency into a mix. Talk about a true challenge!
Dawn admitted after seeing what others had composed: "My own understanding of the Mystery of Musk project was akin to Iron Chef (how to be creative with a limited palette), now I realize it was more like painting class (make your own interpretation). Oh.OK." And she goes on to explain how her mind ticked while composing: "If you have ever smelled costus root oil, you will notice some things that are very interesting. One, it has a strong but sweet musk-like odor and at the same time, well, a bit of “hefty bags” that comes up. I kind of like it in a perverse way. The same way that I like styrax for it’s sweet honey-spiced-leather-resin smell mixed with “airplane glue”. It’s fun to sense the multiplicity of things and the potential that lies within. Another note that I love is Cassis / Black Currant bud. It smells of pine trees and cats; I am fascinated by its ability to push toward fruity / green and civet at the same time. It’s a wonderful catalyst to activate other notes that might no be so easy to work with, like the carrot seed (which likes to stand out in many designs); seaweed, which can come off as flavorless and cumin, which is certainly musky but smells (especially to the American palate) a bit of ‘sweaty men’ and BO. You have got to be careful with cumin. It has a delicious sweet, musky spice but too much and you can end up with curried armpits."



I am happy to report that Musk Eau Natural doesn't smell of stale body odour at all. The finished scent is pure carnality, the way classic Tabu (minus the carnation) and Yves Saint Laurent legend Kouros (heavy costus root) speak of intimate expanses of hairy skin, moist with the aftermath of a sex-fest. I feel the strong presence of labdanum which gives animalic, lightly leathery nuances alongside a waxy feel. The labdnum note is very apparent on drydown, reminding me of all the sexy and sweeter facets presented in another scent which exploits this side, Madame X by Ava Luxe. Those of you who have tried that one, should definitely give Musk Eau Natural a shot, as you'd most probably love it.
But is it really chypre-like, you ask. The version which I am testing (there is another one, called ESME see below, which is truer to the chypre motif) isn't truly chypre-structured, lacking the familiar perfume-y mossy-powdery chord of classic examples. Still, the beeswax inclusion, the scent of honeycomb, reminds me of the place that modern iconoclastic chypres hold, such as Moss Breches (the name itself alluding to api-culture, via "brèches" in French) by Tom Ford, where the chyprish top starts in a big way and then a very musky note is revealed slowly. Maybe Dawn envisioned a third way of going around the chypre problem, tackling its muskier components. It remains to be seen whether more will follow in this path.
Tenacity of Musk Eau Natural is quite good, certainly very good for an all-naturals, going strong for about 5 hours on my skin, with medium sillage that wouldn't overwhelm.

Dawn Spencer Hurwitz notes for Musk Eau Natural ESME:
Top notes: Black Currant Bud, Black Pepper
Middle notes: Ambrette Seed, Angelica Root, Centifolia Rose Absolute, East Indian Sandalwood, French Beeswax, Labdanum No. 3, Sambac Jasmine, Spikenard
Base notes: Brazilian Vetiver, Costus, Cumin Seed, East Indian Patchouli, musk eau natural accord, Oude (Agarwood), Seaweed, Vanilla Absolute

The musk accord employed in the base uses 15 of the 18 ingredients, including the remaining component, Carrot seed, in the topnotes, a different beeswax (Honey Beeswax) in the heart, and Ambrette Seed exposed in the base.

The notes are presented for ESME, a true chypre variation of Musk Eau Natural on her website including the notes she omitted for the simpler version, as well as two other editions (one of them the Musk Accord contained in Musk Eau Natural here reviewed; the other Musk of the Mosque, a more orientalised, incense-rich version) which she envisioned during creating for the Mystery of Musk project. A nice musk-rich full wardrobe at the flick of the fingers on the laptop!


Please refer to this list for the other participating sites on the Mystery of Musk project.

Illustration by Pierre Laurens, 1929. Photo of sample by Paul Kiler via Mystery of Musk perfumes.