Amouage "Library Collection" Opus I, II, III: exclusive fragrance previews

Few niche fragrance lines today are as devoted to opulence as the Omani firm of Amouage founded in 1983. Rich, multi-nuanced baroque tapestries of scent, so textured you feel like you can touch them, Amouage perfumes remind us of how perfumery used to be before restrictions and leaning-tricks gave perfumery its contemporary meagre look. The three upcoming additions Opus I, Opus II and Opus III in the "Library Collection" (which we announced the other day) do not disappoint.


It is with great pleasure that I introduce them to you, writing down my impressions as I test them again and again on my skin these past few days. A few of you might get to try them out in the special preview scheduled in a couple of days (details at the bottom), the rest are urged to seek them out later on when the launch officially. They're true to form and one among them is truly surprising.


Artistic direction is everything when it comes to positioning a perfume brand: Remember Christian Astuguevieille for Comme des Garçons, Lutens for Shiseido and his own eponymous line etc. Likewise, the multi-faceted ~opera, fashion and semiotics among his studies~creative director Christopher Chong has helped Amouage gain the credibility which niche lines are (sometimes only) dreaming of: unflagging consistency, luxury, specific vision, collaboration with top perfumers. His musical background I guess is the reason why the three new Opera (or musically referenced, Opi) were thus baptized. The library standing as the capsule for keeping the creative process contained in tangible, approachable form.

Initially I was a bit sceptical when I heard of a new Collection, especially with arithmetical numbering: These days niche frag "collections" are a dime a dozen and for some weird reason everyone wants to bring out one, semi-establishing themselves as authors of a body of work at the drop of a hat. But in the case of Amouage there is already a line-up of impressive creations, thus crossing effectively that motive off the list. Still, three fragrances in one go seem like one or two would overshadow the rest. But if the Arabian-inspired house has proven anything to us, it's that more is sometimes more, after all! There is nothing minimalistic about Amouage and the new triptych will find its dedicated fans as well, walking the fine line between wearability and artistry successfully.

• Opus I is the most surprising new Amouage in the Library Collection, not from a structural point of view but one of juxtaposing two antithetical elements which miraculously fuse into one another in a case of reverse engineering. Although officially classed as a chypre, Opus I feels like a lush floral with a jarring, really great bitter bigarade top note (like traditional bitter citrus rind confit, almost Roudnitska drool-worthy) which contrasts with tuberose and dominant ylang ylang; both flowers treated into a mentholated ribbon flowing in the wind underneath a plummy accord which is round, fleshy, pudding-rich. The bitterness of bigarade and the tarry notes offsets the salicylates of the flowers, while the sweet elements (tonka, plum accord) brings out the nectarous qualities. The most pyramidal of the three, where there is a clear and distinct progression from top to heart and then slowly segueing into base.

• Opus II promised to be evocative of "old books, dark wooden shelves and antique leather armchairs" and only because I already knew that from the announcement of the new line, I purposely jumpled the samples around, as if.... Proclivities are almost hard-wired and both nature & nurture seems to conspire making me always gravitate towards such compositions. If I were to sum it up I would proclaim Opus II a spicy incense fragrance and in that field it plays seamlessly. The core of frankincense reveals a zesty freshness the way the natural resin tears have a lemony, orange-y freshness as they smoke serenely on the censer. Contrary to Opus I, which starts refreshingly bitter and turns sweeter and lush, Opus II goes for the reverse: A warm, soothing opening of rosy spice and absinth liquer (see our Series) becomes cooler and more celebral as the time passes; while the final warm sweetish remnants on skin project at a low hum like bass heard from a distance. Unquestionably my favourite, it reflects what Christopher had said: "The Amouage customer is an international traveler who has picked up antiques and items of furniture while travelling around the world and has built a home reflecting a global approach to design, but housed within an Omani-inspired space."

• Opus III is built around violets, clearly detectable from the very start, taking on nuances of both candied petals and greener, leafier verdancy with a sage-like tone. The aromatic top has a quirky nuance, with pungent, bracken and honeyed tonalities, turbidity set against a woody base. Even though violets are usually thought of as feminine and retro-glamorous, reminiscent of makeup paraphernalia, here they're treated in both directions of sweet and mainly green, rendering the finished scent suitable for both sexes. Opus III feels linear, united into one ultra-complex chord which projects with unwavering assurance.

All three fragrances in the Library Collection bear the sign of Frankincense, the emblem of the luxurious fragrance line, sensed in various degrees and they all smell full and rich, the way we're used to from the Sultanate of Oman.

The three scents in the Amouage Library Collection are extremely lasting on skin (a full 12 hours and they were still going strong!) and leaving a delicious trail behind without becoming intruding or cloying. Please refer to this post for the exact notes of each.

A sneak preview of the "Library Collection" Opus I, Opus II and Opus III will be taking place at Aedes de Venustas, 9 Christopher Street, New York on Thursday, July 1st, 2010 from 5-8pm and cocktails will be served. It's worth the trip if you're near. The sampler set is endearing, small sprayers encased in pearl white silk-lined matchboxes.

All photos by Elena Vosnaki. Click to enlarge.
Painting of The Queen's Library at St.James's Palace, from The History of the Royal Residences, engraved by Richard Reeve, by William Henry Pyne.
In the interests of full disclosure I was sent 3 preview samples by the company.

Mona di Orio "Les Nombres d'Or" ~Ambre, Musc & Cuir: new fragrances

Mona di Orio, the author behind an eclectic and quirky collection of individual scents, among which the stellar, intimate Carnation, is launching a new trio of fragrances centered on three emblematic notes: amber, musk and leather. Mona di Orio was inspired by a mathematical concept, the Golden Rule, for her new creations, saying following the rules of proportion was result in a harmonious melody and naming the collection Les Nombres d'Or (Golden Numbers). The notes for the new Les Nombres d' Or Ambre, Musc and Cuir are as follows:



AMBRE – Les Nombres d’Or: Atlas cedar, Comores Ylang ylang concrete, benzoin, Tolu balsam, Madagascar vanilla absolute.
MUSC – Les Nombres d’Or: Neroli, angelica, rose, heliotrope, Tonka bean absolute, musk.
CUIR – Les Nombres d’Or: Cardamom, artemisia, leather, cade oil, opoponax, castoreum.

notes & pic via extrait.it

Issey Miyake A Scent Eau de Parfum Florale: fragrance review

When a scent gains a flanker in the guise of just a different concentration (Eau de parfum vs. the original Eau de Toilette) you know you're in for a bumpy ride on some level, to quote All About Eve. Either one will be vastly superior to the other (see Allure, Opium), or there will be confusion among consumers (see Narciso, or Bandit) or both of those things.

Issey Miyake had launched A Scent last year: an ascending, airy green fragrance which impressed me favourably with its polished technical merit and re-introduction of green notes into the mainstream (a trend which one might argue was not pioneered by it, but to which it contributed positively). Imagine my disenchantment upon testing A Scent Eau de Parfum Florale by Issey Miyake and finding out it is not only ghastly but boring to tears as well!
Merely an alcoholic-ladden, light, ~almost to the point of insubstantiality~ floral scent with an aromachemical woody-amber base (Ambrox) for a little anchoring (they might as well not bother, it's fleeting on both blotter and skin). After this strong alcoholic blast passes, a diaphanous peony-jasmine accord (with a hint of peachy sweetness) that is more spectral than real.
I haven't been really scathing while reviewing on the whole, apart from a few atrocious cases, but this time I think it's needed. Eau de Parfum Florale seems like a marketing turn of phrase in the mould of "let's do a pink floral version for the heck of it, it will sell on the heels of the previous model" . No, dear marketing people, it won't, unless you suggest the formula goes into shampoo or liquid detergent (Personally I would prefer to just wash my hair with bar soap instead of this, but let's not pre-empty other people's preferences lest we're called names). What's happening? The Miyake company people weren't that cynical from what I recall. Pity on the perfumer who was given the brief: Is this why they do not reveal his or her name?

Yes, the new Scent is really different from the original as the sales assistant was quick to point out without any prompting. Yes, it's encased in the same (genius) bottle design that recalls sliced plexiglass bricks. Only in PINK! I have probably said the magic word that shutters all expectations for serious perfume lovers and just chimed the "abandon all hope ye who enter here" for those who read. Run for the hills. Run for your life. Run Lola, run! You might be inwardly protesting by now "oh but I like pink fragrances, they're so girly and cute!". Let me circuvent this thought, in case anyone thinks I am being snobby, aloof, or pretentious in saying so: No, do yourself a favour and get some really nice "girly and cute" pink juice: like Miracle So Magic, Kelly Calèche , Guerlain's Insolence or Gucci Eau de Parfum II in that paper-weight heavy bottle. They do exist. Just not into the cubicle-farm of A Scent Eau de Parfum Florale...

Notes for Issey Miyake A Scent Eau Florale:
Top: Jasmine petals, hyacinth
Heart: Galbanum, ylang ylang, rose, peony
Base: Patchouli, amber, moss

Available in 40ml and 80ml in major department stores.

Aftelier Perfumes Giveaway!

Mandy Aftel is the perfumery guru and pioneer who managed to alight an all naturals aromatics Renaissance with her body of work and especially her seminal book Essence & Alchemy, the cornerstone on which the naturals movement has flourished; absolutely delightful and all around highly recommended reading. She has just revamped her Aftelier Perfumes site into a friendlier and prettier format, including many rare vintage photographs. To celebrate this launch she asked us to host a Giveaway of some of her products.

There will be four winners in this drawing, and each winner gets to pick out one of the following: a Face Elixir, a Bath Oil, a Body Oil, or a perfume Mini of their choice (except Parfum Privé).
You need to do something to be entered, so read carefully!

1). Go to the Aftelier website and give a little feedback in your comment here about the new design.

2) You need to see the visuals on the store website to answer this question: What flowers are shown growing on the vintage postcards from Grasse on Mandy's site? (Except on the Samples page) Clue: They're four of them and they're extremely popular perfume notes! Include the answer in your comment here.

Bonus points if you follow Mandy at Facebook or Twitter. (just click the links and leave some feedback if you like)

The winners choose their own perfume Mini gift from this page and the next one!
DRAW is open till Friday 2nd July midnight.

While you're at it, don't miss the new samples page as well as the solids, the traditional liquid perfumes of course, my favourite new feature: the chef's essences (for adventurous cooks!) and the perfumed teas.

Other giveaway hosts: Scenthive, Cafleurebon, The Non Blonde, Now Smell This.

Parfumerie Generale Musc Maori 04: fragrance review

Pierre Guillame, the young and charismatic perfumer behind the Parfumerie Generale line, composed an unusual gourmand musk with subtle animalic vibrations beneath, like a male lion heard from a distance, which gives pause to think: Is it foody? Is it in dried fruits & wood Lutensian territory? Is it powdery musky? What is it exactly? There's nothing more exciting than a perfume that throws all caution to the wind and perplexes.

The opening of Musc Maori is as promised a strong, sweet cocoa note (juiced over by bergamot & orange) and with the smell of planked woods on which a subversive non homemaking type is preparing chocolate-chip cookies with a dash of Tia Maria coffee liqueur. Yet the aroma of chocolate slowly dissipates and we're experiencing the rise of a powdery, warm, almost clean musk with vanilla in the background, as if the person in question is slowly heating up in that enclosed space of the kitchen, "cooking" alongside the cookies, revealing the fleur de peau note that musks are famous for. After all, musk (like patchouli) does have a natural aspect of cocoa, so it makes sense to pair the two. A hint of floral (jasmine?) wrapped up in cellophane is peeking through, there is a rubber, dusty wood-glue note which is discombobulating. (Might I venture there is some Okoumal aroma-synthetic by Givaudan in there?)

Of course Tonka beans already have a chocolate facet, so coupled with a lactone and vanilla they would give this feel of chocolate being heated up. If it were naughtier, it would evoke bedroom play involving dribbled chocolate syrup, but it doesn't cross the line, even though it tethers there for a few seconds in promise. The overall impression is one of a linear, uncomplicated scent, which doesn't transform through distinct stages, but rather performs a diminuendo of its original motif.

You have to at least like gourmands to appreciate this one, although it isn't your typical Angel clone where the caramel and Caspirene glob you on the head, nor is it as dry and espresso-laced as the refined patchouli in Borneo 1834. The buttery, lactonic feel is reminiscent of Matin Calin by Comptoir Sud Pacifique, so those who like the latter and want a chocolate-milk version or one which reminds them of Palmer's Cocoa Butter Lotion should try it. The Non Blonde compares it to Lea Extreme without the almond-coconut tonality and I will take her word for it. I guess this makes it more feminine than unisex, although adventurous males with a sweet tooth might want to try it out. Musc Maori by Parfumerie Generale is something to be sampled for sure anyway: I can't think of a weirder, more kinky musk out there!

And since we're talking chocolate, how do you like yours? Dark, milky, in-between? With filling or not? Particular brands? I'm hungry!

Notes for Parfumerie Generale Musc Maori:

Bergamot, cocoa bean, Cumaru wood, coffee tree blossom, amber, Tonka bean, white musk.

Musc Maori 04 circulates as an Eau de Parfum which lasts for ages, in both 30ml/1oz, 50ml/1.7oz and 100ml/3.4oz sizes, available at Luckyscent, First in Fragrance and The Perfume Shoppe.

Photo of melted chocolate via lovecstasy. com

Come Again?

According to Net coverage, singer Peter Andre was envisioning ...leading man George Clooney when he was giving the directions for his male celebrity fragrance Conditional (I'm almost this close to saying "Conditionner", although I realise it's a quip to his female one called Unconditional)
'If you can imagine George Clooney walking down the red carpet and how he would smell. That's how I try to imagine this smell,' femalefirst.co.uk quoted Andre as saying. Eh....riiiiiiiiight!
Now, what's the use of issuing an eponymous celebrity fragrance when you're setting the notes, so to speak, for consumers to fantasize about another celebrity in regards to it...that beats me!!

New Orleans Museum of Art to Open Fragrance Bottle Exhibition

New Orleans Museum of Art Curator John Keefe and his Department of Creative Arts proudly announce the opening of SCENTS and Sensibility, an appropriately-titled exhibition showcasing 125 objects covering the history of the scent bottle from its ancient origins to the present day. Scents, or perfumes, have been a part of civilization for more than four thousand years and have characterized every known civilization. “Scents and their containers have fascinated the world from Julius Caesar to Coco Chanel,” Keefe said. In celebration of Rene Lalique's 150th birthday, the exhibition includes several of his pieces including the "Hirondelles" piece (depicted) recently reissued by Neiman Marcus.

“Perfume has always been a luxury product and it’s interesting that the bottles accurately reflect different eras,” Keefe said. “Scents and Sensibility is a true representation of changes in styles and fashion. Each vessel is mesmerizing.”

Objects within Scents and Sensibility include scent bottles, powder boxes, talc jars and similar objects made to hold scented contents. Permanent collection pieces as well as those on loan from regional collectors range from approximately 1100 B.C. to the present day. Glass, pottery, gold, porcelain, hardstone and silver are all represented in the collection, as well as some recognizable names: Coco Chanel, Jeanne Lanvin, Christian Dior, Louis Comfort Tiffany, Peter Carl Fabergé, René Lalique and Stueben Glass. Twentieth-century objects include bottles whom some might look upon with nostalgia, coming from great couturiers such as Coco Chanel, Jeanne Lanvin and Christian Dior, as well as celebrated parfumeurs Guerlain and Desprez.

To celebrate the opening of this fragrance-filled showcase, the Museum will host a free opening reception featuring Hove Parfumeurs from 6-8 p.m. on June 30, 2010. Hove's owner Amy can Calsem Wendel will educate guests regarding how her unique local boutique crafts fragrances using indigenous Creole materials. A full cash bar featuring frozen "couture cosmos" will be available in honor of Chanel, Givency, Dior and other couturiers highlighted within the exhibit. Brennan's Courtyard Cafe will remain open as well, offering a selection of pastires, soups and coffee. This opening event is free and open to the public. The exhibition will remain on display until October 24, 2010.

Wednesdays are FREE for all Museum visitors. Louisiana residents with valid photo identification: Adults, $8; Seniors (65 and up), $7; Children 3-17, $4; Children under 3, free. Out-of-state visitors: Adults, $10; Seniors (65 and up), $9; Children 3-17, $5; Children under 3, free. Free Wednesdays and discounted admission for Louisiana residents is made possible through the generosity of The Helis Foundation. Admission to the adjacent Sydney and Walda Besthoff Sculpture Garden, featuring work by 61 artists, including several of the 20th century’s great master sculptors is always free.

photo of Rene Lalique bottle for the perfume Les Hirondelles.

Annick Goutal Musc Nomade: fragrance review & draw

It wouldn't be an overstatement to claim that Musc Nomade By Annick Goutal is an exceptional piece of perfumery and among musk fragrances it really stands apart, poised between the crossroads of animalic and clean, defined by neither, or -better yet- interpreting both qualities in equal measure to the point you forget about classifications and just revel in its chiaroscuro sensuality. If pressed, I'd say it's a "vegetal musk". And it is.


Musc Nomade (2008) is the fourth addition in the Les Orientalistes line which was introduced with Ambre Fétiche, Myrrhe Ardent and Encens Flamboyant. The inspiration of the scents was said to be the smells of the harem and perfumer Isabelle Doyen masterfully wove in sensuous, denser whiffs in the familiar fabric of gauze that runs through the Goutal brand, thus marrying two antithetical elements: opulence and transparency. Annick Goutal was already enchanted by the sophistication of musc devotees, the Qatar Princesses, who bathed their bodies and hair in a divine blend of musk powder and rose essence, and fragranced their rooms by burning oud wood. She dreamed of capturing the aphrodisiac effect of this material reputed to stir the senses and hold men captivated... Camille Goutal, the next in line after Annick's passing, decided to do an ecological musk and with the help of Isabelle Doyen they defied convention in that they produced a vibrant, lightly "animalic" musk without the use of animal-derived products.

To do that Isabelle Doyen employed Muscone, a very refined -and costly- ingredient which is the odorous principle of natural deer musk, married with the natural macrocyclic musks (see relevant article) present in angelica root (containing 12-methyl-13-tridecanolide and Exaltolide) and ambrette seeds. The artistry lies in manipulating raw materials which are difficult to handle: Angelica root essence is musty, with a note of bitters and the liquid emulsifies in alcohol dilution making the mixture cloudy like a glass of pastis. Nevertheless, Doyen managed to bypass all these problems and the juice is perfectly clear with an aromatic top note that singes the nose hairs most delightfully the way a good gin does, to unfold later on a dirty, pleasantly "skanky" ambience that recalls the smooth fur of Muscs Kublai Khan by Lutens and the cozy sex-on-the-haystack feel of L'Air de Rien by Miller Harris.

Smelling Musc Nomade you're left with the impression that it is topless; in both senses of the word: It feels natural, bien dans sa peau, quite nude, and at the same time like it misses those frills routinely put in to jolt the customer into paying attention. On the contrary, Musc Nomade insinuates like a murmur in the ear late at night or minimalist tunes on harmonics-series instruments. The rosiness (reminiscent of the Lutens floralcy in his own musk oeuvre) is an illusion rendered through the facets of Bombay wood, furling and unfurling thanks to a herbal-sweet note like patchouli. Musc Nomade is individual and defies any familiarity one has of drugstore musks, eschewing the sweet vanilla and sandalwood warmth for the "dirtiness" of labdanum, an almost animalic plant raw material, and for a woody backdrop that is very appealing and fit for both sexes. It can be layered effortlessly under the other Orientalistes scents in the collection or practically under any other fragrance.
Its individual character and unassuming sensuality put it in my top 5 choices for musk fragrances.

For our readers, a draw for a decant of Musc Nomade! Leave a comment to enter. Draw open till Sunday midnight.

Notes for Annick Goutal Musc Nomade:
Muscone, white musk stemming from angelica root and ambrette seed, tonka beans, labdanum, Bombay wood (a papyrus variety)

Musc Nomade circulates in Eau de Parfum concentration in two bottle designs (depicted) with exactly the same scent (same as with all the Orientalistes!): One is the feminine ribbed bottle, the other the sleek rectangular masculine one with gold accents. I personally find the somber lines of the masculine design with the lovely arabesque motifs in the labels more fitting this line of enigmatic scents.

Related reading on Perfume Shrine: Annick Goutal news & reviews, Scented Musk-eteers: musk fragrances reviews




Clip from the film Il Ventre dell'Architetto by Peter Greenaway, Struggle for pleasure by Wim Mertens.

The winner of the draw...

...for the Lutens decant is Perfumaniacs Anonymous. Congratulations! Please email me with your data using the contact email in the profile at the right, so I can have this out to you soon.
Thanks to everyone for their participation and till the next one!

Annick Goutal Distribution in USA Under BPI Aegis

Great news for US fans of the Annick Goutal line of pretty and interesting fragrances! After a problematic distribution which resulted in unsubstantiated rumours of discontinuing the line across the pond, Beauté Prestige International has announced (and it has been broadcast on several venues) that their USA branch will be marketing and distributing the brand themselves under an exclusive agreement.



Previously the Goutal line of fragrances, skincare, home scents and candles was carried at select doors including Barney's, Bergdorf Goodman, Bloomingdale's, Neiman Marcus, Nordstrom and Saks Fifth Avenue. Several products however were out of stock for a long time in the past year, raising concerns. The explanation was simple, as stated in simple terms by The Non Blonde. Now we learn even more details. "BPI spokesperson Jessica Barlow told CosmeticsDesign.com USA that for the last 9 months Annick Goutal has been handling the distribution of its products in the US from its Paris headquarters. BPI will maintain the current distribution channel, said Barlow, which currently stands at approximately 150 prestige stores".
The Goutal brand, founded in 1980 by former model and pianist Annick Goutal herself and with a strong personal streak running through the creations, was associated with the Taittinger group and by extension with Baccarat crystal in 1985. After the death of Annick in 1999 Brigitte Taittinger entrusted Camille Goutal (one of Goutal's daughters) and Isabelle Doyen, Annick's perfumer since 1988 with the continuation of the brand, which materialised admirably. The Goutal company was acquired by the Starwood Capital Group in September 2005, alongside the whole Taittinger Group. And now, another change.
May I remind you that the Parisian-based mother company, Beauté Prestige International, are handling the Shiseido and Lutens portfolio with great results so far. And the USA branch is also handling the distribution of parfums Hermes in the States. Also included in the company’s portfolio are fragrances from Issey Miyake, Jean Paul Gaultier and Narcisco Rodriguez. So it all worked out for the best!

According to Forbes: "Over the past three decades, the name Annick Goutal has become virtually synonymous with the very highest level of quality and luxury in the realm of lifestyle fragrances," says Nicholas Munafo, President of Beaute Prestige International USA. "The perfumery house has consistently raised the bar with each successive launch, solidifying its position as a leading creator of artisanal scents, while faithfully maintaining the traditions so integral to its core values. BPI's proven strategy of growing distinctive, high-end fragrance brands in limited distribution channels seems a natural fit for Annick GoutalParfums, and we are well-positioned to maximize the brand's significant potential in the US market."
According to Brigitte Taittinger, President of Annick Goutal, "Since the creation of the brand, the US market has always been our first export market. Our distribution, very selective since the beginning, is a reflection of our brand positioning. We have total trust in the 'know how" of BPI USA to support the development of Annick Goutal in the states, respectful of our image and specificities".

The new distribution agreement will be effective as of July 1st, 2010.

Photo of Goutal boutique by the helpful Lianne Tio in the Netherlands.

M.Micallef Royal Muska: fragrance review

Royal Muská is a relative newcomer in the game of musk fragrances, being issued by niche brand M.Micallef in as recently as 2008, yet it has gained something of a cult status already, thanks to its cloudy soft, warmish personality, with a gentle sheen like mother-of-pearl and a ray or two of the sun hidden in there.

Fragrantica describes it as "the fragrance of tanned skin, of hot days and sultry nights" and classifies it under "fruity floral". How can a musk be tropical, you ask? Well, with the suffusion of salicylates, molecules naturally present in ylang ylang essence, of which perfumer Martine Micallef made ample use. The effect is like a delectable whiff of baked skin, almost amber-ed over with a hint of Ambre Solaire suntan lotion, but only a little. It's also rather soapy (rosy aldehydic), especially when smelled at an arm's length rather than up close, yet without any harsh alcaline edges or lily-of-the-valley "clean" vibe. Yes, it's a clean, white musk, but not quite. The best way I could describe it is "hazy", puffy-pillowy and honeyed sweetish, a real skin-scent.
Then again you might heed Katie Puckrick's warning if you're averse to musks in general, who says "on paper it seems like the kind of thing I'd dig. But I don't. It bugs me. Seems a little rank, like the inside of my friend from 6th grade’s not-very-clean house". In fragrance parlance, this is often associated with "mature" scents and I guess it is, somewhat, although it certainly lacks the complexity of old blends which incorporated musk as a supporting actor rather than the protagonist.

Royal Muská comes as an Eau de Parfum and is usually referred to as Royal Muska, the accent omitted in oversimplification, so don't get alarmed if you find it with either spelling online. More feminine than unisex, although theoretically it could be carried by both sexes. And caveat emptor regarding possible musk anosmia just like with Musc Bleu by Il Profumo applies here as well. The rectangular bottle is impressive and luxurious, even better looking than the round Micallef ones.

Notes for M.Micallef Royal Muská:
Ylang ylang, rose, white musks, precious woods, fruit notes, crystal musk and benzoin.

Related reading on Perfume Shrine: The Musk Series (ingredients & cultural history), Scented Musketeers: Musk fragrances reviews.


Photo from the Greek film Mantalena, 1960, starring Aliki Vougiouklaki and Dimitris Papamichael.

Chrstina Hendricks Loves Some Manly Smell!

In the new issue of Esquire magazine, in a column devoted to 'Mad Men' beauty Christina Hendricks, the real-woman's-body champion dares to tell men what she really thinks about them: 'We love your body. If we're in love with you, we love your body. Your potbelly, everything,' Hendricks writes in 'A Letter to Men.'
'Speaking of your body, you don't understand the power of your own smell. Any woman who is currently with a man is with him partly because she loves the way he smells.'
We're hanging from your every word, dear Christina...