Thursday, January 21, 2010

Scent used to push BMW products

BMW Canada is now using scent to sell financial products. Yup, you heard this right! In a rare and unusual display of originality and invention (not diametrically antithetical to the digitalised notions of scent use we had introduced on these pages the other day) BMW Financial Services under its Canadian agency of record, Candari, has produced an autoshow handout card that looks like magazine scent strips.

"Joy" is the brand's global platform tagged in the ad as "Joy is the scent of a new BMW". The recipient can open the fold-over tab which then releases a leather aroma, produced by New York-based scent marketing company Scentisphere. The concept was introduced in last week's Montreal International Autoshow.
According to Marketingmag.ca: "It was important for the ad to be 'visceral' because financing isn't as interesting a topic to car show visitors as new engines or designs, said Brent Choi, chief creative officer at Cundari. 'They're not as interested in purchase options, but we wanted to continue the BMW allure and excitement', despite the unglamorous nature of the product".

Expect to see it distributed at the Toronto International Autoshow in February, and again at the Vancouver International Autoshow in March.

Related reading on Perfumeshrine: Digital Scents & Teleolfaction

Wednesday, January 20, 2010

Hermes Eau d'Hermes: fragrance review

The official site introduces Eau d'Hermès as "For me. For you. His and hers" and if an androgynous sensibility is already simpatico to you, the special Eau has the potential to surprise in other ways. Notoriously refered to as "that stinky Hermès" among perfume aficionados, this cologne has had a somewhat dimmed profile for many years, ever since its introduction in 1951 by renowned perfumer Edmond Roudnitska and still to this day enjoys a rather underground cult status.



The ~originally proficient in saddlery and leather goods~ luxury house has some of the most interesting Eaux around anyway, with the latest Eau de Pamplemousse Rose and Eau de Gentiane Blanche having me rave recently for their unassuming spontaneity and unassuming intellectualism, with the ultra-popular Eau de Merveilles with its saline note of ambergris and the mouthwatering Eau d'Orange Verte rounding out the edges. But the original Eau from 1951 is still a small marvel because it manages to recalibrate the Eau formula (a traditional recipe of herbs and hesperidia) into a dazzling kaleidoscope combining frank animal notes, spices, and the illusion of tobacco, a mirage that’s at once textured, elegant and "skanky". In some ways there is a bond with the famous fougère by Guerlain, Jicky: The proper lavender touch, the unabashed sexiness of civet, the contrast of old money and an almost cubist outlook. Only the sequence in Eau d'Hermès is in reverse ~first the objectionable part, then the sumptuous, dignified drydown! There is also kinship with some of the older lovely masculines in the line-up: Équipage and Bel Ami, which I also like very much.

Frankly I don't get much of the "dirty" vibe for which Eau d'Hermès is referenced myself, meaning it doesn't smell either really sweaty (rich though it is in cumin, the usual culprit as per received wisdom) or diaper-like/fecal (copious amounts of civet tend to do that). I get a finely tuned citrus-leather violin and piano duet with some white flowers peeking underneath discreetly. This might have to do with either my skank-eating skin or my seriously wrapped-up perception of what "dirty" really is (Apparently my threshold is rather raised in comparison to the average WASP sensibility, I've been told.) My money is on the second hypothesis, at any rate, and most Roudnitska creations with their improper parts always peeking through the layers seem to perform well. But as usual, try before you buy, because perception is everything when it comes to perfume appreciation and what's fine with me might be unbearable bathroom ambience to you. And cumino-phobiacs*, please beware!

The first bottle of Eau d'Hermès in my life was a gift from an artist friend who has a high brow in art issues and a low brow in matters of everyday commodities; which even now befundles me as to which end of the intellectual and aesthetic spectrum predominated when the choice for this gift was made! Eau d'Hermès is perfectly legible as a composition that doesn't trumpet its credentials in your face (there are luxury ingredients in it, but they never show off the bill, if you know what I mean), it nevertheless has some unusual streak which reminds me of another friend, a writer who hails from an old family tracing roots in the Byzantine Empire, and who likes to wear little hats cocked off-kilter and combine odd socks with her evening outfits. Bottom line, it conjures images of non-prim respectability, like an old, faded aristocrat who has the pissoir jugs displayed alongside the family china.

Notes for Eau d'Hermes: citrus, cumin, birchwood, moss, cedar, sandalwood, vanilla

Please take care not to confuse Eau d'Hermès with the semi-oriental Parfum d'Hermès from 1984 (in the round disk bottle) which is a completely different fragrance. The newest version rerworked by in-house perfumer Jean Claude Ellena is a bit more refined, a little more brainy and airy than the vintage, but still fantastically marvellous and arresting in the most incospicuous way. It is sold in all Hermes boutiques at an Eau de Toilette concentration, just ask for it.

Three different commemorative limited editions of Eau d'Hermès have circulated over the years, highly collectible and beautiful to look at. One is from 1993, depicted above, showing a rider upon a horse. Another is from 1994 with an etched Pegasus on the bottle depicted on the left, the other depicting the sun-carriage of Phaethon also etched on the crystal from 2001 depicted on the right. They're both available on Ebay right now for ridiculous amounts of money (A lesson for us all to stock up on rare limited editions instead of bonds, I guess).





















*Some of the other cumin/sweat-infested fragrances include: Kingdom (McQueen), L'Autre (Diptyque), Santal Blanc , Fleurs d'Oranger, Muscs Kublai Khan (Lutens), Declaration (Cartier), Timbuktu (L'Artisan), Gucci Eau de Parfum, Black Tourmaline (Olivier Dubrano), Rochas Femme (1984 reissue).

Paintings by the Spanish artist Juan Gris with music by Barry Mitchell performed by the Locrian Ensemble

The Basenotes Project: Work with Perfumers to Create a Winning Fragrance

Grant Osborne, the creative force behind Basenotes.net, one of the top perfume sites celebrating its 10th year this year, had a fabulous breakthrough idea in which you're all invited: Can 35,000 Fragrance Connoisseurs Collectively Create a Winning Fragrance? To that end they organised the Basenotes Venture.

Basenotes.net have joined forces with internationally renowned fragrance house, CPL Aromas, and introduced a unique new project allowing members of the public, as well as registered users, to collectively submit fragrance briefs and work alongside three highly respected perfumers in the creation of three new fragrances. Offering various levels of interaction, this project provides a rare insight behind the scenes into the way the industry creates and produces fragrances. For full details of how to sample, evaluate and direct the three fragrances, as well as a booking page for an exclusive interactive teach-in at CPL's incredible facility on February 4th 2010 visit http://www.basenotes.net/content/12

If you're not a Basenotes member, I strongly advise to become one, it's absolutely free.

info via press release

Tuesday, January 19, 2010

L'Arte di Gucci: fragrance review

The era of tailored chypres has come and gone and the new genre taking their place is smoothing the contours out into woodier and muskier avenues; yet every so often the perfume enthusiast gets a hankering for something that would be akin to grabbing someone by the (leather) lapels and kissing them square on the lips with gusto. L'Arte di Gucci is such a potent, slightly daring, borderline fearsome composition that would have you questioning your sense of appropriateness or fashionable compatibilty possibly (you might as well wear rugby-player's size shoulder-pads, this smells so out of place today), but enjoying every minute of it, nonetheless.

One MakeupAlley member notes: "If Divine's L' Inspiratrice is the good girl who always wears slips beneath her dresses, pearls and heels out to dinner no matter where she goes, and finds red nail polish too garish, L' Arte wears short skirts with heels, winks at all the boys, and never has to buy her own drinks".
By the minute you open up that vicious-looking box (all black opaqueness and glossy finish) and hold the funnily, yet friendly-shaped bottle you realise just what we lost by abandoning the powerhouses of the 1980s for ever; several nose-tingling masterpieces, that's what!

L'Arte is certainly one of the best releases from the Italian house, past and present, coming out rather late, in 1991, so it's probably natural it's tracing its roots in elements already featured in Paloma Picasso Mon parfum (the intensity of leather and the spiced oakmoss and patchouli blend), Niki de Saint Phalle (the herbal accents, starkly green) and most of all Diva by Ungaro (the astoundingly chypre tonality of its lush rose and the powdery clout). No perfumer is known, alas, so if you have this info, fill me in, I'm intrigued.
If you like your roses shaded, dark, thorny and abstractly woody-powdery (nay, "perfume-y" and very expensive smelling!) and if Guerlain's Rose Barbare, Lady Vengeance by Juliette has a Gun, Sisley's Soir de Lune, Rose de Nuit by Lutens and even Voleur de Roses by L'Artisan have hinted at delights which you always meant to further explore, look no further than the Gucci portfolio and this inexplicably underrated gem. Brassier than the above, L'Arte's prolonged dryout of mossy, powdered leatheriness is enigmatic and full of tawny smoothness.

L'Arte di Gucci wraps its intensely rosy heart garlanded with hypnotic, greenish narcissus into a luminous, characteristic aldehyde burst (evoking half part soap and the other part slightly overripe fruit) like a whirlwind into one of my favourite 80s pop tunes, Kim Carne's Betty Davis Eyes; hysky-voiced, with a swagger in her stride, dressing to impress. Yet the astounding thing is those were more innocent times than today, "pure New York snow" and all notwithstanding. I guess this fangled vampire with "lips sweet surprise" and luminous, deeply honeyed eyes which reminds me of tailored curvaceous suits that yes, Betty Davies might wear, preferably after a manipulation or two, is more girly and good than taken credit for.
"And she'll tease you, She'll unease you, All the better just to please you..."

Long discontinued, it can still be found sometimes online (there is a 1oz bottle available at Amazon right now) and on Ebay,although for alarmingly increasing prices.
The unusual bottle was designed by Serge Mansau and is presented in opaque black in the miniatures circulating.

Notes for L'Arte di Gucci: Bergamot, fruits, coriander, aldehydes, greens, rose, jasmine, lily of the valley, mimosa, tuberose, narcissus, geranium, orris, amber, musk, oakmoss, patchouli, leather, vetiver.

Related reading on Perfume Shrine: Chypres series


Evelyn Tripp by William Klein, photo Smoke & Veil from 1958 Vogue via Loose Leaf Tigers.
Bottle pic via Ebay

Monday, January 18, 2010

Couture Couture by Juicy Couture: new fragrance

The brand responsible for velour tracksuits decorating the behinds of It Girls across the USA is coming out with their third scent, after Juicy Couture and Viva La Juicy.

According to Thread.co.nz Megan Robinson: " 'New York, New York, so good they named it twice...' Perfume companies seem to be taking this advice to heart with the recent release of Ricci Ricci by Nina Ricci, and now, Couture Couture by Juicy Couture". The fact that it is a misnomer needs little pointing out, but the term couture has been used very loosely for a long time now. Perhaps Rachel Joe, celebrities' and celebrity stylist on whom the newest fragrance has been based on picks up some couture designs for her wealthy clients for formal affairs, but other than that, let's not reference the glory days of Balenciaga and Givenchy, now shall we?


Perfumer Honorine Blanc from Firmenich composed Couture squared with top notes of pink grape, orange flower and mandarin, a heart comprised of plum, honeysuckle and star jasmine, and base notes of sandalwood, amber and rich vanilla. Sounds perfectly predictable! (yet potentially pretty).

Eau de Parfum Spray 30ml $99.00 / 50ml $138.00 / 100ml $184.00 / Body Lotion 200ml $79.00 / Shower Gel 200ml $69.00. Official launch is predicted for 12 February 2010.

Sunday, January 17, 2010

Valentino Perfumes Bought Out by Puig

Nina Ricci, Carolina Herrera, Paco Rabanne, Lowe, Massimo Dutti, and Prada perfume sectors will be joined by Valentino perfumes under the umbrella of Spanish Fashion & Beauty Group Puig starting 1st of February 2011. The news of the international fragrance licence obtained (which will span many years) has been just announced right when the Wall Street Journal publishes an article about Procter&Gamble putting an end to their collaboration with the Italian brand named after the famous designer.

According to the WSJ the reason has been underachievement. "P&G produces a number of fragrances for Valentino, which is owned by U.K. based private-equity fund Permira. But sales never reached the heights of P&G's other fragrance licenses, including those with Gucci Group and Dolce & Gabbana, which last year launched a makeup line.[..]P&G wants to weed out underperforming brands to focus on its more competitive products. The company has been moving into luxury beauty products, including the expansion of skin care line SK-II and its acquisition of high-end men's grooming lines such as The Art of Shaving".

Created in 1960 by Valentino Garavani, the firm operates in 70 countries through a network of 1250 points of sale, of which 66 are stand-alone boutiques. Puig is no stranger to an illustrious past either tracing their history to 1914 when they began their operations in Barcelona and currently employiong 3500 employees turning out an impressive 1000 millions of euros in 2009.

Although at the moment of the WSJ announcement there was no official statement from either the P&G or the Puig side, we have just heard from both this very morning: According to Stefano Sassi, general director at Valentino, the choice to work with Puig had to do with "their experience on the luxe sector and their attachment to quality". Mr.Sassi went on to emphasize how important he considers not only Puig's prospective aid to reach the house's goals commercially, but also to cement the notoriety of Valentino fragrances on the market's consciousness. The move aims to extend the potential of Valentino products for long-time objectives and to consolidate its brand name, while Marc Puig, CEO of the group Puig adds that the acquisition of Valentino will enrich their portfolio with "an image that communicates a fantastic potential".
The crux of the matter is that Puig is much better to Valentino than P&G, due to their more glamorous and more beauty-oriented approach. The fragrances produced are not bad either, while there have been some concerns from perfumephiles over the treatment that P&G has reserved for some of their own brands, such as Jean Patou and their diminishing line of fragrances.

This latest move can only be indicative of a greater shift happening at the luxury market right now, as we had tentatively mentioned about the commotion at LVMH the other day, what with their perfumers talking up about perfumery restrictions at last and Tony Blair posing as a strong candidate for business counseling services to them in order to open up new markets. Which those markets will be and how sustainable the luxury sector will be in them is matter for discourse.

pic of Stefano Sassi of Valentino via fashiontimes.it

Six Scents the Spa

It is between jardin des Tuileries and place Vendôme, on the rue Castiglione (Ier arr.), in Paris, that Six Scents, the niche brand of perfumes, is opening their first day spa. The move is ingrained to SLOW LIFE™ ~Sustainable - Local - Organic - Wholesome - Learning - Inspiring - Fun - Experiences~ a concept by Sonu et Eva Shivdasani, and has been introduced at the Maldives in 1995. The idea takes on the guise of an urban sanctuary for Paris with architecture Pierre David that takes into consideration the values which Six Scents stands for. Giant cocoons made of pliable wood resembling bamboo shots will host detoxifying and aromatic services meant to make the visitor unwind.

Saturday, January 16, 2010

New Chanel Ad Filmed by Martin Scorcese

Apparently the film maverick is joining forces with the prestigious fashion and beauty firm for one of their upcoming commercials. Chanel has a great tradition to upkeep anyway and their latest commercials have been stellar one way or another, be it the operatically self-parodying of No.5 with Nicole Kidman by Baz Lurhman, the sophisticated Parisian burglar in Coco Mademoiselle with Keira Knightley or the romantic aboard-the-Orient-Express with Audrey Tautou filmed by Jean-Pierre Jenet for No.5 again. (No.5 being the test by fire for the brand).

Latest reportage states that "David Lynch is confirmed to have filmed an installment of Dior's string of commercials featuring ambassador Marion Cotillard in Shanghai, and now it's confirmed that as rumored, Martin Scorsese is working with Chanel. The director shut down a section of Williamsburg in Brooklyn, New York last Friday, and the owner of Moto, a restaurant in the area, confirmed Scorsese was filming a Chanel commercial" according to Fashionologie, who took the information from first-hand witness Jeni Avins who took some photos for Dossier (click to see the location shots). The über-hipster (and über-Chasid) Williamsburg is an unusual locale, but who knows New York better than Scorcese? (Woody Allen comes to mind, but I haven't heard of Chanel banging down on his door yet).
Chic Report adds that French actor Gaspard Ulliel (appearing at the Chanel Fall 2009 RTW show in Paris last March) and Canadian model Ingrid Schram are starring in the production as well. Scenes have also been shot underground in the midtown Manhattan subway (this theme reminds me of Berlin-set Prada's commercial to the lines of Thunder Perfect Mind by Jordan Scott, Ridley's daughter; her father incidentally has been the directot of some of the most imaginative Chanel commercials to date).

There is no indication which scent the commercial targets, although a source tells me it's about No.5 (in which case it would again involve Audrey Tautou, hot on the heels of her Mademoiselle impersonation in Coco Avant Chanel). Then again, isn't there some incosistency between the Jenet outlook and Scorcese's one? By the time it rolls out (around the end of the year, we will know).

EDIT TO ADD: As of Februrary 18th, according to WWD, the Scorcese advertisement is for the new Chanel fragrance for men! Will update with further info as it becomes available.
According to Magali Bertin from French Vogue, the fragrance is called Chanel Pour Homme. Here I'm a little stumped: Is it a new fragrance substituting the old, classic Chanel pour Homme (Chanel For Men, in the US) or does it mean it's a revamping of the classic through a new advertising? The former is rather more probable in view of perfumery restrictions. Andrea D'Avack, president of Parfum et Beauté at Chanel doesn't give any more info for now. And do bear in mind that the next Chanel according to the trademarks issued is -as we had predicted back in August 2008- called Bleu de Chanel (which might be marketed to men but is very improbable to have been budgeted for a big commercial by Scorcese).
We'll see in September when the commercial will hit our screens, I guess.

Friday, January 15, 2010

Frequent Questions: All about the Guerlain "Umbrella" Bottle

There is such a plethora of bottles designs at the historical house of Guerlain that the perfume bottle collector is spoilt for choice: With a history that can be traced back to 1828, when Pierre-François-Pascal Guerlain opened his first shop on Rue de Rivoli in Paris and covering almost two centuries, Guerlain has produced over 300 fragrances and an equally impressive number of bottle designs. Out of them all some are more worthy of mention either due to their beauty or their proliferation. One of them which covers both grounds is the "umbrella bottle", thus referenced due to its elegant shape that resembles a closed umbrella pointing downwards.


The "umbrella" bottle (officially known as "flacon de sac", bottle for the purse) started its illustrious career while head perfumer was Jacques Guerlain, in 1952 and continued under his grandson's, Jean Paul Guerlain's tenure as well. Its span of production covers easily more than 2 decades, until the end of the 1970s. All the perfumes that were circulating during that time-frame in extrait de parfum (pure parfum) were encased in this famous design, with the single exception of Nahéma (1976).

Despite several sellers on auction sites and Ebay stating it as Baccarat crystal, this design is assuredly not. The official Guerlain archives state three verreries producing moulds for it:
Pochet et du Courval, Brosse and Saint-Goabin -Desjonquères, all in the quarter of an ounce size. Rarely however is there a mark of which verrerie produced the flacon style in question, contrary to some other bottle designs in the line. Early specimens of the "umbrella bottle" have been sporting the name-label directly on the flacon, while later ones have a string from which two ends unite under a hang tage with the name of the perfume. Each of the extrait presentations had a different box, reflecting the themes and colour-schemes that inspired the original fragrances as well, as depicted above. From left to right, we can see the pink and green case with the two G interwined for Chant d'd’Arômes (1962); the zebra-printed Vol de Nuit presentation, inspired by far away travels and corresponding to the Saint-Exypéry travel novella of the same name; the chequed ivory of the legendary Jicky (1889); in silver tones lies the Jean Paul Guerlain creation inspired by Chagan's novel Chamade (1969); next there is the classic lithography of L'Heure Bleue (1912) and Mitsouko (1919); the iconic Shalimar is encased
in regal purple velvet, while the aqua-toned sleek box is for Parure, a plummy chypre creation by Jean Paul from 1974.

Ebay prices for these flacons fluctuate between $75-125, depending on the condition of the bottle and label as well as the existence or not (and subsequent condition of course) of the presentation box.

Less usual versions are those including a leather-pouch such as the one depicted for Liù (1929): It was a special edition for the USA only. (The very concept of this flacon is carrying it in the purse, hence "flacon de sac" being its official name in archives, yet the ideal of luxurious travel via American airlines ~very en vogue during the 1950s and 1960s~ was the source of inspiration for several 'travelling" paraphernalia of which some specimens are truly beautiful).









Much rarer and thus highly collectible is a special edition of Vol de Nuit which is commemorating the nuptials of Prince Rainier of Monaco to Grace Kelly in 1956. The box has a lovely inscription on the inside silken panel, dedicated to the marriage of the prince and the Hollywood actress, bearing the date of the wedding as well (Monaco, 15 Avril 1956). Guerlain always knew how to romanticize their art, allowing us to dream a little...

Related reading on Perfume Shrine: Guerlain series, Fragrance history, Frequent Questions


thanks to Dominique Chauvet/Milan for original photography.

Thursday, January 14, 2010

Perfumers have the European Commision Irritating the Hell out of Them

Thus is -more or less*- titled the article by Nicole Vulser entitled: "Les créateurs de parfums ont la Commission européenne dans le nez" on Le Monde, which I was alerted to by erstwhile perfumer (and combatant) Sandrine Videault.
In it the matter of IFRA restrictions is rehashed with the emphasis on perfumers who are almost at the brink of a revolution (their words) because of them. IFRA, the International Fragrance Association, as you probably know if you've been following this blog, is a self-regulatory body which every June publishes a list of ingredients that have been deemed by a panel of doctors, allergiologists, specialists on envionmental matters and assorted experts as worthy of banning, restricting or heavily rationing. Based on these findings published the European Comission decides on what laws to implement for the cosmetics and perfume industry. To clarify matters on what this body is exactly I'm quoting: "The European Commission acts as an executive of the European Union. The body is responsible for proposing legislation, implementing decisions, upholding the Union's treaties and the general day-to-day running of the Union. The Commission operates as a cabinet government, with 27 Commissioners. There is one Commissioner per member state, though Commissioners are bound to represent the interests of the EU as a whole rather than their home state. [...] The Commissioners and their immediate teams are based in the Berlaymont building of Brussels". Furthermore, there is the RIFM [Research Institute for Fragrance Materials] annual report which provides info and supplements. The interesting part is all major companies are part of RIFM and IFRA, as well as every aromachemical company (and therefore their subsidiaries and bought-out smaller aroma-producing firms from Grasse etc.)
This is no laughing matter, as it proves the matter is much more complex than the much brandied about opinion that it's all about money, substituting expensive naturals for synthetic substitutes. Several synthetic substitutes are also heavily rationed, you see, and the conglomerates also control companies who are living and breathing in naturals!

Several perfumery ingredients have been banned over the years: The animalics (castoreum, real deer musk and civet) certainly have for long. (Any niche perfumer using covertly using them must be relying on old stock bought at previous decades). Heavily restricted is oakmoss (see two articles on this), Peru balsam, coumarin derivatives, fig leaf absolute and benzyl alcohol (a very common ingredient in several perfumes, classic and modern). Also rationed are geranium essence, jasmine (to extreme limits under the upcoming IFRA 44th Amendment), lavender (gosh, lavender, the 1st aromatherapy oil proposed to just about any novice), cade oil (used to render natural leather notes) and the extract from tea leaves.

That leaves the majority of classic fragrances already mutilated, which brings us to the frantic hunting of vintage specimens as long as the reserves hold. But what will happen next? When these dry up will it mean that several of the perfumes with which generations grew up will have no possible footprint in history? This is a sad and foreboding proposition, much like thinking that Galleria Uffici is vacated in lieu of posters depicting the images that were once "real". The matter is complex, as François Demachy points out that "some perfumes were developed because there were no penalised constraints". More or less it meant that perfumers were mapping territories and were free to roam however they pleased on the world of naturals and synthetics. Guerlain's Thierry Wasser laments: "Among the perfumes we sell, the oldest is over 150 years old. If some day Brussels opposes the essence of rose, what am I to do? There is rose in almost all our perfumes… It is a heritage we need to defend" adding "Jean-Paul Guerlain composed Parure for his mother. We were obliged to discontinue it because we could no longer use the ingredients necessary to produce it. It’s heart-breaking.” The French are certainly very proud of their patrimonie olfactive (olfactory heritage) and that factor might come into play if some "preservation project" gets whipped up for the safe-keeping of historical perfumes. L'Osmotheque is a perfume museum but maybe something on a larger scale with other attributes that would allow more people of different walks of life to be able to partake in this rich tradition. Maybe have some recreations of historical fragrances on display (but not sale, since they won't meet with the criteria)? Maybe devote a line of recreated perfumes in some form that doesn't come in contact with skin or gets pulverised into air? I don't how this could be implemented, I'm just thinking aloud.

The matter of restrictions poses threats to modern perfumes as well (and not only those manufactured within the European Union, because very often the licenses and the sales directive involves Europe too, the most sophisticated luxury-consuming market of them all). Sylvie Polette, the marketing vice-president of Parfums Jean-Paul Gaultier, says: “Brussels will be killing off part of the profession: We aren’t able to rebuild everything in the same manner. This will instigate research, but it translates as a real constraint.” Frédéric Appaire, international marketing manager of Paco Rabanne states: "Our palette is diminishing. This is comparable to telling a painter he’s not allowed to use red, then blue or yellow".

Luckily for us these two prominent perfumers, under the aegis of LVMH no less who oversees classic fragrance houses, Thierry Wasser, in-house perfumer of Guerlain, and François Demachy, overseesing perfumer at Parfums Dior, are quoted in what is essentially a serious reference French newspaper, Le Monde. This means something, as it was often referenced that the industry "had been caught sleeping on the wheel" when these regulatory bodies were first founded, as per the words of a renowned perfumer.
It is also perhaps of some significance that there is a strong rumour that Tony Blair, former Prime Minister of the UK, after having quit M6, will be counseling for the giant LVMH luxury house in 2010 with a monetary recompensation that will run "into the six figures" (according to British Telegraph magazine and reported across the media). His aim will be to open the luxury brands into new markets, which basically means Asia (and possibly South America), come to think of it. Blair is already a JP Morgan consultant for Chase and Zurich Financial. The move ~if to be materialized, as it is neither confirmed nor denied for now~ recalls the announcement of Claude Chirac in the direction of PPR and the more recent one of the return of Patrick Ouart, counselor to Nicolas Sarkozy, as right-hand to Bernard Arnault at LVMH.

Whatever the case might be, there is some commotion happening across the luxury industry (LVMH in particular) which might be translateable into changes that might be beneficient to us, the consumers. On the other hand, if there has been speaking up, it most certainly has been with the proviso that every single quote has been carefully monitored by headquarters, as is the usual practice. Which might defeat the purpose, indicating part of a strategy. Let's wait it out and see.

For a complete list of IFRA restricted materials click this IFRA link. And here are the materials in use as of 31 Dec.2009.

For French-reading readers, here is
the Le Monde article, in its entirety.

*The idiomatic phrase, which is very a propos in French (as "nez" means nose and also perfumer) indicates a major annoyance.

pics of Belayrmont building via wikimedia commons, Ed.Munch painting The Shout via last.fm.

Wednesday, January 13, 2010

Digital Scents and Teleolfaction

"One day soon you may be able to capture a fragrance snapshot of your environment and send it attached to a text message or email". Thus begins the fantasy of digitalised scents, the elusive captured into pixels that can be stored and tranmitted, a concept that up till very recently seemed as wild as colonising Alpha Centaur with men.
Still, cell phone companies are on the act already. The winner of 2005 Nokia innovation competition submitted a Scentpohone: One which was able to transmit the scents of the environment of the caller to the receiver of the phone-call. Samsung and Motorola each hold a patent for similar projects. Motorola's 2007 patent is for a small fragrance cartridge which releases aromas into the air taking energy in the form of heat from the telephone's battery, while Samsung's 2006 patent is for a perfume spraying apparatus. The hidden stuff is that patents delay the commercialisation of technologies by antagonistic companies, even though it's generally accepted that this concept will be exploited in the near future such as in the case of smell chip cards (which may be able to encompass 100 scents!) comparable to SIM cards; an idea that would find practical uses for the visually and audibly impaired as well as the scent-enthusiasts.

Listen to this: "Sitting right at your desk, you’ll soon be able to smell the roses—or baking bagels or honey-roasted nuts or crowded subway platforms—using DigiScents’ new iSmell, "a personal scent synthesizer." Now in beta testing, iSmell is a peripheral device you plug into a computer the same way you plug in speakers and printers. If you visited a Web site offering a whiff of fresh chocolate cake, for example, iSmell could pull down the code it needs to mix chemicals in just the right way and then release the designer aroma while you work on the Net. Or you could invent your own scents and add them to e-mails or a short story".[source] This not all too recent: "In 2000, Aromajet developed Pinoke, a device able to recreate smells associated with computer games. Digital signals written into software code trigger the aroma generator to emit precise amounts of the appropriate aroma. The American company also created E-Commerce Kiosk that have fragrance generating devices mounted inside to install the perfumes and cosmetics aisle of department stores. One of the ideas under development is a mother's scent programmed into an aroma generating device placed near a crib to help comfort a baby". [source] Adobe released its Net sniffer, Odorshop in 2007 but it didn't receive coverage. RealAroma's Web site (Real Aroma") advertises a box which ises "Real Aroma Text Markup Language" (and is even functioning on slow modems). Macintosh CEO Steve Jobs has also announced that he aims for future MaC computers to be able to handle odours the same way they're now able to play CDs. Art is also exploiting the concept: Usman Haque designed Scents of Space in 2002, a smell system which allows for 3D placement of fragrances without dispersion (as pictured in the top pic).

Jenny Tillotson, a researcher and designer at the University of the Arts in London, England, is responsible for materialising the concept and she compares it to an olfactory i-Pod (which sounds utterly cool!) "Tillotson produced the world's first interactive scent outfit. She called her prototype dress 'Smart Second Skin'. (You can read about this here) Smart because it senses the wearer's mood, 'second skin' because it interacts with the wearer and their environment". Another gadget produced by Tillotson is the button-sized 'eScent', based on bio-sensors monitoring changes in physiological factors (blood pressure, respiration and skin's electric potential) and signaling the lab-on-a-chip devices when there is some change in the above to accordingly adjust the released scent. "Though currently crude at detecting more subtle mood changes, the idea is that eScent will eventually be able to detect stress or anxiety and then release appropriate scents to soothe the wearer", as three quearters of our emotions are affected by smells, as the research team indicates (Sounds awfully much, doesn't it?), as well as help in coping with certain ailments.
"Another application is eMos, a button-sized gadget which senses the frequency of sound made by an approaching mosquito and triggers the release of a small amount of repellent. Tillotson says that she hopes that eScent and eMos will be on the market within the next five years".

And if that doesn't sound promising enough, there are also at least two companies who use digitalised scents: Storing primary smell blocks in cardridges and then combining them into a special built-in chamber before emitting them in the atmosphere, ScentDome uses this technology for scent-enabled websites as such as ScentTv.tv (a multi-media portal only reachable from the US for the moment), while TriSenx is a software provider for websites, but for now the most popular product is an audio CD almbut with an accompanying scent-track.

Still the possibilities for TeleOlfaction are huge, gaming and entertainment included: Imagine watching a TV series or film or a video/computer game and being able to smell the environment alongside the heroes, a concept already embraced by Japanese advertising since 2008, to astonishingly positive effect.
It looks like the future holds many scented surprises still.

Related Reading (links taken from we-make-money-not-art.com): A special headset that lets holidaymaker experience surround vision, sounds and smells, the IQ clothes , Cyranose 320, an electronic nose device to diagnose pneumonia and sinusitis, SNIF a fragrance patch that release more or less perfume depending on what kind of space you�re in, Zen-sorial car, the Sensory Gateway, robotic Judas roach, 3D scents.

Quotes from an article named "Digital scents" by Mico Tatalovic for Cosmos Online.

pics via greenamerican.us , we make money not art, and scentcom.co.il

Tuesday, January 12, 2010

Martin Margiela Untitled: new fragrance

Martin Margiela has been in fashion for 20 years already and not even personally involved with his house (Maison Martin Margiela) anymore.

I am always reminded of how Pierre Cardin lost rights to his own name, and how Jil Sander isn't involved in her own line too, but I digress. Anyhow, Margiela is only now launching his first scent, under the aegis of L'Oréal and with the help of a talended perfumer to boot. Fittingly for the avant-garde line, there won't be any fancy names obscuring the concept: the fragrance is remaining simply Untitled!
According to The Independent (where there is a bottle picture as well): "Launched in Paris January 11, Untitled is a unisex fragrance - created by perfumer Daniela Andrier, the nose behind YSL's Rive Gauche, Gucci Rush for men, and several Prada scents - that is described as "floral, woody, and very green" (including notes of fern) as well as "ambery and oriental."
The unisex element as well as the typical 'blank canvas' packaging contribute to the notion of a non-stereotypical scent that, according to a press release, 'can be worn by anyone, anywhere'."

Tall order...

Untitled by Martin Margiela will be available at colette.fr in a world-exclusive 'preview' on January 25 while it will make its international debut through April 2010.
Pic of fashion spread featuring Martin Margiela fashions via lbosquejo.blogspot.com

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