EVAmour: new fragrance

"My first memory of fragrance is my mom," she said. "She wore Charlie but I actually never wore perfume. I would always sneeze when I smelled it and just never found one that worked for me, which is why I wanted to develop my own." And while her debut fragrance was meant to evoke a clean, just out of the shower feeling, this one is "seductive, playful, sexy, and mature," Longoria explains, adding that when she starts making a scent (it takes about a year), she works with a perfume house and tells them what she wants the end result to be—emotionally.
"The perfumers would say, 'oh you mean a spicy musk.' But that's Chinese to me so they would send me samples, we'd go back and forth—but in both cases, I ended up going with the first try!"

Thus goes the article on Allure, chronicling the route that Eva Longoria would take to "co-create" her latest fragrance, called EVAmour. The second celebrity perfume by the "Desperate Housewives" star features notes of bergamot, apple, red currant, vanilla, amber, and musk.

Chanel Perfume Rumour: Les Exclusifs 1932

drawing of Chanel by Jean Cocteau  (1932)

Chanel have just trademarked the "name" "1932" for their perfumery branch. The year coincides with the introduction of Ivoire de Chanel, one of the unknown Chanel fragrances that came out in that eventful decade. The year also coincides with the introduction of Chanel jewelry, focusing on diamond rings and brooches that still retain their delightful art Deco character.

Is, after Chanel Jersey and Chanel Beige, Ivoire to be the next Chanel Les Exclusifs perfume? I think it should be. This could be a re-issue of the unfairly unsung vintage Ivoire, but in all probability it should be a totally modern composition that merely utilizes the retro connotation to instill a sense of patrimonie into the proceedings. Taking into account that the latest Chanel parfums have not strung by heartstrings, I remain sceptical, but would like to sample nevertheless.

Of course they might be trademarking things with an eye into stopping the competition. Coco Noir still hasn't been publicized...

EDIT TO ADD:  Sashimi87 has posted an actual photo of the bottle of Chanel Les Exclusifs 1932 on Instagram, as per my reader Wit Siamaise. It's too good not to show to you  (plus it corroborates my info) and I hope she's fine with it appearing here.

top pic via rarevintage.blogspot.com

Etat Libre d'Orange Fils de Dieu du Riz et des Agrumes: fragrance review

Despite allusions to Messianic status and references to a Far Asian dish full of endemic ingredients, Fils de Dieu is neither incense-based, nor is it foody in smell. Instead it shoots clarity, modernity and prized complexity into an age-old structure, the classic oriental perfume, making it shed its abundant sunshine like a golden ray shimmering onto yellow butterflies flying over the spring blooms in the balcony. Forget the controversy factor and scare-the-horses impact of the niche brand's infamous Sécrétions Magnifiques. This one is instantly (and easily) likeable stuff you will get serious milleage off; which I'd think defeats the brand's "perfume is dead, long live perfume" manifesto, but there you have it: they need to make wearable stuff too I suppose. Fils de Dieu is among their most approachable. 

Biko rice cupcakes from the Philippines

Etat Libre d'Orange describes its latest fragrance Fils de Dieu du Riz et des Agrumes (its full name meaning “Son of God of rice and citrus”) as "the one who brings on the light, the sunshine", drawing from the Philippines lore (its alternative name was Philippine Houseboy). Perfumer Ralf Schwieger (of Lipstick Rose fame), set to task by the brand's head Etienne De Swardt, took the basic structure of a classical oriental built on tart citrus and creamy ambery and vanillic notes (see Shalimar or even better the more legible Shalimar Light) and renovated it into a modern creation that registers as totally urban, totally effarvescent, totally wearable. But that's not to mean it wears thin or minimalist: the projection of the mouilletes on my library is reaching me, diffusing with gusto, in the bedroom and the sillage trailing off my chiffon blouse is enough to entice the neighbour meeting me round the corner to ask what I am wearing. "It's Fils de Dieu", I reply rather self-consious. "Oooh, sounds like one of those delectable things only you carry around here!" she replies with a resigned sigh. I oblige and write the name down along with intrstructions on where to get some.

That is the effect the new Etat Libre d'Orange fragrance has: uplifting, inviting, alluring, radiant. Despite the lack of heft its vanilla background has (forget thick, "burnt" too foody vanillas, this is nuanced and sophisticated), the tenacity of musk, the crushed flower petals and the profusion of leathery castoreum (reminiscent of a FarEast massage parlour) accounts for a composition that will get you noticed throughout the day. If the equally inviting Etat Libre d'Orange Archives 69 and their universally liked Like This is any indication, the French brand is following a certain kind of compositions quite purposefully lately. 

But the interesting thing about Fils de Dieu is the masterful playing of contrast and the injection of herbal into the classic oriental motif: the ginger (in itself having a citrusy facet) pairs with other hesperidic notes, notably sharp lime, starting with bracing, mouthwatering freshness (not unlike the bergamot-rich head note of Cologne Bigarade in the F.Malle line). There's the subtle and brief fennel-like note of shiso and then the perfume swims confidently into plush comfort through the milky-rice note of coconut-milk steamed rice. The zen-like effect of savoury rice cooking on the stove was perhaps most famously explored by niche brand Ormonde Jayne in Champaca: there's something home-bound and soothing about that smell and Linda Pilkington had revealed to me in an interview that she had envisioned it inspired by her Chinese neighbours cooking rice at their appartment every evening. Etat Libre had injected a rice note as a hint in their previous Putain de Palaces. But in Fils de Dieu the progression melds effortlessly into an intimate, gourmand aftertaste with lots of coriander (orange-saffron like, almost), a metallic nuance and suede, sultry leathery notes which retain the fragrance deliciously on both skin and cloth.

Etat Libre d'Orange Fils de Dieu, du Riz et des Agrumes is available from Henri Bendels, MiN New York and online from Luckyscent and Les Senteurs.


Notes for Etat Libre d'Orange Fils de Dieu:
Ginger, coriander leaves, lime, shiso, bergamot, Jungle Essence coconut, rice note, Jungle Essence cardamom, jasmine, cinnamon, French May rose, tonka bean, vetiver, musk, amber, leather, castoreum.

photo via cupcakeproject.com

Guerlain Jardins de Bagatelle (1983): Fragrance Review

History has a way of repeating itself: hard to believe nowadays but less has not always been more.

~by guest writer AlbertCAN

Sometimes only more is more. The French Rococo period, for one, and so was the 80s. It is hardly surprising then that Jardins de Bagatelle, Guerlain’s tribute to the grand frivolity of a French imperial pursuit, was introduced in 1983.

Nearly thirty years later I have seldom heard the tale told in its entirety. Perhaps because of the typical Guerlain complexity in its inspiration? Or perhaps its somewhat awkward placement within the Guerlain archive, tucked between the fabled Chamade (1969), Parure (1975), Nahéma (1979) and Samsara (1989)? Either case the story is far too fascinating to be left ignored.

Bagatelle: A Brief Trifle History

Jean-Paul Guerlain’s inspiration came from the garden found within the Château de Bagatelle, an eighteenth-century gem tucked within the Bois de Boulogne, in the XVIe arrondissement of Paris . Don’t be fooled by the name Bagatelle: this estate is not name after an illustrious personality; quite the opposite. In fact, it is a term most frivolous in nature, from the Italian bagattella and reserved to describe a thing of little importance, a mere trifle!

Everything started with a bet: In 1775 the the Comte d'Artois purchased the property with the intention of an overhaul; his sister-in-law, Marie Antoinette, perhaps out of sheer boredom, wagered that the new château could not possibly be completed within one hundred days. She was proven wrong: the Comte engaged the neoclassical architect François-Joseph Bélanger to design and had the whole thing all to himself in mere sixty-three days. That’s not to say that the architect skimped on luxury in order to hasten the completion—in true Rococo fashion the garden immediately surrounding the Château de Bagatelle is famously redolent of heady florals, as attested by the rambling roses blooming in profusion within the opening photo. And that’s a mere corner of the château.

But there’s more: according to MONSIEURGUERLAIN the blog, the venerable house further revealed that the rhythm of the fragrance was inspired by Goyescas, written by Spanish composer Enrique Granados. Now without knowing which of the six Guerlain was referring to I shall persent my personal favorite, and the most famous of them all, is “Quejas, o la maja y el ruiseñor” (The Maiden and the Nightingale), played here by Jorge Luis Prats.

Now in this context the second usage of the word ‘bagatelle’ is also utilized, describing here a short piece of music, typically for the piano, and usually of a light, mellow character. The name here serves as a reference to the innocent character of the piece (not necessarily, of course, the lack of technical and artistic demands of the music, as many piano students fall out one way for another upon learning the music).

Jardins de Bagatelle: The Guerlain Twist

Given its heady égeries one shouldn’t expect less from Jardins de Bagatelle, referred by some as the scent of the whole garden bottled! In fact it is precisely this fact that yours truly prefers the eau de toilette incarnation, and then only in light application!

The exercise in diffusion starts with violet and classic aldehydes, finessed by citruses such as lemon and bergamot. Then lo and behold, true to the Goyescas style, a barrage of white florals flies across: gardenia, rose, orange blossom, tuberose, magnolia, ylang ylang, orchid, lily-of-the-valley, narcissus, not to mention tuberose, the queen of narcotic floral (and one of Marie Antoinette’s favourites). At the hands of a perfumer with less calibre all this would surely spell disaster, yet the suppleness of the Guerlinade accord really pulls through and keeps the whole flock flying in formation, especially with the help of base notes consisting of cedarwood, musk, patchouli, tonka bean and vetiver. Translation: never meant for the faint hearted. Now some valued Guerlain clients are not used to such blunt development, though overall I’m not too troubled by it once dialing down the overall volume; some might turn blue with a bombastic woodsy-floral from the 80s, but personally the sillage is, in my humble opinion, enjoyable at an extremely deft hand. Testament to its prowess I have never seen a parfum edition for Jardins de Bagatelle; the eau de parfum was always meant to be the most concentrated version of this pillar.

Note: Personally I never had any problem with the quality of this eau de toilette, and I’ve read favourable review even after the supposed reformulation. Then again if you have recent encounters please do chime in!

As for the bottle designer Robert Granai interpreted the shoulder emphasis of the 80s with savoir-faire by folding the motif into classic Guerlain bottle aesthetics. Honestly it’s one of my favourite bottles from Guerlain: clean, to the point, but essentially romantic at heart.

Related reading on Perfume Shrine: Guerlain series

Photos, from top: Jardins de Bagatelle rose trellis from Paris the blog; Château de Bagatelle from Wiki; portrait of Comte d'Artois from Wiki; portrait of Marie Antoinette from Wiki; Guerlain Jardins de Bagatelle advertisement from the 80s, via CouleurParfum.

Another Serge Lutens Export Fragrance becomes Paris Exclusive?

It was all too short ago that we had announced first on these pages that an export perfume circulating at select Lutens stockists in Europe as well as the US had become a Paris exclusive: it was Rousse.  But that was not all...

Now we learn officially that another one from the exports reverts to the alma mater at Palais Royal, to be encased in the bell jars: This time it's Louve. The online Lutens boutique still stocks it in the spray bottles, so it might stay on both catalogues. (like Ambre Sultan and Fleurs d'Oranger)