The winner of the draw...

...for the Lancome bottle is Dorothy IL. Congratulations and please email me using the contact with your shipping data, so as I have your prize in the mail for you soon (so you receive it in time for the holiday season).

Thanks everyone for the enthusiastic participation and till the next one.

Look Beautiful, Feel Beautiful: Charity for Perfume & Cosmetics

In this crazy world we live in, the chance to offer something with no strings attached is priceless. Maybe this cathartic feeling is rekindled during the holidays just because kindness is palpable in the air. (Don't worry, I have a huge rant for you to read tomorrow or the day next, though!). So when I was offered the opportunity to do just that, i.e. offer something off my stash for a good cause by Karla Sugar, I leaped at the chance. The great thing is, everyone can contribute meaningfully. Here's an opportunity to shop for a great cause: the BeautyBloggers.org annual charity auction. For the second year in a row, beauty bloggers and brands have joined forces for an online auction benefitting Doctors Without Borders, an organization that needs no introduction and which helps people in need all over the world.

Participants, which include established beauty bloggers and beauty & perfume companies, have donated a treasure trove of the best lotions, potions, perfumes, and gadgets. Donated items range from the hottest (new) items from this year’s holiday collections to hard-to-find exclusives and limited edition cult favorites. When the auction ends, winning bidders make their donations directly to Doctors Without Borders, through the site’s secure giving page. The items are posted directly by the sponsors at their own expense, be it beauty bloggers or companies, so every penny goes to charity. What can I say, I'm honoured to be part of this effort.

The auction is live now Monday, November 28th through Monday, December 12th. You can bookmark the items you're interested in, so as to filter the list and be right on target when the final time comes to bid, bid, bid!

My own submission involves a pristine, sealed in its cellophane bottle of vintage Dior Dune, fit to give as gift (only you'll want to keep it yourself!). As you know, all Dior perfumes have been reformulated (again) recently and the older the better. I have an identical bottle for my own use and the fragrance is as wonderful as ever. I described it thus: "Dune lies at that precarious border where fresh and warm merge. Never too sweet in its amber cuddle, never too sharp in its bracken feel of broom blooming — it's as soft as a whisper over the sand dunes, felt more than heard. A true classic in its original form."  If you want to remind yourself what Dune smells like in detail, please refer to my linked review.

NB. Registering on the BeautyBloggers site is required to place a bid in order to avoid spam-bots, but, other than that, it's completely free, no strings attached and your personal data (email, first and last name for shipping purposes) I'm assured by Karla Sugar herself are not to be shared in any way or form.

Lancome Tresor Midnight Rose: Free Bottle Giveaway

It's the season of thanks and I have to thank you my readers, above all, for being so very loyal and so very inspiring for me during these years which have made the Shrine the success that it is and me richer in experiences and feelings.
So, without further ado, I have a full bottle of the newest Trésor Midnight Rose by Lancôme to give away to one lucky reader as a small token of gratitude.It's new and fit to be given as a gift.
All you need to do is post a comment on this post saying what you're thankful for yourself and you're eligible to enter the draw, which will remain open till November 27th midnight. No restriction on shipping destination.
Good luck!

Le Labo Vanille 44: fragrance review

To optically pair Vanille 44 by niche brand Le Labo with Luis Buñuel's Un Chien Andalou (1928) is a natural: The fragrance is illusory and surreal, like a razor slashing the eye ball that never actually happens. It's sexy too, in that perverted way of Buñuel's young novice about to take her vows led astray by her widowed uncle. How can a childhood aroma like vanilla do this stuff? Is there nothing sacred? Read on.

Vanille 44 weaves the cool, almost sour scent of frankincense (which naturally has citrus facets, therefore mixing well with bergamot and mandarin) into the tarry-smelling carapace of smoky woods, like gaiacwood. This tar-like inky note is due to pipol, a volatile component that smells of black smoky tea. But the treatment is diaphanous, complex veils of chiffon material rather than heavy damask, as one would have typically expected from an oriental fragrance based on this commonly thought of as aphrodisiac raw material, vanilla.

Le Labo's Vanille 44 is an atypical vanilla hidden beneath layers of other essences, veils of Salome, with a pronounced woody-musky trail (muscenone is a musk molecule) that would never have small children or those "too nice" co-workers with scrunchies on their hair atop bulky mohair sweaters to exclaim "you smell nice!". It's not that Vanille 44 doesn't smell nice, it's that it's not the instantly familiar sweet, cozy, foody vanilla these target groups are accustomed to. On the other hand, I don't know whether that super sophisticated group, who upturn their noses upon hearing your mother still likes Calvin Klein Eternity (which you faithfully buy for her every Christmas), would love it either. It's good stuff, created by one of the very best, perfumer Alberto Morillas (who has given us mega-hits from Kenzo Flower to Aqua di Gio for men for Armani) but is it that uncommon to warrant the huge price (500$ for 100ml)? I believe Lutens, Montale and Guerlain have already set foot in the smoky, woody or boozy vanilla territory respectively and not come back with losses. Vanille 44 is a good, mysterious fragrance, an oddball vanilla fragrance for adults of both sexes, but you need to forget about the name as it's as close to vanilla pods as Falco would be to the real Amadeus.

Le Labo presents it thus: "We all know that Paris is the city of love (and hence sex). But Paris is also the city of Vanille 44! We also know by now that our Rose 31 does not smell of only rose, that our Iris 39 does not smell of just iris, and that the number is as important (if not more) than the name of ingredient to the left of it (I am not a number !). Well our Vanille 44 does not smell of just Vanilla. At least it doesn’t smell of vanilla straight away. We could say that this theme is a subtle ambery incensy woody sexy note that once acquainted with your premium pashmina sweater will release the finest of the vanilla bourbons that you’ve experienced. It’s vanilla disguised."

You can say that again. 

Notes for Vanille 44 by Le Labo:
Natural bergamot, incense, mandarin, gaiac, vanille bourbon, muscenone, pipol, hedione

Le Labo Vanille 44 is a Paris city-exclusive (available at Colette), retailing at $290 for 50ml, but only for the month of November it is globally available at Luckyscent and on the official Le Labo site.

Related reading on Perfume Shrine:  Le Labo reviews & news ,Vanilla fragrances reviews

In the interests of disclosure, the review is based on a sample vial sent to me by the company.

Guerlain Abeille Paradis Interdit: new fragrance

Paradis Interdit by Mr.Guerlain/Facebook/www.monsieurguerlain.com

"Guerlain's perversely limited Paradis Interdit, Thierry Wasser's second Abeille perfume, is maybe not a new masterpiece gone unnoticed, but it's a gorgeous, classical white floral, made with that freshness and lightness Wasser has become known for. It begins with mandarin, at once softly juicy and effervescent, think the mandarin of Oriental Brûlant, or vintage Chant d'Arômes. A dash of pink pepper adds tickle. Then the flowers, of which jasmine is the most prominent, slightly stern and green but also creamy, the latter supported by ylang-ylang and gardenia. The Guerlain base sweetness is made up of labdanum, sandalwood, tonka bean, musk and what is described as a honey note. It's far from a symphonic, opulent floral perfume, but simply a beautiful scent of a summer garden. One would love the Abeille perfumes to be sold separately in simpler glass bottles. But I guess it would damage the joy of owning the Baccarat sculpture..."

"There's oud - and then there's oud": Perfumer Alberto Morillas Talks on Successful Perfume-Making

"Nothing is ever completely perfect and perfect is boring. Sometimes the big success is when a scent is imperfect. Some might say Angel [by Thierry Mugler] is too girlie. Others could say Chanel No 5 is outdated - but actually there's something about their disproportion that makes them memorable. It's all about the aesthetic and occasionally when the balance is off, it's good."

Spanish-born star perfumer Alberto Morillas talks about what makes winning scents, the intricasy and quality controls of natural raw materials for perfumery, his latest big fragrance launch for Valentino's new Valentina fragrance (review featured in the link), how specific ingredients create specific effects and how tastes haven't really changed that much over the years.

And why didn't he include rose in Valentina de Valentino, since it's a trademark motif of the fashion house? "Honestly, it's not easy to make roses 'young'," he shrugs. "It's a scent often associated with older ladies and jasmine is far younger. And although you do have roses in Italy, it's not really the essence of the country."

You can read the whole interview on this link at The National.

Aftelier Holiday Sale & Open Studio: December 9, 10, 11

Mandy Aftel invites visitors to her Aftelier studio to see and smell everything in person.
Her new Secret Garden perfume and EDP spray as well as her Oud Luban solid will be on display alongside several other scented products for both men & women (face elixirs, oils, perfumed teas, Chef's Essences and botanicals).
For the occasion there will be delicious snacks offered as well, Valrhona chocolate, Satsuma tangerines, perfumed teas, Phoenix bread, hydrosol-flavoured water and of course cheese.

More information at info@aftelier.com 
Where:
1518 Walnut Street, Berkley CA 94709
tel: 510-841-2111
When:
On Friday December 9, Saturday 10 and  Sunday 11 from 10am to 6pm.

L'Artisan Parfumeur: London party & Christmas shopping offer

For our London (or UK) residing readers, I got an interesting promo in the mail which might be just the thing for those of you who are doing your Christmas shopping now and gearing it towards scented products.
The Paris Doorways packaging design is sublimely cute!

L’ARTISAN PARFUMEUR’S CHRISTMAS PARTY
IN COVENT GARDEN

Thursday 24th November, from 4 pm until closing

Come and do your Christmas shopping with L'Artisan Parfumeur
with drinks, nibbles and a magical seasonal atmosphere!

PLUS
Enjoy an exceptional offer with a
HALF PRICE 50ml FRAGRANCE OF YOUR CHOICE
when you purchase two Christmas gift sets.

Check selection & prices at www.artisanparfumeur.com

Thomas Fontaine: New In-House Perfumer at Jean Patou, Scherrer & Worth

After the acquisition of parfums Jean Patou by the company Designer Parfums, a part of the Shaneel Enterprises Group (who took the helm from P&G who previously owned Patou), Paris-based perfumer Thomas Fontaine will work alongside Designer Parfums’ existing team on new launches and will have a specific responsibility overseeing the fragrance development for its heritage brands, namely Worth, Jean Louis Scherrer and Jean Patou. The portfolio of the company also includes Agent Provocateur, Aigner Parfums and Monsoon fragrances.

Thomas Fontaine has worked with an international client list and displays an extensive track record in creating fragrances for bespoke houses such as Lubin (Black Jade, Bluff, Inédite, Figaro, Gin Fizz), Grès (Cabotine Floralisme, Miss Cabaret), L'Occitane (Miel et Citron), D&G (L'Amoureux), Léonard (Eau Fabuleuse) and JC Brosseau (Bois d'Orient, Ombre Platine); as well as major brand owners such as P&G Prestige. [Indeed he worked on Caline Tender Moments and Caline Blooming Moments, flankers to the original J.Patou fragrance Caline]

He is the perfumer and founder of Pallida and has worked at renowned aroma-producing companies such as Mane, Charabot and Technico-Flor.
Fontaine studied perfumery at the Ipsica Fragrance Academy at Versailles under the patronage of the House of Jean Patou, so you can say that some things are in the cards from the very beginning.

Today Thomas Fontaine is recognised as a leading specialist in recasting vintage formulas for modern times. Which is of course wonderful news for us perfume lovers! Imagine if the old Patou Ma Collection miracles came alive again!

Designer Parfums Managing Director Dilesh Mehta commented:
“Thomas has a wonderful understanding of the history of perfume and also knows how to create beautiful fragrances for the modern international marketplace. I am sure that by working closely with him we will benefit greatly from his knowledge, experience and passion.” [source]



Let's hope for new beginnings and exciting announcements along the way! All the very best, mr.Fontaine!

Hermes (Hermessence) Santal Massoia: fragrance review

“Virtuosity,” star perfumer Jean Claude Ellena says “is a form of seduction.” In the latest Hermessence, Santal Massoïa, virtuoso Jean-Claude Ellena is quoted as wanting to evoke "what is beneath the air" in an Indonesian forest, and to that end he interweaved an airy fig note amongst the woody ones: fresh rather than creamy, with his trademark space between the notes casting rays of welcome luminescence amidst the dense forestry. Santal Massoia is a luxuriant fresh woody for those of us who appreciate the understated luxury of opting for one piece of jewelry over two; one lump of brown sugar in our tea instead of heaps of caramel corn syrup; and an original art work by an unknown painter, who moonlights as a newspaper illustrator, rather than reproductions of Monet's celebrated oeuvres on our walls. As Mr. Ellena points out in his book "Perfume, the Alchemy of Scent", any perfume is only “a succession of olfactory moments” after all. And living from moment to moment is a small proof of happiness, isn't it?

Hermès Santal Massoïa is such a succession. It opens with a greenish impression of fig skin and leaves, a footnote taken from Hermès Un Jardin en Meditaranée, but at the same time tinged with the unmistakeable scents of sandalwood and coconut, milky notes that combine to create a soft-focus effect like Sarah Moon photography. His green-creamy accord of stemone and octolactone gamma is among his signatures. The coconut note is subtle, watery, not very sweet, more reminiscent of coconut milk or a milk pudding. The wood dries that soft way, not fatty or especially fruity, and do I smell a hint of woody vetiver? I believe so. It doesn't change much beneath those two phases, much as most of the fragrances in the Hermessences boutique line; these are impressionist scents, with no pretense of going for the dense composition of Velázquez's The Surrender of Breda.

Massoia bark of Cryptocaria massoia gives an alkyl lactone (lactones are milky-smelling substances) which would naturally provide the lactic element of natural sandalwood. Massoia lactone (possessing a coconut-like, green and creamy scent) interestingly can also be found in molasses, cured tobacco and the essential oil of osmanthus fragrans. The material has facets of dried fruit and dulce de leche, which would lend themselves to a Lutensian opus easily. It's an unusual material to be sure and one which is not especially used in perfumery. The latest IFRA restrictions in fact target it, which is why perfumers have to resort to fractioned versions that result in a pure material with no risks.

Sandalwood on the other hand is a perennial classic: There are many established sandalwood fragrances in the market, from the mink-stole old-world plush of Bois des Iles by Chanel with its sparkling overlay of aldehydes (especially delightful in vintage extrait de parfum) to the classic woody bonanza of Tam Dao (aerated and creamy at the same time), all the way through the subtlety of Etro's Etra or the gingerbread complexity and heft of Jungle L'Éléphante (Kenzo). Sandalwood is making a come-back (did it ever go away?), with the challenge of coming up with a reputable & sustainable source of the material (the Mysore region in India is protected since the species is on an endangered list) or a composition of a base that imitates it satisfactorily. Recently Le Labo Santal 33 proposed a butch rendition highlighting the Australian variety of sandalwood (which is different than the creamier Mysore sandalwood) with a passing hint of coconut, while Tom Ford offers his own delicious, smooth cumin-laced Santal Blush in his Privé line of upscale fragrances, while Wonderwood by Comme des Garcons is another one.
Hermès Santal Massoïa offers a new, admittedly luxe and subtle version of the prized wood which is mysterious and retains a refined freshness at all times; as with everything Jean Claude Ellena there is no hint of "notes lourdes" (fatty notes). This streamlined composition is not meant to be a diet sandalwood, but an elegant gouache that can remain contemporary, fresh and natural-feeling. Much like Iris Ukiyoe, it's a poetic formula. No one who follows the sensibilities of Jean Claude ~and I'm one of them~ expects a tooth-aching diabetes-coma-inducing dessert from him, nor a cheap "tropical" with that trademark sickening coconut note which obliterates everything within a 4 feet radius. In that regard, the man is consistent.
Hermès Santal Massoïa will therefore satisfy lovers of sophisticated, green woody fragrances, while it might seem too refined (or too sparse or possibly too green) for those who prefer their wood fragrances heftier, more calorific and direct-aiming. Personally I find Santal Massoïa luxuriant and quietly sexy, a radiant composition perceived by people around that lasts well on me (five hours and counting, someplace between Vétiver Tonka and Ambre Narguilé) and totally unisex. In fact it would be totally delicious on a man, a welcome break from "aromatic" woodies that make everyone smell the same.

According to Jean Claude himself (via joyce.fr): « Il est des bois verticaux et linéaires comme le cèdre, et d’autres horizontaux, ronds, souples et veloutés tels que le bois de santal et le massoïa. De cet entendement j’ai composé ce parfum de bois lactés, énigmatiques, invitant et distant, aux odeurs âpres et étranges de résine et de fruits secs, et familières de confiture de lait et de fleurs. Ca ne ressemble à rien d’autre et pourtant on est prêt à l’accepter. J’aime cette ambigüité, ce paradoxe ».

Hermès Santal Massoia includes notes of sandalwood, massoia bark, and coconut. It is set to be available at Hermès boutiques around the world from November 11th 2011.

Related reading on Perfume Shrine: Hermes fragrance reviews & news, Sandalwood: the material, synthetic replications & fragrances highlighting it, the Hermessences fragrance reviews.

photo via 2luxury2.com

Ormonde Jayne goodies for the season

Ormonde Jayne celebrates November, Thanksgiving and the holidays approaching with a vengenace.
First there is Bond Night Celebration: Meet Linda Pilkington, the founder of Ormonde Jayne, at the Old Bond Street boutique, help yourself to a glass of champagne and mince pies and earn a 10% discount with your purchases.

Thursday 17th November
5:00 pm - 8:00 pm
Place:The Royal Arcade, 28 Old Bond Street, London.
T: 0207 499 1100
Print this invitation above and bring it along with you to receive a 10% discount on the night or by telephone.
The first ten customers to purchase receive a full size scented candle worth £42.

There is also complimentary worldwide shipping for all orders from Nov.15th till Nov.24th; just type promotion code THANKS at the OJ online boutique checkout.

Additionally there is an event organised and co-hosted with Charbonnel et Walker. An exclusive evening of chocolates, truffles and fragrances on Thursday 1st December at Charbonnel et Walker on the Royal Arcade, 28 Old Bond Street, London. Tickets are 25£ per person, all purchases benefit from a 20% discount and all guests take home a good bag worth of 40£. Reserve your place: victoria.leadbitter@charbonnel.co.uk

Prada Candy: fragrance review

It's been called "Werther's Original in a bottle". It's been called "Infusion de benjoin". It's been called "a vat of Polish fudge made of condensed milk" or "cajeta". To my mind, it's neither, though I can see where the assessments are coming from. Prada Candy is simply the most unexpected launch of this autumn coming from the most blasé designer brand. I defy anyone to smell it and come up with a definitive verdict in less than a week's testing. It just keeps you guessing, is this for real? 

There's something inherently sophisticated about the Prada fragrance line (the apotheosis being L'Eau Ambrée; in contrast some of the Infusions are limp-wristed to me) and though at first glance ~or rather, sniff~ that's not apparent in Candy, in the end you realize that it could have been Pink Sugar, but it's not. It resembles the best-selling Aquolina scent in some respects; the strawberry-flavoured caramel being melted in a hot plastic cup, at some intergalaxial fun fair where waitresses are clad in A-line skirts embossed with lip prints in pastel hues. That doesn't mean that Candy is not a departure for the brand; something by  that name in a pop canister resembling a pink-edged coffee press is meant to be sweet and teeny-bopper and not coming out of the mind of Miuccia with her Communism background, right? Is catering to lower instincts like hunger and lust an opium for the people?

But there's thankfully a certain comfort factor about the new Prada fragrance instead of just dessert sweet, thanks to the deft of hand of perfumer Daniela Andrier; it's a complex gourmand oriental with a balsamic, drizzling, sexy background that holds it from becoming a total "teenagers-don't-know-any-better" mess. I'm not entirely convinced it's the best fit the brand could come up with (and it's not "me", which might be influencing me), but it's got a certain pull-in factor despite the identity crisis (Watching the commercial with Léa Seydoux I don't know if I'm supposed to laugh or hide my eyes out of shame on the protagonists' behalf). In short, Prada Candy is that confusing phenomenon: a fragrance that doesn't fit with Prada's image (much like L'Artisan's original Vanilia with its "simplistic" ice-cream cone scent was incongruous with the hippy, boho style of the rest of the brand), but somehow manages to appeal all the same.Of course one could argue that Prada might slap their label over a bottle of water and it would still sell like hot bread. True.

The composition features elegant musks up top with the intense flavour of milky, creamy caramel mixed in, some of the caramelic accents reminding me of the upper edges of lavender's spectrum. That caramelic note takes almost licorice & tonka facets, complex, abstract, like a passing kinship with the original Lolita Lempicka perfume. There is benzoin resin in the lower range of notes (much like in their best-selling Infusion d'Iris scent), purported to be as much as 12% of the formula -which I find hard to totally believe as benzoin is a known sensitizer- that creates a moiré effect between cozy and powdery. Benzoin naturally possesses facets like copal, a smell between medicinal and sweet, with earthier components (Smell Guerlain Bois d'Arménie which is full of it) . This characterises the drydown (i.e.the final phase of persistence) of Prada Candy on the skin after the first half hour following spritzing. The musky "dirty diapers" note, like baby urine, creates a background of soft suede and darkness reminiscent of a lot of vintage fragrances (it's the sexy note in Shalimar). A sneaky wink. And this is exactly why Candy is not dumping the brand or just aiming at a younger demographic, as one would be quick to cauterize at first "reading" of this launch.
The sillage is nice and cozy and the lasting power very satisfactory, after a while it becomes a skin scent.
I don't think I will be buying a full bottle, but I will tuck in  many samples in my bag for when I want to (contendedly) get down and silly. Nothing wrong with that!

Prada Candy is available at Eau de Parfum concentration at major department stores, starting from £40 for 30ml/1oz. and online (check the selection of discount fragrances for even better deals)
ETA: A new flanker, Candy L'Eau, a lighter interpretation, is introduced in spring 2013. 





Photo of dulce de leche via pinterest.com