Friday, January 31, 2014

Penhaligon's Tralala: Win an Exclusive Preview Decant of the Latest Fragrance Launch

Tralala by Penhaligon's, which we announced on these pages (where we posted the fragrance notes) a few days ago, was presented in London  the other day and yours truly managed to get her little paws on some preview juice. [Yeah!] So yes, you know what that means, one lucky winner gets free perfume that hasn't even hit the stores yet (and will actually hit them in May, so wow!)! To enter the draw, leave a comment on this post; draw is open internationally till Sunday midnight and winner will be announced on Monday.

gap by ssilence on deviantart.com (via Pinterest)

So…Tralala by Penhaligon's and eccentric fashion duo Meadham Kirchhoff, aka the latest fragrant opus by the British niche brand. It presented two major stumbling blocks for me, when I first heart about it. Luckily I was able to sample it in real time and see whether my qualms were founded in reality or they were a figment of my imagination. I wrote a full review on the scent for Fragrantica which you can find on this link. [You're welcome to comment either  here or there on it.]

Tralala will launch exclusively at Harvey Nichols on April 21 and at Penhaligon's boutiques and at www.penhaligons.com on May 5, priced at £150.

Tuesday, January 28, 2014

Parfumerie Generale Isparta 26: new fragrance

“Rose is sent to earth by the gardeners of paradise for empowering the mind and the eye of the spirit.”
~Rumi


Such must have been the thoughts of perfumer Pierre Guillaume who chose the summery rose of Isparta, in the Anatolian plateau, in Turkey, to infuse his latest fragrance offering, offered in the midst of this harsh winter. Poised between chypre and oriental, the new opus is tagged Isparta 26 and incorporates mysterious resins and an animalic base over the sweet lightly spicy floralcy of the prized Isparta rose.

Fragrance notes for Parfumerie Generale Isparta 26 : Red Berries , Rose of Summer Isparta , Balsam of Peru , Calamus , Patchouli, Frankincense, Benzoin, Agar wood , Ambroxan , Moss

Aqua Allegoria Limon Verde: When Guerlain Looked Towards Brazil (new fragrance)

The fact that Brazil is an emerging market for perfume companies is no big news to readers of this blog.  We have noted the phenomenon for some time, with niche perfumeries taking an interest in the country of Pele, favelas and endless beaches (see Batucada by L'Artisan Parfumeur for instance) as well as more mainstream luxury houses, such as Dior with their Escale sub-line. Now another European house of pedigree, the French Guerlain, joins them with a new fragrance in their light-hearted declination, the Guerlain Aqua Allegoria line.


Limon Verde ( limón verde refers to lime and literally translates as "green lemon") is inspired by the refreshing note prominent in the national "drink" of Brazil, the Caipirinha, which routinely includes lime alongside sugar cane liquor and sugar. House perfumer Thierry Wasser married this Caipirinha accord with lime to a tropical green accord, fig and tonka bean for some tenacity in the new Guerlain eau de toilette.

Brazilians are not very far removed from the Mediterranean concept of a refreshing splash as a much needed pick-me-up in the hot throe of a summer spent under an unrelenting sun, where fragrance isn't seen a weapon of seduction as it is seen as a necessary sensual pleasure out of life that pertains to all sexes and all ages. In that spirit Guerlain can't do wrong.

It remains to be seen whether the local market will view it as homage to their "emblematic" lime cocktail note or they will use it as an effortless casual splash to be enjoyed all summer long. If you want to get a taste of what "clicks" for that particular market (which please note places a very high tax on all "western" luxury products and has very little "niche" infiltration so far, you can see the Best Seller perfumes list for Brazil for 2011-2012. )
Usually perfumes "inspired" by specific cultures necessarily bypass some elements to appeal to a wider audience, which is got to be true in the case of Limon Verde as well, seeing as it will come to North American and European markets.

Limon Verde by Guerlain's Aqua Allegoria line is launching internationally in spring 2014.

Monday, January 27, 2014

Esxence: the art perfumery's event for 2014

Like every March in the last 5 years and counting, Esxence: The Scent of Excellence is taking over Milan for the 6th edition of the art perfumery event during which creators, perfumers, distributors, critics and perfume lovers alike will be participating into the biggest exhibition this side of the Atlantic this spring. The event will space itself during 3 days, from March 20th till March 23rd, Thursday to Saturday from 10:30am to 6:30pm and on Sunday from 10:30am till 4:30pm at the Triennale di Milano.




The official site can be accessed here and full list of exhibitors can be seen on this link. Exhibitors interested in participating need to apply using this form, while journalists can download their invitation for attending on this link.

Surely an event not to miss, Esxence will be the meeting place for all the brands who excel at niche perfumery. Catch you there!

Saturday, January 25, 2014

The winners of the draw…

…for Barkhane by Teo Cabanel are:

1 large sample for Europe/Canada/rest of the world (i.e. excluding US):
Beatrice88.

1 atomiser containing 1/2oz (US):
Kingpharroh

15 samples (US):
Undina
Tatiana
Colin
CrystesMom
Gail
Holly F.
Stacey Walls
mim
Sandy Vasalos
Laurels
Tomatefarcie
Minette
Zuzu
Caragh from Chelmsford
sandipants


Congratulations everyone! Please send me an email with your shipping data, using Contact or email in Profile, including "Barkhane draw" in the title of your message for my ease, please. And I will take care these reach you soon.

Thanks everyone for the enthusiastic participation and till the next one! (soon)




Thursday, January 23, 2014

Patricia de Nicolai: News on Availability and Name Change of Balle de Match

The well known niche brand parfums de Nicolai, working under the aegis of the current president of L'Osmotheque and perfumer par excellence Patricia de Nicolai, has repositioned as discussed previously. In this decision several factors have come in and the effects can be seen and felt in the packaging, brand identity (and "motto") as well as the categorization of fragrances in the portfolio.
In that latter issue, Balle de Match becomes the subject of changes.


via townandcountrymag

The fragrance continues to be produced as an eau de toilette concentration, available in 30ml (36€) αnd 100ml bottles (108€), as is customary for de Nicolai products, but the name changes: from now on, Balle de Match becomes L'Eau de Sport, a cologne for "jeunes sportifs" as claimed on the website. The woody citrus composition, hinging on grapefruit, and an alliance of pink and black pepper, is a refreshing tonic for days when the mood is casual and the style effortless.

Wednesday, January 22, 2014

Teo Cabanel Barkhane: fragrance review & free perfume draw

There are generally speaking three directions on amber, that perfumery trope which although reminiscent of alembicated elixirs derives in reality from the late 19th century and its advances in chemistry. Roughly, much like human body types, there is the thick-set endomorph, vanillic and zaftig amber, often powdery but a little too snuggly the way a favorite aunt suffocated you as a child when she tried to hug you; there's the linear ectomorph, naturally rail-thin and giving only a hint of an oriental, fit for people who consider sipping a latte as having the equivalent of a dessert orgy only the calories fly off their cage-like backs (Marc Jacobs Amber Splash I'm looking at you); and finally the elusively callipygean mesomorph, its discovery as awe inspiring as the realization of the protagonist in They Live, an amber that's got to be extra-terrestrial, since there's no other explanation for its perfect, almost perverse precision and special abilities.
photo by Francesco Middei for National Geographic via Pinterest (Namibia sand dune)

Some of my favorite ambers belong to that last category, managing the trick via either a generous helping of herbal accents (Ambre Sultan by Lutens is the crowning example) or a devious splattering of incense notes, via frankincense or myrrh (Ambra del Nepal or Angelique Encens are decent examples.)        

Barkhane belongs to this special category, a foudroyant amber perfume both thanks to its transparent treatment of the labdanum (cistus)-vanillin pairing and the bittersweet myrrh resin which illuminates it the way vitraux illuminate a cathedral. From a distance Barkhane suggests repetition, since Alahine (Cabanel's 2007 fragrance) was also a terrific amber. But it is not, since it lacks the rosy floralcy and the woody element, as perfumer Jean-Francois Latty here focused instead on the introduction of a tempered oud note which tilts it into the slightly medicinal, more masculine or unisex territory. There is also a notable spicy component (reportedly built on cumin and curry notes) which melds with the myrrh.

Last but not least: the lasting power is phenomenal for something so well balanced and, yes, at its fighting weight.

Barkhane is the latest fragrance by niche French brand Teo Cabanel, re-introduced recently in the States and repackaged to new heights of luxury under the direction of heiress Caroline Ilacqua. The fragrance's name derives from the naturalist Alexander von Middendorf, who used it to describe "the smooth velvety dunes which gently ripple under powerful desert winds".

I have a self-bought* large sample for one lucky reader in Europe/rest of the world. If you're in the USA, thanks to Hypoluxe Inc.'s generosity, there's the option of one BIG 1/2oz spray for ONE lucky winner and 15 sample vials for 15 more winners. 
Please enter a comment saying your opinion on amber fragrances and if you have a favorite/Kryptonite one and please state whether you're in Europe/USA/rest of the world. 
Draw is open till Thursday midnight, winners to be announced sometime on Friday.
(*The company did send me another one for reviewing purposes)

Tuesday, January 21, 2014

Penhaligon's Tralala: new fragrance

This April Penhaligon’s will release Tralala, a new fragrance inspired by the fantastical universe of Edward Meadham and Benjamin Kirchhoff.

“We do not have a signature but rather a handwriting. We like to tell stories in different ways.” Meadham Kirchhoff

Meadham Kirchhoff’s shows have been scented by Penhaligon’s for the past nine seasons. The designers themselves have chosen a diverse selection of scents to represent their collections, including Hammam Bouquet, Bluebell, Castile, English Fern and Cornubia. The inevitable outcome of this ongoing collaboration, Tralala is an opulent, hedonistic blend created by Master Perfumer Bertrand Duchaufour.

A small note in passing? I guess this means that the long defunct L'Artisan Parfumeur fragrance Framboise Tralala will not get re-released anytime soon (at least under that name).

Notes for Penhaligon's Tralala:

aldehydes, saffron, whiskey and violet,
leather, tuberose, incense and carnation,
patchouli, vetiver, musk and vanilla.


info via press release, notes via E.Knezhevich

Monday, January 20, 2014

Monday in Blue and Other Melancholic Stories

The blues, "but I still got the blues for you", Rhapsody in Blue and Blue Monday, the bleakest day in the year, as I discovered just today upon opening my online subscriptions. Little did I know that the third Monday of January is officially termed "blue", supposedly because the weather is at its dullest, the festive spirit has worn on, the resolutions for the New Year have had their chance of proving how futile (or impossible to keep) they are and everyone is just waiting for the nascent buds of spring to formally and univocally feel better.


Blue seems a loaded term in Anglo context, whereas where I come from it's all blue skies and azure seas and a feeling of contentment; or alternatively the eye of God (this is why the protective "evil eye" amulets routinely display a blue eye). There is no S.A.D at my place, as far as I know, and mid-January is usually halcyon days with plenty of sunshine and temperatures in the 15-17s Celsius. Greeks, however, with their inherent sense of drama, do black better, close as it is to true funereal colors; once upon a time there were whole villages with people perennially dressed in black in mourning for someone or other lost in war. Melancholia literally means "black bile" in Greek.
It might also have to do with blue just performing more joyfully in these southern latitudes: a beautiful piece of lapis lazuli edged in 18K gold had lost most of its vibrancy and intensity when brought to the grey skies of the UK when I was a student. Lackluster, it just wasn't the same. But two weeks back home and I started to wear it again, an amulet of Pharaonic resonance, no doubt because the country of the Nile exploited its natural sunshine the same way to enhance the beauty of gems.

The French word glauque although directly inspired by the Latin (and the Greek glaykos/γλαυκός which means "light blue") has come to denote a qualitative awfulness or vacuousness as in lifeless and listless. Blue doesn't really do well in French either (at least in that respect) it seems…



Nevertheless blue is a beautiful concept for fragrances, both in shade and in nuance: from the wistful L'Heure Bleue (denoting the hour that the French call entre chien et loup) to the bright cerulean of its modern Guerlain "rendition" L'Heure de Nuit (whose shade one of my wittiest readers compared to Toilet Duck's to the burning of my mind's "eye" ever since), blue makes an honorable appearance in fine fragrance. Just think of the gorgeous "lantern" design by Guerlain, famously utilized in Guet apens, or the majestic blue of Shalimar or even of the pentagon of Tauer perfumes. Blue "sports" fragrances for men have somehow blurred the positive associations of blue (well, at least the escapist ones, if the bleak ones remain, given how awfully bad many of those fragrances smell) yet there are some examples of blue perfumes (or flacons!) which eschew the rule that "blue=marine", such as the infamous case of Angel by Thierry Mugler, Armani's La Femme Bleue or Cacharel's Loulou in its memorable turquoise.



So tell me, which are your "blue perfumes"? Are they wistful and nostalgic, filled with saudade, or are they colored blue and evoking seascapes and fresh ocean spray?


pics via pinterest

Friday, January 17, 2014

How Does Scent Marketing Works? ScentAir on BBC1



An interesting video, highlighting a specific company, nevertheless providing some insights into this popular form of marketing.

Wednesday, January 15, 2014

Boucheron Boucheron Femme eau de parfum & extait de parfum: fragrance review


Direct kin off Narcisse Noir (Caron's venerable classic built on orange blossom and Sunset Boulevard notoriety) Boucheron Femme is at once a queenly narcotic perfume that recalls retro beauties and a fragrance that breathes contemporary air; if by contemporary we refer to the still living, still breathing women who first discovered it in the 1980s when it erupted Venus like from the sea foam "sprayed" by the creative sperm of perfumers Francis Deleamont and Jean-Pierre Bethouart in 1988. Obviously this is the result of palinoia rather than divine intervention, but it feels like the latter, such is the awe it inspires in me. Boucheron Femme feels the way Venus de Milo looks: eudaimonia (ευδαιμονία), in Greek literally  denoting "of benevolent spirit", a balance of prosperous good living, of contended human flourishing.


I suppose what I'm trying to convey in my Greek-inflected English is that Boucheron Femme possesses the sort of timeless charm that makes for idols such as Greta Garbo or goddesses such as Venus; intelligence built in the glamor package, a healthy dosage of wit and self-deprecation (or self-insouciance), the distance necessary to feel special and never "me too". The only reason I can discern for this perfume being less well known or lauded than some others (and thus forming part of the Underrated Perfume Day feature today) is that audiences have been so conditioned not to understand quality, even when it slaps them in the face, that the likes of Boucheron Femme can remain a code for the secret handshake societies of perfumistadom such as this one.


The formula of Boucheron Femme fragrance remains a beautifully balanced textbook definition of the floriental genre: an oriental perfume skeleton onto which lush flower notes have been etched with the precision of a skilled calligrapher on thick moire paper. Orange blossom absolute with its candied and indolic facets is contributing the main floral theme, blooming as the succession of two different but equally "fresh" directions in the introduction: one is the citrusy fruity theme of hesperides (elegant bergamot, juicy and sweet mandarin) plus fleshy lactonic apricot; the other is the emerald accent of galbanum grass resin rising atop with a couple of complimentary notes in bright minty basil and bluish, celadon narcissus.

Although tuberose and jasmine are among the cluster of flowers contributing to the rich radiant bouquet, Boucheron Femme is that kind of fragrance where one would be hard pressed to say where one floral essence begins and one ends. The orange blossom is dominant, sure, but the rest are supporting players with important lines to deliver all the same.
The plush of the base isn't just downy soft, it can only be described as the finest, whitest ermine, the smoothest marble, the deepest shimmer of smoky cognac diamonds. Constructed out of amber, vanilla, olibanum (frankincense), sandalwood and the vanillic, caramelic benzoin resin, it is everything a grand oriental should accomplish, but without losing the plot into too vampish. Boucheron Femme is always the lady and a very knowing and smart lady at that.

The bottle of Boucheron Femme is famously inspired by cabochon sapphires set on a ring. In fact the glorious parfum concentration (which smooths out the marmoreal qualities of the resins even further without losing the inherent radiance) is shaped like a giant ring for une femme aux gros doigts, sitting in its own leather-cased box lined with felt like a real jewel would. But what am I saying…it IS a jewel, what the French so aptly call un parfum bijou. 

Wear it with your very best, naked skin!

pics via pinterest

Monday, January 13, 2014

Surreal Mums and Old Spice Rejuvenated for the 21st Century: The Mom Song Commercial is Brilliant

"Now he smells like a man and they treat him like one.". There in a nutshell you have everything you ever wanted to know about the appeal of the Old Spice products. Old Spice is manly and it makes women treat you like a man. A man, not a boy. Yes, dear reader, we're putting the scalpel on the newest goofy Old Spice commercial which has surreal, frumpy and constantly hovering mums lamenting -in song!- how their little boys have changed gears and are on the way to hell on a handbasket because they changed into Old Spice which draws feminine attention in a way not yet dreamed of. "I didn't see it coming, but it came in a can". Indeed!


Affectionately referred to as "the mom song" the new Old Spice commercial is in my opinion doing everything it sets out to do (which makes it a success): namely drawing the attention span of young males into seeing an old standby with fresh eyes. And it has such a weird, goofy, upping the ante factor cleverly built in that it can't help becoming viral.

As my perceptive reader who sent me the clip, Cacio, puts it: "Old spice was, quintessentially, grampa, certainly not something that could appeal to teens. In recent years they've been trying to reposition themselves to capture the vast male teen bodyspray market (where Axe seems to dominate). Hence a series of funny, zingy, parodistic ads, like the cult machoman ad* of a few years back which managed to be both ironic and convince males that it was after all ok to wear scents. Now this one in an even more surreal type of humor, explicitly directed at teens."


 It's unfortunate that the commercial has generated such grumpiness at dedicated fragrance groups (such as on Basenotes) who worked themselves up because -really- the target audience isn't the repeat buyers of the Old Spice in the familiar white bottle with the little ship on it and the tiny conical stopper, but the teenagers and college frat boys who buy the big spray cans sitting next to Axe/Lynx at the drugstore and the supermarket shelves. Where I'm disagreeing, sorta, with Cacio above is that Old Spice is not repositioning themselves. They have already repositioned. The commercials are the optical affirmation and seal on this repositioning. The old grampas are, alas, dying away and a new market is emerging. Instead of lamenting the "loss" of one, let's rejoice in the harvesting of another. Old Spice still smells quite good. In fact much much better than the various variants of Axe do and many, many boys' mothers online and in real life are thankful for this. Aren't you?


*Those have become modern classics and deservedly so.

Friday, January 10, 2014

Patricia de Nicolai Rose Oud: fragrance review

Couple two of the most objectionable (to me) materials, the tired by now oud perfumery base and the often stuffy, stifled rose note, and you can bet you have me checking my watch every 2 seconds like I last did when dragged to watch Star Wars episode 2 (I finally zonked out). Yet there are certain roses and certain ouds that manage to hold my interest (and there are many fragrances combing the two, so it's a demanding exercise!). Without being ecstatic, I can vouchsafe that Rose Oud  by Patricia de Nicolai is among the better ouds and simultaneously among the better roses in the market today and if you like any of those materials or the woody floral genre in general you should check it out for yourself: it's perfectly pretty with a side of fog for interest.

jenny packham/lik-usya.tumblr.com

Rose Oud does not differ in approach from the other  winter 2013-2014 "oud" release by the niche French brand, Amber Oud, in taking into stride the oudh trend and mastering it in a way that it becomes putty in dear Patricia's tender paws. The rose is woodied-up, boxed, polished, with the familiar backdrop of two standbys: patchouli and sandalwood (an Indian dream), like a beautiful blossom in a waxy sealed wooden cigar box in a land where tigers lurk and monkeys leap from beneath Bangalore ancient temples.

Delicate fruity aspects emerge out of this rose, with the underpinning of nagarmotha providing a smoky, oily facet the way oil paintings put a thick consistency even to baby pink. Nagarmotha/Cypriol is an interesting material in itself, at once earthy, grassy and smoky, with its own deep aspect that can put dusk on the daintiest girly girl stuff. Rose capitulates; what else can she do? And it's all for the better. There is no retro or potpourri vibe anywhere.

Perfectly able to be shared between the sexes, Rose Oud is another faceted briolette in the jewelry box of de Nicolai's vault, a notch less interesting than Amber Oud (which surprises with its herbal lavender character). Without breaking waves Rose Oud is perfectly nice and attractive and one can't knock that.

Notes for Patricia de Nicolai's Rose Oud:
Top: raspberry, artemisia, osmanthus
Heart: rose, lily of the valley
Base: patchouli, sandalwood, vanilla, musk, castoreum, amber, oud.

Wednesday, January 8, 2014

Patricia de Nicolai Amber Oud: fragrance review

Patricia de Nicolai is repositioning themselves (the new bottles being one of the hints), if intimations are any indication, and no luxury niche brand today is complete without a generous helping of the infamous oud perfume ingredient. Not that there were any audible borborygmi coming from our collective perfumista stomachs craving oud, but apparently a boy or a girl can never have too much oud; or so the aroma producing companies would make us believe. Amber Oud by de Nicolai however is oud prowling in kitten's paws, so delicate and purring you might be mistaken for thinking there is some problem with the labeling. Because Amber Oud is mostly a glorious aromatic amber fragrance with copious helpings of premium grade lavender fanned on resinous, plush notes of velvet.

via TheOtherAlice/Tumblr

The combination of amber (a 19th century trope resting on labdanum & vanillin) with oud/aloeswood is not unknown to niche or Arabian-inspired perfumes; if only in name, both Diptyque and by Kilian have utilized this blend to good effect (there's also the Rasashi and Arabian Oud brands). The nutty and musty character of the modern oud/aoud/oudh bases with their Band-Aid vibe is very well tempered by a tried & true combination that somewhat sweetens the bitterness of oud and renders it more Westernized and silky to the touch. Tonka bean and lavender is also "a marriage of true minds". This 2 by 4 is played like a quartet that produces a single harmony.



In Patricia de Nicolai's Amber Oud the blast of lavender at the beginning is the dominant force which takes you by surprise and which might make women think this is more men's gear than girly girl stuff. But they need not fear. Gents and ladies alike will appreciate the seamless procession into a balsamic smelling nucleus. The inclusion of sage is beautifully erogenous, recalling human bodies in sweat, cleverly juxtaposed with the washed brightness of the lavender and the camphorous hint of patchouli. Seekers of oud (lured by the name) might feel cheated and there is no eye-catching innovativeness in the formula itself, but de Nicolai is continuing on a path of wearable, presentable, smooth perfumes that have earned her brand a steady following.


Notes for Patricia de Nicolai Amber Oud:
Top: lavender, thyme, sage, artemisia
Heart: cinnamon, saffron, agarwood (oud), Atlas cedar, patchouli, sandalwood
Base: vanilla, tonka bean, styrax, musk, castoreum, amber.


Monday, January 6, 2014

Prescriptives Calyx: fragrance review & history

Part of PerfumeShrine's regular Underrated Perfume Day feature, I'm inspired to talk of Calyx because it strikes me as the Prometheus of hardcore (if such a strong word can be used for the genre) fruity fragrances that have dominated the late 1990s, the 2000s and 2010s market so far (and in part a culprit for the emergence of fruitchouli). Coming out as far back as 1986, an uplifting tart tropical punch splashed all over a tan California blonde right out of the shower, it subsisted on the other edge of hope, pitted as it was against the likes of Coco by Chanel, Opium by YSL, Dior's original Poison or Giorgio Beverly Hills.


Still, the cosmetics brand that issued it, Prescriptives (since out of business, except for this fragrance which is still in production and now distributed via Clinique counters), part of the Lauder Group, had the necessary market cojones to sustain its sales for years. The pure, custom-tailored image of their cosmetics was a natural fit for the idea of a pure, celestially squeezed perfume which back then had none of the connotations of sugary hard candy stickiness and hair salon peach/apple waft we associate with fruity fragrances today. Its perfumer, Sophia Grojsman, is famous for her clean but potent accords, which make use of a very different idea of feminine allure than the standard "vintage" and European concept of animalic scents that enhance -rather than conceal- the odorata sexualis and hide cigarette smoke remnants off Old World garments. Calyx was the culmination of American Artemis versus European Aphrodite: the "lean, mean, clean machine" was coming on scene for good and Lauder (who oversaw Prescriptives) had already built a generous following thanks to their sparkling clean fragrances such as White Linen and Estee. Grojsman was put to record elaborating on the cachet of fruit as feminine nectar saying "some fruit accords, like the one in Calyx, have a very pure quality. It's a different kind of sexuality, more innocent than the animal notes…And men like innocence. To them it is sexy…Fruit also carries a connotation of sin. Where would Adam and Eve have been without that apple?"

This assertion is in a nutshell the axiom of feminine mental submission. In a way these fruity scents seem to me as if they're not so subtly introducing a regression on feminism. Woman becomes a pliable little girl again, fresh and unknowing in her virginal, not yet sexualized body, which awaits the all prescient male to do the plucking. It is important to note that contrary to similar concepts of youthful, nubile allure brandished in European brand fragrances of the time (such as Loulou by Cacharel) the girl in question is never presented to be aware of her own erotic capital as an authentic Lolita would be. Rather the innocence is poised as a halo around her, a scent message of total abandon of control. Where's the temptation of the knowledgeable apple, I question.

Calyx doesn't smell of apple either. It smells of a neon cascade of grapefruit (though like with Un Jardin sur le Nil with its illusion of green mango there is no essence of the illusory fruit in question in the formula), boosted by guava and papaya (which give an almost overripe scent bordering on garbage if you really notice it) and a cluster of more traditional, zestful fruit notes (namely the citrusy mandarin and bergamot for uplifting elegance and the lactonic peach and apricot for comfort & skin compatibility). The weird thing with Calyx is that the standard cool-steam-room of lily of the valley heart with its transparent florals from a distance is flanked by a little berry underpinning on the bottom and transparent woody notes that rely on bombastic synthetics. The feeling earned nevertheless is one of celestial, mental awareness rather than one of tropical languor on Bora Bora sand dunes all smeared in Coppertone lotion and for that unique reason it deserves a place in the lesser pantheon of perfumes worth giving a second chance to, feminism aside.

The full list of Notes for Prescriptives Calyx includes:
Top: mandarin, passionfruit, peach, mango, bergamot, grapefruit, papaya, guava, mint, cassia.
Heart: cyclamen, lily of the valley, jasmine, rose, neroli, marigold, melon.
Base: vetiver, oakmoss, sandalwood, musk, raspberry.


The winner of the draw…

…for the Tijon consultation is Moonlocks. Congratulations and please email me, using Contact, so I can get you in touch with the owner.

Thanks everyone for the enthusiastic participation and till the next one!

Sunday, January 5, 2014

The winner of the draw….

…for the Amouage perfume is Theo. Congratulations and please email me using Contact with your shipping data so I can have this arranged to be shipped to you soon.

Thanks everyone for the enthusiastic participation and till the next one! (soon)

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