We're pleased to be on the vanguard of new developments and to bring you news you haven't heard of before. Just as DelRae Roth was busy promoting the fifth addition to her classy line of fragrances by Michel Roudnitska, Emotionelle (a composition featuring melon, that is in the spirit of Le Parfum de Therese), we learn that a sixth addition is being completed and is launching this coming April: Mythique!
Mythique is indeed the newest fragrance to join Parfums Del Rae, created by young perfumer Yann Vasnier in collaboration with Roth DelRae and the first to be composed by anyone other than Michel Roudnitska. The whole DelRae line is simply fabulous in quality and myself I had been quite ecstatic in my review of the delicate sylphid that is the lily-of-the-valley-laden Debut, so my anticipation is high!
The inspiration of the newest fragrance, which is described by Roth as a diaphanous and elegant floral is historically inspired by a most celebrated personage: the famous courtesan Diane de Poitiers, an important figure for king Francis I and the 20 years senior lover of French king Henri II ~consequently the arch-rival of both Anne de Pisseleu, Francis's favourite, and Caterina de Medici, Henri's legal wife (and incidentally the woman who brought fine perfumery in France).
Roth was impressed by this very charismatic woman, Diane ~her beauty, her intelligence, her political astuteness and her strong character that was also compassionate inspired her to envision a feminine fragrance that would stand for those qualities.
The basic accord of Parfums DelRae Mythique is based on precious Florentine orris butter coupled with flowers found in the garden of the beautiful Château de Chenonceau, the truly spectacular castle on the Loire River valley that was offered to Diane by Henri II and remained her home until the king's death.
Mythique begins on fresh notes of Italian bergamot, mandarin and ivy while in the heart accords of jasmine Sambac, peony and Florentine iris conspire for a softened, sfumato effect. The base is played on sensuous notes of sandalwood, Indian patchouli and ambrette seeds.
Launching this coming April.
Painting Diane of Poitiers by Francois Clouet via wikipedia. Pic of bottle through Extrait.
Thursday, January 29, 2009
Wednesday, January 28, 2009
New Guerlain Mitsouko Fleur de Lotus and Shalimar Flower: what's happening at Guerlain? (and a footnote on Muguet)
As if La Petite Robe Noire, on which we had reported and commented at length on these pages a little while ago (here is the link if you missed it), wasn't enough, Guerlain is issuing this coming spring a couple of flankers that have me wondering a bit about what exactly is happening in the venerable house that I so love. In the interests of reportage and juicy commentary however, let me plunge into more details, nevertheless.
First there are two flankers: on the iconic Shalimar and the newly re-issued Eau de Shalimar. They are tagged "Flower" and if that reminds you of Kenzo with all that powder which is also a trait of the classic Shalimar, then I can't blame you! It's uncertain if they are merely limited edition bottles (it seems so) or if they also entail rejinging of the jus for a new scent; and I would welcome official corroboration on that score.
Eau de Shalimar Flower in Eau de Toilette and Shalimar Flower in Eau de Parfum concentrations are limited edition versions of the legendary Shalimar, "created to celebrate the most bewitching and sensual note of the classic fragrance: vanilla blossom. Protective of its own rarity, it only blossoms for a few hours at sunrise. In awe of this quiet, intimate moment with vanilla flowers Guerlain set out to capture a second of eternity, etching its blossoms on the Shalimar bottle for two limited editions.[...]The vanilla blossom on the voluptuous neck of the bottle underscores the perfume’s intensity, then appears in a precious, radiant hallmark - first in midnight blue on the glass of the bottle, then in gold on the packaging which shields its mysterious blossoming from observation". [1]
If it entails a new scent formula, it would be a little ironic than in a category which Guerlain literally lain the path on with their bare hands (ie. that of good, delectable vanilla) they feel the need to bring out a flanker that sounds like it is playing with something that is a redundancy. There is already the darkly boozy Spiritueuse Double Vanille in their line, which recently joined the permanent collection due to public demand, and Shalimar highlights vanilla pretty well in both the classic version (no matter how tampered it might be with through the years) and in Eau de Shalimar where it goes for the more lemon-cupcakes-accord. Wouldn't the talents of Thierry Wasser ~who had such fond memories of his fathers' driving gloves as to quote them as a constant inspiration in an interview which appeared at the time he was appointed in-house perfumer for Guerlain~ better be used elsewhere, if so?
If, on the other hand, it is only a matter of specially-made bottles (and it is hinted from the above that it could as per my "reading" of it) which will circulate for rekindling the desire for Shalimar, why are they necessary at a time when the new commercials with Natalia Vodianova have already brought Shalimar in the limelight and the eye of a younger crowd who could be easily seduced to try a proper perfume like this through this fashionable and tastefully done Paolo Roversi campaign? Wasn't it enough? Wouldn't all that energy, budget and talent be employed in a new fragrance that could become a new classic?
Anyway, until we make sure, here are the shopping details:
Shalimar Flower Eau de Parfum 75ml retailing for $123, available in March through Guerlain boutiques exclusively.
Eau de Shalimar Flower Eau de Toilette 75ml retailing for $97, available in March through Guerlain boutiques exclusively.
The news on a Mitsouko flanker however are slightly more alarming: Mitsouko Fleur de Lotus (Lotus Flower) is definitely a new fragrance with a different scent, as the info states "In celebration of the 90th anniversary of its creation, Jean Paul Guerlain has developed Mitsouko Fleur de Lotus, a fresh reinterpretation of the fragrance with a special fleur de lotus note". [2]
Two things strike me as odd: First, isn't it a little sacrilegious to rejingle Mitsouko of all things? Since the original is already rather unrecognisable because of the -necessary alas!- reworking of the formula in order to meet with the standards recommended by the IFRA regulations on oakmoss and allergens, isn't this attempt to provide an aqueaous* note rather antithetical with the rich character of this legendary fruity chypre which is exactly so celebrated because of it? The light blue bottle doesn't bode well with me personally (blue so often means a screetchy ozonic on the perfume counters...) However since Vol de Nuit Evasion was completely unrelated to the older classic oriental Vol de Nuit smell-wise, and utterly lovely in its own right, I am very willing to believe that we might have a similar case here with Mitsouko Fleur de Lotus.
[*The lotus flower "note" -a reconstitution (?) since no natural is extracted usually- is one of the materials which are used in order to render watery notes and was very popular in the perfumery of the 1990s. Watch out, those acqueous notes are in for a big return: you heard it here first!]
Secondly, it's a little odd that Jean Paul Guerlain is still referenced as the creator of new juice. I realise that some creative control still applies and his approval is asked, naturally ~it's only good manners and courtesy to his illustrious history and lineage after all~ but what happened to Thierry Wasser and Sylvaine Delacourte? Aren't they at the head of fragrance development? Now that we're at it, La Petite Robe Noire is credited to Sylvaine and Delphine Jelk, I hear [3]. Again, what about Thierry? I hope official info becomes available on those pressing points and when they do I will announce them and comment on them with more informed views.
Mitsouko Fleur de Lotus Eau de Toilette 60ml/2oz will be available in May retailing for $100
And for those who have been hankering after the customary issue of Guerlain Muguet on the 1st of May (lily of the valley/muguet is the traditional flower to be offered for May 1st in France and Guerlain had issued limited editions in the past to honour that) , this year's edition includes jasmine, Turkish rose, lemon and sandalwood in a 60ml/2oz flacon retailing for $350, available in May through Guerlain boutiques exclusively.
Now that hydroxycitronellal and Lilial are heavily restricted I wonder how they will be able to render an intense lily of the valley note (something that is also a pressing concern for the latest Diorissimo batches), but that remains to be seen, I guess. The price however has relaxed a tiny bit, as the 2007 edition was $285 for only 30ml/1oz in a Bacarrat bottle!
We will return...
Painting Ancient of Days by William Blake
[1][2][3]info & pic via Beautyalchemist.
First there are two flankers: on the iconic Shalimar and the newly re-issued Eau de Shalimar. They are tagged "Flower" and if that reminds you of Kenzo with all that powder which is also a trait of the classic Shalimar, then I can't blame you! It's uncertain if they are merely limited edition bottles (it seems so) or if they also entail rejinging of the jus for a new scent; and I would welcome official corroboration on that score.
Eau de Shalimar Flower in Eau de Toilette and Shalimar Flower in Eau de Parfum concentrations are limited edition versions of the legendary Shalimar, "created to celebrate the most bewitching and sensual note of the classic fragrance: vanilla blossom. Protective of its own rarity, it only blossoms for a few hours at sunrise. In awe of this quiet, intimate moment with vanilla flowers Guerlain set out to capture a second of eternity, etching its blossoms on the Shalimar bottle for two limited editions.[...]The vanilla blossom on the voluptuous neck of the bottle underscores the perfume’s intensity, then appears in a precious, radiant hallmark - first in midnight blue on the glass of the bottle, then in gold on the packaging which shields its mysterious blossoming from observation". [1]
If it entails a new scent formula, it would be a little ironic than in a category which Guerlain literally lain the path on with their bare hands (ie. that of good, delectable vanilla) they feel the need to bring out a flanker that sounds like it is playing with something that is a redundancy. There is already the darkly boozy Spiritueuse Double Vanille in their line, which recently joined the permanent collection due to public demand, and Shalimar highlights vanilla pretty well in both the classic version (no matter how tampered it might be with through the years) and in Eau de Shalimar where it goes for the more lemon-cupcakes-accord. Wouldn't the talents of Thierry Wasser ~who had such fond memories of his fathers' driving gloves as to quote them as a constant inspiration in an interview which appeared at the time he was appointed in-house perfumer for Guerlain~ better be used elsewhere, if so?
If, on the other hand, it is only a matter of specially-made bottles (and it is hinted from the above that it could as per my "reading" of it) which will circulate for rekindling the desire for Shalimar, why are they necessary at a time when the new commercials with Natalia Vodianova have already brought Shalimar in the limelight and the eye of a younger crowd who could be easily seduced to try a proper perfume like this through this fashionable and tastefully done Paolo Roversi campaign? Wasn't it enough? Wouldn't all that energy, budget and talent be employed in a new fragrance that could become a new classic?
Anyway, until we make sure, here are the shopping details:
Shalimar Flower Eau de Parfum 75ml retailing for $123, available in March through Guerlain boutiques exclusively.
Eau de Shalimar Flower Eau de Toilette 75ml retailing for $97, available in March through Guerlain boutiques exclusively.
The news on a Mitsouko flanker however are slightly more alarming: Mitsouko Fleur de Lotus (Lotus Flower) is definitely a new fragrance with a different scent, as the info states "In celebration of the 90th anniversary of its creation, Jean Paul Guerlain has developed Mitsouko Fleur de Lotus, a fresh reinterpretation of the fragrance with a special fleur de lotus note". [2]
Two things strike me as odd: First, isn't it a little sacrilegious to rejingle Mitsouko of all things? Since the original is already rather unrecognisable because of the -necessary alas!- reworking of the formula in order to meet with the standards recommended by the IFRA regulations on oakmoss and allergens, isn't this attempt to provide an aqueaous* note rather antithetical with the rich character of this legendary fruity chypre which is exactly so celebrated because of it? The light blue bottle doesn't bode well with me personally (blue so often means a screetchy ozonic on the perfume counters...) However since Vol de Nuit Evasion was completely unrelated to the older classic oriental Vol de Nuit smell-wise, and utterly lovely in its own right, I am very willing to believe that we might have a similar case here with Mitsouko Fleur de Lotus.
[*The lotus flower "note" -a reconstitution (?) since no natural is extracted usually- is one of the materials which are used in order to render watery notes and was very popular in the perfumery of the 1990s. Watch out, those acqueous notes are in for a big return: you heard it here first!]
Secondly, it's a little odd that Jean Paul Guerlain is still referenced as the creator of new juice. I realise that some creative control still applies and his approval is asked, naturally ~it's only good manners and courtesy to his illustrious history and lineage after all~ but what happened to Thierry Wasser and Sylvaine Delacourte? Aren't they at the head of fragrance development? Now that we're at it, La Petite Robe Noire is credited to Sylvaine and Delphine Jelk, I hear [3]. Again, what about Thierry? I hope official info becomes available on those pressing points and when they do I will announce them and comment on them with more informed views.
Mitsouko Fleur de Lotus Eau de Toilette 60ml/2oz will be available in May retailing for $100
And for those who have been hankering after the customary issue of Guerlain Muguet on the 1st of May (lily of the valley/muguet is the traditional flower to be offered for May 1st in France and Guerlain had issued limited editions in the past to honour that) , this year's edition includes jasmine, Turkish rose, lemon and sandalwood in a 60ml/2oz flacon retailing for $350, available in May through Guerlain boutiques exclusively.
Now that hydroxycitronellal and Lilial are heavily restricted I wonder how they will be able to render an intense lily of the valley note (something that is also a pressing concern for the latest Diorissimo batches), but that remains to be seen, I guess. The price however has relaxed a tiny bit, as the 2007 edition was $285 for only 30ml/1oz in a Bacarrat bottle!
We will return...
Painting Ancient of Days by William Blake
[1][2][3]info & pic via Beautyalchemist.
Tuesday, January 27, 2009
Monolithe Travel Sprays for By Kilian fragrances: at long last!
If you have been one of those people who have been enamored with some or all of the By Kilian fragrances (such as the wonderful rosy jamminess of Liaisons Dangereuses or the less intriguing Cruel Intentions, reviewed on these pages), but annoyed by the concept of the super-luxe box under lock & key and the inability to buy the available refills without first investing in the whole kaboodle of the expensive presentation, you will be thrilled.
Perfume Shrine is bringing you the welcome news that Cognac heir Kilian Hennessy's By Kilian brand will be introducing a travel purse spray, called Monolithe, in spring '09, designed with the familiar Achilles' Shield design which is the signature of L'Oeuvre Noire (ie.the first lineup of By Kilian fragrances in black packaging and noir-ish intent). The design is, well, monolithic, I guess, in its columnal glory with some textural interest.
Refillable, Monolithe travel spray will be available for filling with 4 refills of 7.5ml/0.4oz each in Prelude to Love, Love, Beyond Love or Liaisons Dangereuses . Availability and price: 95 Euros, starting March wherever By Kilian scents are sold (like Aedes for example).
Considering that the usual standard price of the By Kilian line is US$225 for a 50ml/1.7oz bottle and $115 for a 50ml/1.7oz refill or ~if you want to have a constant source~ $2,500 for the small "barells" of perfume), it sounds like a more approachable solution for many perfume lovers, even if ml per ml it is not so economical. Rejoice!
News & pic via Magali Bertin vogue.fr
Perfume Shrine is bringing you the welcome news that Cognac heir Kilian Hennessy's By Kilian brand will be introducing a travel purse spray, called Monolithe, in spring '09, designed with the familiar Achilles' Shield design which is the signature of L'Oeuvre Noire (ie.the first lineup of By Kilian fragrances in black packaging and noir-ish intent). The design is, well, monolithic, I guess, in its columnal glory with some textural interest.
Refillable, Monolithe travel spray will be available for filling with 4 refills of 7.5ml/0.4oz each in Prelude to Love, Love, Beyond Love or Liaisons Dangereuses . Availability and price: 95 Euros, starting March wherever By Kilian scents are sold (like Aedes for example).
Considering that the usual standard price of the By Kilian line is US$225 for a 50ml/1.7oz bottle and $115 for a 50ml/1.7oz refill or ~if you want to have a constant source~ $2,500 for the small "barells" of perfume), it sounds like a more approachable solution for many perfume lovers, even if ml per ml it is not so economical. Rejoice!
News & pic via Magali Bertin vogue.fr
Labels:
bottle design,
by kilian,
monolithe,
news,
travel spray
Thierry Mugler Alien Giant Golden Excess & Initiatory Stone: news & musings
In times of recession one would think that manufacturers and perfume companies would cut back and offer more economical solutions to lure in customers and retain their market share. However, as the -admittedly strange and inconvenient- economic rule for getting out of such as phase is basically continuing to spend (so as to boost the market and keep companies afloat), the practice of luxury brands to actually raise their prices and issue super-expensive products instead is macroeconomically sane but in the short term a little absurd. Yet it happens! And the latest example is brought here today for your appraisal.
The Clarins Group which holds the licence for parfums Thierry Mugler has just issued a very unusual and expensive edition that is aimed at true-blue collectors of fine fragrance with their new Alien Golden Giant Excess: The limited edition holds 1 liter (Whoah! talking about Godzilla size!) in a flacon decorated with real gold and Swarovski crystals! (click the pic, it's really impressive) The juice inside the bottle remains as usual, an "extraterrestrial" mix of jasmine sambac from India, blonde woods and white musks in Eau de Parfum concentration. Thierry Mugler launched Alien in 2005 in a formula devised dy Dominique Ropion and Laurent Bruyere and is considered successful in turnover terms. The price of the Alien Golden Giant Excess is 2000 euros. (Now please gather your jaw from the floor).
This comes on the heels of another limited edition for Alien, the Initiatory Stone which is available as a limited edition of 15ml Eau de Parfum from January 2009 in a bottle cut like an amethyst gem, a carrier of natural energy, topped by a gold cap, symbolising solar power. The scent is once again completely unchanged.
The two limited editions come as a follow up of the spring-summer'08 Alien Eau Luminescente, which was taking the solar theme into an interpretation in warm packaging hues.
Seems like the various editions keep a brand alive and kicking, creating buzz even in difficult times!
News and pic via Fragrantica and sfilate.it
The Clarins Group which holds the licence for parfums Thierry Mugler has just issued a very unusual and expensive edition that is aimed at true-blue collectors of fine fragrance with their new Alien Golden Giant Excess: The limited edition holds 1 liter (Whoah! talking about Godzilla size!) in a flacon decorated with real gold and Swarovski crystals! (click the pic, it's really impressive) The juice inside the bottle remains as usual, an "extraterrestrial" mix of jasmine sambac from India, blonde woods and white musks in Eau de Parfum concentration. Thierry Mugler launched Alien in 2005 in a formula devised dy Dominique Ropion and Laurent Bruyere and is considered successful in turnover terms. The price of the Alien Golden Giant Excess is 2000 euros. (Now please gather your jaw from the floor).
This comes on the heels of another limited edition for Alien, the Initiatory Stone which is available as a limited edition of 15ml Eau de Parfum from January 2009 in a bottle cut like an amethyst gem, a carrier of natural energy, topped by a gold cap, symbolising solar power. The scent is once again completely unchanged.
The two limited editions come as a follow up of the spring-summer'08 Alien Eau Luminescente, which was taking the solar theme into an interpretation in warm packaging hues.
Seems like the various editions keep a brand alive and kicking, creating buzz even in difficult times!
News and pic via Fragrantica and sfilate.it
Labels:
alien,
bottle,
limited edition,
news,
thierry mugler
Monday, January 26, 2009
Honore des Pres fragrances by Olivia Giacobetti: presentation & perfume reviews
A capella, the musical term that denotes singing without supporting instrumental accompaniment is the analogy that Honoré des Prés, a new niche brand, is bringing to illustrate their unadulterated pureness due to nothing more than Nature's and the artist's gift.
In essence, this is a new line of organic fragrances 100% natural and EcoCert organic (the company uses the term Purs Extraits de Nature), using natural materials from Robertet in Grasse, famous for its quality products.
Although a fervent desire for "green" products has been raising its head for a while and the cosmetics and skincare industry had been attending to that need for quite some time with honest and not-so-honest claims, the all-naturals fragrance niche was circulating below the radar for too long, often due to "mud-slinging" via well-known critics who de facto dished the whole aesthetic and concept as either fundamentalist leftism or air-headed paganistic feminism. Sometimes indeed some fragrances are not on a par, but not always. We're pleased that this is slowly changing, even with tiny, baby steps, now that Melvita and L’Artisan Parfumeur*, as well as American brands like Tsi-La and Rich Hippie, have jumped on the bandwagon. And what better example to illustrate it than a Parisian brand, fronted by an industry-renowed perfumer? The name of the line itself is a contraction of rue Faubourg Saint-Honoré and Saint-Germain-des-Prés, very bourgeois endroits in Paris. The founder was allegedly inspired by his sister, Bonté, who on one sad rainy afternoon, sipping something at Café de Flore apparently taken by the spleen, wondered about such a possibility wishing "to be free to love remarkably original scents" that would not trigger asthma attacks. Or so the story goes!
Honoré des Prés teamed up with fragrance designer Olivia Giacobetti, one of the most talented noses of the younger generation to whom we owe numerous compositions for such prestigious houses as L’Artisan Parfumeur, Agnès b., Hermès and her own baby, IUNX fragrances. Giacobetti is famous among perfumephiles for the way she highlights transparent creations with arresting, figurative effects and she showcased her style amply here. The line is comprised of 5 perfumes all launched in 2008: Chaman's Party , Bonté’s Bloom, Nu Green, Sexy Angelic and Honoré’s Trip. It is the last one which ~as per the official info~ was composed for and by Honoré (whoever he is) himself (whatever that means).
The fragrances themselves are pleasant and refreshing with varying degrees of interest to my nose. My friend Denyse (Carmencanada from Grain de Musc) was quite taken with the style exhibited in her own reviews, wondering: "How did she manage to make fragrances that actually smell pretty much like fine perfumery, given her constraints?" and "there isn’t a whiff of health-store self-righteousness in them; at no time, thankfully, does aromatherapy spring to mind." I'd have to agree with these pronouncements and plunge into a more detailed deconstruction henceforth:
Chaman's Party
Starting with the most substantial in terms of heft, Giacobetti exhibits a smokey, almost incensy side with an earthy vetiver-and-woods accord built on Haitian vetiver and smooth guaiac (lignum vitae) that lasts rather well. The brand talks about "top secret aphrodisiac ingredients" on the top notes as well as it being inspired by "a tree-house experience and total immersion in the heart of the virgin Amazon forest". Let's just say that should the former and the latter be actually combined I wouldn't want to stay around to see the mosquitos; never mind the snakes! Still, the shamanistic vibe proclaimed is audible and the composition is slowly roaring its sensuous and mysterious message. I was absent-mindedly oblivious to both the "sacred" basil of Egypt (I assume Ocimum sanctum which is more pungent than the sweeter varities, but also ritualistically used in ancient Egyptian funeral wreaths) and the "dried clove flowers of Madagascar" (call me clou de girofle) while it lasted, as I was completely immersed in the depths of vetiver, but they contribute nicely to the effect. It's good juice, dry and mystical, and won't contribute to having your perfumista card revoked.
Bonté’s Bloom
Effortlessly pastoral and my favorite of the line, Bonté's Bloom has an immediately appealing lustre of green-grey pearls scattered on a silky antique pashmina, rendered through the fuzziness of sage and chamomille which might be the very infusions Bonté was sipping on that rainy afternoon when the epiphany of an all natural line came in the imaginary tale told on the Honoré des Prés site. A delicate, subtly powdery floral ~thanks to a smidgen of orris~ with herbal touches, it epitomizes the individual style of an unpretentious romantic who enjoys long walks along the sunflower fields when the sun is slowly progressing on its nadir. Then again I have been known to enjoy this sort of mad Van Gogh à la campagne before and to its credit, it lasts for a while on my skin.
Nu Green
Officially said to be based on mint, rose and Indian botanical musk (they must be referring to ambrette seed/abelmoschus moschatus) on a backdrop of tarragon and cedarwood, the composition opens swiftly in a rather rosy-ambrette note that reminds me of No.18 by Chanel garlanded by leafy greens, and not anything else I can discern but even this dissipates in a flash, leaving only a trail of indescribeable nuance. A case of name being true to the scent!
Sexy Angelic
Almondy gourmands have a huge following among perfume wearers and the reason is not hard to see: Gustatory touches appease both the glutton in us and the dieter who has cravings denied. Although I am not exception to either the glutton or the dieter, personally I am not this genre's greatest fan with select few exceptions. All too often they have a reputation of sexiness as well, which is making an appearance through the official info here: "Inspired by a deliciously sweet experience of French candies from Aix-en-Provence (ie.calissons). The pure secret of seduction used by French women to meet their Prince Charming. It is currently used for a game between boys and girls in nightclubs, in luxury hotels or in the office". I'd like to know what sort of game that is which is fit for both the office and the luxury hotels. Is it naughty? Ah, OK, if it's in luxury hotels... I couldn't operate if it were cheap ones! Seriously, if this weren't tongue-in-cheek (which it is) but rivaling the Elixir Charnels claims one would expect the worst.
And yet Giacobetti exhibits an interesting, clearly three-tiered compositions here: First, there is the anisic and bitter almond opening which evokes a box of almond macaroons fresh off the oven; not my thing but probably just the thing for 99,99% of people and even I have to admit it's perfectly executed. Then there is the least appealing -to me- phase in which a seemingly magnolia-like aroma is entering with a hint of lemony, ahem, intimate male juice note. My opposition lies not in the potential "gross" factor but the incongruity with a gourmand concept (it works mighty fine in Sécrétions Magnifiques for instance). And last but not least a creamy, milky, almost sandalwood-like drydown that stays as a skin-scent for a little bit and is yummy.
Honoré’s Trip
This hesperidic cologne is of the refreshing kind which one can imagine on athletic types who have a run through the lawn even before they drink their first cup ofcoffee green-algae-froth of the day and then put their tennis gear to hit the court in earnest. Big on orange and mandarin with some spicy touch that provides a welcome piquancy to the wholesome, it's pleasant, but not earth-shattering and I can justify its inclusion because of the need of a citrus cologne in a line that puts so much emphasis on natural essences (The essential oils of hesperidic fruits are amazingly easy to extract even by hand and thus tangibly visible and "real" to the consumer).
The downside of the fragrances is they are very fleeting (according to Octavian to the point of being eaux fraîches), some more than others, due to the very nature of most natural materials and the lack of the usual synthetics that help anchor and make radiate most of the fragrances of other lines, such as synthesized musks (Galaxolide, Tonalide etc) or woodies/florals (IsoE super, Lilial et al) or even flower absolutes (those necessitate the use of volatile solvents which have been veto-ed by the specific line and EcoCert, although other all-naturals perfumers use them to good effect)
Alas, longevity is a sore point for many all-naturals fragrances which is technically difficult to surpass even for the most talented, such as Giacobetti. The drawbacks of masochistically choosing to compose a translucid, diaphanous opus present themselves even more as the naturally thick and viscous natural resins and balsams that could have been utilized for a perfume equivalent of a Baroque oil painting (orientals, deep chypres) do not lend themselves easily in aquarelles.
On the other hand, the fragrances contain no phthalates (a major concern for pregnant women as recent studies indicate the risk of producing male foetuses with endocrine problems and subsequent testicular cancer), no petrochemicals, no additional colourings, no animal ingredients and they are not tested on animals; and if you are concerned with those things you should be more than catered for, even if for a brief while.
Eau de toilette spray 100 ml, between 128€ and 148€. Official site: Honoré des Prés. (The site is charmingly tongue-in-cheek and upbeat, with an imaginary clan of des Prés uttering various ~isms and thus worth a visit!)
Currently available only in France but with plans to bring them in the US later on.
Photo © by Helg/Perfumeshrine
*I have been recently informed by my reader Trish that L'artisan exclude petrochemicals and phthalates from their formulae.
In essence, this is a new line of organic fragrances 100% natural and EcoCert organic (the company uses the term Purs Extraits de Nature), using natural materials from Robertet in Grasse, famous for its quality products.
Although a fervent desire for "green" products has been raising its head for a while and the cosmetics and skincare industry had been attending to that need for quite some time with honest and not-so-honest claims, the all-naturals fragrance niche was circulating below the radar for too long, often due to "mud-slinging" via well-known critics who de facto dished the whole aesthetic and concept as either fundamentalist leftism or air-headed paganistic feminism. Sometimes indeed some fragrances are not on a par, but not always. We're pleased that this is slowly changing, even with tiny, baby steps, now that Melvita and L’Artisan Parfumeur*, as well as American brands like Tsi-La and Rich Hippie, have jumped on the bandwagon. And what better example to illustrate it than a Parisian brand, fronted by an industry-renowed perfumer? The name of the line itself is a contraction of rue Faubourg Saint-Honoré and Saint-Germain-des-Prés, very bourgeois endroits in Paris. The founder was allegedly inspired by his sister, Bonté, who on one sad rainy afternoon, sipping something at Café de Flore apparently taken by the spleen, wondered about such a possibility wishing "to be free to love remarkably original scents" that would not trigger asthma attacks. Or so the story goes!
Honoré des Prés teamed up with fragrance designer Olivia Giacobetti, one of the most talented noses of the younger generation to whom we owe numerous compositions for such prestigious houses as L’Artisan Parfumeur, Agnès b., Hermès and her own baby, IUNX fragrances. Giacobetti is famous among perfumephiles for the way she highlights transparent creations with arresting, figurative effects and she showcased her style amply here. The line is comprised of 5 perfumes all launched in 2008: Chaman's Party , Bonté’s Bloom, Nu Green, Sexy Angelic and Honoré’s Trip. It is the last one which ~as per the official info~ was composed for and by Honoré (whoever he is) himself (whatever that means).
The fragrances themselves are pleasant and refreshing with varying degrees of interest to my nose. My friend Denyse (Carmencanada from Grain de Musc) was quite taken with the style exhibited in her own reviews, wondering: "How did she manage to make fragrances that actually smell pretty much like fine perfumery, given her constraints?" and "there isn’t a whiff of health-store self-righteousness in them; at no time, thankfully, does aromatherapy spring to mind." I'd have to agree with these pronouncements and plunge into a more detailed deconstruction henceforth:
Chaman's Party
Starting with the most substantial in terms of heft, Giacobetti exhibits a smokey, almost incensy side with an earthy vetiver-and-woods accord built on Haitian vetiver and smooth guaiac (lignum vitae) that lasts rather well. The brand talks about "top secret aphrodisiac ingredients" on the top notes as well as it being inspired by "a tree-house experience and total immersion in the heart of the virgin Amazon forest". Let's just say that should the former and the latter be actually combined I wouldn't want to stay around to see the mosquitos; never mind the snakes! Still, the shamanistic vibe proclaimed is audible and the composition is slowly roaring its sensuous and mysterious message. I was absent-mindedly oblivious to both the "sacred" basil of Egypt (I assume Ocimum sanctum which is more pungent than the sweeter varities, but also ritualistically used in ancient Egyptian funeral wreaths) and the "dried clove flowers of Madagascar" (call me clou de girofle) while it lasted, as I was completely immersed in the depths of vetiver, but they contribute nicely to the effect. It's good juice, dry and mystical, and won't contribute to having your perfumista card revoked.
Bonté’s Bloom
Effortlessly pastoral and my favorite of the line, Bonté's Bloom has an immediately appealing lustre of green-grey pearls scattered on a silky antique pashmina, rendered through the fuzziness of sage and chamomille which might be the very infusions Bonté was sipping on that rainy afternoon when the epiphany of an all natural line came in the imaginary tale told on the Honoré des Prés site. A delicate, subtly powdery floral ~thanks to a smidgen of orris~ with herbal touches, it epitomizes the individual style of an unpretentious romantic who enjoys long walks along the sunflower fields when the sun is slowly progressing on its nadir. Then again I have been known to enjoy this sort of mad Van Gogh à la campagne before and to its credit, it lasts for a while on my skin.
Nu Green
Officially said to be based on mint, rose and Indian botanical musk (they must be referring to ambrette seed/abelmoschus moschatus) on a backdrop of tarragon and cedarwood, the composition opens swiftly in a rather rosy-ambrette note that reminds me of No.18 by Chanel garlanded by leafy greens, and not anything else I can discern but even this dissipates in a flash, leaving only a trail of indescribeable nuance. A case of name being true to the scent!
Sexy Angelic
Almondy gourmands have a huge following among perfume wearers and the reason is not hard to see: Gustatory touches appease both the glutton in us and the dieter who has cravings denied. Although I am not exception to either the glutton or the dieter, personally I am not this genre's greatest fan with select few exceptions. All too often they have a reputation of sexiness as well, which is making an appearance through the official info here: "Inspired by a deliciously sweet experience of French candies from Aix-en-Provence (ie.calissons). The pure secret of seduction used by French women to meet their Prince Charming. It is currently used for a game between boys and girls in nightclubs, in luxury hotels or in the office". I'd like to know what sort of game that is which is fit for both the office and the luxury hotels. Is it naughty? Ah, OK, if it's in luxury hotels... I couldn't operate if it were cheap ones! Seriously, if this weren't tongue-in-cheek (which it is) but rivaling the Elixir Charnels claims one would expect the worst.
And yet Giacobetti exhibits an interesting, clearly three-tiered compositions here: First, there is the anisic and bitter almond opening which evokes a box of almond macaroons fresh off the oven; not my thing but probably just the thing for 99,99% of people and even I have to admit it's perfectly executed. Then there is the least appealing -to me- phase in which a seemingly magnolia-like aroma is entering with a hint of lemony, ahem, intimate male juice note. My opposition lies not in the potential "gross" factor but the incongruity with a gourmand concept (it works mighty fine in Sécrétions Magnifiques for instance). And last but not least a creamy, milky, almost sandalwood-like drydown that stays as a skin-scent for a little bit and is yummy.
Honoré’s Trip
This hesperidic cologne is of the refreshing kind which one can imagine on athletic types who have a run through the lawn even before they drink their first cup of
The downside of the fragrances is they are very fleeting (according to Octavian to the point of being eaux fraîches), some more than others, due to the very nature of most natural materials and the lack of the usual synthetics that help anchor and make radiate most of the fragrances of other lines, such as synthesized musks (Galaxolide, Tonalide etc) or woodies/florals (IsoE super, Lilial et al) or even flower absolutes (those necessitate the use of volatile solvents which have been veto-ed by the specific line and EcoCert, although other all-naturals perfumers use them to good effect)
Alas, longevity is a sore point for many all-naturals fragrances which is technically difficult to surpass even for the most talented, such as Giacobetti. The drawbacks of masochistically choosing to compose a translucid, diaphanous opus present themselves even more as the naturally thick and viscous natural resins and balsams that could have been utilized for a perfume equivalent of a Baroque oil painting (orientals, deep chypres) do not lend themselves easily in aquarelles.
On the other hand, the fragrances contain no phthalates (a major concern for pregnant women as recent studies indicate the risk of producing male foetuses with endocrine problems and subsequent testicular cancer), no petrochemicals, no additional colourings, no animal ingredients and they are not tested on animals; and if you are concerned with those things you should be more than catered for, even if for a brief while.
Eau de toilette spray 100 ml, between 128€ and 148€. Official site: Honoré des Prés. (The site is charmingly tongue-in-cheek and upbeat, with an imaginary clan of des Prés uttering various ~isms and thus worth a visit!)
Currently available only in France but with plans to bring them in the US later on.
Photo © by Helg/Perfumeshrine
*I have been recently informed by my reader Trish that L'artisan exclude petrochemicals and phthalates from their formulae.
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