Liaisons Dangereuses By Kilian: fragrance review and brand presentation

"L’Oeuvre Noire" (The Black Masterpiece) by Kilian evokes a Faustian atmosphere that casts an iniquitous alluring spell, pervading the spirit and senses, while transporting the soul to nirvana. Inspired by a search for perfection, the poetry of Rimbaud and Baudelaire, as well as the lyrics of modern day poets like Pharrell Williams and Snoop Dogg. The black masterpiece "by Kilian" is revolving around ingenues, artificial paradises and Parisian orgies". With a rather pretentious manifesto as the above (surpassing even the Nasomatto one) and the coronas by Turin on perfumer Becker's work (she of J'adore, Tommy Girl and Beyond Paradise notoriety), is is any wonder it took me so long to review any of the By Killian fragrances? Even Killian Hennesy himself noted in a small interview by Mffan310: "The two perfumes that Sidonie Lancesseur created for me, Straight to Heaven and Cruel Intentions, got only two out of five stars, whereas the ones created by Calice Becker all got four stars becuase he loves Calice Becker's creations. Still, I welcome perfume critics... the industry needs more of them. Look at movies: what if there was only one or two movie critics, all giving the same films the same ratings? That's why I welcome more critics."
Having spent a good part of summer testing and re-testing some of them and spurred by a reader's recounting of how one worked on a particularly sensitive moment of his life recently and questioning my hitherto silence, here I am trying to be fair to a collection of varrying degrees of comptence. After all, like Yourcenar used to say "There's no reason to fear words when one has consented to things."

Killian Hennesy, the admittedly very handsome and privileged grandson of the LVMH Group founder (Louis Vuitton Moet Hennesy), grew up around the family's (excellent, btw) cognac reserves and studied Information and Communication Studies in the Sorbonne, becoming interested in the intricacies of odour semantics which brought him into work for the luxury houses under the LVMH umbrella. The progression to his own niche line was but a small leap away and luckily for us he spared no expense on raw materials which is always a good step in the right direction.
The L’Oeuvre Noire portfolio currently includes 7 fragrances, the first 6 intended to be juxtaposed in a play on a common theme: Liaisons Dangereuses, Cruel Intentions, , A taste of Heaven, Straight to Heaven, Love, Beyond Love and the newest Prelude to Love.
The presentation is in black taffeta with a black tassel and the shield of Achilles (!) to protect from harm ~coincidentally and for their information, according to the Iliad the shielf of Achilles was made from several metals and contained anthropomorphic depictions. Perhaps the most intriguing aspect is that the bottles can be refilled through the barrels that contain a 1L reserve of the precious juice, once you have purchased the original bottle.

Liaisons Dangereuses (Dangerous Liaisons), tagged "Typical Me" is composed by Calice Becker like most of the line's fragrances and was inspired by the homonymous epistolary novel by Pierre Choderlos de Laclos, first published in 1782. The novel was adapted into film by Roger Vadim (1959), by Miloš Forman (1989) and -the best known version- by Steven Frears (1988)as well as a rather abysmal TV adaptation featuring Catherine Deneuve and Rupert Everett (Perhaps this link might be of interest to those who want to compare). Then again the plot was twisted into a modern younger spin set in NYC in Cruel Intentions which is sardonically the name of the mirror scent By Killian, with the tagline "Tempt Me". Although both intended as a continuation of 18th-century libertine tradition to symbolize transgression, the pleasures of the flesh and defiance of prohibitions and conventions, the scents themselves do not lend themselves to orgiastic proclivities.

Liaisons Dangereuses is not a dangerous or evil creation despite its connotations. Centered around a very sweet rose aroma with the richness and incadecence of fruity liqueur in crystal tumblers, it possesses fruity chypre tonalities but without the dense, overripe feeling of the traditional peachy-plummy bases (Persicol) like in Femme, Diorama or Que sais-je by Patou. Instead the fruity aspects are interwoven into an almost gourmand jammy effect that is light, with the surprising hint of sugar-dusted Turkish Delight, and quite trasparent denoting a resolutely modern composition that sings its notes in unison. There is no obvious spiciness or animalic muskiness, nor is there the emerald background of a forest's floor; nevertheless the fragrance lingers for a long time melding with the skin pleasurably. The traditional feminine ideal of rose has always held me in check because I find it unimaginative and not particularly human-like the way indolic white florals or even anisic (lilac, cassie) and spicy ones (carnation, lily) reference the intimacy of feminine skin and its secretions. Rose as an erotic symbol stood as the triumph of optical semantics, and possibly tactile, in the very field (blossoms) that I always felt should be left to the olfactory. And yet, there is no doubt that Liaisons Dangereuses is glowing its cherubically smooth cheeks in a Watteau painting, not "redolent of an alcove inhabited by languid lovers".
The fact that conversely to the film in the novel Marquise de Merteuil ends up disfigured by pox, a fate considered much worse than having her reputation tarnished, is but an otherwordly notion in the frame of Liaisons Dangereuses By Killian: there is no way one could picture this as anything but pretty and certainly it is not "typical me".


Notes for Liaisons Dangereuses: coconut flesh, prune absolute, plum, blackcurrant buds absolute, crystallized peach, cinnamon bark oil, ambrette seed absolute, rose Damascus, geranium bourbon, sandalwood Australian oil, oakmoss extract, vetiver java oil, clear woods, vanilla extract, white musks.

By Killian Liaisons Dangereuses comes in 1.7oz/50ml (225$)refillable bottle of Eau de Parfum and a candle version. Available from Printemps Haussman, Parfumerie Victor Hugo, Bon Marche in Paris and Monaco, La Mure Favorite in Lyon, Verso at Anvers, Oswald in Zurich, Skins in Amsterdam, Bergdorf Goodman and Aedes (also online) in NYC, Apothia and Luckyscent in Los Angeles, Saks in San Francisco, Las Vegas and Beverly Hills and Holt Renfrew in Canada (Toronto, Vancouver, Montreal and Calgary). Also from their site.

The line will be completed upon reaching the goal of 10 fragrances, whereupon there will be another By Killian collection on a different concept.

One sample will be offered to lucky reader! State your interest.

Pics of Matisse special edition bottles and candle provided By Killian. Pic from Dangerous Liaisons courtesy of Wikipedia.

The Essence of Perfume by Roja Dove: book review and preview

It wouldn't be an overstatement to say that Roja Dove is the encyclopaedic resource to turn to on everything perfume-related. Even better that he is a very charming man to talk to as well. A former Cambridge medical student, Roja worked for many years for Guerlain: it all started when Robert Guerlain decided to stop his insistent questioning the company's global subsidiaries for info by harnessing this rampant enthusiasm of the 21-year-old by recruiting him and later appointing him Global Ambassador of parfums Guerlain; a title never before bestowed to non-Guerlain family members. Roja later teamed up with George Hammer (founder of the Sanctuary in Covent Garden and the one who brought Aveda to Britain) to create Roja Dove Haute Parfumerie in the Urban Retreat in Harrods. The mission stated in the brochure? "Haute Parfumerie defies the contemporary notion of "spray and pray" to bring together the finest fragrance offerings within sumptuous, lavish surroundings. Roja's personally trained experts will be on hand to help each customer find their signature fragrance." He continues to lecture audiences for prestigious establishments such as the Victoria & Albert Museum and oversees the creation of a bespoke line of exclusive fragrances for a select clientele as well as his own very special trilogy (Scandal, Enslaved, Unspoken) available at Harrods.

All this experience and passion has been distilled into Roja's newest book The Essence of Perfume. A coffee-table sized volume of glossy luxury, it is beautifully illustrated with photos of rare vintage bottles, especially in the final chapter: from the Egyptian Sphinx inspired Gardez-moi by Jovay (1926) to Baccarat crystal flacons such as the jewel-hued yet tastefully spartan hip-flask shaped Ybry line (1925-27), the Art Deco malachite-green of Trois Passions by Myon from 1928 and the rococo style decorative Bertelli perfumes from 1917. The exquisite naturalistic Lalique flacons for Bouquet des Faunes for Guerlain (1925) and their poetically formed L'Effleurt for Coty (1908) and Ambre d'Orsay from 1913 are also presented in all their glory. Bottles from Roja's private collection such as the Guerlain Bouquet de Victoria, Prince Albert's Bouquet and Bouquet de Napoléon (III) from the 1850-70s make a unique appearence as does the only known complete Chanel box containing No.5 and the never commercially released No.2 and No.11

But the book is not primarily aimed at the bottle collector. The Essence of Perfume strives to be a tome comprising information on various aspects of perfumery starting with a brief consice history of fragrance creation and use from antiquity through the birth of modern perfumery in the 19th century: I find little known facts that delight my historian soul such as the Appolonius' quote "perfumes are sweetest when the scent comes from the wrist" or who the first Grasse company to use solvent exctraction invented by the Robert clan (them of great perfumers' fame) is. The chapters then follow the course of introducing the perfume lover into the methodology of perfumery: explaining the methods of aromatics extraction (steam distillation, solvent extraction, expression, enfleurage and tincturing) with the aid of diagrams; a description of raw materials of natural origin accompanied by photographs and a two-word descriptor of their odour facet as well as a very brief guide to aroma-synthetics (not strictly non occuring in nature, such as natural isolates, lab reconstitutions, novel synthesized molecules and aldehydes), useful to the budding perfumephile who is questioning what is that long series of ingredients listed in their new box's allergens list. Roja then goes into detail explaining how the composition of a fragrance is constructed in the classic pyramidal style, the basic fragrance families (floral, chypré, oriental, fougère) and the fragrance facets within those divisions (for instance the "aromatic" facet is further divided into lavender, aniseed and minty tones or the distinction between "soft", "resinous" and "powdery" balsamic) as well as the differences in concentration of compound in the finished product resulting in Eau de Toilette, Eau de Parfum, Extrait de Parfum/pure parfum and the always confusing matter of Eau de Cologne and the origin of Eau Fraîche types. Basically the seasoned perfumephile will want to leaf through these and instead focus on the delightful perusal through the great classics that follows.

From Jicky by Guerlain (1889) and L'origan (1905) by Coty all the way through to Narciso Rodriguez (2003) and Perles de Lalique (2006) Roja Dove saves the bulk of the book for the detailed exposition classified by decade of the perfumes that marked their era due to their popularity and innovation. This is accompanied by vintage ads, socio-economic commentary on the evolving mores that were expressed into the change in tastes and trends on each sub-chapter introduction and pictures of iconic style representations such as Great Garbo, Barbara Goalen in a Dior couture dress from 1947, Jacqueline Kennedy Onassis, the Andy Warhol entourage of the 70s, Lady Diana Spencer and Jennifer Lopez. Reading about them we come across facts we have encountered and shared before and others which we have not. Jacques Guerlain being touched by a previous Guerlain mention by Claude Farrere leading to using one of the author's heroines name in Mitsouko. Patou wanted "Joy to be to perfume what Roll-Royce is to cars". How naive older practices like the one used by Opium (and Caron 60 years before it) to cut short the long waiting list when the product did come in the stores to keep fueling the demand seem in our marketing-obsessed times...And how truly it resonates with poignancy about the changes in attitude towards intimate smells when Roja describes Shocking by Schiaparelli "like the interior of ladies' underwear" and its progeny Boudoir by Westwood "like Shocking wihout the knickers"!

After this mesmerising foray into anecdotes and descriptions on so many fragrances, there are alphabetized entries on each house from Coty to Carven through Robert Piguet and Christian Dior to Jean Patou and Yves Saint Laurent also illustrated with famous and not so famous pictures of the protagonists behind perfume vision and little stories about some of the myths that surround them: it is here that we find more detailed info on Coco Chanel's sobriquet being inspired by a tune sang by her in cafes with the chorus "Qui Qu'a Vu Coco" about a little dog ~dispelling the rumour that it had to do with hosting cocaine parties; that Madame Carven was behind fragrances sold aboard airplanes concept; that Patrick Alès (the buyer of the Caron house) calls Roja "Monsieur Caron" for his dedication while Anarchist was named in tribute to the revolutionary spirit of the house's founder Ernest Daltroff; and that Cacharel is named after a small migratory bird of the Camargue.

Roja Dove thinks "perfume has become debased over the past 10 to 15 years. The marketing brief is getting younger and younger: it's all for 18-25s. I don't know of any house that's creating perfumes for women over 30, and all the great perfumes are disappearing by stealth. Perfumers are frightened to take risks, but many of the great perfumes came about by mistake." and "A lot of perfumes disappeared because they were no good or were of the moment and ceased to be relevant. But these ones - all the ones in my parfumerie - are more than relevant today; they were probably just ahead of their time. When you take scents like Miss Dior or Vol de Nuit by Guerlain, you have formulas which are still avant-garde and totally wearable. Commercial perfumery is nowhere near as creative," as quoted in an interview to Alison Kerr in The Scotsman. "But a small renaissance has begun as not everyone wants to smell cheap. Consumers are waking up to the idea of individuality once more; the cognoscente is turning back on mass-marketed fragrances. There is a revival in creative perfumery; shifting the craft back to the genius of the master perfumers", Roja comments on the foreword of his new tome. A sigh of relief...

If I were to find fault with anything it would be that there is some English-ised construction in several French phrases (eau de colognes instead of eaux de cologne, Professeur de parfums instead of des parfums, fougere's for the plural fougeres on page 86), as well as the perennial but widely standardised formulas instead of the Latin plural formulae. But these are misdemeanors that can be easily sidetracked by the sheer scope of the book. If not absolutely indispensable to those who have perhaps read too much on the subject, it is still a very concise and worthy addition to a library that focuses on fine fragrance.

You can watch Roja Dove talk about his niche and classic fragrance choices here:

"When you wear a fragrance you create tomorrow's memories". Aaah!

Official issue date of The Essence of Perfume for the US is 28th October (70$) Apart from pre-ordering at Amazon, you can get a 40% discount off the retail price by contacting Jess Atkins at jess@blackdogonline.com stating "Perfume Shrine discount" in the title of your mail.

Pics through Black Dog Publishing, not to be reproduced without permission
Clip provided via handbag.com

Autumn's Small Indulgences

Sometimes in order to feel pampered and special one needs a little indulgence to make us feel like we deserve a little something for ourselves. In the spirit of divulging some of my finds to inspire you I am listing some of the things that make me tick this autumn.

My biggest weakness is books: books of all sorts should line the walls of a vast old-British-style library decked in leathers and mahogany, like those shown in Merchant Ivory films ~it is my idea of heaven. It wouldn't hurt if this vision is accompanied by the nose-tingling smell of old parchment and pipe tobacco and the eerily minimalist, full of hidden emotion Richard-Robbins-penned soundtrack of "Remains of the Day". Sometimes I am told by my entourage that I have masculine tastes in those things, but I laugh it off: why not?
The poetry of Reiner Maria Rilke is always a propos, but autumn introspection adds its own varnish of the untangible and the futile. I am picking up this tome. On my bedstand is the just finished novel "Their Most Serene Majesties" (1961) by modern Greek writer Angelos Vlahos, a can't-put-down palimpsest of Byzantium intrigue and political back-stabbing during the era of Comnène/Comnenid Dynasty rulers (12th century AD). I am definitely re-reading this soon!
One of the books that escapes this somber and more serious mood is "Oliver Finds His Way", a children's book written by Phyllis Root and beautifully illustrated by Christopher Denise. It's "only autumn" is the phrase that should resonate with all those who like the little bear lost in the woods find themselves trapped in everyday problems. Read an informative review here. Half the pleasure is of course leafing the books while slowly sipping my latest addiction: Lapacho Orange tea ~an infusion of Lapacho tree bark peppered with orange, ginger, hibiscus and rose with a bittersweet aftertaste.

The autumnal melancholy of October will no doubt find me rewatching one of my favourite Henry James' novel adaptations on the silver screen: the intensely moving, yet exquisitely restrained Wings of the Dove from 1997 starring Elena Bonham Carter and Linus Roache. The Venetian canals seem to come alive in all their melancholy as a tangled web of love, trust and loyalty come into the wistful finale.

Fragrantly-speaking, I am putting on the front all the warmer scents in my collection with much rejoice, altough the default rainy weather scent remains Mitsouko, always. But several other little things take my mind off more complex compositions.
Blissoma by Irie Star includes aromatherapy soy candles as a more ecological alternative to paraffin and I am overjoyed to see the option in a sanely-priced range. Two of those candles are eminently suitable for autumn and its two predominent moods and I am lighting them in succession in my living-room as we speak: the festive one that rolls as soon as Halloween and all the other celebrations come around; and the pensive, introspective one that comes with mist and cloudy skies that keep us indoors cuddled up with a good book.
Celebrate includes notes of wild orange, clove, bay, sweet orange, and myrrh and the smell is uplifting, sweet, quite spicy and vibrant with the piquancy of pomanders and sweet resins melting in the fireplace. Peace on the other hand includes notes of cool frankincense, lavender, peppery elemi, palmarosa, and murmuring vetiver and delivers the serenity of mind that induces a state of meditation: sometimes when one gets home after a tiring day there's simply nothing better than having a bubble bath with some candles around and sipping a good Pinot Noir. Blissome also featuresthree Winter scents in perfume oils that promise to take us further away into cold weather. They do sound like fun!


I knew Pacifica Fragrances from a friend who had generously gifted me with their Nerola body butter, which layered perfectly with my summery fragrances. But I was gratified to see that Pacifica has now come up with a collection of autumn Solid Fragrances to take in your purse or on travels when liquids are just too messy, too airport-inspection troublesome. The perfect solution! The little tins are adorable and small enough so as not to get bored with the scent, while the boxes are graphically excellent and bearing a witty quote.
My top choice of the ones I tried is Madagascar Spice, centered around one of my favourite notes: Spicy clove, predominately produced in Madagascar, is the overwhelming note in this scent. Sweet orange and just a small touch of black pepper sit atop, making a perfect combination that recalls a pomander or traditional Middle East delicasies. Not surprising: Once a coveted aphrodisiac clove began its perfumery career in early Arab perfumes. The tree is thought to have originated in the Moluccas of Indonesia where it grew till the Dutch conquest of the East Indies in wild proliferation. The Dutch however uprooted a majority of wild clove trees in order to monopolize the production of cloves but in an act of divine retribution seeds were later stolen from the Dutch-controlled groves and planted in the regions of Zanzibar and Madagascar. I am keeping the yummy solid in my purse for touch-ups and layering over my spicy, warm fragrances.
Spanish Amber is also scrumptious and completely in tune for autumn, when the crunch of leaves underfoot beckons you to compliment your cashmere sweaters with an equally tactile fragrance. A warming blend with resinous amber notes at its heart, rosy geranium and woody sandalwood in the middle, while citrusy bergamot and elemi provide the vivid start. It's an amber blend that also comes as a soap, the smell of which reminds me of Ambre Sultan; the perfect alternative for people who can't do the former in perfume form. There is currently a 20% off offer on the Tibetan Mountain Temple line. Vetiver and Indonesian patchouli are blended with complimentary notes of violet, wood, roots, and soil, as well as the surprising tang of fgrapefruit in the top and the effect of cool and warm is intriguing: it's a little strange and unusual incense for my sensibilities, although I realise that its bouquet would be in tune to the Buddhists among us.

My nails will see a good lacquering of darker colours. I like this Chanel nail varnish: Fantastique. A berry that seems to have a light of its own, very pretty and unmatronly.
Good ole' Mavala of Switzerland iwith their excellent quality nail polishes will be handy too. My summer staple of bright, pop-red Los Angeles for my tootsies will give way to the brownish-berry of New Delhi and the elegant light greyish mauve-y hue of Via Venetto on my fingertips (bear in mind the colours are more vibrant in real life than on the screen). The great thing about Mavala is they come in very small cute bottles so they never have the time to dry up and one coat is more than enough for opaque and lustruous colour that lasts for days.
And my lips will get the Guerlain treatment with a nude that actually looks good and not "dead" because of its rosey undertones: Envie de Beige (#540) from their vast Kiss Kiss lipstick collection, looks darker and more matte in the tube but goes on creamy and semi-opaque. The perfect accompaniment to smokey-grey and plum eyes!

Forest pic by Tani Shepitkoat photoforum.ru Manuscript "The Last Judgement", folio 51v, Gospel Book, c. 1050-75 via www.oud.edu.Pics of Blissoma and Pacifica items through their websites, of Guerlain lipstick courtesy of LuciaFi/Flickr, of Chanel Fantastique via handbag.com.

New Guerlain Collector's Editions

Guerlain has been challenging us to show just how serious of a perfume nut we are for some time now: it feels that if we don't mortgage our house or sell our first born's kidneys to the black market we're not quite up there in strategic placement in the galaxy of collectors.
The 180th anniversary of Guerlain has brought its own slurge of limited edition collector's items from Les Quatre Saisons coffret to these new and much more "frugal" (enter sarcasm) commodities.

According to serious (and sane) Guerlain collector's reportage Monsieur Guerlain: "A leather case with 18 of the house's emblematic perfumes, created from 1828 to nowadays: Eau de Cologne Impériale, Jicky, L’Heure Bleue, Mitsouko, Shalimar, Vetiver, Habit Rouge, Nahema, Samsara, L’Instant de Guerlain, L’Instant de Guerlain pour Homme, Cologne du 68, Rose Barbare, Cuir Beluga, Angélique Noire, Bois d’Arménie, Iris Ganache and Insolence". Price is 2500€ (the equivalent of 3,531$ or so) which begs the question: since all of these are readily available in much lower prices, why not make one's own coffret (there are lovely leather cases in antique shops which would give a retro feel to the whole thing)? This is something I'd like to see explained in a rational way.

Also there is the second re-edition of Jacques Guerlain's Parfum des Champs-Élysées, after its brief 1995 re-issue: a leathery floral chypre originally launched in 1904 and then in a "turtle bottle" in 1914 as a celebration of the opening of Guerlain's new boutique at Avenue des Champs-Élysées and completely unrelated to the mid-90s Champs-Élysées in its mimosa-laden floralcy. This specific re-issue comes in the original Baccarat crystal "turtle bottle"(conceived by architect Charles Mewes to denote the "slowness" of works but also to suggest that one could "climb on its back and be transported to paradise"), gold label and silk cord seal encased in a red and gold box adding to the luxury stakes. Only 24 bottles will circulate from October 15th for the modest amount of 10.000€ (or 13,807) each. I'm taking two as we speak!!

News brought to my attention thanks to Elysium. Pic courtesy of athinorama.

Try to Remember when Life was so Tender that No One Wept Except the Willow

"Then summer fades and passes and October comes. We'll smell smoke then,
and feel an unexpected sharpness, a thrill of nervousness, swift elation, a
sense of sadness and departure."
~Thomas Wolfe

The end of one season and the progression into another is often a time of sweet nostalgia, especially the wistfulness of a slow immersion into the crisper atmosphere of autumn. When the trees turn poetically unreal into crimpson and citrine and you feel the air is whispering words of wisdom as you crunch that carpet of dead leaves it's too precious to lose any hours of sunshine indoors. Instead I want to get out and soak up all the smells and the sights and the sighs of nature preparing to slumber.
"Deep in December, it's nice to remember,
The fire of September that made us mellow".

I'd like to hear what your favourite autumnal smells are.

Song is "Try to Remember" from the musical comedy The Fantasticks, with lyrics written by Tom Jones and music by Harvey Shmidt. Here sung by Greek singer Nana Mouskouri and Harry Bellafonte.
Clip originally uploaded by George Grama on Youtube.