Caron Poivre & Coup de Fouet: fragrance reviews & comparison

Poivre by Caron plays out like J.S Bach's double concerto for 2 violins in D minor, 1st movement: Two complimenting themes, carnation and clove, in contrapuntal dialogue, one finishing off the phrase of another in a leitmotif which manages to punctuate time with its own special seal. Despite its name, which means pepper in French, and the vicious-looking studded with peppercorns bottle, Poivre features the hot "king of spice" in a supporting role. To bring the musical analogy full circle, let's just say pepper in Poivre is the basso continuo.

Poivre is the kind of fragrance that creates the feeling J.S Bach compositions stir in my soul and has been a longtime companion for as far back as I was aware of Caron; if not as far back as Bach. There is such contextualised coherence that everything in the world seems at its rightful place, everything in perfect, clashing harmony. If the composer once walked 200 miles to hear Dieterich Buxtehude play the organ, I'd walk on hot coals to get an ounce of Poivre parfum in its vintage state.

History of Creation
In 1953, Félicie Wanpouille -savvy of the emergence of a different aesthetic inaugarated with the New Look by Dior- asked perfumer Michel Morsetti for a fragrance that would be out of whack with its times. Morsetti had already created (at least 2) classics in the Caron stable: Farnesiana (1947), Rose (1949), and Muguet du Bonheur (1952).  The fifties were all about good-mannered lactonic florals and sheer floral chypres continuing from the late 1940s. Only Youth Dew was braving the wave, making it possible later for Cinnabar, Opium and all the rest of the Medina-spice caravan-brocard tapestry orientals that followed. Michel Morsetti obliged and in 1954 Poivre emerged; impulsive, rich, sinful, drop dead sexy! "Parfum de la femme moderne" as per the vintage advertisements: the perfume of the modern woman.
The bottle design with the peppercorn studs was no doubt a throwback to classic pomanders which relied on cloves for their antimicrobial prophylactic properties; perfume as medicine...

Scent Description 
The original 1950s advertisements featured a Chinese-style dragon, in tune with the firecracking pyrotechnics of the fragrance's fiery breath.  The daredevil spices open the scene, intense clove, flanked by pepper, and they come back again and again in an endless recycling and expansion of the leitmotif, a structure that is reminiscent of older ways of composing, but maxed out to orgiastic effect. The lush floral chord is built on carnation and ylang ylang, the peppery bite of one falling into the solar embrace of the other. As the scent progresses, there is a hint of vanilla, hazy opoponax and leather on the skin, a soft focus camera lens on a racy subject. The combination of carnation and leather brings to mind another Caron legend, En Avion, dedicated to women in aviation.

Coup de Fouet & comparison with Poivre
Poivre was conceived as the original extrait de parfum creation out of which Coup de Fouet (a most brilliant & fitting name, "crack of the whip") emerged as a diluted Eau de Cologne Poivrée. The theme is similar, the effect somewhat lighter in the weaker concentration, with a boosted effect of rose that is orientalised, spicy and raspy, still mighty impressive. Coup de Fouet is as warm as a fur coat and as commanding attention. It prompted writer Susan Irvine to  state it's "what Cruella de Vil would have worn"; so if you're the soft type crying over those poor 101 Dalmatians and can't manage a streak of bitchiness, don't even bother.
Coup de Fouet nowadays is offered at Caron boutiques as the Eau de Parfum analogue of Poivre extrait, the latter also available there from the fabulous crystal samovars affectionately referred to as "urns".
Both concentrations are totally passable (nay, downright alluring!) on men as well.

Reformulation of Poivre and Coup de Fouet
Contemporary batches of both fragrances seem to insist on a mustier, soapy rose and have less of a spicy oriental character, falling into the limbo state of floriental. Sadly Poivre (and Coup de Fouet as well, since they share those notes) faces IFRA restrictions on spicy materials which no doubt will leave future generations wondering what all the fuss was about anyway. Tragic, in view of Poivre (in the classic peppercorn flacon in Baccarat crystal) ranking as #3 of "top most expensive perfumes in the world" [$2,000 for 2 oz]....
When this happens the dragon loses its fire, the whole world gets out of whack and Bach isn't be there to save the day.

Notes for Caron Poivre: (add rose for Coup de Fouet)

Red pepper, black pepper, clou de girofle (clove), carnation, ylang ylang, jasmine, opoponax, cedar, sandalwood, vetiver, oakmoss, musk.



Painting "The Sense of Hearing" by Jan Brueghel the Elder. Ads via beckerstreet.com and vintageadbrowser.com

Guerlain Myrrh & Delires: new fragrance

Guerlain is issuing an exclusive boutique-circuit fragrance in 2012!

According to Fragrantica, Myrrh & Delires is "a soft oriental composition based on mysterious myrrh with additional floral notes (rose, jasmine), precious woods (with the leading role of patchouli), vanilla and musk". Myrrh & Delires will join the L'Art et la Matière line in the characteristic oblong bottles.

In the history of fragrances, myrrh is one the first sacred essences offered to gods with frankincense and gold. Symbolic and mysterious, tears of the myrrh tree are amber-like, coming for Somalia or Arabia. Solar, aromatic, mossy, myrrh is multifaceted but quite radical to work in a fragrance. In fragrances, myrrh was quite never used. Fortunately, its oriental texture and smell suits perfectly in this ninth creation that Thierry Wasser softly composed by few floral notes with fruity, spicy nuances.

You can find reviews of the previous Guerlain L'Art et la Matiere scents in our archives linked.

pic via lamodadubai.com

Perfume Off the Titanic

"Thousands of authentic artifacts from the exhibition, pulled from the remains of the sunken Titanic, are destined for the auction block. The New York Times reports that 5,500 items, including fine china and old bottles of perfume, will be actioned off at Guernsey's on April 1st. Estimated value of the pieces? $189 million.

Rather poignantly, the results of the auction will be announced on April 15, exactly a century after the famous ship came to its legendary end. The artifacts, although long at sea, are the result of various expeditions over the years, as AP notes, including underwater excursions as far back as 1987.
While we're not as enthused about buying a hunk of plywood or other pieces of the ship, the notion of owning a still-fragrant vial of perfume is strangely intriguing. AP writes that the fragrance belonged to a manufacturer who was planning to sell his perfume samples in New York.
Now his bottles have finally made it."[source]

Please also remember that there is Night Star, perfume of the Titanic by company Scents of Time, produced by David Pybus in collaboration with Chris Sheldrake. 

photo via G Michael Harris

Coal Perfume by Sissel Tolaas: Would you Wear it?

Even if your answer to this question is yes, you have to allow for extremely limited production: only10 pieces are produced for inquisitive "noses" in the industry to smell. Sissel Tollas, the famous Norwegian olfactory researcher and artist, created a charcoal perfume for SHOWstudio.

Coal is nothing new to perfumery actually: several of perfumery's materials have been produced via coal and tar byproducts since the late 19th century. Tolaas, in her credo of "there are no inherently good or bad smells" tried to capture the sooty mineral of the coal mines of the North Pole intact into an olfactory project called "Coal Perfume".

"Scent artist Sissel Tolaas pushes the boundaries of the olfactory sense, inverting our preconceptions of how things should smell, how things can smell, and what a scent can say. With COAL Tolaas created a wearable perfume made from coal extracted from the deepest mine in the North Pole. Tolaas' perfume evokes a strange sense of deceit: the bottled Essence Absolue of fired carbon opposes our expectation of a floral fragrance, drawing allusions to the olfactory alchemy of Jean-Baptiste Grenouille, antihero of Patrick Suskind's Perfume".


The 75 ml bottle in black dye with a pump atomiser is looks like a sensuous elixir of seduction....what irony!

Available at SHOWstudio for 200GBP. 

Balenciaga Cialenga: fragrance review & history

Some women float over the floor rather than walk on it. There's a sweeping elegance and drama about them that you almost think all motion stops when they pass under the doorframe. Cialenga by Balenciaga is like that: Classically beautiful, aloofly superior, it's arresting and mysterious, but never going for outright wiles of seduction. This isn't a hearty blonde to laught out loud at your joke, but an icy cool Hitchockian heroine. Possibly with thick arched brows and a grey suit, besides a shady past, to show. Don't let the smile fool you...

History
Cialenga was launched by Balenciaga in 1973, composed by perfumer Jacques Jantzen. The name is rather cryptic; his only other known credential is collaboration on another Balenciaga perfume, Ho Hang for men (1971). But his history spans decades of shrouded work: His is Helena Rubinstein's 1946 Command Performance. 
The green chypres with floral hearts signified a more assertive and sophisticated angularity than the curvier lactonic florals of the 1950s and early 1960s and ushered in the new woman, the one who worked, took the pill and wore the pants. The dry, somewhat acrid quality of this genre is expressed in a dark manner in Cialenga, manifesting itself as among the more noir of the lot with a balance of green, spice and wood, just like a well judged cocktail of Martini wits, kinky sex references and sharply-cut tailleurs.

Comparison with Other Fragrances & Scent Description
The most apt comparison of Cialenga with any well-known perfume would be with vintage No.19 by Chanel. The way No.19 used to be, before being somewhat declawed. In Cialenga the green harmony is more aldehydic (recalling that segment from Paco Rabanne's Calandre) and soapy, while the overall character is decidely mustier than the Chanel and with quite a bit of spice added (clove and coriander prominently to my nose). The jasmine takes on a nuance between creamy and soapy, with no sugar floralcy as in more familiar sketches of floral chypres; the aldehydes do not take center stage.
The angularity of the green notes recalls the top note of Vent Vert in the vintage parfum (so full of galbanum), while the spicy warmth with an added myrrh tonality is all dark corners of a Spanish monastery in the New World and dangerous brunettes turned blondes with a death wish.

The familiar sophisticated refinement of Balenciaga perfumes (I'm referring to the vintages, though the modern Balenciaga Paris and L'Essence aren't half bad) is there all right in Cialenga. Think of Michelle, that ultra aloof tuberose parfum by the same Spanish designer or La Fuite des Heures! Being highly in tune with its times, Cialenga vaguely recalls other fragrances in the genre of a similar retro time-frame: Y by Yves Saint Laurent, Coriandre by Jean Couturier, the first Jean Louis Scherrer. The citrusy and black-currant segment might even recall the refreshing facets of Amazone.

Availability 

A little goes a long way and it's trailing at least down the elevator doors, so a small quantity should last you a long time; good thing, as Cialegna, like all vintage Balenciaga perfumes, is discontinued and nowadays quite rare.  Few specimens crop up on ebay from time to time.

Notes for Balenciaga Cialenga:
Top: citrus, black currant,green notes
Heart: iris, jasmine, ylang-ylang, clove, tincture of rose and lily
Base: vetiver, sandalwood, patchouli, oakmoss and Virginia cedar.

photo still of Kim Novak in Alfred Hitchcock's Vertigo via the ace black blog 

This review is dedicated to Armani/Michael who introduced me to this fragrance and who had a thing for Kim Novak's brows in Vertigo :-)