Cologne She'll Wear…

She'll come, she'll go. She'll lay belief on you.
Skin sweet with musky oil. The lady from another grinning soul.

Cologne she'll wear. Silver and Americard.
She will drive a Beetle car and beat you down on cool Canasta.

Lou Reed: 1942-2013

Your face when sleeping is sublime
And then you open up your eyes

Then comes pancake factor number one
Eyeliner, rose hips and lip gloss, such fun
You're a slick little girl, you're a slick little girl
Rouge and coloring, incense and ice
Perfume and kisses, oh it's all so nice
You're a slick little girl, you're a slick little girl

Now we're coming out, out of our closets
Out on the streets, yeah, we're coming out

When you're in bed it's so wonderful
It'd be so nice to fall in love
When you get dressed I really get my fill
People say that it's impossible

Gowns lovely made out of lace
And all the things that you do to your face
You're a slick little girl, you're a slick little girl
Eyeliner, whitener then color the eyes
Yellow and green, oh what a surprise
You're a slick little girl, oh, you're such a slick little girl

Now we're coming out, out of our closets
Out on the streets, yes, we're coming out
Yeah, we're coming out ...



Or as Brian Eno said: ""The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band."

Miss Perfumado: Assim dxam morrê ô flor (Let me die in this way, my flower)

Let me die dreaming
Under the vigil of sad eyes
Of a kind young lady
With a sweet-scented body
Let me die in this way, my flower
Under the shade of your gentle little eyes
Let me die dreaming
Like a dove into her nest
If the dove is happy in her nest
So am I, under the look
And the caresses from
This sweet-scented miss.

Miss Perfumado, Portuguese fado sung by Cesária Évora, translated in English.

Chanel Gardenia vintage vs. modern Les Exclusifs Gardenia: fragrance review & history

The original Gardénia, issued by Chanel in 1925 and composed by legendary perfumer Ernest Beaux who created all the early opi/opera of Chanel, was built on a fashion premise: The deco motifs of the 1920s exalted the almost cubist arrangement of flower petals, resulting in designs which were transported into impressive jewellery. Gardénia was not conceived as, nor was it meant to be, a gardenia soliflore, although the heavy-smelling blossom was picked thanks to its optical resemblance to Mademoiselle Chanel's favourite flower: the camelia, which doesn't hold a scent. The name in reality derives from the English word "garden" (it's jardin in French): a popular reference of the times, especially if we recall the Shalimar story and the gardens of Lahore that made the imagination run wild. That was then.

But gardenia fragrances in particular re-entered the consciousness of the public with a vengeance in the next decade, the 1930s, in a different manner. This was a time of financial difficulties and a more conservative cultural milieu, when every company was launching or re-issuing their own gardenia fragrance; advertising them as a return to neo-romanticism, the gardenia boutonnières of Edwardian dandies and the gardens in the South of France which provided welcome escapism. Indeed an American advertisement for Chanel Gardénia mentions how it's meant to evoke romantic gardens at the Riviera and tags it as a youthful fragrance. [Chanel is no stranger to capitalizing on advertising to promote specific perceptions of their products, as it famously did with No.5.]
It was 1936 after all when the hit song "These Foolish Things (Remind Me of You)" by Eric Maschwitz & Jack Starchey included the infamous lyric "gardenia perfume lingering on a pillow"...alongside "an airplane ticket to romantic places". Is it any wonder that in the economically "tough" decade of the 1970s Brian Ferry & Roxy Music chose to bring this song back doing their own cover on it (1973)? Chanel would eventually bring their Gardénia back from the dead too; but almost two decades later. And as recently as the end of the 2000s yet again, this time in their boutique line Les Exclusifs where's it's still available.

Olfactorily, the two versions cannot be any more different, providing a valuable history lesson for any inquisitive perfume lover:

The vintage Chanel Gardénia was composed on a narcissus base with a green accent of styrallyl acetate; a freshly green note, naturally present in budding gardenias and a very popular inclusion in many classic floral chypres: It provides the gardenia greeness in the heart which compliments the mossiness of the background, from Miss Dior to Ma Griffe. The trick of composing a "gardenia chord" instead of using an extract from nature was necessitated by technical complications: No essence could be rendered (till very, very recently in fact and then only in some extremely limited distribution niche fragrances). The gardenia in the hands of Chanel is oscillating between green and creamy, as it's allied to other white florals with a powdery veil.
The top note of the vintage Gardénia however is surprising in that it's built on a violet accent, composed through octin and heptin methyl carbonate. The progression from the sweeter violet to the feminine floral harmony in the heart, featuring natural jasmine, makes for a rounder experience with woodier base notes recalling those in Chanel's own Bois des Îles or even Coty's Imprevu, with a spicy whiff of vetiver lingering.
The vintage came in extrait de parfum (a very round and feminine smell) and later Eau de Toilette in the standard square bottles with the round black screw-on cap. Opening one, made me realise how different the perceptions of a floral were in those eras back contrasted with today: Although I can feel the delicate rendering of petals, there is no immediate "department-store atmosphere" of a hundred florals sprayed simultaneously into the air. Drop by drop, it's silky and polished, like a strand of patina rose pearls in slightly differing diameter.

The original version of Gardenia circulated well into the 1950s, but it disappeared at some point when other Chanel fragrances such as No.19 and Cristalle entered the scene. Sometimes the labels did not have the French accent aigu for the American market.
An effort was made to bring it back alongside the more faithfully rendered classics Cuir de Russie and Bois des Iles in the Chanel "Rue Cambon" exclusive boutique circuit at the cusp of the 1990s: Regrettably, it was the least resistant link in the chain, accounting for a rather destitute white floral. The bottle in extrait was rectangular with a white label like standard Chanel extraits (depicted) and the colour of the juice a light yellow. There was also a limited edition Eau de Toilette in a rectangular bottle edged in gold, with white label and white cap in the 1990s (shown on the right).




The modern version of Gardénia as part of Chanel Les Exclusifs more upscale line, reworked by Jacques Polge, conforms to the latest regulations and changing tastes. Thus it is comparatively much thinner, stretched to its limit, based on a standard white floral chord with fresh & green jasmine/hedione, "clean" orange blossom cologne-ish notes and just a smidgen of tuberose (and absolutely no gardenia whatsoever). A delicate vanilla base is the only other detectable note, very light and soft without much sweetness. The fragrance's popularity and reception is no doubt accounted by its transparent and easy demeanor which lends itself easily to any wearer. There is a young, ice-princess vibe about it, rather classy in its sex-denying way.

It leaves something to be desired in fulfilling a powerful romantic imagery and rather much in providing an avant-garde entry in the field of white florals (which it could have tried if it wanted to); but its wearability provides options for casual & office wearing, which is more than can be said for some of the more sumptuous and demanding vintages. Among Les Exclusifs, in Eau de Toilette concentration with an even paler colour of juice than before, Gardénia is also one of the most fleeting, making for a brief experience that needs to be constantly renewed.

Notes for Chanel Gardénia: jasmine, gardenia, orange blossom, tuberose, clove, sage, pimento, musk, patchouli, sandalwood and vetiver.


Ella Fitzerald sings These Foolish Things


And Brian Ferry reprises it in his own innimitable style in a rare 1974 video.

pic of vintage parfum via musclecars.net. Ebay & stock bottle photos. Pearl necklace & gardenia extrait bottle via the Romantic Query Letter.