Guerlain Mitsouko Fleur de Lotus: fragrance review

Take a room that appears goldenish baroque in its ambience, but actually comprised of little, aptly chosen, dramatic furniture and saturate it in the cool and bright light of the North on a salubrious day and you have the latest Guerlain, Mitsouko Fleur de Lotus. Tentatively smelling it, convinced I'd absolutely hate it, it gave me the testing whiplash of my life: It isn't half bad! Aesthetically it is as successful in its modernisation as Eau Première is to the iconic Chanel No.5 (I wish I could say that for the latest Cristalle Eau Verte).

The introduction of a Mitsouko flanker, and what's more a watery Mitsouko in a mouthwash-tinted bottle, initially sounded as mind-numbingly sacrilegious as Regan impaling herself with a crucifix in one of the most brilliant scenes of William Friedkin's 1973 thriller "The Exorcist" would look to the Pope. However Mitsouko Fleur de Lotus reminds me of another William Friedkin heroine, this one more mature, sexier and tamer than the possessed child Regan; namely, Trina Gavin in 1995 "Jade". Not exactly Ai-no Corrida material, the passions are contained, but still an involving character.

The original Mitsouko by Jacques Guerlain launched in 1919 at a time when women rediscovered luxury and all things Eastern and it subtly unveils its peachy-fuzz chypre heart amidst a spicy, smoky mossiness that creates the feeling of decadent and, at the same time, wistful opulence. Jean Paul Guerlain rightfully decided not to mess up with perfection and merely injected an airier lotus blossom note which uplifts and mollifies the composition into a brighter, lighter plane.

“Mitsouko is really a masterpiece,” says Jean-Paul.[1] “I did not want to betray my grandfather’s, so I added a freshness to the scent with spices and white musk to give a modernity to it without changing the original scent.”

Jean Paul Guerlain is according to Thierry Wasser (new resident nose at Guerlain) "the Indiana Jones of fragrance" [2], such is his galivanting the world in search of new and exciting raw materials; and lotus blossom is a traditional essence of the East which seemed very fitting to what is essentially an Eastern inspired composition in the first place.
After the initial acqueous and rather green jasmine-like impression the unmistakeable palpability of Mitsouko comes through while the progression surprisingly takes Mitsouko Fleur de Lotus into more hesperidic (the lotus), cooly powdery tonalities (some cardamom?) with a slight sprinkling of clean sweeteness instead of the butyric lactonic richness and almost burnt peachiness of the original. And since the classic Mitsouko can be worn by men too, I see no real problem in the newest version being co-operative on a man's skin if they generally like softer fragrances. Be prepared for a short-lived experience however: The lasting power is nowhere near the tenacity of the classic in either of its concentrations.

If you love the original Mitsouko enough, the new Fleur de Lotus variant seems like a redundancy. If you do not, it is doubtful whether you will find something seismically different that would make you do a 180 degree turn. As March put it: "You can hear the right chords being played, but they’re in the background. Somewhere down the hall, but still there. I wouldn’t say, precisely, that it honors the original, but it doesn’t diminish it, either.". Nevertheless, people who might have objected to either the latest botched reformulated Mitsouko with its bread-like top note and its long finish of treemoss instead of oakmoss, or people who longed for a twist in the classic recipe like one less olive, one dash of vermouth less in their martini glass, might find in Mitsouko Fleur de Lotus a fragrance to successfully claim as their own. For my vintage collecting self it simply isn't a necessity, which affirms the thought that this is an attempt to grab new audiences, not established ones.

Mitsouko Fleur de Lotus is available in 60ml/2oz bottles of Eau de Toilette, whose design reprises the classic inverted heart bottle with a degradée of bright blue-ish shades and a white label. It retails for $100 at Guerlain boutiques exclusively and Saks Fifth Avenue NYC, Bergdorf Goodman NYC, Waldorf Astoria, Neiman Marcus at San Francisco, The Bellagio at Las Vegas, the Epcot Center at Orlando and The Breakers at Palm Beach.

One sample will be given to a lucky reader! State your interest at the comments, draw open till Friday midnight.


Related reading on Perfume Shrine: Guerlain series, flankers, Chypre series.

[1]Quote via Vanity Fair [2]Interview of Wasser and JPGuerlain at Wallpaper.
Pic of Linda Fiorention from the 1995 William Friedkin film "Jade" via L'internaute

Cristalle Eau Verte by Chanel: new fragrance

News in the perfume world erupt like Mini-Me clones in Austin Powers movies: spontaneously! An upcoming flanker ~or flankers~ by Chanel to its old classic, nicely unisex Cristalle had been reported on these pages some time ago:

"Cristalle is not only not showing signs of being discontinued as had been feared by many perfume bloggers and participants on online fora, but there seems to be a series of flankers programmed or at least in the process of thought to exploit its chic and insouciant pedigree. Variations, such as Eau Aromatic ~shouldn't it be Aromatique, though?~, Eau Citrus and Eau Rosée and/or perhaps also Bleu de Cristalle, which seems an older (abandoned?) trademark. Whether these will be issued under the collective name Cristalle Facettes (Facets of Cristalle) or the term Facettes is reserved for some makeup addendum is dubious. We will soon enough see for ourselves".

It seems that at least the first (?) one will see the light of day in late March-early April 2009 (at least across Europe). This time it is baptised Cristalle Eau Verte according to Sephora insiders, vert meaning of course "green" in French. One reporter has already tested it, and if my grasp of Latinogenic languages isn't too faulty the notes include: bergamot, Sicilian lemon, a magnolia accord, neroli, jasmine absolute, white musk and Florentine iris. Lubiana Mara Poli seems mildly positive about it, noticing the pronounced citrusy facets mollified by a soft touch. Hard-core fans however might be a little disappointed as there is no great relation to the classic 1974 Eau de Toilette Cristalle composition scent-wise, despite the notes, and neither to the intentionally different more floral chypre Eau de Pafum version from 1993.

The recipe for mainstream variations of Eaux for summer is nicely cottoning on it seems (as attested by Chanel's own version of Chance Eau Fraîche but also by the new Miss Dior Chérie L'Eau and L'Eau J'adore flankers for pafums Dior). I am excluding Eau Première by Chanel for our purposes here as although the tag "eau" is used, the rendition is one of very softened No.5, bearing no relation to citrus or aromatic notes but being almost a sibling in alcoholic form to the silicone-based No.5 Sensual Elixir.

It is of course a long-established tradition in the Mediterranean to have a type of Eau de Cologne scent at one's immediate grasp at summertime, as previously discussed and the hesperidic touches are an instant mood-enhancer, so it makes perfect sense that such a vogue has firm olfactory legs in time-honoured practices. It's especially interesting to note that this comes at a time when the economy, as well as global warming, necessitate a much-needed boost to the morale. The synergy of refreshment and optimism that hesperidia brings is irresistible, it seems!
The question focused on Cristalle Eau Verte is how much greener it can get ~and how different than all the other "greens" in Les Exclusifs upscale exclusive-Chanel-boutique line or their Eau de Cologne; and will it be a homonguous vat of a bottle which is so au courant?

In regards to the former issue, the optical relation with the similarly green-hued Chance Eau Fraîche (as well as the various concentrations of No.19) doesn't particularly play to its advantage, one would note. Too much green juice might confuse and deter the consumer. Whereas the shades of juice in Chanel had been beautifully varieted up to now between the straw-coloured older batches of Cristalle, the light emeralds of No.19 to the golden ambery of No.5 and the auburn tones of Coco Mademoiselle, suddenly there is an oversaturation of green (unless No.19 plays truant to Les Exclusifs side, but I don't want to get you into a panic just yet!).
Additionally, smell-wise there are already a few "green" fragrances in the stable, especially Les Exclusifs, with Bel Respiro, Sycomore and 28 La Pausa having that quiet, hushed foliage tone that hints at all things leafy. And an excellent Eau de Cologne too! But perhaps those are more exclusive scents for an in-the-know clientelle whereas the new fragrance aims at the regular Sephora customer. Which is not bad in itself, on the contrary!
As to the matter of the flacon embottling the new Cristalle Vert, judging by No.5 Eau Première it would go the same way of abundant yet sane sizes.

Photo of Cristalle bottle manipulated by Perfumeshrine

CKin2U HEAT: new duo of fragrances by Calvin Klein

You can't escape the flankers, it seems:
"In March, Calvin Klein will be launching CKIN2U HEAT. The inspiration for this limited-edition duo of fragrances is ‘the sexy atmosphere of a midnight swim (…) far from prying eyes.’ The bottles are graced with a ‘glossy sheath’ that’s pink for the young woman’s perfume (an exotic fruity floral) and blue for the young man’s scent (a fruity-aromatic cocktail). Eau de toilette 3.4 oz., price: 51 euros"

What we could have guessed blindfolded!

Via Osmoz.

Pure White Linen Pink Coral and Pure White Linen Light Breeze by Estee Lauder: fragrance reviews

Estee Lauder, the quintessential American collosus of perfumery, issued Pure White Linen, a "flanker" to their classic White Linen, in 2006, fronted by actress Gwyneth Paltrow. The scent was refreshingly upbeat without being silly, pleasantly modern, less sharply aldehydic than the classic soapy White Linen and aimed at capturing a segment of the market that was feeling too young for a classic aldehydic fragrance (they associate those with their mothers or grandmothers it seems) but rather sophisticated for a teeny fruity-bobber scent either. The success was guaranteed and Pure White Linen is a well crafted mainstream fragrance for women (which men could also sneak up on and use from time to time) that has its earned place among elegant and easy-going fragrances for every day.

2008 saw the introduction of a first flanker in pastel green hues, a sparkling citrus interpretation for the warmer season going by the name Pure White Linen Light Breeze. I am reminding you that there was a flanker to the previous, iconic White Linen mentioned above, named White Linen Light Breeze, an aquatic-ozonic fragrance in the 1990s which has been since discontinued; a little confusing, admittedly, but the moniker had been already copyrighted and it's so handy to recycle. "Wet citrus notes of luscious bergamot, orange zest and white grapefruit combine with Darjeeling tea, colorful florals and sheer woods". Despite the long name and the confusing connotations with the former Lauder progeny, Pure White Linen Light Breeze interpolates a shiny bitter and green note of grapefruit in the proceedings which ties extremely well with the already warmly bitter-ish tonality of the original and winks at the direction of the already successful tannic facets of Bulgari's Eau Parfumee au The Vert and a boost of Iso-E Super for diffusion and lasting power. As every summer I pick one "got to" fragrance for a no-brainer decision for every sweltering day that I can't summon any mental capacity for more difficult decisions (previous picks have included Extrait de Songe by L'artisan, Un Jardin sur le Nil by Hermes and Vetiver Tonka again by Hermes), I can see myself enjoying a bottle of this one this summer.

On the other hand, this spring's anticipated new version, Pure White Linen Pink Coral is more in step with the sweeter aspects of fruitier compositions that already take space at Sephora's and Macy's shelves and, although competently made, it lacks that individuality that the original exhibits. Pure White Linen Pink Coral is pastel pink and smells like one.
The fragrance opens on the fruity notes of Chinese berries, apple blossom and pink pepper, seguing to a floral heart of standard flirty and light flowers such as jasmine, cherry blossom, and pink peony. The base is also classical, including the tried and tested combo of sandalwood, vanilla and heliotrope. The overall feeling is a little too sugary to make it stand out from myriads of fragrances that showcase those tonalities, although the diaphanous treatment ensures that it can never become too invasive or cloying, which is rather good manners on its part.

The bottles of both Pure White Linen Light Breeze and Pure White Linen Pink Coral follow the frosty glass design of the original, simply architectural Pure White Linen flacon and come at either 30ml/1oz, 50ml/1.7oz or 100ml/3.4oz of Eau de Parfum concentration.

Pics courtesy of cosmoty.de

L'air du Printemps by Nina Ricci: new edition of L'air du Temps

Nina Ricci is launching a spring spin on their iconic L'air du Temps fragrance, the one which sells one bottle every 5 minutes somewhere in the world: The new fragrance is called L'air du Printemps (Spring Air)
and has been slightly adapted by Olivier Cresp who retained the freshness of the original juice but injected some more powdery and sensual notes with a crystalline, modern facet. In the heart jasmine is married to rose and frangipani, while a pear note on musks provides more powderiness. The final accord of cedar and sandalwood affirm its femininity. The interlocking doves of the original bottle are kept, while the body of the flacon is given a rosy hue matching the romanticism that the fragrance always evoked.L'air du Printemps by Nina Ricci is going to be a Limited Edition. I admit that although I am usually not drawn to concepts of festive editions, this looks to me like a most romantic gift to be received. Available from March, 69,50€ for 100ml

Pic via Vogue

Habit Rouge Armoiries (for men): re-issue from Guerlain

Who is issuing the 1005th flanker for 2009? None other than Guerlain, of course! Habit Rouge Armoiries was first introduced in 2006, as a limited edition for men and is re-issued in a flacon with an engraving on the glass in 18ct gold bearing the old logo of Guerlain. The name Armoiries means "coat of arms" and denotes the aristocratic pedigree which has always been evoked by Habit Rouge (The Red Jacket is the traditional garment to don while fox-hunting, a British sport of the aristocracy and royalty for centuries).The masculine composition belongs in the woody spicy family of fragrances and includes notes of lime, orange, bergamot, neroli, cinnamon, cedar, leather, vanilla, oud (agarwood/aloeswood), patchouli and amber. Collectors should probably take note: Habit Rouge Armoiries was created in limited supply ~only 454 numbered flacons, each containing 240ml.
Exclusively available at Guerlain boutiques.

Pic via punmiris.com

Romance Always Yours & St.Valentine virtual VMail: new from R.Lauren

Valentine's Day always brings to mind fragrances as the ultimate weapon of love and seduction and if they have an amorous ring to their names, all the better. Romance by Ralph Lauren is perhaps taking things literally and wearing its heart on its sleeve! To celebrate the 10th anniversary of the original fragrance, perfumer Harry Fremont has created Romance Always Yours, a more complex fragrance blend inspired by the deepening of a relationship. Fremont was also the nose behind the original Romance, a popular choice among women after so many years. "Romance Always Yours is classified as a Sensual Floral Chypre with top notes of Sun Goddess Rose, Yellow Freesia & Ginger; mid notes of Lotus Flower, White Violet & Fresh Daylily; and base notes of Patchouli Concentrate, Creamy Sensual Musk & Oak Moss.
To celebrate the release, the fragrance is available not only as an Elixir de Parfum ($60-$75) but also as a very special Limited Edition Parfum ($225), which features a hand-crafted glass faceted dauber, reminiscent of the diamond - a traditional 10th wedding anniversary gift. The Romance Always Yours Elixir de Parfum will become a permanent part of the collection alongside the original Romance". The bottle cap mimicks a large faceted emerald-cut diamond.

Now available at major department stores in the US and at RalphLauren.com.


But I thought the most interesting little innovation is brought via technology and the Internet: Just in time for St.Valentine's Day Ralph Lauren has created the Romance vMAIL, a virtual Valentine to share with the special person in your life. Here's how it works: First, you create a slideshow of images by uploading your own photos from Flickr, your computer or selecting from iconic Romance images shot by photographer Bruce Weber and featuring real-life model couple, Valentina & Luiz. Next, you create a customized soundtrack for your slideshow: You can choose from ten romantic tunes, including an exclusive downloadable track from the new Nat King Cole album of modern remixes, which is free by the way (nice touch!). Finally, the unique Romance vMAIL is shareable so you can email it to your boyfriend or husband or post it to your Facebook page or MySpace page, and other social networks. Romance vMAIL link: http://www.always-yours.com/


Info & pics via press release

Angel Sunessence ~Summer Eau Début flanker

Thierry Mugler fragrances will be launching a summer eau version of their perfume classic and best-seller Angel "for the very first time since it was launched in 1992". First time you ask? Well....Innocent (a lovely scent in its own right) was really a different fragrance and it didn't have the moniker "Angel" attached to it after a very brief initial foray into the market in an aerosol can, which was soon dropped in favour of the crystal flacon with the star; so I guess that doesn't count. Angel Rose, Angel Lily, Angel Violet and Angel Peony for some reason don't seem to register as flankers nevertheless? And what about Eau de Star reviewed on these pages? Anyway....
Christened Angel Sunessence, the new scent takes the original fragrance but softens it with bergamot and an exotic floral-hibiscus accord. Angel’s icon, actress Naomi Watts, is the face of Angel Sunessence, as well.

~info & pic via Osmoz

Insolence Eau Glacee: another new flanker by Guerlain

Guerlain is certainly busy this spring! After La Petite Robe Noire, launching this February, two limited edition bottles for Shalimar, Shalimar Flower/Fleurs de Shalimar for March and an aqueous interpretation for the classic peachy chypre Mitsouko in the upcoming Mitsouko Fleur de Lotus coming this April, another flanker joins the line: Insolence Eau Glacée. The name is echoing another version of the well-known and beloved classic Vétiver by Guerlain, Vétiver Eau Glacée.

The new version Insolence Eau Glacée promises: "Tasty and fresh aromas of green apple sorbet and luminous citruses which give a feeling of ultimate refreshment. Joyful and encouraging accords of red berries tingle your imagination with luxurious and elegant iris flowers, resting on velvety and gentle violet petals. Accentuated freshness in this composition arouses all senses and affects your emotions and good mood directly". Available from March 2009 in 50ml bottles in the same design as the original Insolence. (via press release)

The Insolence brand is comprised of 5 editions so far, including the upcoming one. In chronological order they are: Insolence eau de toilette (2006), My Insolence eau de toilette (2007), Insolence Shimmering edition (2007), Insolence Eau de Parfum (2008) and the new Insolence Eau Glacée (March 2009).

*Sigh* We'll see...

New Guerlain Mitsouko Fleur de Lotus and Shalimar Flower: what's happening at Guerlain? (and a footnote on Muguet)

As if La Petite Robe Noire, on which we had reported and commented at length on these pages a little while ago (here is the link if you missed it), wasn't enough, Guerlain is issuing this coming spring a couple of flankers that have me wondering a bit about what exactly is happening in the venerable house that I so love. In the interests of reportage and juicy commentary however, let me plunge into more details, nevertheless.

First there are two flankers: on the iconic Shalimar and the newly re-issued Eau de Shalimar. They are tagged "Flower" and if that reminds you of Kenzo with all that powder which is also a trait of the classic Shalimar, then I can't blame you! It's uncertain if they are merely limited edition bottles (it seems so) or if they also entail rejinging of the jus for a new scent; and I would welcome official corroboration on that score.

Eau de Shalimar Flower in Eau de Toilette and Shalimar Flower in Eau de Parfum concentrations are limited edition versions of the legendary Shalimar, "created to celebrate the most bewitching and sensual note of the classic fragrance: vanilla blossom. Protective of its own rarity, it only blossoms for a few hours at sunrise. In awe of this quiet, intimate moment with vanilla flowers Guerlain set out to capture a second of eternity, etching its blossoms on the Shalimar bottle for two limited editions.[...]The vanilla blossom on the voluptuous neck of the bottle underscores the perfume’s intensity, then appears in a precious, radiant hallmark - first in midnight blue on the glass of the bottle, then in gold on the packaging which shields its mysterious blossoming from observation". [1]

If it entails a new scent formula, it would be a little ironic than in a category which Guerlain literally lain the path on with their bare hands (ie. that of good, delectable vanilla) they feel the need to bring out a flanker that sounds like it is playing with something that is a redundancy. There is already the darkly boozy Spiritueuse Double Vanille in their line, which recently joined the permanent collection due to public demand, and Shalimar highlights vanilla pretty well in both the classic version (no matter how tampered it might be with through the years) and in Eau de Shalimar where it goes for the more lemon-cupcakes-accord. Wouldn't the talents of Thierry Wasser ~who had such fond memories of his fathers' driving gloves as to quote them as a constant inspiration in an interview which appeared at the time he was appointed in-house perfumer for Guerlain~ better be used elsewhere, if so?
If, on the other hand, it is only a matter of specially-made bottles (and it is hinted from the above that it could as per my "reading" of it) which will circulate for rekindling the desire for Shalimar, why are they necessary at a time when the new commercials with Natalia Vodianova have already brought Shalimar in the limelight and the eye of a younger crowd who could be easily seduced to try a proper perfume like this through this fashionable and tastefully done Paolo Roversi campaign? Wasn't it enough? Wouldn't all that energy, budget and talent be employed in a new fragrance that could become a new classic?

Anyway, until we make sure, here are the shopping details:
Shalimar Flower Eau de Parfum 75ml retailing for $123, available in March through Guerlain boutiques exclusively.
Eau de Shalimar Flower Eau de Toilette 75ml retailing for $97, available in March through Guerlain boutiques exclusively.

The news on a Mitsouko flanker however are slightly more alarming: Mitsouko Fleur de Lotus (Lotus Flower) is definitely a new fragrance with a different scent, as the info states "In celebration of the 90th anniversary of its creation, Jean Paul Guerlain has developed Mitsouko Fleur de Lotus, a fresh reinterpretation of the fragrance with a special fleur de lotus note". [2]

Two things strike me as odd: First, isn't it a little sacrilegious to rejingle Mitsouko of all things? Since the original is already rather unrecognisable because of the -necessary alas!- reworking of the formula in order to meet with the standards recommended by the IFRA regulations on oakmoss and allergens, isn't this attempt to provide an aqueaous* note rather antithetical with the rich character of this legendary fruity chypre which is exactly so celebrated because of it? The light blue bottle doesn't bode well with me personally (blue so often means a screetchy ozonic on the perfume counters...) However since Vol de Nuit Evasion was completely unrelated to the older classic oriental Vol de Nuit smell-wise, and utterly lovely in its own right, I am very willing to believe that we might have a similar case here with Mitsouko Fleur de Lotus.
[*The lotus flower "note" -a reconstitution (?) since no natural is extracted usually- is one of the materials which are used in order to render watery notes and was very popular in the perfumery of the 1990s. Watch out, those acqueous notes are in for a big return: you heard it here first!]
Secondly, it's a little odd that Jean Paul Guerlain is still referenced as the creator of new juice. I realise that some creative control still applies and his approval is asked, naturally ~it's only good manners and courtesy to his illustrious history and lineage after all~ but what happened to Thierry Wasser and Sylvaine Delacourte? Aren't they at the head of fragrance development? Now that we're at it, La Petite Robe Noire is credited to Sylvaine and Delphine Jelk, I hear [3]. Again, what about Thierry? I hope official info becomes available on those pressing points and when they do I will announce them and comment on them with more informed views.

Mitsouko Fleur de Lotus Eau de Toilette 60ml/2oz will be available in May retailing for $100

And for those who have been hankering after the customary issue of Guerlain Muguet on the 1st of May (lily of the valley/muguet is the traditional flower to be offered for May 1st in France and Guerlain had issued limited editions in the past to honour that) , this year's edition includes jasmine, Turkish rose, lemon and sandalwood in a 60ml/2oz flacon retailing for $350, available in May through Guerlain boutiques exclusively.
Now that hydroxycitronellal and Lilial are heavily restricted I wonder how they will be able to render an intense lily of the valley note (something that is also a pressing concern for the latest Diorissimo batches), but that remains to be seen, I guess. The price however has relaxed a tiny bit, as the 2007 edition was $285 for only 30ml/1oz in a Bacarrat bottle!

We will return...

Painting Ancient of Days by William Blake
[1][2][3]info & pic via Beautyalchemist.

Habit Rouge Sport: new from Guerlain

The latest, upcoming masculine fragrance by Guerlain is Habit Rouge Sport, a spin on the house's classic powdery oriental for men Habit Rouge . The new version follows the launch of Habit Rouge L'extrait last autumn and is clearly intended to be a more season-appropriate fragrance for the upcoming warmer period.

Magali Bertan reports on Vogue.fr

The composition of the formula will keep everything that has made its predecessor a success: green citron, bitter orange and patchouli on a background of leather and vanilla. A fresher, more tonice touch is added to its sillage thanks to bambou notes, pink peppercorns and jasmine, to render a more dynamic and audacious fragrance. The result is elegant, almost addictive.

~translated by helg

The new Habit Rouge Sport will be available starting March 2, 2009 on Guerlain counters for 75€.

Info & pic via Vogue.fr

Polo Modern Reserve by Ralph Lauren: fragrance review & comparison

~by guest writer Mike Perez

Wood. Pine. Evergreen. The Christmas season 2008 has arrived (is it just me, or is the entire fall/winter season just a blur!?) and the green/wood smell of a fresh Christmas tree is one of my favorite smells. In Miami, I can’t walk into a snow covered forest and smell the trees – so the smell of a tree or wreath filling my home is as close as I can get to the real thing.
I’ve looked diligently, for fragrances that smell like this: Fou d’Absinthe by L’Artisan Parfumeur recreates it nicely, alongside a generous helping of boozy absinthe; Aqua Allegoria Winter Delice by Guerlain smells just like a stiff / dried-out Christmas wreath (pine cones, twigs, dried holly berries) folded into a gingerbread cake accord with a resinous incense base.
I asked someone on Basenotes for a recommendation, and they mentioned Polo by Ralph Lauren.
Polo and I never really got along. Maybe because it was so easy to hate. Back in the 80’s I smelled this scent on just about every single male, in my junior high school locker room. Its irreverent wood/pine accord is unmistakably strong and diffuses in the air quickly…I always felt that it’s a ‘male’ Poison.
Now older, I realize how many colognoisseurs respect and admire Polo as a classic men’s masculine. I softened to the idea of owning it and even tracked some vintage (aerosol EdT) bottles of it on Ebay once – but I never bought a bottle.

Now Ralph Lauren has released Polo Modern Reserve, their 30th Anniversary Edition, created by the very same perfumer responsible for original Polo, Carlos Benaim. The original Polo has NOT been discontinued – rather they both are available.
It’s confusing, since both share the same bottle color, shape, cap, gold lettering and logo – the only difference is the new scent says ‘Modern Reserve’ on the front of the bottle.
When I sampled it I noticed a much more spicy (almost soapy) top note that isn’t harsh at all. Less resinous. But not ‘typical’ or ‘fresh’ (thank goodness). The scent evolves quickly through a few stages and one could easily miss them if you’re not paying attention: soapy basil; spice; a hint of leather and/or birch tar; the tiniest bit of smoky resin (myrrh?); and then: the vintage smell of Polo. The sharpness and piercing effect of the notes has been softened (the tobacco is gone). I, personally, prefer this change. The original always smelled less like something in nature (animal, plant) and more like a manufactured ‘smell’ of green foliage, woods and the outdoors. It suffered for this: It was lumped into the bargain fragrance category (along with other outstanding masculines like Paco Rabanne Pour Homme, Aramis and the discontinued [prior to reformulation/ vintage] Brut). When so many other products (hand soap, dishwashing liquid, carpet cleaner) are scented like this too, it’s no surprise many have a knee-jerk aversion to it. Maybe this is why Ralph Lauren decided to re-brand, re-bottle and reformulate it?
Me, I’m impressed: This new edition impresses me without cheapening the quality of the original scent. It highlights all of the lovely facets while it simultaneously plays down those less-than-friendly parts with a more balanced vetiver/leather base. It also, just like the original, lasts hours and hours! Which, I’ve come to learn, is what many men look for in their fragrances. {Stay tuned for a post on longevity, here on Perfume Shrine, soon}.

Does it smell like a Christmas tree? No. But, then again, it doesn’t smell like a polo field either. However a bottle, along with a copy of the scratch-and-sniff book ‘The Smell of Christmas’, underneath my Christmas tree might be just do the trick! :)

Notes for Polo Modern Reserve:
Top: Cardamom C02*, Fresh-cut Basil, Pimento Berry.
Heart: Vetyver-leather, liquid Jasmine, precious Myrrh Incense.
Bottom: Humidor Wood, Patchouli, Sueded Leather.

Prices: $62.50 / 120 ml bottle or $200 for 240 ml (limited edition, only 3,500 gold lettering bottles produced, in a numbered wooden box). Available at major department stores and http://www.ralphlauren.com/



*CO2 extraction or supercritical carbon dioxide is an increasingly popular solvent for extracting volatile oils and fragrance compounds from various raw materials used in perfumery, due to the relatively low critical temperature and reactivity of CO2 which diminishes damage or denaturing (otherwise the materials' odour would be altered).



Clip originally uploaded by Modetopiamodel on Youtube. Pics of bottle and polo player Nacho Figueras provided by MikePerez.

Ma Dame by Jean Paul Gaultier: fragrance review

Ma Dame, a spoof on the French word "Madame" which could be translated as "my lady" is Gaultier's latest feminine fragrance. A fresh floral blend of rose, sour orange, grenadine, musk and cedar Ma Dame aims to distill the essence of a modern-day garçonne, or "Une fille au masculin, un garçon au féminin" (a masculine girl, a feminine boy) like the song goes. “Ma Dame is not a Madame,” declared the designer (in the sense of a brothel-keeper or bourgeois lady). He puts the emphasis on the "ma" more than the "dame" part. “She is my muse. She amuses me.” (quote via the Moodie Report). I like word-plays. I like that he used a word-play to explain one, too!

Gaultier also explained he loves the bright pink of highlighters and attempted thus to bottle the imagined "scent" of one of his favourite shades. “It’s almost electric,” Gaultier says to Elle magazine. “The perfect color to make into a fragrance.“ Liking the highlighting almost fuschia shade is nothing ground-breaking, as press releases would like you to think; so do I, as I use it to highlight much more "agressive" art listings that depict ancient warriors and cthonian deities and my tastes run a more conservative gamut than dear Jean Paul's. “I didn’t fit in well with the kids in school,” Gaultier continues the confession to Elle. “While the other boys were playing sports, I was busy sketching!” At this point I am beginning to think that Gaultier and I share some degrees of Kevin Bacon! (something that would have my father in stiches)

The commercial for Ma Dame directed by Jean Baptist Mondino has supermodel du jour Agyness Deyn (also seen in Burberry The Beat commercials) literally tearing up the scene, snipping a long platinum wig, ripping off her sleeves, cutting her pant legs with a scissor (an allusion to the ripping that needs to be done in order to access the bottle inside the carton), all the while dancing to the beat of dj.Miss Kittin ~in a remix of "3rd Sex" by French group Indochine. She ends this on the sweet side with a kiss on the cheek of Gaultier himself.
Supposedly the aim of Ma Dame is to shed the cumbersome ideals of femininity for a rebellious, modern, cutting-edge interpretation. The French catch phrase is: ‘Interdit aux dames’ (NOT for ladies), but they changed it to “For the woman who is unique, unconventional, different” in English. Tag anything with a prohibition and you create intrigue. The rectangular bottle that features in its heart the torso bottle of Gaultier's best-selling Classique (by perfumer Jacques Cavallier) set in relief gives the game away though: we're far off the land of controversy or rebeliousness and the only thing that is ambivalent about this fragrance is the decision quota of its intended clientelle. Seeing the street credence of punky (but perfectly angelically-featured) Agyness Deyn makes one think they're buying into a slice of the wild side and the brand is obviously aware of the public being in the know about Gaultier's edgy reputation (how ironic that it is his jackets cut with scalpel-precision that are the best hidden thing about his line)

Sniffing or spraying Ma Dame is a violent surprise at first: an intense, eye-searing blast of citrusy sweet shampoo latheriness jolts you like the lightsabers used in Star Wars, this time hued Bright Fuschia for the person who teeters between Luke Skywalker and Prince Leia (this is the 00s!). The shade and feel has been described as "lurid pink" by Mrs.Veneering on POL and I couldn't find a more perfect description. The composition by talented, almost in-house* nose Francis Kurkdjian (from the Takasago team) revisits the canned peach-candy orange-pink lotus in hysterics of Classique smothered in vats of vanillic powder and a prolonged white musk drydown that is anodyne more than androgyne; in fact the more they dry-down the more they're indistinguishable to me. Thankfully Ma Dame is not cloying like Classique can be, mostly thanks to a very fresh treatment of alleged cedar which veers on aquatic: it's utterly synthetic-smelling and sanitised like being dressed in futuristic tinfoil which is a new direction that Gaultier ommited to include in his amazingly wonderful costumes for the "Fifth Element". Ma Dame is mischievous and diabolical enough in that it will make you wonder whether this is good or bad which I hope reveals humour behind its creation. To take you out of the dilemma I have one admission to make: it's nothing I would wear myself. Consider yourselves accordingly advised.



Nota bene the creative prowess behind the bottle design: the transparent spray mechanism is invisible!

Official notes for Ma Dame
Top: Orange Zest, Grenadine
Heart: Fresh Rose velvet, floral Notes
Base: Cedar, Musk

Available at major department stores since September, 50ml/1.7oz for $95 of Eau de toilette (also available at 100ml/3.4oz). Matching body products as well.

*taking into consideration he's responsible for Gaultier's Fragile, Gaultier 2, Le Male and Fleur du Male.

Pic of Agyness Deyn and Jean Paul Gaultier via zimbio.com Pic of bottle via Vogue.com

Shalimar Eau Legere, Shalimar Light and Eau de Shalimar: Review,Comparison & History

Why would a legend need modernising? Why would anyone take a mythical perfume such as Shalimar and create lighter versions of it?
The answer is simple and rather alarming on certain levels: the modern young consumer doesn't especially like the original Shalimar by Guerlain. I said "alarming" because the passing of years and change of tastes means a diminished turnover for the product and because it entails tampering with a landmark in the history of perfumery. However surely the presence of flankers (follow-up fragrances that share some common traits with the mother-fragrance in terms of name and design) means that the original fragrance is successful and well-known by reputation. Otherwise it wouldn't make sense commercially!




The Problem of Shalimar: Today's Fickle Times & Young Audiences

Indeed Shalimar presents a difficult problem: its status makes it iconic, but the modern consumer too often perceives it as musty, terribly old-fashioned, with too much "skank" (the term Americans use for heavy, pungent animalic scents, but also for exhibitions of vulgarity by non-ladylike women). Although, as previously discussed, it has been tampered with through the years ~for both reasons of allergens being included in the original formula and unavailability of certain key ingredients~ Shalimar still retains its aura of decadent lack of inhibitions and musky radiation of predatory élan. Therefore Guerlain embarked on an adventure of modernisation.

Historical Efforts to Modernise Shalimar

The first attempt in Shalimar's modernisation was introduced in 2003, created by Mathilde Laurent (who also created the formidable Guet Apens/Attrape Coeur for Guerlain) and was baptised Shalimar Eau Légère. Arguably the name sounds like anathema to hard-core perfumistas everywhere: who has ever thought of a Diet Shalimar? The cornering of an alternative market however proved to be a wise decision and a good move in terms of business stategy: Shalimar Eau Légère appealled to younger women who had only vague recollections of the original or even actually found the original difficult to wear yet were keen to own their own Guerlain piece of history. And it also appealed to a certain Rock n'Roll side of some of us, with its print ads featuring Patti Hansen with her two daughters by husband Keith Richards of the Rolling Stones, Alexandra and Theodora. The setting of boho-chic clothes and luxurious baroque interiors touched a sensitive chord: tradition and modernity could co-exist!

How is Shalimar Light/Eau Legere different than classic Shalimar?
The effervescent composition of Shalimar Eau Légère sidetracks the musky, animalic base in lieu of a lemon-cupcake accord that is deliciously cool, folded into a fluffy vanilla cloud with abstract woody and lightly smoky tonalities. The opening, sustained for several minutes, is refreshing and yummy like so many modern compositions that focus on that accord, with I Love Love by Moschino and Light Blue by Dolce & Gabanna being prominent commercially successful examples. Whether that was at the back of the minds at Guerlain headquarters or not, is debatable.
It certainly smells like a modern fragrance, but at the same time it retains some of the haunting recklessness of the original mysterious beast with its recognizable sweet-ish oriental and sandalwood notes. That could be attested by testimonies of its underlying naughty nature still being perceived by people who have smelled it on my person. The DNA, the pneuma is there but the offspring is its own person and it lends itself to some wonderful wearability on the part of many perfume lovers such as myself.

Comparing Shalimar Eau Legere with Shalimar Light: How to Spot Versions


In what was a business decision when Mathilde Laurent fell out with Jean Paul Guerlain, a rejingled version was issued about one year later and credited to Jean Paul Guerlain. Although the two are very close, the later interpretation is even more restrained and less complex in the base with a lime-like top note that echoes sparkly beverages instead of lemon and bergamot.

This small difference in smell presents a problem of differentiation between batches, since the resulting version is widely known as Shalimar Light, yet it appears that both that name and Shalimar Eau Légère Parfumée appear on the bottle with a line break.

The best way to ascertain which batch you are smelling or buying is looking at the colour: the earlier version is straw-coloured in a bottle with a blue-ish edge along the sides and bottom, while the later version is somewhat bluer.
The fragrance came in a light blue box with a light-golden-beige interlay where the traditional black was, different from the usual Guerlain boxes and featured the name Light on one side and Eau Légère Parfumée on the other.

Neither Shalimar Eau Légère nor Shalimar Light are in production, both being limited editions of Eau de Toilette, but erratic batches of the discontinued fragrances do turn up on Ebay, peripheral stores and discounters from time to time.

The Introduction of Eau de Shalimar, a 3rd Version

Eau de Shalimar is the latest version in the Shalimar flankers stable, introduced in April 2008. Curiously it is attributed to Mathilde Laurent, who however left Guerlain for Cartier 4 years ago. Whether its juice is the same as any of the previous attempts has been the focus of a search for minutiae among perfumephiles who pay attention to every move of their favourite house, myself included.  

Eau de Shalimar seems like a face-lift that has resulted in too attenuated features: there is nary a little frown and that deducts something of the lived-in quality that Shalimar possesses. The rumour of an inferior bergamot essence replacing the vintage ingredient and the shortages on Mysore sandalwood, as well as the lightening of the powdery aspects of coumarin and iris, might account for the effect.

Between the different batches I appreciate the original Shalimar in vintage extrait de parfum and parfum de toilette, but I find myself wearing Shalimar Eau Légère by Mathilde Laurent more comfortably, especially in the summer months.

So is Eau de Shalimar that different? The official response by PR official Isabelle Rousseau is categorical: "Je vous informe que la fragrance Eau de Shalimar est la même que Shalimar Eau Légère Parfumée, réalisée par Jean-Paul Guerlain." (ie. I inform you that the Eau de Shalimar fragrance is the same as Shalimar Eau Légère Parfumée, created by Jean Paul Guerlain.) Taking into account that this is the woman who had specified to me when exactly the reformulated batches of Mitsouko Eau de Parfum started circulating (June 2007, for those who missed it), I have no reason to doubt her credibility or sincerity. Still, a miniscule variation might be due to different batches of ingredients.

The bottle of Eau de Shalimar is easy to distinguish among its predecessors: made of transparent glass but in a different colour. The label with the fragrance name is in midnight blue color, while it is enclosed in a white outer box. It is available at major department stores as 50ml (1.7 fl.oz.) of Eau de Toilette.

Official Notes for Shalimar Light/Eau de Shalimar: lime, bergamot, orange, rose, iris, jasmine, vanilla

Pics via parfumdepub, ebay and fragrantica

Vetiver and Vetiver pour Elle by Guerlain: fragrance review

I guess I have to thank Elle McPherson: Australian 6-feet "the Body" supermodel of the 80s, whose signature fragrance has loyally been the masculine Vétiver by Guerlain. It makes sense: anything more traditionally feminine on that gorgeous specimen of Amazonesque womanhood and she'd burst!
Prompted by this unrealistic image, beknownst to me via religious leafing through British Vogue and French Elle editions, my teenager feet brought me before a Guerlain counter where I was spoilt for choice ~and in retrospect treated like a mature woman instead of a girl: Shalimar ("soft powder" the matronly but kindly sales assistant purred), L'Heure Bleue ("wistful flowers" she daydreamed), Mitsouko (I didn't need any coaxing on that one; I knew it well from my mother's dresser) and...off my hand went and grabbed the Vétiver tester. "That's for men, honey!" she gently admonished. And yet, why shouldn't I make it my own, like Elle had? The day was hot, school was out and I was determined to treat myself. Thus Vétiver and I became friends. For life.

Historically Vétiver was first created for the Mexico market, one of the biggest consumers of Guerlain's "Vetiver extrait". However Carven's strikingly fresh Vetiver (1957), already a huge success and the inspiration of the green packaging behind subsequent vetiver scents, prompted director Jean-Pierre Guerlain to modernize their own formula for larger distribution; especially since the house hadn't produced a true masculine since the days of their Eaux de Cologne, Jicky and Mouchoir de Monsieur. The commission was undertaken by his then 22-year-old nephew Jean-Paul. He focused on "the smell of the gardener" as a source of inspiration: outdoorsmen, their presence evoking the warmth of the earth with the freshness and vitality of nature, marrying tobacco to vetiver root.
If Givenchy's Vétyver is one of serene and self-assured patrician crepuscular composure, Guerlain's Vétiver is a bright day's morning optimism when anything seems achievable. Its vibrant, upbeat character with a citrusy edge helped made it a huge success, while Givenchy's languished, thus earning Guerlain yet another slot in the Pantheon of Greats.

Vétiver by Guerlain starts with a crisp citrusy accord that sustains itself for about 15 minutes, like ice crushed between jaws feels tingling the back of one's neck in the heat of August; or an hesperidic cologne with soft musks, fresh out from the fridge, sprayed on hot skin, creating goosepumps. Haitian vetiver is very complimentary to the lemony notes, rendering them ever so slightly soapy.
Technically classified in the Woods family by Michael Edwards, it soon proves why. The cascade of spicy, slightly bitter notes dominating is delightfully refreshing and addictive. As it puffs on a Romeo y Julietta, a bittersweet tobacco note emerges,rounding out the edges and providing the assurance of one's beloved dad in the days when he was a dynamic and suave young man, taking you in his arms for a goodnight kiss. Or another of its famous fans: Andy Garcia in his heyday, Cuban tobacco trailing off.
Vétiver is a comparatively light scent, compared to mustier, earthier renditions of the material, which however lasts well.

Despite Guerlain's claim to keeping the composition of Vétiver unaltered, my vintage from the 80s, in its squat square bottle similar to Habit Rouge, but with a deep forest green label (the label became more bottle-green in the 90s), points to a smokier and sweeter ambience with a rounder feel to it. It's thus more comforting and more insinuating, like what one imagines Lady Chatterley's Lover to be smelling of after working on a warm day, although the current version is also excellent, if rather drier and crisper.
Vetiver relaunched in 2000 with a new packaging and half clear/half frosted glass bottle (designed by Robert Granai) and more acid green juice rather than straw-coloured, which might indicate a slight tampering with the formula.
In 2000 a special edition was incorporated in Les Parisiennes lineup in a 500ml bee bottle for Boutique Guerlain, 68 Champs Elysées, Paris.

Notes for Vétiver Guerlain: orange, bergamot, lemon, neroli, pepper, nutmeg, coriander, capsicum, vetiver, cedar, tobacco, tonka bean.

Modern masculine spins (flankers) on the classic masterpiece proved somewhat lacking: Vétiver Eau Glacée ("Frozen Vetiver") has minty and nutty tonalities, but it lacks the richness of the original. Vétiver Extrême starts with a lathery sportly cleanless, adding a tarragon accent veering into the too herbaceous, while the development is quite oily and sweet due to a licorice background (a trait of many vetiver extracts) or according to Luca Turin "cheap English Leather drydown that would be ideal in furniture polish". (ouch!)

Vétiver Pour Elle by Jean Paul Guerlain, on the other hand, a feminine twist on the classic formula, was issued initially as a limited travel exclusive for people taking flight off Paris airports or railway stations, as a memento of their stay in the City of Light. It was encased in a bottle reminiscent of Mitsouko and L'Heure Bleue (with the cap an upside down heart).
The story behind Vétiver pour Elle is that women had been usurping the masculine fragrance from their men and were always nagging Jean Paul to create something comparable for them, so he finally did! Whether that is the truth or whether Guerlain saw the untapped pool of exclusivity afficionados who have become more vocal and more visible due to the Internet is food for thought. In any case the fragrance is lovely and perhaps this proves their marketing radar is razor sharp: the furore around it resulted in its joining Les Parisiennes at the Guerlain Boutique, in the particular bee bottles of the line, as a permanent fixture.

Drawing upon the quiet tenderness of his superb Chant d'Arômes, Jean Paul Guerlain added a soft garland of fresh, green jasmine along with subtler, clean notes of lily of the valley and orange blossom and musks, to circumvent the tobacco backdrop of Vétiver for an added feminine touch, while the skeleton of bergamot, nutmeg and vetiver roots is kept intact in its classical, almost chyprish beauty. The result seems unisex like the enigmatic smile of a Mona Lisa: is it a woman model than we're seeing or the artist merely masqueraded by feminine wiles?

Notes for Vétiver pour Elle: bergamot, lily of the valley, honeysuckle, jasmine, nutmeg, orange blossom, vetiver, tonka bean

Vétiver pour Elle is currently available in the 125ml bee bottle of Les Parisiennes line and can be bought at the 68 Champs Elysées boutique Guerlain, Paris. Use this conctact for inquiries.

Pic of masculine Vetiver (pour lui) ad with the vintage bottle depicted and of the travel edition bottle of Vetiver pour Elle, courtesy of Parfum de Pub.
Pic of Elle McPherson via Cinema-stars.com. Pic of Andy Garcia from the film "The Untouchables", via Geocities.

When Magic is not Enough ~L'instant Magic by Guerlain: fragrance review

A caress of flowers and woods… That's how L'instant Magic , a flanker to the original L'instant by Maurice Roucel for Guerlain, was introduced to the public last September. The anticipation was mostly accountable to its being a new Guerlain for the mainstream distribution as opposed to their exclusive boutique scents; a challenging feat. Yet the resulting pastiche leaves something to be desired, highligting the all too painful division between both the glorious delicacy of yesteryear such as Chant d'Arômes but also the brave stance of modern additions such as Insolence.

"After a bergamot opening, the fragrance unveils a musky-floral heart with fresh notes of rose and freesia. The white-musk dry-down worked into a ‘muscinade’ (a wink and a nod to the famous Guerlinade) is warmed up with woods and a touch of almond."
Designed by Randa Hammami of Symrise, in collaboration with Sylvaine Delacourte, artistic director at Guerlain, L'instant Magic launched in September 2007. I had resisted reviewing it for months, because I was hoping that I was oblivious to some hidden charm that would reveal itself to me in a flash of apocalyptic glory when I was least expecting it.
However, with the apostasis of several months and numerous trials, I can safely say that it didn't live up to my expectations. Not to mention that the linguistically schizophrenic name irritates me (shouldn't it have been "Magique" since the rest of it is French?)

The fragrance itself fails to capture me aesthetically, but also on a cerebral level: if one wants an almond gourmand ~as surmised by the marzipan paste detectable after the initial burst of Earl Grey tonalities in L'instant Magic~ one needs to see no further than Hypnotic Poison with its dare and sexy attitude; if one seeks a feminine musky floral with a "clean" feel , then Hammami's Cruel Gardenia is so much better; if the pursuit is instead focused on a smooth woody fragrance for women, then Flower Oriental by Kenzo fits the bill with less pretence and more conviction. L'instant Magic tries to be too many things at once, failing to bring a coherence of vision.
The overall effect is startingly un-Guerlain-like with a sweet, rotten fruits vibe which seems so fashionable right now; but whereas the original L'instant by Roucel ~more or less also separated from the Guerlain tradition~ managed to be nuzzlingly pleasant and addictive to its fans, L'instant Magic is a departure to a destination best forgotten where magic has escaped like a djin who left the bottle long ago.

The bottle reinterprets the curves of the original L’Instant, but the base of the bottle and the surface of the cap are black.
The commercial was directed by Jean Bocheux, featuring rather indecently-clad model Michelle Buswell ascending what seems like a never-ending staircase to who knows where and who cares anyway.



L'instant Magic comes in Eau de Parfum 80ml/2.7oz, 50ml/1.7oz and 30ml/1 fl. oz.; Extrait de parfum bottle 7.5ml/¼ fl.oz, Magical Body Lotion 6.8 fl. oz, Magical Shower Gel 6.8 fl. oz.
Available from major department stores.

Ad pic courtesy of Fragrantica. Clip originally uploaded by MollyPepper1 on Youtube

When We Take Things for Granted

Some things are taken for granted. Well, they shouldn't be! One of them is that Baby Doll by Yves Saint Laurent was a separate, individual creation. Or so I thought, till very recently. I am sure most of you did as well. Not so! Leafing through the new Perfumes The Guide by Luca Turin and Tania Sanchez I came across the statement that Baby Doll started its arguably adolescent career as a flanker* to Paris, also by Yves Saint Laurent.
I was a bit dubious to that and mailed the authors to clarify and they confirmed that it is indeed so. In the beginning it was called Baby Doll Paris and the box with "Paris" in the same typeface as the original Paris fragrance and similarly designed and hued bottle do have a passing resemblance to the classic rosey fragrance Paris by nose Sophia Grojsman. Who would have thought?
It didn't help that Baby Doll has slowly but surely accumulated a whole clique of flankers itself. I did a little research: From Baby Doll Light (predictably) to Baby Doll Lucky Game (which is lighter by all accounts and less sweet);

through Baby Doll Angel Bleu (which is a twisted kind of name, confusing it with other fragrances which bear those monikers)
to the latest limited edition of minis in all the colours of chewing gum, er, the rainbow.
And counting...

A flanker with flankers. Now, that's a sad thought indeed!


*Flanker is perfume-speak for a new fragrance that launches on the tail of a successful one by the same house, utilizing the same name with a slight variation/addition and design of the packaging, to capitalize on the previous success.

Next: a surprise review! Stay tuned!

Pic of Baby Doll Paris with box from Ebay, of Baby Doll Angel Bleu from Ebay, of Baby Doll Lucky Game from MUA, of Baby Doll minis from Sephora.