The Perfume Bottle Sale
17th December 2011
Auction Atrium
97C and 101B Kensington Church Street, London W8, UK
London online auctioneers Auction Atrium will be selling a single owner part collection of vintage perfume bottles and related ephemera in their specialist online auction which commences at 3pm on Saturday 17th December 2011
The collection comprises a diverse and stylish selection of vintage scent bottles by the major perfume houses from the 1920’s to the 1980’s including Worth, Schiaparelli, Coty, Guerlain and Chanel, many with original contents and packaging and by the major glass manufactures of the day including Lalique and Baccarat, together with related magazine advertisements and ephemera.
With estimates starting from £30 up to £700, the bidding closes from 3pm on Saturday afternoon. The lots can be viewed on online by going to www.auctionatrium.com and clicking on ‘The Perfume Bottle Sale’.
Viewing takes place at our Kensington showrooms situated at 97C Kensington Church Street, London W8, Thursday 10am-6pm, Friday 10am-6pm and Saturday 11pm till 3pm (after 3pm by arrangement)
If you have any enquiries or questions you can contact on 0207 792 9020
info via press release
Friday, December 16, 2011
Diane by Diane von Furstenberg: fragrance review
The masstige in mainstream fragrances by famous designers these days is such that expectations have hit an all-time rock bottom: Rarely does a perfume enthusiast come upon a fragrance that defies both the lowered budget and the detrimental focus group admonishments for the lowest common denominator invariably resulting in dull, lackluster compositions with as much excitement as watching paint dry (See Chanel's No.19 Eau Poudré; or even worse Chance Eau Tendre, which might be shampoo for all you know. Also Yves Saint Laurent's technically-challenged Belle d'Opium).
My friend Gaia, the Non Blonde summed it up well: "the perfume, Diane, is a mass-market/designer perfume. It's created to appeal to first and foremost to the non fragonerd crowd, to sell by the bucket and end up heavily discounted on every online retailer website. Rarely the stuff dreams are made of."
Nevertheless, on some occasions perfumers working in the mainstream do manage to create something quite good (see Elie Saab Le Parfum, Baiser Volé by Cartier, Prada Candy perfume or Love,Chloé) or even go above and beyond the call of duty (see the stupendously wonderful Bottega Veneta Eau de Parfum, though to be fair this one had probably as much attention to detail given to as an art restoration on a Vermeer); to mention only 2011 releases.
Diane by Diane von Furstenberg is rather in the former category; it lacks that above and beyond element to make it into the great ones, but this shouldn't deter you from sampling or receiving as a Christmas gift with relative pleasure. It's easy to expect something as intensely feminine in a devil-may-care attitude that maps its own trajectory as its famous designer stood for: the von Furstenberg wrap dresses especially are the epitome of "smart woman on the go who hasn't forgotten her pudenda at home". This is not quite it, but it's not totally traitorous either.
For Diane the fragrance perfumer Aurelien Guichard created an old-school feminine violet composition that goes for a very long-lasting clean and woody ambience, reminiscent of retro bath products; not quite as spectacular as Furstenberg's fashions, you might say. But brownie points for not going for the easy route of too sweet, too fruity (thankfully Diane doesn't like fruity fragrances), too air-headed, too fleeting... Diane is a real fragrance, ladylike, to be best appreciated probably by the high-street consumer who has not totally lost the concept of what perfume is: a manufactured, non photorealistic impression of something in the artist's mind (that something usually is your dessert spilled on your favourite dress these days, so hallelujah for this small favour in Diane).
Additionally, violet scents are becoming trendy again, after their first resurgence when niche perfumery first erupted into the scene a decade ago. It probably signals a mini comeback of class and restraint, after the atrocities of bosom-spilling & visible thongs over one's jeans fashions. Witness Tom Ford's Violet Blonde (chosen to be distributed in the mainstream line rather than the Tom Ford Privé one), or Love, Chloé, both this very season's releases. Hardly tramp stuff.
In Diane Eau de Parfum especially the treatment of ionones (these are the molecules that give that violet, retro scent) via a clean incense note of great dryness deducts the usually candied take that the note takes and thus, instead of intense "powdery", the formula is twisted on its axis to go for a "soapy scent". The woodiness, provided by that fractionalized patchouli that makes the rounds in hundreds of modern releases, is well tempered, pleasant, even with a hint to chypré coolness. I also detect clean musks radiating from the blotter and sticking on the skin with their tenacious tentacles.
Likable and very wearable, just not remarkable enough. Decent, non air-headed bottle.
Notes for Diane by Diane von Furstenberg: frangipani, violet, patchouli, myrrh, and musk.
Diane by Diane von Furstenberg ($85 for 50ml/1.7 oz of eau de parfum, there is also an eau de toilette version which is lighter & "simpler" in texture) is available at Sephora (online too)
Pic: Princess Diane von Furstenberg and writter Alain Elkann photographed by Helmut Newton
My friend Gaia, the Non Blonde summed it up well: "the perfume, Diane, is a mass-market/designer perfume. It's created to appeal to first and foremost to the non fragonerd crowd, to sell by the bucket and end up heavily discounted on every online retailer website. Rarely the stuff dreams are made of."
Nevertheless, on some occasions perfumers working in the mainstream do manage to create something quite good (see Elie Saab Le Parfum, Baiser Volé by Cartier, Prada Candy perfume or Love,Chloé) or even go above and beyond the call of duty (see the stupendously wonderful Bottega Veneta Eau de Parfum, though to be fair this one had probably as much attention to detail given to as an art restoration on a Vermeer); to mention only 2011 releases.
Diane by Diane von Furstenberg is rather in the former category; it lacks that above and beyond element to make it into the great ones, but this shouldn't deter you from sampling or receiving as a Christmas gift with relative pleasure. It's easy to expect something as intensely feminine in a devil-may-care attitude that maps its own trajectory as its famous designer stood for: the von Furstenberg wrap dresses especially are the epitome of "smart woman on the go who hasn't forgotten her pudenda at home". This is not quite it, but it's not totally traitorous either.
For Diane the fragrance perfumer Aurelien Guichard created an old-school feminine violet composition that goes for a very long-lasting clean and woody ambience, reminiscent of retro bath products; not quite as spectacular as Furstenberg's fashions, you might say. But brownie points for not going for the easy route of too sweet, too fruity (thankfully Diane doesn't like fruity fragrances), too air-headed, too fleeting... Diane is a real fragrance, ladylike, to be best appreciated probably by the high-street consumer who has not totally lost the concept of what perfume is: a manufactured, non photorealistic impression of something in the artist's mind (that something usually is your dessert spilled on your favourite dress these days, so hallelujah for this small favour in Diane).
Additionally, violet scents are becoming trendy again, after their first resurgence when niche perfumery first erupted into the scene a decade ago. It probably signals a mini comeback of class and restraint, after the atrocities of bosom-spilling & visible thongs over one's jeans fashions. Witness Tom Ford's Violet Blonde (chosen to be distributed in the mainstream line rather than the Tom Ford Privé one), or Love, Chloé, both this very season's releases. Hardly tramp stuff.
In Diane Eau de Parfum especially the treatment of ionones (these are the molecules that give that violet, retro scent) via a clean incense note of great dryness deducts the usually candied take that the note takes and thus, instead of intense "powdery", the formula is twisted on its axis to go for a "soapy scent". The woodiness, provided by that fractionalized patchouli that makes the rounds in hundreds of modern releases, is well tempered, pleasant, even with a hint to chypré coolness. I also detect clean musks radiating from the blotter and sticking on the skin with their tenacious tentacles.
Likable and very wearable, just not remarkable enough. Decent, non air-headed bottle.
Notes for Diane by Diane von Furstenberg: frangipani, violet, patchouli, myrrh, and musk.
Diane by Diane von Furstenberg ($85 for 50ml/1.7 oz of eau de parfum, there is also an eau de toilette version which is lighter & "simpler" in texture) is available at Sephora (online too)
Pic: Princess Diane von Furstenberg and writter Alain Elkann photographed by Helmut Newton
Top 10 Most-read Fragrance & Flavor Stories of 2011
P&F magazine (Perfumer & Flavorist magazine) has a neat list of the top 10 most-read stories on the subject, ranked by unique page views, providing a picture of what the industry read and took an interest to this year. Follow the links to read the articles on P&F.
- Kerry In Talks to Acquire Cargill Flavor Systems
- Firmenich Inaugurates New Grasse Naturals Facility
- Flavorists Featured on 60 Minutes
- Takasago Purchases Brazilian F&F Facility
- Cavallier to Become In-house Louis Vuitton Perfumer
- Frutarom Acquires Aromco
- Wild Acquires Assets from A.M. Todd
- IFF Teams with Evolva
- IFF to Expand Flavor Encapsulation Program in UK
- Symrise Expands in Singapore
Thursday, December 15, 2011
Best-selling Fragrances for Men for 2011 (USA)
These top grossing perfume lists are always interesting to note down and ponder on their siginifance in terms of cultural approach and evolving tastes. It's in fact what many of our readers use as a gauge on what to consider as a "safe" gift or a compass in the vast world of trend-setting. So which masculine scents made it this year?
"The five best-selling men's fragrances between January and October of this year [2011] were: Giorgio Armani's Acqua di Gio Pour Homme (in the No.1 spot), Chanel's Bleu de Chanel, Gucci Guilty Pour Homme, Armani Code and Dolce&Gabbana's Light Blue Pour Homme, according to NPD [an American market research company].
What do all of these fragrances have in common - besides abundant references to the colour blue and things aquatic? They all have scent profiles grounded in a combination of wood (including but not limited to forests full of cedar, sandalwood, juniper, oak moss and musk wood) and spice (practically an entire rack of Sichuan pepper, ginger, bergamot, coriander and pink peppercorns)."
Read the entire article on this link on smh.com.au reptinted from the LA Times
Related reading on Perfume Shrine: Top 10 Best-selling Masculine Fragrances in France , Past ascribed gender: Best masculine fragrances for women, best feminine fragrances for men
"The five best-selling men's fragrances between January and October of this year [2011] were: Giorgio Armani's Acqua di Gio Pour Homme (in the No.1 spot), Chanel's Bleu de Chanel, Gucci Guilty Pour Homme, Armani Code and Dolce&Gabbana's Light Blue Pour Homme, according to NPD [an American market research company].
What do all of these fragrances have in common - besides abundant references to the colour blue and things aquatic? They all have scent profiles grounded in a combination of wood (including but not limited to forests full of cedar, sandalwood, juniper, oak moss and musk wood) and spice (practically an entire rack of Sichuan pepper, ginger, bergamot, coriander and pink peppercorns)."
Read the entire article on this link on smh.com.au reptinted from the LA Times
Related reading on Perfume Shrine: Top 10 Best-selling Masculine Fragrances in France , Past ascribed gender: Best masculine fragrances for women, best feminine fragrances for men
Parfums MDCI Ambre TopKapi: fragrance review
More of a straight fresh masculine than a languid unisex, more of an hesperidic-rich mock-amber than the stupendous orientalia of the brick & mortar of the real TopKapi palace, Ambre TopKapi, the first masculine fragrance by niche perfumery Parfums MDCI is a puzzling case of onomatopoeia.The fragrance "sounds" like an expletive in a foreign language.
Perfumer Pierre Bourdon is at least as famous as Ernest Beaux for super-dosaging an ingredient with a very distinctive odour profile in a best-selling fragrance: For Beaux it was the chain of aliphatic aldehydes in Chanel No.5, for Bourdon it was dihydromyrcenol in Cool Water. It seems like Bourdon has made a habit of this: Ambre TopKapi, although classified as a woody-spicy, is suffused with the cool citrusy aluminum blade that is dihydromyrcenol; boosting the freshness of the citrus notes (which veer more into pineapple fruitiness than the classic Eau de Cologne bergamot ambience of old) and incising the spiciness of its heart (cinnamon, cardamom, nutmeg, ginger, basil, lavender and thyme, all essences with a bracing, stimulating quality). The fresh feel is one that resembles part shampoo remnants, part chlorine-mopped counters, part woody cologne for men and it's this atmosphere that characterises the duration of the fragrance on skin; oscillating between dusty cool and sweetish, never really giving a straight-shooting answer.
Not much warmth or languor is to be met in the drydown and it's interesting to see that the fragrance doesn't really last as I expected, despite the presence of heavyweights listed in the official notes (musk, vanilla, sandalwood, oakmoss). The problem with Ambre TopKapi coming out in 2003 out of a niche line is that in a market full with clones of Cool Water it ends up smelling generic, even though it's masterfully blended and retains the same coherent character from start to finish.
Notes for MCDI Ambre Topkapi:
Bergamot, grapefruit, pineapple, melon, cinnamon, cardamom, nutmeg, ginger, basil, thyme, lavender, oak moss, vetiver, sandalwood, rosewood, leather, Darjeeling tea, amber, musk, vanilla, jasmine and violet.
Ambre TopKapi retails for 250$ for 60ml and the price can rise to 610$ for the bust edition (same fragrance, same size, with a Roman bust on the cap made of Limoges porcelain)
Perfumer Pierre Bourdon is at least as famous as Ernest Beaux for super-dosaging an ingredient with a very distinctive odour profile in a best-selling fragrance: For Beaux it was the chain of aliphatic aldehydes in Chanel No.5, for Bourdon it was dihydromyrcenol in Cool Water. It seems like Bourdon has made a habit of this: Ambre TopKapi, although classified as a woody-spicy, is suffused with the cool citrusy aluminum blade that is dihydromyrcenol; boosting the freshness of the citrus notes (which veer more into pineapple fruitiness than the classic Eau de Cologne bergamot ambience of old) and incising the spiciness of its heart (cinnamon, cardamom, nutmeg, ginger, basil, lavender and thyme, all essences with a bracing, stimulating quality). The fresh feel is one that resembles part shampoo remnants, part chlorine-mopped counters, part woody cologne for men and it's this atmosphere that characterises the duration of the fragrance on skin; oscillating between dusty cool and sweetish, never really giving a straight-shooting answer.
Not much warmth or languor is to be met in the drydown and it's interesting to see that the fragrance doesn't really last as I expected, despite the presence of heavyweights listed in the official notes (musk, vanilla, sandalwood, oakmoss). The problem with Ambre TopKapi coming out in 2003 out of a niche line is that in a market full with clones of Cool Water it ends up smelling generic, even though it's masterfully blended and retains the same coherent character from start to finish.
Notes for MCDI Ambre Topkapi:
Bergamot, grapefruit, pineapple, melon, cinnamon, cardamom, nutmeg, ginger, basil, thyme, lavender, oak moss, vetiver, sandalwood, rosewood, leather, Darjeeling tea, amber, musk, vanilla, jasmine and violet.
Ambre TopKapi retails for 250$ for 60ml and the price can rise to 610$ for the bust edition (same fragrance, same size, with a Roman bust on the cap made of Limoges porcelain)
Related reading on PerfumeShrine: Parfums MDCI Peche Cardinal, Masculine fragrance reviews
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