Givenchy L'Interdit Eau de Parfum Rouge: fragrance review

 Glamour fragrances go hand in hand with the celebrities who endorsed them. No myth is stronger than the tie of Marylin Monroe with Chanel No 5 Parfum or Audrey Hepburn with L'Interdit by her preferred couturier Givenchy from the 1950s. Whereas No.5 has retained its core formula to the best of the brothers Wertheimers' ability, rendering the contemporary versions recognizably No.5, the same cannot be said for L'Interdit Eau de Parfum by Givenchy from 2018 and its subsequent editions - especially L'Interdit Eau de Parfum Rouge Givenchy (2021).

That does not mean at all that it is not worthwhile or that it does not reflect some semblance of a vintage advantage. Although vintage fragrances belonging to specific genres suffer from a sort of incompatibility with the modern tastes of the market nowadays, such as the aldehydic floral, the mossy chypre, or the spicy oriental, there are elements that can salvage a core idea into a timeless quality. Despite an embarrassment of riches in having three top perfumers vying to make it worthy (usually a sign of despair in my personal books), L'Interdit Eau de Parfum Rouge by Givenchy is excellent because it retains that precarious balance between a contemporary fragrance, yet with vintage elements, making it a recurring theme from the past extended into four dimensions, like it's traveling interstellar mode.

 
The classic combination of the amber-floral chord, a sweet hesperide, a white floral, and a woody base of sandalwood with ambery tonalities, is lifted through two or three specific jarring points, which provide the interlocutor suspense.
First, a cherry note that is oh-so-modern. Cherry scent molecules have trickled down to floor cleaners by now because the trajectory of the industry from top to bottom of the ladder has increased so rapidly, but two years back, it was still kind of novel and ground-breaking.

Secondly, there is a spicy component, but not just any spice. Beyond the dated cloves references (which recall the best days of Ernest Daltroff for Caron), there is ginger which, via its Asian reference, is very contemporary and sort of multi-culti too. Thirdly, there is a pimento leaf note, which adds to the green-spicy garlands but tends to withhold the headache-y allusions to the oriental spicy fragrances from the 1980s.

The end result is a contemporary fragrance with a very satisfying tie to the past. There is no direct reference in glossy publications and influencer videos on social media that Audrey Hepburn actually wore this version of L'Interdit Eau de Parfum Rouge like they often -still!- do with the revamped version from 2018 (L'Interdit Eau de Parfum Givenchy), but it is a fragrance that reflects glamour, elegance, plush and a true sense of chic.

Molinard de Molinard (new edition, 2017): fragrance review

First of all, let me prephrase this review by saying the original vintage edition of Molinard de Molinard from 1979 was a gift of my beloved, who chose it by himself at a rather tender, unpretentious age when the love of scent was visceral and not plied with words that pertain to the perfumery vernacular like it is sprinkled with now. That fragrance therefore marked me in so many ways that it's impossible to bypass this sweet memory when trying to assess the scent itself. Yet the Molinard company revamped the fragrance in recent years, regretfully changing the beautiful Lalique bottle with the dancing nymphs with a rather simpler, although not by any means plain, design; so I felt secure in trying to bring forth my thoughts anew.

via

It's still a sprightly green floral, Molinard de Molinard eau de toilette, the way they used to do fruity with a touch of green, instead a good lather of shampoo, back in the olden days. It never comes off as an entirely "clean", entirely lathered sort of scent, but rather something with a bit of a grime from a roll in the garden or the outdoors at any rate, the way Ralph Lauren's 1990 launch of Safari for women also did. The two additionally share a very significant note of marigold in the core of the formula, exuding a ripe apple-like scent, which bathes everything in good humor and diaphanous light.

And then the heart-aching synergy of jasmine and rose are singing in the green octaves of the verdant materials (earthy vetiver, oily and sweet narcissus, bitter galbanum) which come through to whisper that we're dealing with a nymph, a sprite, a creature of the great outdoors and not of the Parisian salon, even if she comes out of a French bottle with a cute ribbon on the neck. And are we are thankful that it's still that picture of how he pictured us in his imagination back then...

Trussardi Donna (vintage, for women, 1984): fragrance review

Everything there is to know about the feminine fragrance by Trussardi from the early 1980s (1984 to be exact) can be seen right from the start. The mock croc white bottle is revealing everything there is to know about this distinguished, yet extinguished scent. It's substituted by lesser mortals. But it keeps a soft spot in the hearts of some of us.

Trussardi Donna bianco classico via

Both Trussardi scents (men's and women's) from the early 1980s were encased in that most evocative and luxurious of materials—supple leather—which hugged their contours the way one envisions the molds used by a sculptor. The shape is recognizably that of a flask, and Nicola Trussardi himself was responsible for that gorgeous presentation. There was a textural element involved with the mock-croc motif, inviting the hand over the surface to touch, to feel...the anomaly in the grain so inviting, so exciting, so mature... The classic sharp chypre structure with a lush floral component in the heart was not alien to our house. My mom's beloved Cabochard with its leathery note—arid, nose-tingling, and almost masculine—would only derive from a house specializing in leather. The spicy top note of coriander and the touch of green herbs, plus waxy aldehydes, gave a clean opening. The alliance with the styrax and leathery tonalities which make up the basic core of its base is what makes it a juxtaposition in two different ideas: herbal crispness pitted against inky smokiness. They're both non-smooth, non-pliable ideas, but they match in headstrong confidence. It's the material which flamboyant women with a devil-may-care swagger thrive on.

Trussardi for Women (1984) in its vintage iteration, I recall, gave off that classic perfume-y vibe which many chypres of the 1970s and 1980s used to emit, such as Jean Louis Scherrer or Gucci No.3, yet softer and less bitter than something more galbanum-rich such as Or Noir (liquid black gold like I have described in my article) or Silences. They were scents of clean grooming, yet sophisticated preparations, not just shower fresh like nowadays. Today, men of taste might wear them with no problems, and the vintage concentration rivals many a modern eau de parfum for sheer longevity on skin and clothes. It's such a pity that a newer generation will only be confused amidst all the different Donnas in the evolving and evolved Trussardi canon.

Gucci Memoire d'Une Odeur: fragrance review

A comrade of mine in fragrance said, taking the 2019 fragrance launches in retrospect, "In today’s world, chamomile will never be a major perfume trend, unless this world does a 180 degree turn. It’s not that its extracts smell bad: it’s the mythology that comes with it. The most successful things in modern perfumery are sensual — white flowers, sweet stuff. Chamomile, with its tea and eczema cream connotations, is about as sensual as baby's colic. So, no sex in chamomile, but a lot of other things — calm, serenity, memories (hence the name of Gucci’s perfume.) Memories of that field behind Grandma’s house, of that distant time someone special took such good care of you." She was talking about Gucci Mémoire d’une Odeur, i.e. memory of a smell.

via

The fragrance was an innovation based on a concept by the new creative director at Gucci, Alessandro Michele, whom we have to thank for the innovative outlook that gave us recently niche-quality smelling Gucci Guilty Absolute for men and the worthwhile Gucci Bloom collection of scents.

 “Everything comes from my obsession with scents: my memory is primarily olfactive so, for me, my sense of smell is my memory. I thought that, deep down, perfume is that thing that even with your eyes closed, brings you to a precise moment in space and time. When we began to work on Gucci Mémoire d’une Odeur, I tried to imagine the recollection of a scent that couldn’t easily be identified; a hybrid scent that resembles memory as much as possible”..

Gucci Mémoire d’une Odeur is an elixir that transcends gender by its individuality, to establish a new olfactive family, Mineral Aromatic. The transcendent accord features unexpected and enigmatic ingredients, and is defined by a note of Roman chamomile.
Alessandro Michele envisioned this particular flower inside the scent, blended by master perfumer Alberto Morillas.

The famous perfumer mentioned upon launching that ”the musky mineral accord is the keystone of the fragrance: it links all the other olfactive elements together with pure softness. I had to think quite carefully about why Alessandro chose chamomile. When I started to work with the scent of chamomile itself, then I understood. “No one had done it before. Chamomile is known all over the world. Everyone has smelt it at some point, but as a dream, a memory of childhood, something timeless, and never in a fragrance. This flower is much underestimated and is a plant with an exceptional olfactive signature.”

 I'm thinking that the world has since indeed done a 180 degree turn, nothing is the same anymore, and the feeling of someone taking good care of us is such a precious, precious thought that Gucci's Memoire d'une Odeur has become sort of an amulet against evil. Its softly musky, clean trail is a promise of a happy ending in a tangled bedtime story.

Memoire d'une Odeur by Gucci is a special breed apart, even among modern fragrances. A most refined, botanical take on the clean whisper of a scent of woods and chamomile that can be so popular for discreet company. The scent is best retained on fabric (and paper); it tends to seemingly vanish on the skin in a short time which prompts complaints from consumers. In reality it's still there, but the big musk molecules are too large to be perceptible by some individuals.

via

 The sparse bottle is inspired by a vintage Gucci fragrance bottle discovered by Alessandron Michelle and used for Mémoire d’une Odeur’s bottle. Grooved like a column from an ancient world, the bottle casts a refined silhouette in heavy transparent light green glass, crowned with shiny gold cap. Printed gold foil frames the label, revealing the Gucci logo together with the name of the fragrance.

“The packaging comes from the past, inspired by an old Gucci perfume from the early 90s. I didn’t want the bottle to take on a shape or size that is too feminine or too masculine because the perfume could be very much for women or very much for men,” said Alessandro Michele.

What can we say? We're smitten. 

Men's Fragrances to Capture (This) Woman's Heart

Evaluating a masculine fragrance is always harder than evaluating a fragrance that is divested of its loaded semiotics of gender, or which appeals to my own femininity heads on. At least I can asses femininity first hand and dismiss the hyperbolic claims of modern advertising with a wave of a well-manicured hand. But what happens when the claims to "assured masculinity" (surely that has a genetic component, so it's not much of a choice most of the time) and "assertive fragility" (or any such oxymoron) are brandished in advertorials? Do they make sense, do they reflect themselves into the scents in question, do they influence my own response on them? The fact is that masculine fragrances, especially in the designer segmentation, are getting sweeter and sweeter by the minute, no doubt following modern ladies' launches which have familiarized modern women with an excessive amount of sugar. 

This, in and of itself, clashes violently with the butch, macho images that sometimes accompany these fragrant launches and confuse me. Other times they're tongue in cheek, and when sprinkled with a good dosage of spices, I get intrigued and in rapt attention despite the sweetness. They're literally tens of fragrances aimed at the more assertive (so the stereotype goes...) sex which I love and would jump the bones of...from Santos de Cartier Cartier (vintage), L'Instant de Guerlain pour Homme Guerlain, Habit Rouge Eau de Toilette Guerlain, and the classic freshness of Vetiver Guerlain, to the subtlety and finesse of Eau de Monsieur Annick Goutal, Equipage Geranium Hermès, all the way to Encre Noire Lalique and the powdery orientalist of Noir eau de parfum (for men) by Tom Ford.
But in general I find myself revering to more retro fragrances when opting to embrace a masculine side. Oddly enough, these are also the ones which make me want to wear them on myself too, with few exceptions. 

via

Givenchy Gentleman (1974) by Givenchy 

One of the best examples of this is the vintage edition of  Gentleman (1974) Givenchy, a fragrance so seismically changed in the reformulation of the new edition, that it is an entirely different fragrance bearing the same name., i.e. Gentleman (2017) Givenchy. The former is patchouli heaven for those who appreciate that hippie note in their scented grooming, but it is the coalescence with the Cuir de Russie leathery, tarry aspects (bitter facets with sharp citric nuances, and a smattering of earthy civet) and with trickled honey that makes it truly irresistible. Gentleman by Givenchy blooms and blooms on my own skin, and it's even more ravishing and irresistible, if you can believe it, on masculine skin thanks to its generally higher surface temperature. It's one of those retro fragrances that makes me wonder "What were they thinking?" when the news of the change reached me. If you have a bottle of this vintage in your arsenal, consider yourselves lucky indeed. Just don't over-spray, it's a man of few words. 

via

Antaeus by Chanel 

Everyone mentions Egoiste Chanel when women and masculine fragrances are uttered in the same breath, but I find that the under-rated Antaeus Chanel is the better example. Thankfully Antaeus is among the releases in current production, and although it's a bit thinned out compared with its glorious past, it's still very good, tremendously sexy, and assertively powerful. Its trail of animalic warmth, thanks to a generous helping of castoreum with a subtle vanillic undercurrent, which matches exceptionally well with the labdanum resin, almost makes it moan with pleasure. In fact in blind tests when fragrance consulting with women it never fails to raise that "oh my" reaction with the ladies fanning themselves...

There is an important component of aromatics in the mid-section which temper the animalic oomph and make it escape the modern hysteria for bodily odors. It might be this which makes me comfortable in wearing it myself, to high compliments, I might add. This 1981 creation by Jacques Polge is among the very best in the Chanel portfolio and that's saying something. 

via

Dior Homme for men by Christian Dior

Never mind that Dior Homme is everywhere, that it is one of the most interesting masculine releases of the last decade, and its flanker fragrances are also excellent, because the formula brings a most unusual iris root note, halfway between face powder or retro lipstick and dusty dried flowers, into an otherwise masculine formula. It doesn't surprise me that many women love it and love wearing it themselves; it's the most approachable from the lot. The iris in Dior Homme alternatively takes on facets of soft skin powder, like the one used in hipster barbershops, of powdered cocoa, and of ambery starch. It's a soft, soft, sooooft fragrance but it retains a hint of freshness, which I consider a very enticing and key component in fragrance in general. You don't want to be totally smothered into a cotton cocoon, after all, when in a social rendez-vous, you want to be able to breathe and appreciate the (hopefully handsome) view. 

Gucci Bloom Gocce di Fiori (2019): fragrance review

The interpretation of tuberose floralcy in Gucci Bloom Gocce di Fiori is beautifully lighter, cooler and altogether more stereotypically "pretty" than all the previous editions. Gocce is plural for goccia in Italian, the perfume's name meaning "drops of flowers." And it is!

via

The honeysuckle impression is quite pronounced in this flanker fragrance, reminding me of one of my favorite honeysuckle fragrances, the extremely cute Petals by Lili Bermuda Perfumery, a burst of refreshing, nectarous, piercingly sweet blossoms floating in the suspended air of a mild springtime afternoon.

A lighter and fresher variant of the original "vintage" floral perfume, Gocce di Fiori brings an atmosphere of the beginning of spring. Instead of the classical scented composition of the top, middle and base notes, Gocce di Fiori opens with trio of highly concentrated noble ingredients: jasmine bud, natural tuberose absolute and Chinese honeysuckle flower (Rangoon Creeper).



The fragrance circulates as an Eau de Toilette, as compared with Nettare di Fiori which is Eau de Parfum Intense and the original Gucci Bloom which is Eau de Parfum concentration.

Hermes Eau d'Hermes: Thoughts on Revisiting a Classic

Choosing an Hermès fragrance is, to me, an embarrasement of riches. The brand is among my very favorites for several reasons; most important of all is that their axiom of effortless luxury is very simpatico to my own aesthetic values. I love so many of their fragrant canon...In the end if put into the position to choose, I have to distill the exercise into a search for clarity. In that field, two clear contestants came head and shoulders above: Terre d'Hermès and the original Eau d'Hermès. After all the latter is advertised as being "l'eau de la terre d'Hermès depuis 1951" (i.e. Hermes's essence since 1951)

They're both unexacting on the wearer, feeling like lucid impressionistic creations that manage to be abstract without coming across as maudlin, nor conspicuous. In the ensuing bras de fer the progenitor rose triumphant in those stakes, even though the child, Terre, is stellar on its own merits. Eau d'Hermès for the ride then!

This old creation from 1951 was a composition by the legendary perfumer Edmond Roudnitska, and since such a huge part of the Hermès modern legacy has been composed by Roudnitska's magnificent pupil, master perfumer Jean Claude Ellena, it was long due to pay respects to the fountain that brought forth such scented marvels. Additionally, Ellena has overseen the perfectly decent modern reformulation of the vintage composition with his customary attention to detail; a feat in today's world of watered-down reformulations that leave new perfumephiliacs in a query as to what we, rather more seasoned aficionados, see in the monuments of the past.

Eau d'Hermès is predominantly a fresh and the same time sensuous scent for both sexes, with emphasis on both qualities. Nowadays these might seem mutually exclusive, but they definitely are not by default; it's culturally imposed to view them so. The inspiration couldn't have been more Hermès if it tried: the soft insides of a luxurious leather handbag where a spicy citrus mingles with the odor of fine leather. The important addition of cardamom, a "cold" spice which pairs exceptionally well with both leather and citruses, and which gives a cool feeling of freshness alongside the spiciness, is pre-empting several of Ellena's spicy arpeggios, inclusive or exclusive of Hermès fragrances.

At the time of writing, Eau d'Hermes has ONLY 4 PEOPLE naming it as a signature scent on a popular database of millions of viewers, which I think must be a record for a scent from a major fragrance house. It's high time more people talked about Eau d'Hermès and tried it on for good measure. I hope my update accomplishes that and ensures a continued production of this silent strong type of a scent.

Related reading on PerfumeShrine:

Edmond Roudnitska, the creator of perfume masterpieces, a tribute
Interviews and tributes to fragrance industry creators

Frederic Malle Le Parfum de Therese: fragrance review

It's tough to do a good melon note, if only because in hindsight the overuse of Calone in the 1990s has tampered with our own perception of the natural object. Melon of course cannot be distilled, being mostly water in itself, so an approximation is in order. Some perfumers excel where others fail. For me, the definitive addition of melon which swerves the whole composition into something amazing comes in the top chord of Frederic Malle Le Parfum de Therese.

via

The legendary perfumer Edmond Roudnitska is the mastermind behind this fragrance which shares many facets with his masterful vintage Diorella. Roudnitska always brought space in his fragrant compositions, a very legible melody that sang and sang in Mozartian clarity. In other famous fragrances of his the fruit serves as the opening salve to the inkier and more serious aspects of the formula, such as the plums and hesperides in Rochas Femme and Eau Fraiche for Dior. But in Le Parfum de Therese it is the predominant melon, with its succulent, and at the same time not too sweet tinge which rounds out the violet heart, seguing to the plushness of beloved plum and leathery notes. Although Roudnitska is of Russian extraction, his composition displays a very French flair at looking on femininity; it's a little bit sweet, but also fresh, and it's a little bit dirty, but also quite polished.

In conclusion Le Parfum de Therese is both retro and decidedly modern and stands as the perfect timeless scent for those who want to possess a tiny bit of a legend; after all Roudnitska composed it with great care for his own beloved wife. Aren't we lucky that Frederic Malle salvaged the formula and offered it to us.

Pascal Morabito Or Noir: fragrance review

There's a wondrous line in Sherlock BBC S2E1 (A Scandal in Belgravia) when Irene Adler marvels at the height of the cheekbones of our eponymous hero, saying "Look at those cheekbones, I could cut myself slapping that face... would you like me to try?". This is in essence the, well, essence of Or Noir, the vintage fragrance by French jeweller Pascal Morabito; a fragrance so sharp and juttingly beautiful, one could cut themselves trying to slap it into submission.

Morabito is famous for his "free floating diamond" launched in 1970, a cube that contained a simple, clear cut diamond, that looked as if it was not suspended, but floating in space. Ten years later he launched the perfume equivalent in Or Noir, the fragrance. Diamonds are sharp and all, and scents do float in space, get it?

Or Noir the fragrance oozes with urban elegance. It's a man-made scent, it's impossible to imagine this aroma in the countryside, or coming from a natural source that you can put your finger on. The mix  of notes, with blackcurrant bud in the top notes to give that tangy feeling and the inky impression of bitter oak moss in the base, is not unheard of, but its aloofness speaks of supreme confidence in wielding those slaps expertly. It's the scent of a professional. The heart of the Morabito's Or Noir is comprised of womanly notes, green florals like narcissus and lily of the valley with budding gardenia, notes which pair supremely with chypre perfumes and leather fragrances.

The magic of the perfume comes from delineating its lineage. This owes a heavy debt to iconoclast Germaine Cellier's infamous Bandit perfume for Piguet from the 1940s, as well as Bernard Chant's masterpieces for Lauder and for Madame Grès in the 1960s and 1970s. But it's not a copy, rather the end of a prodigious line. If you ever happen upon a vintage bottle, don't let it pass you by; getting a cut pounding on this prey is very worth trying.

July Fragrance Selections: A Mix of the Cult and the Classic

The month of July started with a heatwave after a mellow June that drowned us in downpour and median temperatures. So action is required in order to wean through the collection and pick just the right stuff in order to pass the litmus test of 36C outside and pretty humid inside. I got the bottles out and took them for a camera ride. These are my personal selections for the upcoming days. Each one, a small story unto itself.

photo by E.Vosnaki©

 

Diorissimo (Dior) Les Creations de Monsieur Dior eau de toilette: The fairly recent bottle is an attempt to recapture the insouciance that the older classic by Christian Dior provided in its vintage forms in an easily replenished format. The experiment runs well so far, though I do miss the divine natural jasmine of the retro formulations (if you want to hunt for vintage, please refer to this chronology & dating guide for Diorissimo by Dior). The scent is of course the crispiest lily of the valley without scratching one's sinuses.

Y (Yves Saint Laurent) eau de toilette: 'The chypriest of them all', as I had written in a previous Y by YSL perfume review. Crisp, green, soapy too in a way, like some chypre fragrances can be, though it's a bit slit-eyed this one still possesses that ineffable good taste that Yves Saint Laurent used to be famed for. Now the brand is issuing things like hundreds of flankers of Black Opium and mocking its heritage. We know better.

Fleurs d'Oranger (Serge Lutens): Not too old, not too young, just perfect in that middle ground between contemporary and traditional, a potent yet fresh (!) mix of lush orange blossom and insinuating tuberose, likened to a heaving blossom. A true compliment getter too! I was stung by a bee, outside a graveyard, wearing this scent, one fateful Easter, and forever since I subconsciously seek to touch the sting spot when I wear it....

Passage d 'Enfer (L'Artisan Parfumeur): This was among my first incense purchases and it still remains a firm favorite for summer-wear (not that it does not shine in winter equally well). Passage d' Enfer gives me the eerie feeling of a trance-like session, lost in the spiritual reveries of a body ritualistically sprayed with all the lilies of the field. It balances on the edge of sanity sometimes, clean (thanks to the white musk) but mysterious at once, ethereal yet subtly odd, like an emo-goth type dressed in top-to-bottom white.
More on frankincense and resinous, smoky scents HERE and a guide with different incense scents HERE.

Rem (Reminiscence): Behold the aquatic that does not restrict itself to merely Calone, dihydromyrcenol or any of those nasty aroma molecules that have drenched the genre into the filth and mud of bad reputation among serious perfume lovers. This smells like a humidifier, a tiny bit salty too, with a faint whiff of algae and blanched vegetation (an odd byproduct of the tiniest bit of patchouli) and works perfectly in a tropical downpour as it does on dry heat that shatters asphalt. It's deservedly a cult fragrance in Europe!
For more beach-smelling fragrances for every style and taste, visit THIS link. 

What are YOU wearing this month? Please share in the comments and I will try to reply to all of you.

Guerlain Meteorites Le Parfum re-issue (2018): fragrance review & comparison with vintage

Tempus fugit and with it tastes change. This is the contemplative conclusion I arrive to from comparing my vintage, original Guerlain Météorites Eau de Toilette (2000) bottle and the re-issued limited edition Météorites Le Parfum (also an eau de toilette) sample I just got. There is no accounting for the huge shift that has happened in the last 18 years and not just at Guerlain. If only by looking upon the chasm between the launch of both I realise I'm getting old; imagine, I had bought the original back then. And undoubtedly a part of my disenchantment with the new has to do with that comparison.

via

The new fragrance bears little relation to the old powdery floral version, although that's not programmatically a bad thing; one has to stay open for modern masterpieces and the polishing of older concepts being elegantly successful after all. Keeping one's self open for pleasant surprises is the essence of youth. In this case nevertheless it makes for a newer scent that's rather limp-wristed, a bit of a wallflower. Don't get me wrong, it's very pretty, but it could never conjure either retro glamour (like the Guerlain Météoritespowder beads themselves do), or nostalgic reminiscences about women in one's past. It's as if a girl is playing with her mock tea set.

Guerlain Météorites Le Parfum is quite the girly scent, upbeat, with a fruity-floral opening that's like apple-scented shampoo dissipating very quickly, and a rosier tint than its predecessor overall. The violet is present, though it feels more like the refreshing violet leaf we come across in scents like L'Eau de Cartier and Goutal's La Violette than sweetened Parma violets; this violet has a rather mineral feel about it and a flanking of clean musk for whisper soft longevity on the skin.

Thierry Wasser succeeded into translating the retro vintage vibe of the beloved Météorites powder pearls into a contemporary soft clean fragrance and in that no one can't fault him. Indeed the re-issue of Météorites Le Parfum feels like a composition which would equally make the scent of a posh shampoo, which is half the market right now. It's no coincidence that it's accompanying a seasonal makeup collection; it feels a bit of a prop rather than a mainstay in the line.
It's very pretty and very safe, people that feel chocked by powder would probably get lots of mileage out of it, wearing it in the office and on afternoon shopping sprees. People who would expect the heliotrope-violet powder that characterises some of the classic compositions of the historic house, such as Apres l'Ondee and L'Heure Bleue, on the other hand, will be rather let down. Which is rather odd considering Guerlain is well aware that the powdery sweetness of its classics is covetable, judging by their Secrets de Sophie and various incarnations...But it's all down to the times they're a-changin' I guess.

The re-issue of Guerlain's Météorites Le Parfum eau de toilette (2018) is at the time of writing available at Neiman Marcus, the Guerlain boutique at Las Vegas and Place Vendome Haute Parfumerie online.

Related reading on Perfume Shrine:

Top Violet Fragrances by Type
Powdery and Dry Fragrances: Definition and Materials
Parfums Lingerie: Intimate Femininity

Vintage Powder Glamour - Guerlain Meteorites: fragrance review

Although most powders are scented with rose and iris to give a feminine impression that would tie with the intended audience (women who groom themselves with gusto), some brands do manage to render editions beyond the lovely into the cult. One such brand has been Guerlain. For their Météorites range of powders they rendered a compact or loose powder product into the innovative notion of small caked beads that one dips a fluffy brush on and then smooths on the face and decolletage. The product has been a hit for its velvety, subtly illuminating effect that never looks dried out, but, crucially, also for its unique and beguiling scent.

via

The idea translated well in a separate fragrance for perfuming one's self with the lovely scent of those powdery beads the Météorites. And thus Météorites eau de toilette by Guerlain was born in 2000.

The predictable rose scent that lives in lipsticks and powders is here eschewed for violet, which is the predominant note of the fragrance. The intermingling with dry orris effects gives a starchy quality to vintage Météorites, it's the way I imagine rice powders completely devoid of talc from another era should have smelled. It gives me a totally groomed feel, not only the sense of cleanliness and dryness, but thanks to its retro violet vibe it's rather coy too, almost genuinely shy. This is a quality which I find fascinating, exactly because shyness doesn't come across as exhibiting its nature, and because in feminine iconography it's so often caricatured into a manipulating coyness.

Furthermore, the vintage fragrance is expounding on one of the signature notes in the Guerlain canon: heliotrope. The almondy, fluffy, powdery sweet smell of heliotropin (also used in mimosa scents) immediately recalls the hint of the patisseries that many Guerlain perfumes possess. L'Heure Bleue and Après L'Ondée are both characterized by it, and though they both lean towards melancholia in their wistful tension, the rapport with Météorites is another story. In the latter the warmth of heliotrope and the coyness of the violet note are allied into giving a newly found serenity. The drydown is soft and clean with notes of musky warmth. It's powder but more contemporary than L'Heure Bleue's powder. One of the few vintages that can be effortlessly worn as if it weren't. As silky nevertheless as being powdered with those large, goose down puffs we only see on film these days...

The vintage Météorites is retro like Parma violets, but not difficult to wear at all. It's subtle, yet lasts well. It's rather simple, but it's not simplistic. I genuinely like it very much.

The company has just launched a new limited edition fragrance (alongside their spring 2018 makeup collection) called Guerlain Météorites Le Parfum reissue 2018 with a different formula that leans more fruity floral. Read the comparison of the vintage Meteorites perfume with the new HERE.

The Season of Plenty Upon Us: Autumn Fragrances to Savor

Now that the temperatures are slowly cooling and the humidity is falling (but any occasional showers are still crisp and cool instead of grim and ghastly) my mood is picking up. I look forward to students' backpacks, hot coffee with long cinnamon sticks, turning leaves, lightweight cashmere knits and new books! Many and varied new books  for every  single  taste.
And there's another unforeseen but important plus in the coming season. Finally one can go out in mixed company with more than a single spray of perfume behind one's knees. Rejoice!

via
Yves Saint Laurent design 1975 shot by Helmut Newton

Fall in many places on the northern hemisphere is a time when the temperatures really drop. We can savor the opportunity to favor a more concentrated version of our preferred fragrance. If you like something in eau de toilette, give a try to the eau de parfum or even extrait de parfum version. These are usually richer in base notes which evaporate much slower, meaning you will be surrounded by your perfume for longer. If that was bothersome in the summer it is now desirable when the weather is cool and your more delicate scents feel insignificant.

For those of you wanting to explore ways to expand the potential of your existing fragrance wardrobe I have analyzed a good bit of ways in my article on Fragrantica: Falling into Fall Patterns. 

For those who want to see my personal choices for this autumn season here's a brief "looking forward to" (as the temperatures haven't dropped enough yet) I have compiled.

via

A VERY PERSONAL PERFUME SELECTION OF 12 SCENTS FOR EARLY FALL 

NB. All linked names open up fragrance reviews. 

Bottega Veneta eau de parfum

Almost a modern classic. This fruity leathery fragrance possesses the classiness of yesterdays with the contemporary edge of a modern seductress. My newish bottle is also the gift of a very dear friend. 

Bvlgari Black (original)

For years I have loved this rubbery smoky vanilla by Italian jeweller Bulgari with the passion it justly deserves but have worn it sparingly. Now that they have substituted it with a different men's scent by the same name it gains a twisted nuance; "what is it you're wearing?" Try and guess dude.

Dame Perfumery Dark Horse 

A player if I ever saw any in liquid form! Rich and addictive but also fresh and charming. A study in contrasts. 

Diorling (2000s re-issue)

The finest leather scent this side of Doblis (Hermes) and one that is ineffably sharper without cutting anyone's skin. Though this is also good in summertime alongside my beloved Bandit (Piguet) or Etro Gomma I have not worn this one in what seems like ages. Life is short and I should remedy this misstep.

via

Guerlain Mitsouko (mostly vintage Eau de Toilette and Extrait)

The eroticism that shouldn't be erotic. There's just something to the way the previous sentence rings,  isn't there? Explore Guerlain's classic Mitsouko (great deal HERE btw) if you want to find out just how this theorem works. 

Neela Vermeire Creations Mohur extrait 

Succulent florals with a gourmand touch are a difficult genre but perfumer Bertrand Duchaufour has created a masterpiece under the inspired guidance of Neela Vermeire. The entire line is highly worthwhile your time and investment actually.

via
I just love leather gloves!

Paco Rabanne La Nuit 

Another leather fragrance and you might be discerning a pattern so far. If so you're not far off the truth. Although I like leathery smells in the summer too (because they cut through the humidity of it all) autumn weather is more fit for those with animalic notes. Slot taken by this discontinued vintage marvel. 

Sarah Jessica Parker Lovely eau de parfum 

One needs something to fall back upon (no pun intended) for days when they can't be bothered to think about stuff; when they're already overwhelmed. I was reminded of this light musk fragrance with abstract florals due to another dear friend and I think I'll finish off my bottle this year (and probably replenish).

via

Serge Lutens  Boxeuses 

The niche interpretation of the above mentioned Bottega Veneta edp recipe (samples available for the latter HERE). So good and so beautiful in its stewed prunes hue that I want to bathe in it.

Serge Lutens Vitriol d'Oeillet

A rather recent acquisition of a frarance bottle and just the right dose of piquant spiciness of cloves to render this floral an intriguing companion to quiet nights. 

The Body Shop Red Musk

A whiff of pipe tobacco and dried apricots smell remnants on a beloved's dressing gown is an image I can take to bed and get very pleasant dreams. 

Tom Ford Prive Santal Blush

One of the silkiest sandalwoods in modern production and that says it all. It's not anything like you expect and should fit a multitude of lifestyles and skins. Men's as well as women's.


So I'll have these in rotation for the beginning of autumn it seems. I might enrich with orientals and more chypres as time goes on so I'll update mid-fall.
What are YOU looking forward to wearing this season? Share it in the comments below the article.


Related reading on Perfume Shrine: 
Trick or Treat: Top Fall Fragrances
Falling in Love: Scents and Treats for Autumn
Matching Perfume to Fall's Trendiest Fashions
Perfume Primers: Chypre Fragrances for Newbies 

via

Vintage Advertising Champions: The Two Faces of Y

What would you think if you were called  a designer's "devilishly aware clientele"? Flattery goes a long way, that's a given. But when it comes to Yves Saint Laurent in particular, it's such high praise that one has to swallow  hard a couple of times and seek what the advertisement indicates immediately. "The invisible dress" is also a great term for a perfume; something to make you "dressed" in the dark; dressed but also flatteringly revealed, mise en valeur as the French say. 

The vintage advertising for Saint Laurent's formidable first perfume, a cool dry chypre  like they used to make them, is noteworthy. [You can read my fragrance review of YSL's "Y" perfume on this link.]

Enjoy two versions of it. One insinuating, the other more explicit while still classy. As befits the designer of designers. 

Further reading on PerfumeShrine: Yves Saint Laurent news, history & fragrance reviews

Vintage Advertising Champions: Dioressence by Christian Dior

The oriental scent which began its historical arc as a "spa" and "all over" fragrance, meant to refresh and provide the stealth mantle of "a see-through charm". Inspired by the sea-like and skin-like smelling primal scent of ambergris...
Enjoy this vintage advertising for the original Dioressence perfume by Dior. (which you can buy easily on Amazon using the link)

And please read my fragrance review of Dior's Dioressence perfume on this link.

Paying Good Money on Shampoo-Worth Perfume Formula

The most spontaneous posts on Perfume Shrine often involve a small rant and this is one of them. The ideas for the rants also strike me as I'm going through the motions; no preplanned, big thinking dissertation projects, which is probably why they come out of the blue. The other day was one such day of an unwelcome epiphany, concerning several issues we have touched on this site before: similarity between current perfumes, recycling of ideas and ingredients while not revealing sources under penalty of Chinese torture, focus group practices that deprive any originality, pricing of fine fragrance at fine fragrance level while the perfume formula obviously costs as much as a mass-range shampoo... Unlike wanting to find a dupe for MAC Ruby Woo lipstick or DiorShow mascara, perfume stands for something that can't be irrefutably compared in qualitative terms by the average consumer. With cosmetics, it's right there in your face, you can't deny it. With perfume...not as easy to claim your case.

What made me have this light-bulb light up in my brain? Simple. Re-smelling the best-selling (or so it seems from the commentary and the numerous flankers) Chloe Eau de Parfum, the re-orchestrated one from a few years ago.

It smells like -effing- L'Eau d'Issey! 

Now, the two fragrances, L'Eau d'Issey (feminine) from 1992 and Chloe Eau de Parfum (2008) share no common notes apart from rose I believe (which scent doesn't, you ask). You can compare their respective fragrance notes pyramids here and here. Of course seasoned readers of this blog already know notes do NOT correspond to actual ingredients in the formula; they're meant to convey an olfactory impression. But still huge numbers of people review Chloe EDP as rosy, as well as soapy (and it is sudsy in a very sharp, shrill way most definitely, as I had said in my fragrance review of reformulated Chloe eau de parfum, comparing it with the vintage ). The same doesn't happen for the modern classic floral aquatic by Miyake of course, people view it as watery, aquatic, white floral; no rose, no powder, no soap.
In fact I see that I had already mentioned that the Chloe EDP opening reminds me of L'Eau d'Issey all those years back when I first wrote the review in 2008. Can't be blamed for a reformulation, then.

But wait a minute. Are people that suggestive, then? Not quite.

Here is one reviewer of Chloe on Fragrantica, blurting it out in plain sight:

wooedwithpeonies

I must say I was a bit disappointed with this perfume. Only because I was really expecting a super floraly rose. But I got none of that. Instead on my skin it's a fresh fruit with the tinest hint of something floral. On my skin it smell exactly like bombshell from Victoria's Secret. I got no hit of anything rose and the peonies only stuck around for about 5 minutes. The search for the most Rosie perfume continues....

And even though there are tons of other reviewers insisting on the classiness or uniqueness of it (and they do have a perfect right to like it and wear it in good health), I strained my eyes to find someone hinting at what I had perceived at of the blue.
In the end it does seem I am not alone, nor mad at feeling the similarity.
Here it is:

calma

The shared name of this distinguished fashion house,
together with its exquisitely designed bottle,
would make you think that what´s inside holds at least some of the same quality.

Not so.
This is actually one of the greatest disappointments
I have come across, if I may say so.
The fragrance itself reminds me of the crude 'aquatic'
(based on the note of Calone) Issey Miyake L´Eau d´Issey.
With added cheap cotton-candy-ingredients for a more 'feminine' style.
Clean? Well, like a chemical lab I suppose.
Easy to sum up for me; a dull, generic, all-synthetic-'muguet-rose' made by some team who doesn´t care one bit about perfume.

The most fascinating part of it is Chloe EDP smells identical to the cheap chemist's dupes of L'Eau d'Issey sold in plain glass bottles for a buck! Even the formula of the Miyake is considered "expensive" nowadays? 

This valuable lesson also teaches us something important: Familiarity is of paramount importance in perfume tastes. We like what we're familiar with. If an idea has worked once, it will work again, assuming the time lapse is just right; too soon and you risk being called out as derivative, too long and you risk being considered as moldy as an attic full of mothball-preserved clothes.
This is why the industry churns out endless variations on a known theme. And when the theme is considered somewhat passé, they recycle it under a different campaign, a different image and a different set of notes. But it does smell very, very similar all the same.

Consider where your buck flows to.

For those reading Greek, please consult my article on Perfume Sameness on this link.
Next, we will have a niche samples giveaway, stay tuned!

The Oriental Diary According to PerfumeShrine

Readers recall how I had requested input in what to offer you next. Personal preferences came high on the list of requests and I have catered to this demand by sharing a List of my Favorite Less Celebrated Fragrances, as well as Oohing and Aahing Together on my Favorite Chypre Fragrances.  (Both subject to edits/updates as they're not carved in marble).
The time has come to share those particular nuggets of Orient-via-European-Aesthetics that make me tick. Please feel free to share yours in the comments below!

Please note I'm excluding straight-forward musks (of which I love many), predominantly woody fragrances, and florientals, which I consider a bit like baklava-light; there's a time and place for that too, but not today.

In alphabetical order

Ambre 114 (Histoires de Parfums)

Resinous goodness in the classic style of great French perfumes. It's substantial enough to really get the amber through, but light enough not to smother you like your angora-sweater-wearing obese great-aunt. Sounds funny, but really is high praise.

Angelique Encens (Creed)

It helped that a legend apparently wore it, Marlen Dietrich. But it was the name that lured me personally. Incense and angelica, a source of vegetal musk. The effect is mystical.

Antaeus (Chanel)

Among my favorite men's perfumes. A girl friend smelling it actually purred...Men, you now know this.

Arabie (Serge Lutens)

I seem to be alone in the blogosphere in actually enjoying this dried fruit orgy that recalls the souk like few things can. More for me, I guess!

Black (Bulgari) the original unisex edition

Is there any perfumephile worth their salt who doesn't like Black? Anick Menardo's brain child has a genius IQ. Half rubber, half vanilla. Half BDSM, half, well, vanilla. What a riot!

Cinema (Yves Saint Laurent)

Seems simple and middle of the road, but it stays on hair and clothes (and pillows...) for days on end, making you wonder "just what is it that smells so good?". It's a great script.

Douce Amere (Serge Lutens)

Bittersweet symphony of melancholy and comfort. Like love, like an old wound, like life.

Feminite du Bois (Shiseido)

There's something about this spicy mix with dried fruits and cedarwood in the drydown that makes the head spin. If Cleopatra wore a dress made of carved wood dripping of honey this would be it.

Myrrh Ardente (Annick Goutal)

I have a great affinity for the bittersweet facet of myrrh resin and I like almost all scents where it's prominently featured, something that I'm not sure labels me as entirely sane in my greater entourage. But no bother. This oriental Goutal fragrance is for endoscopists anyway.
(I also LOVE La Myrrhe by Lutens, but do not consider it a true oriental. Rather an aldehydic one.)

L de Lolita Lempicka

Every perfume lover craves a pomander scent from time to time and this combo of vanilla, clove and cinnamon is especially good. Nothing marine about it despite the advertising images of mermaids and fishnets.

Nu (Yves Saint Laurent)

Another one of the Tom Ford sanctioned scents that wrote history, it was ahead of its time. Sadly discontinued it marries spice with incense and feels like angels and demons are dancing on your skin.

Opium (Yves Saint Laurent) vintage of course!

This used to be my companion, my self, my id for many many years. They have eclipsed it and spat on its grave. I'm livid.

Rykiel woman (Sonia Rykiel)

Very under the radar. Powdery suede-like and rich on dates, of all things. It manages to be very softly beckoning but not submissive in the least.

Tolu (Ormonde Jayne)

This is how proper night-time perfume for a rendez-vous should smell like. Comforting and luxurious like a mink coat, balsamic in scent. Minus the cruelty. Priceless.

Tonka Imperial (Guerlain)

Tonka beans are rich in coumarin and coumarin is among my most favorite smells. Enough said. Satisfying and sinful like a full meal on a diet day.

Vol de Nuit (Guerlain)

This great classic has a smoldering quality about it with its green touch on top and its jonquil floralcy later on. Still the base is unmistakably Guerlain; calorific, dressy, soft to the touch, very French-smelling.


Please let me know which oriental perfumes adorn your previous selves the most!