Wednesday, August 17, 2011

Aqua di Parma Gelsomino Nobile: fragrance review & bottle giveaway

First things first: I have a brand new bottle of the to-be-launched Gelsomino Nobile for a lucky reader, from which only a 5ml decant is missing for reviewing purposes. To be eligible, all you have to do is answer to these questions: 1)What do you find pleasurable/helpful in a frag review? 2)What are the subjects on our pages you would like to read more of? Now on to reviewing this upcoming Aqua di Parma fragrance focused on jasmine...



Gelsomino Nobile (Noble Jasmine) by Aqua di Parma belongs to the Le Nobili sub-collection: 3 women’s fragrances, all in eau de parfum concentration, with a secondary Eau de Toilette for Iris Nobile. The “Nobili” are therefore Iris Nobile, Magnolia Nobile, and the new Gelsomino Nobile. Much in tune with its sister scents, Gelsomino Nobile is also an ethereal, refined, greenish rhapsody in melodious Italian, which could be worn by lovers of all things airy and romantic who want to remain chic and effortless at all times.

The scent of Gelsomino Nobile starts on exhilarating citrusy accents with a peppery bite, much like natural bergamot and the more green neroli distillation from the orange blossom (although neither is listed in the notes), soon accompanied by sweeter elements. The vista opens into a grove of fragrant white vines, dewy jasmine (non indolic), a smidge of the greener parts of tuberose (and none of the danger), and what seems like a clean freesia accord. Although freesia accords can project as screechy and sterile sometimes, the rendering here is subdued: One gets the (illusory) waft of a budding flower, rather than the intense pong of profuse aromachemicals. It's elegant, if predictable.
This stage remains poised for the rest of the duration on the skin, gaining polished nuances of clean, skin-compatible, expensive-feeling musks from one angle; a tad more austere green woodiness from another. I had written on Magnolia Nobile that "the woody musky base is also echoing in my ears like speakers in the car left on some news-relating channel in a sub-human frequency that can be felt more than heard" and I can sense the continuation here as well. Lovers of the Nobili line by Aqua di Parma should be pleased. It's not exactly my speed, but then you know I'm a die-hard indolic jasmine lover, don't you.
The overall effect is recognisably a jasmine fragrance without, at the same time, appearing as suffocating floral or intensely projecting even though Gelsomino Nobile possesses both good lasting power and pleasurable sillage. For that reason jasminophobes or those who do not want to offend may have just found their perfect green floral for all occasions where intermingling might make a more voluptuous, more combustible white floral a bit de trop.

According to the ad copy, as announced on Perfume Shrine a while ago: "Centered around an exclusive and highly unique species of Jasmine grown only in the Calabria region of Italy, this new Floral Green-Musk style of eau de parfum creates the sensation of walking through lush Italian gardens, in bloom with Jasmine, while the breeze brings in the soft, salty air from the Mediterranean.

Notes for Aqua di Parma Gelsomino Nobile: mandarin, pink pepper, orange blossom, tuberose, Calabrian jasmine, cedar wood, and musk.

The fragrance has just debuted at Neiman Marcus and will be available worlwide in September. Available in Eau de Parfum 50ml ($108) and 100ml ($170) ml and matching body cream ($80 for 150 g).

Related reading on Perfume Shrine: Jasmine Series


Painting: Eugene de Blaas, Young Italian Beauty

In the interests of full disclosure, the perfume was sampled through a promotion.

Tuesday, August 16, 2011

TopNotes: Scent Education at the Click of a Mouse by The Fragrance Foundation

A core mission of The Fragrance Foundation is its commitment to educate both the industry and the consumer about fragrance. Therefore, the Foundation is very pleased to announce the launch of TopNotes, an exciting new online educational course and resource developed specifically for those who want to keep on top of the most current information and trends in the ever-changing fragrance industry.


Mary Ellen Lapsansky, Vice President of The Fragrance Foundation and the guiding force behind the continuing education program notes that “both industry insiders and consumers who have a passion for fragrance will be able to able to keep their fingers on the pulse, tap into trends, scent styles, new notes and track top sellers with the TopNotes course. We have collaborated with the best minds in the business to deliver up to the minute and comprehensive insights.”

TopNotes was conceived to build on knowledge gained through the Certification Program for Fragrance Sales Specialists - justifiably considered the industry gold standard for fragrance education. Registration for TopNotes is $50.00 per person, open to all and all are welcome. The program cycle begins live online today with TopNotes Course #1: Olfactive Trends 2011 – 2012 and covers the following topics:

➢ Current Consumer Insights.
➢ Historical Reference & Current State of the Fragrance Industry.
➢ Why do olfactive preferences change among consumers?
➢ Historical references & key fragrance launches of the past.
➢ Women’s and Men’s Olfactive Preferences.
➢ Top 20 Fragrances, USA and Global, as reported by Givaudan iPerfumer.
➢ Future Olfactive Forecasts.
➢ Olfactively-significant recent fragrance launches.
➢ Women’s and Men’s olfactive forecasts.

At the end of the course, participants can further assess their understanding of what they have just learned by answering the “Key Learnings” questions. No scores are given, questions are either correct or incorrect with a correct answer provided if that is the case. Once the “Key Learnings” have been completed, a Certificate/Proof of Participation will be generated, available to save or print.
The content for each course will be updated every 12 to 18 months as new trends emerge.

Future TopNotes courses will cover: consumer buying habits, global fragrance preferences, new ingredients and new technologies in fine fragrance creation. TopNotes is a valuable new fragrance resource just a few quick clicks away at www.fragrance.org educational programs.
You can register at this link.

info via beautypress

Sunday, August 14, 2011

Scents for a Sultry Summer

The weather has been acting crazy all over the planet for some years now and the temperatures soar and plummet at the drop of a hat. To analyze global warming and the heat wave patterns would be beyond the scope of an online magazine devoted to the sense of smell, yet its effects have a significant impact on our choosing our personal fragrance when the weather is no more conductive to perfume-wearing than it is to sporting a mink coat and lighting up the fireplace. So what’s to wear when the going gets tough?



There are two schools of thought on this: The first one suggests choosing only the crispest, lightest fragrances, usually based around citrus and fruity notes, which should (supposedly) create a feeling of upbeat euphoria and cleanness amidst the dog days of summer. The other one has a much more laiser faire, nonchalant attitude about it: If you’re anathematizing change, why embrace it in what is such a personal aspect as your own scent? Acolytes of this school of thought carry on with their preferred signature scent/scents regardless of the Fahrenheit and Celsius scales. For all the rest who don’t fall into either group, here are some recommendations for surviving the sultriness of mid-summer.

Scents of crispy audaciousness

Eau de Gentiane Blanche by Hermès: Currently Eaux seem to be everywhere from Dior s Escale a Pondichéry, Miss Dior Chérie L’Eau and J'adore L Eau Cologne Florale to Cristalle Eau Verte and the instigator of it all Eau de Cologne by Chanel. Still Hermès and Jean Claude Ellena, much like Sinatra (or Sid Vicious, take your pick!) "did it their (own) way" and the magnificently androgynous and distinctive result is taking another direction: a mineral effect of dry white dust and rock as far as the eye can see at dawn before the sun rises.

Musk Nomade by Annick Goutal: There is a delicate insolence in the vegetable-like musk of this fragrance. Much like No. 18 by Chanel Les Exclusifs, it possesses that quality of appearing prismatic: different from different angles and multi-billowed when in fact it is deceptively simple. Isabelle Doyen worked her magic into producing something that is etched precariously between machine-washed clean and human.

Cristalle by Chanel: Why go for a typical citrus when you can go one better and opt for a zingy chypre? This enduring classic by Henri Robert has something to recommend it; most people seem to like its cutting through the heat like a saber and it’s got enough pedigree and unisex character in the Eau de Toilette to suit both sexes.

• Eau d'Hermès by Hermès: Not only an eau (classic summer fit), but with citrus and lightly sweaty leather accouterments, this quirky little thing is unknown enough to garner an inquiring sniff around and has the pedigree of perfumer Edmond Roudnitska composing it sometime in the early 1950s. Considering everyone looked as if they were extras in a movie back then, elegance is guaranteed. For men and women.



Scents of deceptive orientalism

Shalimar Light or Eau de Shalimar by Guerlain: Someone someplace had to invent it; a lemon cupcakes accord over what is essentially the bronziest fragrance in all perfumery, right out of the 1001 Nights. Foregoing the heavy elements, yet still retaining the lovely citrusvanilla-opoponax accord of the original, this modern odalisque can fit into summer wearing like those harem sandals you were planning to wear with your linens trousers. Another version you can try is Shalimar Parfum Initial; light enough to withstand the heat.

Organza Fleur d’Oranger 2008 Harvest by Givenchy: The popular Organza scent is getting an injection of precious essences that conspire into having you adorn yourself with a big hibiscus behind the ear. Sensual, lush but not heavy, this is an interpretation of a floriental on jasmine, honeysuckle and orange blossom that will have you hankering for more warm days ahead!

Fille en Aiguilles by Serge Lutens: Caramelized pine needles peek through the Bakelite-beads curtains at some warm place in the eternal south. The newest luminous oriental woody of perfumer Christopher Sheldrake is suited to both men and women and should prove that Lutens creations can be worn in the warmer months as well.


Scents of floral quirkiness 

Lys Mediterannée by Frederic Malle: Salty seaspraying air lands on big, fat lilies just out of the tiny rural church and you are transported to the Riviera. Perhaps the freshest interpretation of lily on the market without losing character. The effect is akin to strolling along the Saint-Tropez haunts that Brigitte Bardot made famous.

Tubéreuse Criminelle by Serge Lutens: Inhaling on a Kool-mentholated cigarette seems like the cooling sensation that greets you upon smelling this most unique take on tuberose. After the emanations settle, you’re left with the most polished, silky and quiet tuberose on the market, a smell that is truly panseasonal and could be worn by both sexes.

Manoumalia by Les Nez: A small wonder by Caledonia perfumer Sandrine Videault, this offering of the independent Swiss brand Les Nez, Pafums d’Auteurs has all the gusto of an olfactory voyage to the South Pacific. Forget touristy Elvis Hawaiian shirts and go native in a composition redolent of earthy grassiness of vetiver under the effluvium of ylang-ylang and tiare that will have everyone in your wake demanding what your fragrance is.

So when faced with the dilemma what can withstand the heat next time, just remember that besides your sarong and sandals you have more options than you thought possible!


post based on a previous article of mine appearing on Sniffapalooza Magazine

photos/stills from film Noz wi wodzie (Knife in the Water) by Roman Polanski (1962) with Leon Niemczyk and Zygmunt Malanowicz, Plein Soleil (1960) with Alain Delon as Thomas Ripley, Evil under the Sun (1982) based on Agatha Christie's novel with Peter Ustinov as Poirot, Maggie Smith, Diana Rigg, Jane Birkin etc.

Friday, August 12, 2011

Helene Rochas: 1927-2011

"It's the end of a myth, of an era," a Rochas spokesperson said of her death. "She was the muse of one of the great couturiers, the last to remain alive from that era."


The wife and muse of Marcel Rochas, the one for which Femme by Rochas was created and who championed the Madame Rochas fragrance herself, passed away on August 6th at the age of 84.

Photo: Madame Helene Rochas in costume at the Rothschild's "Proust Ball".

Thursday, August 11, 2011

Parfums Weil Zibeline: fragrance review & Weil house history

Parfums Weil is the most characteristic example of "parfums fourrure" (fur perfumes), being the perfumery offshoot of Parisien furrier, Les Fourrures Weil (Weil Furs), established in 1927. And Zibeline alongside Weil's Antilope are among their proudest creations.

The history of the House of Weil

Furriers since 1912, well before they became purveyors of fine fragrance, the venture of the founder Alfred -and his brothers Marcel and Jacques- into perfume resulted from the direct request of a client for a fragrance suitable to fur wearing. Weil obligingly capitulated to the request and produced scents that would guarantee not to harm the fur itself, yet mask the unwelcome musty tonality that fur coats can accumulate after a while. The names are quite literal: Zibeline (sable), Ermine (hermine), Chinchila, Une Fleur pour Fourrure (A Flower for Furs)...

The very first of those, Zibeline, was an expansive floral aldehydic veering into chypre tonalities, conveived as an evocation of the oak forests and steppes of imperial Russia and appropriately named after the animal there captured: Zibeline, the highest quality in furs for its legendary silky touch, its scarcity value and light weight. 

Zibeline belonged to the original fragrant trio line-up that launched the business of Perfumes Weil. Introduced in 1928, Zibeline was comissioned by Marcel Weil and composed by Claude Fraysse assisted by his perfumer daughter, Jacqueline. (The Fraysse clan is famous for working in perfumery: His two sons, André and Hybert were to work with Lanvin and Synarome respectively and the son of André, Richard, is today head perfumer at parfums Caron).

Scent, Versions & Vintages of Weil Zibeline perfume

Zibeline was released in Eau de Toilette in 1930 but the formulations came and went with subtle differences and their history is quite interesting. First there was Zibeline, then the company issued Secret de Venus bath and body oils product line which incorporated Zibeline among their other fragrances (a line most popular in the US) while later they reverted to plain Zibeline again. The Eau versions of Secret de Venus Zibeline are lighter, with less density while the bath/body oil form approximates the spicy-musky tonalities of the Zibeline extrait de parfum, with the latter being more animalistic.

The older versions of parfum were indeed buttery and very skanky, deliciously civet-laden with the fruit and floral elements more of an afterthought and around the 1950s the batches gained an incredible spicy touch to exalt that quality. It's interesting to note that as per Joan Juliet Buck, former editor of French VOGUE, men often wore Zibeline in the 1950s!

Later versions of Zibeline from the 70s and 80s attained a more powdery orange blossom honeyness, backed up by fruit coupled with the kiss of tonka bean and sandalwood, only hinting at the muskiness that was so prevalent in previous incarnations, thus resulting in a nostalgic memento of a bygone epoch that seems tamer than it had actually been. Zibeline is old school in the best possible sense and a parfum fourrure you will be proud to wear even if your vegan proclivities wouldn't allow you so much as think of touching a real sable coat.

The aftermath for Weil

Marcel Weil's death in 1933 did not stop expanding their perfumery endeavours; they added several other perfumes: Bambou, Cassandra and Noir. The Weil family was forced out of France by Hitler, so they re-established themselves in New York from where one of the first perfumes released was Zibeline with the quite different in character chypré Antilope being issued in 1945, upon return to Paris in 1946 when they also introduced Padisha. Sadly the multiple changing of hands resulted in the languishing of the firm by the 1980s and although the brand Weil has been in ownership of Interparfums (Aroli Aromes Ligeriens) since 2002 Parfums Weil is largely unsung and long due for a resurgence.

Notes for Weil Zibeline:
Top: aldehydes, coriander, tarragon, bergamot and lemon;
middle: orris, gardenia, jasmine, ylang-ylang, lily-of-the-valley and rose;
base: honey, sandalwood, tonka bean, amber, musk, civet and vetiver.

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