Anyone who receives the Guerlain catalogue for the year has witnessed a change in one of the most acclaimed lines in the historic brand's portfolio, namely Les Parisiennes, the depository of the older creations by Jean-Paul Guerlain and other perfumers working for the brand, producing a range that is esteemed as refined luxury. A change which unfolds three ways: Two additions to the line (one ressurected from a limited edition of 10 years ago, the other slightly less), some discontinuations and a new look for the masculine side of the venerable stable.
To be specific...
Two additions in Guerlain "Les Parisiennes" boutique-only line (125 ml including removable atomizer for 180 €):
Nuit de Amour we had announced being re-issued and joining Les Parisiennes in the standard "bee bottle" instead of the original quadrilobe a while ago on this article. Now comes Cherry Blossom eau de toilette. Originally a limited edition from 2000 in the Louis XV flacon(seen above) that also housed Apres L'Ondee extrait, it was created for the sakura season that is celebrated in Japan. [There was also Cherry Blossom Delight from 1999]. The Guerlain fragrance included cherry blossom, green tea and lemon notes to honor the oriental tradition of lightness and happiness at the coming of spring. The re-issued fragrance was originally signed by Jean Paul Guerlain and is not to be confused with the Aqua Allegoria line's Cherry Blossom (pic when you click here), another interpretation of sakura complimented by a whole makeup collection by the same name issued in spring 2010 .
Two discontinuations in Guerlain "Les Parisiennes" boutique-only line:
Regarding Attrape Coeur (see its other incarnations on this page) we had broken the news on its being pulled off the plug a long while ago. Now that stocks have dried up, it's officially missing from the new 2011 catalogue. Sad...
The other fragrance regretably missing is Philtre d'Amour, which we also had hinted in perfume discussion online that it would be pulled off the market in the near future, the reason being its formula not being possible to conform to IFRA restrcitions (read more on those here).
Of course there is also the by now rare super-refined (chypre-smelling) Plus Que Jamais missing, but we knew that already.
A new look for the masculine "Les Parisiens" (100 ml for 175 €), now Les Exclusifs:
Joining the wooden "frame" of Arsène Lupin Dandy and Arsène Lupin Voyou (both in Eau de Parfum and described on this article), the masculine side of the exclusive line by Guerlain becomes homogenised in looks and stated as Les Exclusifs. The former members of Les Parisiennes intended for the delight of discerning gentlement now will not be featured in the dainty glass bottles with the boule cap and the bees but will come in the more virile-looking oblongs instead.
Thus the Guerlain Les Parisiennes line for men (or is it Les Parisiens?) will comprise:
*Derby (eau de toilette)
*Chamade pour Homme (eau de toilette)
*L'Âme d'un Héros eau de toilette (formerly known as Coriolan
*Arsène Lupin Dandy (eau de parfum) and
*Arsène Lupin Voyou (eau de parfum).
The price per ml is thus rather significantly raised (125 ml for 180€ for the feminine Les Parisiennes vs 100 ml for 175€ for the masculines), a feat not completely justified by the change in packaging I feel.
NB. The international site hasn't been renovated yet to reflect the changes.
A full review & draw for Arsène Lupin Dandy shortly!
Thursday, January 20, 2011
The winner of the draw....
....for the L'Artisan scent is Barbara! Congratulations and please send me your data through email using the contact in Profile or About page.
Thanks everyone for participating and till the next one!
Thanks everyone for participating and till the next one!
Wednesday, January 19, 2011
Journal d'un Parfumeur: New Perfume Book by Jean Claude Ellena
The latest project of Jean Claude Ellena's, head perfumer at Hermes and acclaimed top nose in the business at least in the last decade, isn't just another fragrance for a luxe brand, based on innovative concept and rare ingredients... On the contrary, it borrows from years back as well as from the present and future and consists of a new penned book on his course as a perfumer. The book is going to be titled Journal d’un Parfumeur (editions Sabine Wespiese Editeur, Paris) and will contain Jean Claude's reflections on his art from, landmarks in his course and the smaller ~and bigger~ secrets of his craft.
The new book will be available in French from April 2011.
NB. This is a totally NEW book. It's not the one which was on pre-order on Amazon last year (Perfume, The Alchemy of Scent). That one was in English (i.e. transcription of his 2007 French one Le Parfum)
Tuesday, January 18, 2011
Le Labo Synesthetic Series: Workshops for Perfume Aficionados
Le Labo are organising perfume seminars/workshops for fumeheads in London, so if you're close (or visitng), this is your chance to participate in a one-of-a-kind experience under Nicola Pozzani.
As part of Le Labo’s mission to increase customer’s knowledge on perfume, synesthetic provocateur Nicola Pozzani will introduce you to a one-of-a-kind series of creative workshops. This is a unique workshop experience currently offered only in Le Labo London. Le Labo Synesthetic Series is a series of 5 syneshetic workshops about perfume, which will take place once a month, on Sunday afternoons at Le Labo Devonshire Road’s boutique in London. Students will experience perfume by using the 5 senses with a synesthetic approach, which means they will explore the connections between the sense of smell (the one directly related to scent) and the other senses (vision, touch, sound and taste). Students will then develop their perfume knowledge through their sensory perception and their creativity.
Le Labo Synesthetic workshops will be 100% interactive. Working in small groups, Students will learn about Le Labo fragrances and the finest perfume ingredients they are made of. Students will then engage in practical sensory exercises and by doing so will become actively involved in experiencing the connections between perfume and other sensations. This synesthetic experience will help them expand their knowledge of scent. Furthermore, by exploring the sensations perfume can transmit, students will have the chance to experience perfume as an art form, as a creative language and become aware of the creative scenarios that lay behind fragrance creation. They will eventually become more sensitive to scent and gain a newly discovered perception of perfume.
Nicola Pozzani is a perfume professional and Cambridge CELTA qualified English teacher who has combined his passion for perfume and teaching experience to create these workshops. He studied sensory languages and
synesthetics at Università dell’Immagine in Milan, where he studied Perfume Science with Jean Claude Ellena. He has worked on sensory and research projects for a variety of beauty and perfume companies. He lives and works in London.
Le Labo Synesthetic Series scheduleWhen : Every last Sunday of the month from January to May 2011
Time : 4 pm to 6 pm
Where : Le Labo London – 28A Devonshire Street, London W1G 6PS
Price : 45 Pounds
Number of places : maximum 6 per session
RSVP : lelabolondon@lelabofragrances or +44 20 3441 1535
pic via fragrantmoments
As part of Le Labo’s mission to increase customer’s knowledge on perfume, synesthetic provocateur Nicola Pozzani will introduce you to a one-of-a-kind series of creative workshops. This is a unique workshop experience currently offered only in Le Labo London. Le Labo Synesthetic Series is a series of 5 syneshetic workshops about perfume, which will take place once a month, on Sunday afternoons at Le Labo Devonshire Road’s boutique in London. Students will experience perfume by using the 5 senses with a synesthetic approach, which means they will explore the connections between the sense of smell (the one directly related to scent) and the other senses (vision, touch, sound and taste). Students will then develop their perfume knowledge through their sensory perception and their creativity.
Le Labo Synesthetic workshops will be 100% interactive. Working in small groups, Students will learn about Le Labo fragrances and the finest perfume ingredients they are made of. Students will then engage in practical sensory exercises and by doing so will become actively involved in experiencing the connections between perfume and other sensations. This synesthetic experience will help them expand their knowledge of scent. Furthermore, by exploring the sensations perfume can transmit, students will have the chance to experience perfume as an art form, as a creative language and become aware of the creative scenarios that lay behind fragrance creation. They will eventually become more sensitive to scent and gain a newly discovered perception of perfume.
Nicola Pozzani is a perfume professional and Cambridge CELTA qualified English teacher who has combined his passion for perfume and teaching experience to create these workshops. He studied sensory languages and
synesthetics at Università dell’Immagine in Milan, where he studied Perfume Science with Jean Claude Ellena. He has worked on sensory and research projects for a variety of beauty and perfume companies. He lives and works in London.
Le Labo Synesthetic Series scheduleWhen : Every last Sunday of the month from January to May 2011
Time : 4 pm to 6 pm
Where : Le Labo London – 28A Devonshire Street, London W1G 6PS
Price : 45 Pounds
Number of places : maximum 6 per session
RSVP : lelabolondon@lelabofragrances or +44 20 3441 1535
pic via fragrantmoments
Frequent Questions: How to Determine How Much Perfume is Left in my Opaque Bottle?
You all know the pain...Your otherwise beautiful opaque perfume bottle, often in inky shades of black or purple which spell danger or just in a material inpenetrable by the light (such as opaline, Cloisonné metal or china or reverse painted from inside glass, such as in Chinese snuff bottles), is refusing to let you gauge how much of the beautiful fragrance you so enjoy is left in it.
Consider some examples for a minute: Classics, like the architectural and oblong flacons in black glass for all the reissued Robert Piguet fragrances (Fracas, Bandit, Visa, Cravache, Baghari). The art-deco vintage bottle of Nuit de Noel by Caron with its beautiful 1920s "head band". The black boule of the original Arpège by Lanvin. The delicate, calligraphy-flowers-embossed original bottle of Shiseido's Zen. The cinnabar/orange-red of Opium parfum with its tassel.
Maybe modern or niche ones ones, such as Jasmin Noir by Bulgari. The square black of appropriately named Encre Noire by Lalique. The painted from inside glass bottles of Narciso Rodriguez Narciso For Her in the Eau de Toilette and the completely opaque black of Musk for Her. The elegant and hefty Natori Eau de parfum (all right, this one has a "window" in the centre which helps a bit till you're halfway through the juice) or the "opus noir" black ones By Kilian.
Several art-deco retro ones by parfums Ybry, Myon or Gabilla. The opaque gold Cardinal by Molinard with its nude bodies in relief.
Even things like Laroche's Drakkar Noir! And if you're extra lucky to own them, the black polygon of Nombre Noir by Shiseido and the flacon tabatière from 1927 for Liù by Guerlain.
Or it could be any perfume receptable which is intended for you to fill with the scent of your choice, such as ones made by Renaud, Lalique, and other reputable firms. The matter is always the same: how to see when is the time to replenish your perfume? Or just how much fragrance is there in your bottle you intend to sell as filled or to swap? No, tapping to see where the bottle is hollow pr not won't help much. Here are some easy tips to help you.
Method 1: Let the light shine bright!
By now, you probably know that light is the archenemy of perfume and you store yours away from it in a dark cupboard. Good, except for one occasion: When you want to see just how much juice is left in your beautiful bottle. Make an exception and bring out your flacon in the sun on a bright day.
1. Hold the bottle high against the rays of the sun. Even the most resistant bottles provide some clue as to the "line" where the full ends and the empty space begins.
2. If you're short of a handy window sill and the bright sun of the Med, repeat the experiment with a very bright lightbulb (60W or above). Hold the bottle carefully against it. Chances are you will be able to discern adequately.
Method 2: Sinking, sinking...
If the light method above fails, water might come to the rescue. How, you ask? Simple. According to basic physics, immersing any object in water will produce a substitution of the volume of water with the volume of the object (The principle by which throwing a whale in a swimming pool will more than sprinkle spectators three rows of seats away). How do we put this into practice with perfume bottles? First of all, don't try this with anything vintage with a paper label: it will be soaked by the water and the paper will crack when drying. But for modern bottles or bottles that can withstand this, it's unbeatable.
1. Take a receptable that can hold your bottle in question. Preferably use one that is big enough to hold it, but is also shaped in a way that the bottle cannot capsize (i.e. it follows the contours, usually that means an oblong vase or a jug or something along those lines.)
2. Fill it with water.
3. Now slowly immerse your bottle in it and slowly let it go. The power of hydraulics will have your bottle float to the line where it's still full.
4. Mark that line with a small adhesive label which you have at the ready or an indelible felt pen. 5. Get your bottle out of the water, let it stand and see where your marking points: 50% full, 2/3 full or less? You should have a pretty good idea.
These are more or less more accurate methods than just judging by weight, both because one can be fooled by the weight of the flacon itself (especially if it came into your hands in a non full state to begin with) or by the appreciation of liquid itself (the swooshing sound indicates there is liquid inside but it rarely gives a clue as to how much).
Related reading on Perfume Shrine: How to Open Stuck Perfume Bottles
pics via assorted perfume fora, flickr.com/photos/eivinds and 123rf.com
Consider some examples for a minute: Classics, like the architectural and oblong flacons in black glass for all the reissued Robert Piguet fragrances (Fracas, Bandit, Visa, Cravache, Baghari). The art-deco vintage bottle of Nuit de Noel by Caron with its beautiful 1920s "head band". The black boule of the original Arpège by Lanvin. The delicate, calligraphy-flowers-embossed original bottle of Shiseido's Zen. The cinnabar/orange-red of Opium parfum with its tassel.
Maybe modern or niche ones ones, such as Jasmin Noir by Bulgari. The square black of appropriately named Encre Noire by Lalique. The painted from inside glass bottles of Narciso Rodriguez Narciso For Her in the Eau de Toilette and the completely opaque black of Musk for Her. The elegant and hefty Natori Eau de parfum (all right, this one has a "window" in the centre which helps a bit till you're halfway through the juice) or the "opus noir" black ones By Kilian.
Several art-deco retro ones by parfums Ybry, Myon or Gabilla. The opaque gold Cardinal by Molinard with its nude bodies in relief.
Even things like Laroche's Drakkar Noir! And if you're extra lucky to own them, the black polygon of Nombre Noir by Shiseido and the flacon tabatière from 1927 for Liù by Guerlain.
Or it could be any perfume receptable which is intended for you to fill with the scent of your choice, such as ones made by Renaud, Lalique, and other reputable firms. The matter is always the same: how to see when is the time to replenish your perfume? Or just how much fragrance is there in your bottle you intend to sell as filled or to swap? No, tapping to see where the bottle is hollow pr not won't help much. Here are some easy tips to help you.
Method 1: Let the light shine bright!
By now, you probably know that light is the archenemy of perfume and you store yours away from it in a dark cupboard. Good, except for one occasion: When you want to see just how much juice is left in your beautiful bottle. Make an exception and bring out your flacon in the sun on a bright day.
1. Hold the bottle high against the rays of the sun. Even the most resistant bottles provide some clue as to the "line" where the full ends and the empty space begins.
2. If you're short of a handy window sill and the bright sun of the Med, repeat the experiment with a very bright lightbulb (60W or above). Hold the bottle carefully against it. Chances are you will be able to discern adequately.
Method 2: Sinking, sinking...
If the light method above fails, water might come to the rescue. How, you ask? Simple. According to basic physics, immersing any object in water will produce a substitution of the volume of water with the volume of the object (The principle by which throwing a whale in a swimming pool will more than sprinkle spectators three rows of seats away). How do we put this into practice with perfume bottles? First of all, don't try this with anything vintage with a paper label: it will be soaked by the water and the paper will crack when drying. But for modern bottles or bottles that can withstand this, it's unbeatable.
1. Take a receptable that can hold your bottle in question. Preferably use one that is big enough to hold it, but is also shaped in a way that the bottle cannot capsize (i.e. it follows the contours, usually that means an oblong vase or a jug or something along those lines.)
2. Fill it with water.
3. Now slowly immerse your bottle in it and slowly let it go. The power of hydraulics will have your bottle float to the line where it's still full.
4. Mark that line with a small adhesive label which you have at the ready or an indelible felt pen. 5. Get your bottle out of the water, let it stand and see where your marking points: 50% full, 2/3 full or less? You should have a pretty good idea.
These are more or less more accurate methods than just judging by weight, both because one can be fooled by the weight of the flacon itself (especially if it came into your hands in a non full state to begin with) or by the appreciation of liquid itself (the swooshing sound indicates there is liquid inside but it rarely gives a clue as to how much).
Related reading on Perfume Shrine: How to Open Stuck Perfume Bottles
pics via assorted perfume fora, flickr.com/photos/eivinds and 123rf.com
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