Guerlain: Bois Torride and Guerlain, Une Ville, Un Parfum: fragrant news

An avalanche of heads-up involving upcoming launches from major houses such as Chanel (Beige) and Hermès (Vanille Galante) were piling up and today Guerlain news join them.
We do cherish the opportunity to ponder on rumours in any case.
According to the very perceptive Kopah from Basenotes:

"It seems that the name of the next instalment in the L'Art et la Matière series may be Bois Torride. Guerlain filed an application for a European Community trademark for this name on June 4, 2008. (For the record, their applications for the names of the Elixirs Charnels/Carnal Elixirs were filed on April 28.) They have also recently filed applications for the script logo which appears above their shop at 68, Champs-Elysées, and for the phrase Guerlain, Une Ville, Un Parfum".

Since the same happened when we were speculating what the newest Serge Lutens would be (and it did prove to be Serge Noire and how lovely that one is!) , it would be safe to predict that in a few months' time, we could be graced with more news about the newest Guerlain launch: Bois Torride (torrid wood). Might it be too presumptuous to hypothesize that it would not be the torrid, fiery, fierce composition that its name would suggest? There seems to be some sort of betrayal between name and concept in the L'Art et la Matière line especially: Rose isn't very Barbare, Cuir Beluga is only marginally reminiscent of suede, Angelique is not nearly Noire, Iris Ganache is rather gourmand but not very iris-like and Cruel Gardénia is neither cruel, nor gardenia despite its big appeal (leaving only Bois d'Armenie in the line smelling faithfully like the French curiosity "Papier d'Armenie").
In fact it seems to me that this playful interaction between expectations on part of the customer and finished result is at the core of the line. It just can't be random! And if so it shows a wry sense of humour for which we smirk ourselves.

This could also shed light into the relation between Thierry Wasser and the latest masculine Guerlain Homme: official info wanted Wasser to be the house's head perfumer beginning June 2008. Since Guerlain Homme was issued last July and since Wasser was -predictably- amicably seen photographed with Jean Paul Guerlain, with whom he collaborated on the fragrance, it stands to reason that Wasser can't have been highly involved in its conceptualisation (of which Sylvaine Delacourte must be much more responsible being creative director) or execution. On the contrary it seems that he must have been intent on the projects that follow soon: the three Carnal Elixirs of course and the upcoming Bois Torride. It does seem like too much projects in so many months, nevertheless.
I am also reminding you that "torride" was previously linked to Givenchy (Eau Torride) with lukewarm results, so I am hoping that Guerlain will have cards up their sleeve. The gender of the fragrance might also be grounds for speculation, since although woody fragrances are traditionally masculine, they might put a spin and present it as a unisex in the manner of the other niche/exclusives circulating at the Boutique Guerlain. After all, most of us perfume lovers are uninihibited enough to wear what we like regardless of artificial cliches pertaining to gender.
We will find out around December 2009, if my calculations prove to be accurate.

On the other hand, the name Guerlain, Une Ville, Un Parfum sounds like a commemorative, special edition that should mark an anniversary or iconic landmark of the historical house's path to glory. I also see the bling factor of serious Baccarat packaging engraved with special touches that will ante up the price to stratosperical heights: A prospect that sheds a frisson of excitement through a collector's bloodstream and a trembling rattle into the wallet of many a Guerlain fan.
Alternatively it could just be an evocation of Paris in the way that Comme des Garcons has been inspired by characteristic places for their Incense Series. This time Paris being the place of inspiration, it can't fail but to bring to mind the cornucopia of scents we have come to expect from such a place and the grand tradition of French perfumery which Guerlain indeed evokes. This has the potential to be either heavenly or a complete and utter letdown given the tremendous magnitude of its mythos, so I am hoping that Thierry Wasser and Sylvaine Delacourt will be extra-attentive in how they go about it.

In any case, Guerlain has been harnessing the market in many inventive and marketing-perceptive ways lately and I am curious and excited to see what they will accomplish with these. We will report back with more as actual data unfolds in the following months.

Le Baiser du Hotel de Ville, 1950 Paris by Robert Doisneau courtesy of Amazon. Pic of Guerlain boutique, Paris, via the Perfume Bee.

New Hermessence Vanille Galante: fragrance news & musings

Hot on the heels of the news on a new Chanel in Les Exclusifs line, named Beige and mysteriously kept under wraps at Saks which however will carry it, as reported on Perfume Shrine first, here come the news on a new Hermessence.

AlbertCan had the scoop just yesterday:

"Hermès is in the midst of launching another Hermessence fragrance. Vanille Galante will be available at Hermès boutiques in around January 2009. The scent shall be issued in the usual Hermessence editions: the prices will be the same as the others as well".

Perfume Shrine got excited and decided to flesh this out, so here we are.
In-house perfumer Jean Claude Ellena, responsible for the house's latest, the sleeper classic Kelly Calèche and the controversial Un Jardin après la Mousson, is now focusing on vanilla.
Generally vanilla is one of the most popular themes in perfumery, due to its almost universal appeal. It harks back to the glorious days of Jicky (1889) and if the latter is any indication it's not an easy feat to accomplish. Even legendary Chanel perfumer Ernest Beaux complained that "when he was trying for vanilla he got crème anglaise, while Guerlain came up with Jicky!" The secret to that, apart from coumarin, was that the then newly discovered chemical path to synthetic vanillin by JC.W Tieman left traces of phenol, which smelled tarry-smokey. Today the effect in Jicky is reproduced via adding a little rectified birch tar. Still, this story proves that a good vanilla needs to be a little molested in order to give out its best.

But in the new Hermès Vanille Galante, the sweet material is embedded in a composition that attaches the moniker of "galante" to it. The French adjective galant (or galante for feminine nouns) has an intriguing background: in the romans de cour/courtly literature, that is the medieval novels of nobility (example Le Roman de la Rose from 1420-30), "galant" signifies the quality of courteous, gentlemanly and often amorous. The phrase "en galante companie" thus signified the company of a representative of the opposite sex.
Ellena being an intellectual man, might we expect in Vanille Galante a vanilla that is accompanied by a note which is its opposite, in order to highlight the true character all the more pronouncedly? Would it mean that vanilla essence, in itself a multi-complex natural material, should get a treatment like lavender had in Brin de Reglisse, the previous Hermessence from 2007? In that one, Ellena focused on the higher octaves of lavender absolute, which veer into caramel and licorice tonalities. Or the vetiver treatment he reserved for Un Jardin sur le Nil and Terre d'Hermes, in which he had molecules subtracted from the essence in order to arrive at a sparser, clearer, almost mineral vetiver message?
On the other hand, in musical terms, galant refers to the European style of classical simplicity after the complexity of the late Baroque era in the third quarter of the 18th century with pre-eminent representatives the rhythmical composers François Couperin, Jean-Philippe Rameau, Georg Philipp Telemann and Antonio Vivaldi . Their cyclical forma ties in with the theme of la Reverdie (return) in literary roman: that of eternal return of spring, a theme of pagan connotations .
The common trait would be the lyrical approach of solidly thematic subjects, which could sneak into the treatment of vanilla in Vanille Galante, or what I will from now on affectionaly call "péripéties de vanilla".

Vanilla is exactly the cliché note that begs for Jean Claude Ellena's modus operandi: chastiting it by food deprivation would be beneficial pedagogically, I feel. Vanillin (a natural developping aldehyde in vanilla pods and the most widely produced aromatic in the world) has its place in the arsenal of Ellena's carousel, as does ethyl maltol (the cotton-candy aromachemical first used in L'artisan's Vanilia, while maltol is also present in licorice, evident in Brin de Reglisse as discussed above). Nevertheless he has professed in an earlier interview that he is bored by "easy" notes such as vanillin and heliotropin. Yet he has produced his share of gourmand exempla, such as Bois Farine (2003), Elixir des Merveilles (2006) and Sublime Vanille (2001) for Lily Prune!
Vanilline however can be produced via gaïacol, eugenol or even lignine from cardboard manufacture. It's used in order to produce the scents of vanilla (of course), chocolate and banana. I am wondering whether those references might give Ellena some ideas on how to extend this note. Banana-peel is one of the nuances that some white florals, notably jasmine sambac and ylang-ylang, emit. However white florals have long been allied to vanilla and it strikes me as an unimaginative and too "talkative" coupling for an Ellena creation. Perhaps he will surprise us with a zen approach.

Additionally, Hermès wants to keep up with the competition in the niche stakes with other mega-houses: in this regard, Guerlain and its dark, rich Spiritueuse Double Vanille ~it proved to be such a good seller, that it was elevated from the status of limited, ephemeral edition into the permanent collection at Boutiques Guerlain and expanded to select doors(or was that the reverse marketing masterplan all along?, this scepticist is wondering).
Hermès can't break up the exclusivity factor of the Hermessences if Vanille Galante proves to be a bestseller without ruining the whole concept and shooting itself at the foot. What they could do however is keep the skeleton of the composition as the basis of their following feminine -most probably- fragrance. (two pieces of speculation at once, don't you love it here?)

The above constitute hypotheses on my part. We will update when more information becomes available from our sources. One thing seems for sure: We will be able to exclaim "Mais, c'est un Ellena!" (but it's an Ellena creation).

EDIT TO ADD: Six from Ambre Gris brought to my attention that it might be a simple allusion to Marie Galante, the island of the Caribbean located in the Guadeloupean archipelago. Constitutionally part of France, as Guadeloupe is an overseas région and département, MG is famous for its sugar cane but also cultures of tobacco, indigo, coffee and cotton.

Hermessences are available exclusively at select Hermès boutiques around the world. The bottles come at 100ml priced at 150 euros and there is also the option of a travel set of 4 aromisers of 15ml each (0.5oz) in either the same scent or 4 different ones in pre-arranged sets.

Read my full-on review of Vanille Galante following this link!

"Yvain secourant la damoiselle" from the Lancelot du Lac by Chretien de Trois manuscript. Vanilla pod and extract pic by Miri Rotkovitz(herbesspices.about.com)

Announcement on Winner

And the lucky winner for the draw on a sample of the super rare Dior-Dior is Pyramus!
Please mail me with your info so I can send the prize your way.

Thank you all for participating and stay tuned for another draw soon!

Take a Bow!

There are times when the esoterica of correspondence has a way of making one realise the little wonders that fill one's life. Small tidbits that brighten the mundane with fairy dust of a fairy Godmother; a smile and a small confession, some wistfulness and the appreciation of the same values in the otherwise dimly lit path of life. And in this path, people even talk about perfume.
Chayaruchama, or Ida, as friends know her, is one of the wonders of the perfume community who like King Midas has the rare gift of turning everything she touches into pure gold. Not the gold that lies at the end of the the rainbow or the lady who is buying a Stairway to Heaven. Instead, the gold that shines into the hearts of people who meet her.
I am not at all surprised that, out of the myriads of people that the photographer of the New York Times could have captured a shot of, they chose the expressive face of Ida, absorbed into the daydreaming that perfume has the power to evoke in us. I am not surprised that Neil Morris has created a perfume at her honour, as a hommage to her personality. I am not surprised that she has been blessed with wonderful children and loyal friends who sing her praises in the tongues of angels. She has earned all these and if you glimpse even the slightest bit of her, you surely already know.
Perfumista par excellence, opera singer, ministering angel in the wards of her patients, tender mother and muse to niche perfumers, jack of all trades yet master in all, Ida is a bundle of joy for everyone who talks with her or participates in the same forum.

Dearest, I feel deeply honoured to have been one of them!