Announcement on Winner

And the lucky winner for the draw on a sample of the super rare Dior-Dior is Pyramus!
Please mail me with your info so I can send the prize your way.

Thank you all for participating and stay tuned for another draw soon!

Take a Bow!

There are times when the esoterica of correspondence has a way of making one realise the little wonders that fill one's life. Small tidbits that brighten the mundane with fairy dust of a fairy Godmother; a smile and a small confession, some wistfulness and the appreciation of the same values in the otherwise dimly lit path of life. And in this path, people even talk about perfume.
Chayaruchama, or Ida, as friends know her, is one of the wonders of the perfume community who like King Midas has the rare gift of turning everything she touches into pure gold. Not the gold that lies at the end of the the rainbow or the lady who is buying a Stairway to Heaven. Instead, the gold that shines into the hearts of people who meet her.
I am not at all surprised that, out of the myriads of people that the photographer of the New York Times could have captured a shot of, they chose the expressive face of Ida, absorbed into the daydreaming that perfume has the power to evoke in us. I am not surprised that Neil Morris has created a perfume at her honour, as a hommage to her personality. I am not surprised that she has been blessed with wonderful children and loyal friends who sing her praises in the tongues of angels. She has earned all these and if you glimpse even the slightest bit of her, you surely already know.
Perfumista par excellence, opera singer, ministering angel in the wards of her patients, tender mother and muse to niche perfumers, jack of all trades yet master in all, Ida is a bundle of joy for everyone who talks with her or participates in the same forum.

Dearest, I feel deeply honoured to have been one of them!

Optical Scentsibilities: bottle design, part 2

Bottles get fairly often copied, er...*cough, cough*..."inspired" by other bottles it seems. After all we highlighted some on a previous post. Maybe the bottle designers/sculptors are just a handful (which they are, actually)and the rights for use are rather...liquid.

Witness these latest examples:



The scarce Japanese Y perfume has an elegant bottle that seems like a drop. Or a figurative swan's neck made of crystal, if you contort to a mental pretzel position for a bit.

Roughly evoking the similar bottle of bestseller Cashmere Mist by Donna Karan.
Jennifer Lopez is full of energy, producing not only twins and singing albums, but also fragrances to fill malls across America. Her latest is Deseo (desire in Spanish), which takes a novel approach of an irregular shape, bluish colour (not the usual choice for a passionate fragrance) and an offbeat cap.
Somehow I think we have seen this idea executed more competently in L by Lolita Lempicka. Another passion-potion in a blue-ish, irregularly shaped, vaguely heart-like bottle.

Balmain has Ambre Gris displayed everywhere in France. It just now made it to some online stores worldwide. Striking and hefty bottle, isn't it, with its big, sherical cap!


And guess who had made a similar bottle looooong ago? Coty for his seminar L'Origan.

Parfumerie Générale goes the way of niche: austere sturdy bottles, uniform design throughout the line, empasis on what's inside rather than frills, serious approach, emblematic labels.

Imagine one's surpise to find somethig similar enrobing the comparatively lowly Denim by Elidda Gibbs!

Then of course there is jewellers's brand Van Cleef & Arpels, who have issued many fragrances in jewel-like bottles. Féerie is their latest in an elaborate crystal flacon with silvery stems, shaped like a ripe fig.

If only Pierre Dinand hadn't already designed the lovely fig limited edition bottle for L'artisan Parfumeur's Premier Figuier...

Jessica Simpson tries hard with all the desperation of a has-been. So hard that she actually sanctions a quite pretty and expensive-looking bottle for her new perfume, Fancy (fancy that!)
Then again her target audience is 15-35 years old (nothing wrong with the upper end of the margin, plenty of wrong with the bottom end of it though: how could a modern 15-year-old get away in her entourage with anything elegant without atracting ridicule? To be answered in the hazy distant future).


Eerily reminiscent of the limited editions for the bell jars of the Serge Lutens fragrances for Le Palais Royal, like this one for Mandarine Mandarin.
Now cut it out, Jessica, please! This isn't funny!!

Pics via aedes, artcover, ausliebezumduft, ambregris, autour de serge, scentaddicts, luckyscent, parfumflacons.

Vetiver Racinettes by Ayala Moriel: fragrance review

It's always wise when exploring a certain material to come to the source. In the case of vetiver, the natural essences themselves. And what better way of discovering the exciting facets of unadulterated vetiver than going the natural way? Natural perfumers have long been maligned because they have been erroneously mixed up with aromatherapists whose higher priority is rather to provide healing than sensory pleasure. Their compositions have been called "invertebrae" and accused of having "the bone structure of a sea cucumber". But natural perfumers are not interested in effect before beauty, any less than traditional perfumers are, nor do not they target the fadish hoi polloi, unlike some of the latter. Instead they produce small batches that aim at the discerning consumer who seeks an almost alchemical path to olfactory revelation and the intimate knowledge of raw materials. "This is how pepper really smells like", you exclaim as you sniff tentatively; "here is a twist of ambrette seeds and what are they anyway?" you progess with entusiasm. "Hey, is that how natural ambergris really smells like? Wow!".

In this path of discovery and thanks to the wonders of the Internet I came across Ayala Moriel who has been producing her small artisanal line of natural perfumes for some years now.
Gigi has been her latest gardenia soliflore which I reviewed some months ago, while Sahleb reminded me of the sweet milky drink of the streets of Istanbul. On another vein, Film Noir has been my idea of a perfect deep and dirty patchouli ever since I first tried it. Which brings us to today's fragrance: Vetiver Racinettes.

Vetiver came prominently to the fore a few years ago in a roundabout way: Perfume houses were starting to significantly lower oakmoss levels to conform with European restrictions, often replacing it with vetiver and patchouli as a base in the new "modern chypres."
Ayala Moriel has been an inquisive soul which takes her craft seriously and in tandem with her own personal needs she began a Sir Richard Burton exploration into the uncharted territories of vetiver creation .

As she confessed for us this was part a personal journey :

"Last year, I had a deep need for [vetiver's] therapeutic qualities and cooling effect and I have become aware of vetiver's many virtues and its particular connection to the well being of the people and the planet in present day. Vetiver is a purifying, sacred root with a woody aroma, and in many ways I feel that it takes on a similar role that was once reserved to sacred woods such as sandal and oud. One thing lead to another, and after 4 different vetiver versions, I have finally arrived at a destination that I have never quite planned to find - my very own signature vetiver scent: Vetiver
Racinettes".

Vetiver Racinettes thus fleshes out the rooty aroma of vetiver into a summation and recapitualtion of all the aspects which caught Ayala's interest in her route to vetiver exploration. After going through a spare mod (Vetiver Blanc), one with the baked earth note of Attar Mitti (Wylde Vetiver), and another with coffee (Vetiver Noir), she arrived at the spicy amalgam which is Vetiver Racinettes.
Racinette comes from the French, code name for root beer and it is indeed the reminiscence of it which Ayala utilized: the earthy feel of "thousand rootlets in deep dirt with the sweetness of refreshing root beer".

Vetiver Racinettes combines both peppery and sweet spices, of which I perceive cardamom more prominently, allied to the musty, pungent aroma of the roots. The cardamom touch recalls a similar treatment in Déclaration for Cartier, in which the spice is evoking a refreshing drink with a tangy citrusy bite above the vetiver. Here the citrus tang comes from Kaffir Lime leaf, a succulent note which is especially perceptible in the heat of summer after the first few minutes on the skin as well as the fresher feel of Haitian vetiver which is the prominent note in Guerlain's classic Vétiver.
The opening of the fragrance is quite intense with the mustiness of vetiver roots in primo piano singing both overture and aria while a metal gong is echoing, while as it melds on the skin slowly, the lime leaf, cardamom and a sweet vibe like licorice are appearing like supporting actors from the wings rounding it out and providing comfort.
Vetiver Racinettes smells at once woody and orientalised: the cooling feel of water drunk from a clay pot, its muddy bitterness still perceptible, the secret fire of spice and the intimate touch of sweet and mushroomy-earthy notes which last very well.

Notes:
Top: Black Pepper, Fresh Ginger, Cardamom, Kaffir Lime Leaf
Heart: Haitian Vetiver, Nutmeg Asbolute, Coffee, Spikenard
Base: Ruh Khus*, Indonesian Vetiver, Vetiver Bourbon, Attar Mitti (baked earth), Tarragon Absolute, Cepes.

Vetiver Racinettes is a limited edition fragrance that will be available throughout Summer 2008. Advance orders are available through the website and will be shipped on a first-come first-serve basis.
The fragrance is available in 9ml parfum extrait(alcohol based)flacon ($110), Perfumed Pendant($125)with an option of refill, 10ml perfume-oil(jojoba based)in roll-on bottle($130) and 5ml perfume-oil roll-on bottle($65).

Ayala was gracious enough to offer 10 free samples for Perfume Shrine readers (normally these retail at 8$ each!): contact Ayala with codename "Perfume Shrine Vetiver Racinettes" to get your sample now!

Pic of Vetiver Racinettes, vetiver roots, nutmeg and cardamom pods by Ayala Moriel used with permission.

*Rhus Khus is produced in the north of India, distilled from wild-growing vetiver. Untypically blueish green in shade due to its being distilled in copper cauldrons, the traditional way. For more on vetiver varieties, read here.

Chanel Beige: new addition to Les Exclusifs?

It's uncanny how one comes across the most shocking and astounding news sometimes. Forcing us to interrupt what is a series of posts on something particular even! On hindsight, since I am about to talk about Sycomore by Chanel later on (as it is a vetiver-based scent after all), maybe it isn't that irrelevant as it seemed at first.
But let's revert to how I found out about it. There I was casually reading one of the blogs I visit often, Perfume Posse, and LizS posted this:
"I was jogging by Saks in NYC last night, and they have in the window all the les exclusifs by Chanel. There is a HUGE poster of one called BEIGE. its sitting next to the bottle of Sycomore. New Release?? I can’t find out any info online…has anyone else heard of this? I hadn’t been to Saks this weekend despite seeing the window displays, I guess I didn’t notice the name on the bottle".

Of course Beige by Chanel was one of the rare vintage fragrances that hark back to the days of Gabrielle Chanel herself and formed a holy triad: Rouge, Bleue, Beige. According to Octavian Coifan, fragrance and fashion historian:

"Chanel created in 1929 a very fresh spring collection with dresses in red/blue/beige in jersey (a sport style with stripes and geometric pattern) as depicted in a Vogue review from that year. In the same year Jean Patou launched Le Sien, the "unisex" perfume (chypre) that was inspired also by the sport spirit. Chanel and Patou promoted in those years a day fashion inspired by sports, with geometric patterns and young look. Maybe Chanel wanted to answer Patou's sport perfume (Le Sien = Her's) with her famous colours - red, blue and beige - used in jersey's sport dresses. But those perfumes are also an echo of the French Flag (bleu, blanc, rouge)".

The fragrance itself is described as echoing the composition of No.5 (much like the other two in the triptych do), yet the resulting scent being like a cross between Vol de Nuit and Arpege (which is formidable I bet!). The basic chord seems to be jasmine, orris and amber.

So what is happening? Is Chanel planning on re-introducing their old Beige (and maybe eventually more older compositions) in their Les Exclusifs lineup? Or are they changing the formula enough not to resemble the vintage, very rare juice, like they did with the chic Sycomore? (another defunct Chanel from the days of Mademoiselle). Are Bleu and Rouge next?
And why are they aiming these splurgingly luxurious fragrances at the American audiences first? May I remind you that the equally quitessential house of Guerlain went the same route with their exclusive editions of Cruel Gardénia and Spirituese Double Vanille...which is interesting in terms of marketing, to say the least.
The plot thickens; mark my words!

Pic of Beige by Chanel courtesy of Octavian Coifan.