Roger Vivier and Ines de la Fressange: 5 new fragrances

"After shoes and bags, Roger Vivier, part of the Tod’s Group, present their perfumes for Autumn 2010 to be sold exclusively in their boutiques". (Today we found the video accompanying the news via dailymotion, see below)

Five new fragrances in extrait developed by Rami Mekdachi, lined-up like a niche line based on raw materials (La Rose, Le Sandal, L'Iris, L'Ambre, Le Néroli) & identical-designed bottles which are presented by former Chanel model in the 1980s and French "Marianne", Inés de la Fressange. She wanted a sultry signature fragrance and she explains: “Our goal was a perfume with personality, style and quality, not just a huge launch with lots of ads,” she says, “so we used very precious and rare ingredients, just like a couture collection.”
According to Modelinia: "The model turned purveyor of Vivier style has been working with Rami Mekdachi to distinguish just what the brand smells like, and found it absolutely impossible to narrow that down to just one aroma. So she decided to go with five different perfumes: which are set to hit stores in the US in October, just in time to update your winter fragrances. Interestingly, this isn’t the first time that Inés has put her nose into the world of scents. She has her own eponymous perfume". [correction: had, I believe it's discontinued]
The new fragrances will retail at 195$ a bottle debuting at Fashion’s Night Out on Sept. 10 at the New York boutique (750 Madison Avenue), and will then be available at all Roger Vivier boutiques in October.

Isn't it endearing that she says has "an old lady trapped inside her" and "luxury is about not having to scent"?



photo of bottles by Travis Rathbone via New York Times

In Memoriam: Corinne Day 1965-2010

Fashion phorographer, famous for catapulting Kate Moss's career and photographing her in raw, documentary style for fashion and perfumes.

photo of Kate Moss posing for Obsession by Calvin Klein ad shot by Corinne Day via simonrasmussen

Amouage Memoir Man & Memoir Woman: new fragrances

The House of Amouage’s latest enigmatic Memoir fragrances for both man and woman explore the inseparable nature of beauty and depravity. In the words of the American writer Gore Vidal, “a memoir is how one remembers one’s own life” and in this fourth installment, the identity of Amouage Man first introduced in the series of narratives developed for the House’s Silver Jubilee, is revealed.
Inspired by the decadent mien and genius of the 19th Century French poet, Charles Baudelaire and the German philosophy of the doppelganger, Amouage Creative Director Christopher Chong, embarks on a deep and inquisitive voyage to unlock the unfathomable mysteries that reside within human nature. He expresses these influences by coalescing the provoking and potent ingredient of Absinth with other floral and wood accords to evoke a sombre mood. Incarnated from the introspective pages of Baudelaire’s volume of poetry Les Fleurs du Mal (Flowers of Evil), Chong’s Memoir Man seeks to uncover his identity by seeking the
underworld where he meets his other self and alter ego, the Black Swan. In this emporium of vice and damnation, the anguish, the unwanted, the dark, the haunting and the unmentionable are all beauty of the truth.Represented as the female gender in this story, the Black Swan is Memoir Woman; she is him and he is her. Hauntingly, they come together as one representing each other’s past, present and future in which they mimic each other’s sorrow and pain. They are separated and reunited by the memoir they share, which Chong constructs in these philosophical and mesmerizing fragrances by piecing together contradictory fragments of accords.

Memoir Man unmasks itself with a seductive green sensation of Mint pervading to an intoxicated journey of Absinth and Wormwood, which opens the door to the underworld of self discovery. The fragrance continues to express the complexity and philosophy of the Black Swan with the intricate richness of sophisticated Vetiver.
Memoir Woman manifests with a spicy fusion of Absinth to resonate the magical aura of the Black Swan. This transformation is enhanced by deconstructing the redolent Tuberose to its core and reassembling the note in a white floral accord with Lisylang and Orange Blossom. As Chong explains, “I wanted to create a haunting fragrance that is beyond the restriction of gender and one that is both hypnotic and bewitching. I articulate this aspect by increasing the dark
wood accord with cashmeran, sandalwood and patchouli supported by an animalic accord in the base to neutralise the gender difference.”
Resembling black fog rising from the wet cobbled streets of Europe, both bottles are made of black glass crystal graduating from a dark to a lighter shade with silver metal caps accentuated by a multi-faceted black Swarovski crystal. Memoir is presented in a silver-tone coffer with myriad shades of black to support the Black Swan feather motif and is available in 50ml and 100ml Eau de Parfum. The fragrances will officially launch on September 22nd.

NOTES FOR AMOUAGE MEMOIR
Memoir Woman
Category: Leather / Animalic Chypre
Top Notes: Mandarin, Cardamom, Absinth, Pink Pepper
Heart Notes: Pepper, Clove Bud, Opulent White Blossoms, Rose, Jasmine, Precious Dark Wood,Frankincense
Base Notes: Styrax, Oakmoss, Castoreum, Leather, Labdanum, Fenugreek, Musk
Memoir Man
Category: Leather / Woody Fougere
Top Notes: Absinth, Wormwood, Basil, Mint
Heart Notes: Rose, Frankincense, Lavender Absolute
Base Notes: Sandalwood, Vetiver, Guaiac wood, Amber, Vanilla, Musk, Oakmoss, Leather, Tobacco

info/notes via press release

Memo Manoa: new fragrance

Reserved for revealing in Pitti Fragranze 8 exhibition in Florence, Manoa by Memo Paris is the newest fragrance to join the line up of the niche brand, masterminded by perfumer Clara Molloy. The inspiration comes from the El Dorado myth (the words meaning "gilded") and the fragrance is warm and luminous, as befitting the tale.
According to that a Muisca tribal chief covered himself with gold dust (thus becoming El Dorado, i.e. gilded) and dived into the lake Guatavita as part of an initiation rite.
The ceremony involved scented products as well, as recounted by Juan Rodriguez Troxell in 1638:

"During the ceremony which took place at the lagoon, they made a raft of rushes, embellishing and decorating it with the most attractive things they had. They put on it four lighted braziers in which they burned much moque, which is the incense of these natives, and also resin and many other perfumes. The lagoon was large and deep, so that a ship with high sides could sail on it, all loaded with an infinity of men and women dressed in fine plumes, golden plaques and crowns.... As soon as those on the raft began to burn incense, they also lit braziers on the shore, so that the smoke hid the light of day".

Manoa became the island which was formed from the deposited treasures for the gods.
In later years the gilded man became a city, the lost "city of gold" fascinating and eluding explorers since the days of the Spanish Conquistadors. Deluded by the legend, Francisco Orellana and Gonzalo Pizarro would depart from Quito in 1541 in a famous and disastrous expedition towards the Amazon Basin.

Manoa the fragrance is comprised of notes of bergamot, lemon, ginger, cypress absolute, tonka bean, vanilla, opoponax and labdanum.

pic via extrait.it

Baccarat Trio: Les Larmes Sacrees de Thebes, Une Nuit Etoilee au Bengale, Un Certain Ete a Livadia

Although only one out of the triad issued by Baccarat is known among perfume aficionados, Les Larmes Sacrées de Thèbes, the collection by the venerable verrerie (crystal makers) included two other worthy specimens: Un Certain été à Livadia and Une Nuit Étoilée au Bengale. All three formed Les Contes d'Ailleurs trilogy (Tales from Faraway lands) which reprised oriental themes, seducing and enrapturing, allowing the perfumer unrestrained choice in materials and composition. The occasion was to commemorate the new millenium and thus Baccarat commissioned three precious limited edition perfumes that would honour their patrimony in flacons of heavy crystal. Christine Nagel undertook the task of formula creation, at the time just entering Quest France and given carte blanche as to the commerciability of the fragrances: These were going to be Limited Editions for collectors and not focus-group marketing productions! Colombian-born Fédérico Restrepo was the flacon designer for the parfum bottles and each parfum bottle bore its own certificate of authenticity and lot number. There were only 1500 specimens issued for each of the Baccarat perfumes. Original prices were 880 euros for 30ml/1oz of pure parfum/extrait de parfum. All three fragrances however also had an Eau de Parfum version in a plainer bottle, as depicted on the bottom of this article, retailing for 400$ for 75ml/2.5oz, at the time available at Bergdorf's and Harrods (they are now discontinued and out of stock). Please note that the design of the EDP bottle has been accused of aiding evaporation.



Une Nuit Étoilée au Bengale (A Starry Night in Bengal) was the first perfume, inspired by India palaces and gardens, issued in 1997. The bottle is a blue-shaped heart with an outsprout of green, like curling stems of a mysterious plant or water sprouting out of an exotic garden fountain. The whole is resting inside a Π-shaped construction of transparent crystal with stars of gold designed on it. The whole is encased in a deep blue box with zigurat steps on it, recalling the maharajahs palaces of India (the maharajahs had been great crystal customers in their time).
The fragrance itself is an ambery floriental with spicy accents: Une Nuit Étoilée au Bengale is comprised of a citrus top of bergamot, segueing into rose, with a cluster of spices: ginger, cinnamon, and Ceylon "spice bouquet". The bottom is rich and sumptuous with notes of Mysore sandalwood, amber and vanilla.
There are no samples available for purchase at the moment, as far as I know. Apart from the ultra costly parfum version, there was the Eau de Parfum concentration circulating in a plainer bottle with a drop-style applicator (pic below). Both are discontinued and very rare.

Les Larmes Sacrées de Thèbes (Sacred Tears of Thebes) was inspired by Egypt and the wares of King Tut's tomb and was issued in 1998. The bottle is ~predictably~ a puramidal structure capped in amethyst crystal, with a fine "bubble" of yellow crystal blown into it, which houses the scent. It sits on amethyst cushion feet on the four edges. The whole is encased in a square bottle of egg yolk yellow for the innner carton and amethyst for the outer carton (see pic at the beginning of the article).
The fragrance, although an homage to Egyptian rituals, is by no means a replication of those alloys like other projects (see this one on Kyphi and others by Sandrine Videault) but a modern perfume. It is however predominantly resinous and balsamic with a peppery top note, focusing on intense myrrh, frankincense and a deep amber mix, flanked by jasmine, geranium, ylang ylang, cardamon, basil, myrtle, sandalwood and musk. Although compared to Parfum Sacré by Caron (1990), the resemblance is only passing, Les Larmes being much more balsamic with less of a rosy heart than the Caron.
Les Larmes is the best-known fragrance in the Baccarat triptych, possibly due to its optically approachable, exquisite bottle and the fact that it has been repeatedly hailed as among the most expensive perfumes in the world at 6,800$ in the press; largely thanks to the bottle.
Harrods Haute Parfumerie stocked a few remaining specimens, although info claims that reserves have been by now dried up. The Perfumed Court has samples of the Eau de Parfum concentration for sale for those curious to investigate for themselves.
Please be aware that the hereby pictured exquisite presentation isn't the only one: There is an EDP bottle (click on this link) with a plainer design which retailed for 400$ for 75ml/2.5oz of Eau de Parfum at Bergdorf's in the past, as noted for the rest of the trio as well.

Un Certain été à Livadia (A Certain Summer in Livadia) was inspired by Russia and the Imperial Court and was issued in 1999. The bottle takes on the "onion"-shaped domes of classic Russian Orthodox churches, with a starry " gold cross" on top and green crystal, and superimposes it on a red "body", housing the perfume, which rests in turn on a curved "boomerang" shaped crustal base with Russian lettering. The whole rests on a red base, encased in a red round box. Livadia is of course was the place in the Crimea where the palace of the last tsar Nicholas II was situated, later seized by the Bolsheviks and now transformed into a museum.
Un Certain été à Livadia received the prize of Best Perfume of 1999 for Christine Nagel 's work, awarded by a jury of French journalists (info according to her mentor's, Jean Claude Ellena, archives). The fragrance is centered around a blooming orientalised/musky heart of seringat (i.e. Philadelphus, a plant of white-petaled blossoms with a scent between orange blossom and jasmine; also known as "jasmin des poètes"). The top introduces complimentary hesperidic notes of citruses while the base is comprised by a soft, enveloping musk accord.
There are no samples available for purchase as of this moment. Rare specimens of the bottle crop up online from time to time, with an estimate of between 500-700$ for a bottle, although Ebay auctions have occasionally demanded 1200euros with ambiguous results. Also circulated in Eau de Parfum concentration as seen below. It is of course discontinued and out of stock.




pics via ebay, gazette drouot, parisparfum and parfumini