Miller Harris candles for a First Lady

Michelle Obama was gifted a Miller Harris mini candle set from the original Notting Hill store, chosen by Samantha Cameron herself, the wife of British Prime Minister David Cameron, while the latter were visiting the US.
Apparently Michelle apart from being a prime target for being given scented gifts from companies (i.e.Creed) is keen on scents herself as attested by her Boedicea fragrance shopping we had reported. Good to know!

Mystery of Musk: Sensual Embrace by JoAnne Bassett, Drifting Sparks by Artemisia Natural Perfume reviews

I smelled a lot of fragrances made of all naturals for the Mystery of Musk project. Some went for carnality (see Kewda), some opted for sensuality (see Eau Natural), others were firmly into gourmand territory (Craving anyone?) and others still were bacchic (Graines de Paradis and Dionysus). Sensual Embrace by JoAnne Bassett was a surprise: Uncitrusy citrus on top (mandarin and clementine have a mellower, sweeter aspect than what we usually associate with tangy tart citrus, i.e. bergamot and lemon), almost aqueous progression, a hint of violet and rose of all things and then less suprisingly tobacco muskiness; honeyed and smooth, baby, yeah, let's get into that groovy feeling! Not exactly what we have come to associate musk per se (or at least what most people conditioned into drugstore musks have come to expect), yet very animalistically and pleasantly so (jasmine pairs incredibly well with musky smells, its indoles enhanced). Sensual Embrace is a proper perfume rather than a plain musk "accord" for sure, like a diaphanous and creamy-retro scent for dilettanti. The only drawback is its lasting power is rather short.
Joanne Bassett's site can be found on this link.


Difting Sparks was composed by Lisa Fong and if your idea of musk is close to powdery rose and honey (or if you like Lorenzo Villoresi's take on his Musk, to make things simper), then it's a must try! Mastic gum for instance gives that hazy, fluffy, and at once oleaginous feel that could be close to a rose-musk. The rose here is resting atop polished woods, like a parqueted floor in an old appartment: aristocratic, classy, inviting, warm. Ambergris provides the right touch, someplace between an object and human flesh. The intriguing ingredient of motia attar I learned is jasmine sambac from India co-distilled in sandalwood, producing a soft note without the heaviness of traditional full-on jasmine ~curiously enough. Makes your mouth water at the thought of those two delicious essences coupled...Still, very well blended, so you can't pinpoint it as such, you just feel the creaminess and the depth.
I found that the overall smoothness, almost linear (after the first three minutes), assured progression and the good manners of this perfume managed to please me, even if a muskier or more animalistic composition was at the back of my mind initially. I can't see Lisa having too much trouble selling this one!

The notes for Drifting Sparks are mastic absolute, beeswax absolute, rose otto, bois rose and cedarwood for the top; rose absolute, orange blossom absolute, jasmine sambac absolute, and essential oil of the blossoms of the nyctanthes aboritistus tree, from India for the heart; ambergris, agarwood, angelica root, ambrette seed absolute, black current absolute, motia attar, sandalwood and siam wood for the base.
Lisa Fong resides in Oakland, California and her Artemisia Natural Perfume site can be reached here.

Please visit the rest of the participating blogs and fora on the Mystery of Musk project following the links provided.

Pic via img3.visualizeus.com

Mystery of Musk: Temple of Musk by SIP, Cravings by Ambrosia reviews

Two musk submissions by two very different artists: one by a rather well-known perfumer in her niche with ties to Hollywood, the other a small indie one hailing from the far away land of Australia. Result: I tend to prefer the latter and not without good reason.

Alexandra Balahoutis (head perfumer of a perfume lab in Los Angeles and owner of a retail store) first ignited my interest when I saw her ripped apart for the prose on her site of Strange Invisible Perfumes on a certain expert's now defunct blog back in 2005. You gotta question why someone is getting so much attention and that makes you wonder about the work produced, no? The prose was indeed less than satisfactory at the time and has now been removed from her site. Of course, even though her business seemed doomed at that point, after the perfume enthusiasts' siding with the expert on this, Alexandra has remained totally unscathed by a business point of view and goes on strong. Still, I never actually pursued to test her perfumes till this project came along, which I recognise is an error on my part. Pity that my first encounter with her Temple of Musk proved less than satisfactory.

First of all, it was among the last bunch of samples I got. It even managed to arrive a day later than something all the way from Australia! So tsk tsk tsk, I thought the project seemed a little rushed. I understand that SIP had other fish to fry and all, but hey. And smelling the strips and then on skin, I can see that it was a bit rushed, including the tiny quantity sent: A harshly medicinal musk with murky facets and vine-like nuances (possibly the stated myrtle could do that, it reads a little lemony though) which I couldn't pull apart, like a vice grip from which one cannot escape make heads or tails of. It's heavy and "catty" (blackcurrant buds?), but it's not the kind of "heavy" which we associate with opulent orientals or retro scents. It just sat there refusing to do anything... What can I say? I don't want to bash small indie perfumers and prefer to keep silent when I find something they produce subpar. I am making an exception today because I have heard many good things about her work from people whose opinions I respect. And hope her ~undoubtedly more carfully turned out~ Musc Botanique is exactly my cuppa...Someone has promised me to introduce me to her other perfumes, because Alexandra is clearly capable of so much more. I have absolutely no doubt it is so.

Craving by Ambrosia on the other hand proved rather delightful, if only tempting me to dive into a cookie jar of home-made biscotti to scoop darl chocolate ice-cream with! The name is of course delectable, by nature...
The perfumer, Ambrosia Jones, impressed me first of all with her professionalism. Although the scent sample took its while to arrive all the way from half the world over (a given), she was among the very very first to inform me of her intentions and send me info on the creative process. Kudos, Ambrosia, this is how business is contacted. Regarding the perfume itself, she explained: "It's got all the animalistic base notes you'd hope to find in a decent musk perfume, with middle notes of warm roasted hazelnuts, sweet caramel and dark sultry cocoa liquor. OK, so I'm a food head. I can remember someone asking me years ago wether I prefer Sex or Food...and I honestly couldn't say!My idea of a perfect afternoon involves lot's of sexy nakedness...pheromones and wild passion....with intervals of chocolate cake, roasted nuts and more......Hey, why not make it perfect and combine them both?!"

To accomplish that she blended cocoa absolute (this stuff smells like real chocolate with an edge of human skin), real oud, two varieties of vetiver, hyraceum (harvested from a small animal cruelty-free and smelling intensely animalic), ambrette seed for that touch of vegetal muskiness and of course Australian sandalwood. The result smells like you're having an intimate dinner where the course is yourself and the drippings of caramelised chocolate are just the appetizer...You've been warned, this is sexy, comforting and tittilating stuff! She needn't have worried so much about the competition, her submission has been one of the best received ones!
Now, I'm more than psyched to try her Death by Chocolate. Perfume by Nature by Ambrosia can be found on this link.

Please visit the rest of the participating blogs and fora on the Mystery of Musk project following the links provided.

Photos by Paul Kiler on Mystery of Musk project.

Serge Lutens Bas de Soie: fragrance review

With his newest fragrant offering to the Gods, Serge Lutens invades the territory of Chanel. In lewd terms "Lutens does Chanel"! Simply put, his Bas de Soie (pronounced BA-de-SWAH) will help establish a new audience who have been hankering after new territories of upscale refinement, but will also challenge his older acolytes to engage in combat with new elements which they considered "stuffy" for long. An encomium to iris and hyacinth, Bas de Soie had me perplexed for several days after I broke into my preview sample, which is why I took my while to post a full review after announcing the news of its introduction a while back.

Baptizing fragrances with tactile, fabric-reminiscent names, as was Serge Noire and Fourreau Noir, is not a new game for Lutens. In this case the name is erotically charged as it translates as "silk stockings". The feeling of Bas de Soie is not sexualized however, but eroticized; there is a difference. Picture the repressed, frigid sexuality of bourgeois doctor's wife Catherine Deneuve in classic film Belle de Jour; she needs the compulsion of the underground, afternoon bordello in order to blossom into sensuousness and have an illicit lover with flawed teeth by the name of Marcel. Yes, I know, the flacon Severine has in her bathroom (and accidentally smashes) is Mitsouko, its own connotations enriching the viewer's thought process (You can read our own take in the article The Agony & Ecstacy: Control & Surrender in Fragrances). But the celebrated Roger Vivier and Yves Saint Laurent attire of respectability (see this spot-on analysis of her feet) recalls Bas de Soie more than that "doomed love affair scent" by Guerlain. The mere mention of that film sounds ~by 2010 blogging standards~ cliché, as it has been dragged through the mud to reference myriads of scents & associations. But never before had I felt that it was merited like it is now... What Serge Lutens himself says about it? ‘This fragrance strikes a fine balance between hyacinth and iris, which intermingle. It's a black mass where dark guipure encounters white lace, in a union that involves smocking the stocking with silk.’

This new Lutens Bas de Soie is crepuscular, silvery fresh, reminiscent of Iris Silver Mist in its unapologetic sexless positioning; although not quite, the former's greenness being less invasive than the nitriles in the latter (plus Bas de Soie feels like it smells of iris Pallida more convincingly). To expand the simile I made in the beginning, "Lutens does Chanel", besides the lewd implications that might infer, the effect isn't that far fetched; or less perversely appealing: After all, the man behind the jus, perfumer Chris Sheldrake, whose alma mater was Chanel, is indeed again working at Chanel after many years, his tenure still allowing him to continue the wondrous collaboration with the virtuoso of Le Palais Royal. The core of the Bas de Soie composition would indicate a bulbous, undergrowth smell fit for chthonian, Eleusinian deities; after all both orris and hyacinth come from undergrowth (one is a rhizome, the other a bulb). Yet it presents itself decidedly above the ground and into an expensive salon where pearls glimmer down long, ivory necks flanked by beige-blonde hair, and ivory terry cloth hides delicate shoulders.


The iris in Bas de Soie is dry, soapy rather more than powdery, retro starched instead of rooty (he explored this "starched" idea recently with the anti-perfume L'Eau Serge Lutens), with the expansive feel of luminous silver tentacles engulfing you, much like they do in Chanel No.19, 28 La Pausa and to a lesser degree Cristalle in Eau de Parfum (which use natural orris butter). The molecules giving iris its character of coolness are called irones and this feels like an irone-rich composition.
The hyacinth is subdued, not tremendously "oily" or warm like it can be (its cinnamic facets usually giving a peppery jolt) or even "romantic" like we know it from Chamade or Grand Amour. Instead what I smell is lightly metallic, soapy-sweet, the way orris fragrances can take a nuance of violets sometimes, with a wink to Balmain's Ivoire and a galbanum-substitute/artemisia top note. You'd be hard pressed to recognise specific flowers within the composition: rose or peony perhaps seem apparent to my nose, their soapier-citric facets exalted in favour of their sweeter, warmer, liqueur-like ones.

The cool "clean" and creamy drydown (musks and pale woods with a wink to Infusion d'Iris by Prada) confirm that this is an atypical Lutens which eschews the spice bazaar and the resinous mysticism he has familiarized us with for so long, in order to introduce a new direction of cool composure and aloof pedigree.

Tenacity is good and sillage is medium. I allow myself to be even more thrilled by the leathery Boxeuses, the Paris-exclusive which will launch in September 2010 as announced here, but Bas de Soie is something I'd wear with pleasure and yes, cool composure.

Bas de Soie is part of the export line, an Eau de Parfum in the standard oblong bottles of the Lutens line, available from the usual suspects on August 1st according to the official info (some take pre-orders). The limited edition bottle (depicted) shows a pair of crossed legs sketched, wearing...silk stockings of course.

Pics from the 1967 film by Luis Buñuel Belle de jour starring Catherine Deneuve, via frederika.canalblog.com, ctache.blogspot,leopoldphotos & hazardousoperation both on Photobucket. Bottle photo uploaded by HighMaintenanceGirl on MUA.

Perfumery Restrictions: More on IFRA 45th Amendement

The industry standard, Perfumer and Flavorist Magazine, did a post concerning the latest restrictions on perfumery ingredients, as determined by the International Fragrance Association (IFRA) in its 45th Amendement (You can read about past restrictions and ramifications clicking the label IFRA or Restrictions). We had breached the subject with saying it is not as severe as past version, but we're reverting with specifics.

The latest installment features seven changes. Of the announcement, IFRA president Jean-Pierre Houri said, “We have seen quite large Amendments in the past due to the change-over to our new Quantitative Risk Assessment (QRA) approach. This change-over process is now nearly complete and therefore we have a smaller Amendment.”

Newly Restricted (QRA) materials include:

*Dimethylcyclohex-3-ene-1-carbaldehyde (mixed isomers); CAS# 68737-61-1, 68039-49-6, 68039-48-5, 27939-60-2, 67801-65-4, 36635-35-5, 68084-52-6, 35145-02-9
*alpha-Methyl-1,3-benzodioxole-5-propionaldehyde (MMDHCA); CAS# 1205-17-0
*3-Phenylbutanal; CAS# 16251-77-7

Revised Restricted (QRA) materials include Verbena absolute (Lippia citriodora Kunth.), the culprit being its eye and skin sensitisation properties.

Revised Specifications include:2,2-Dimethyl-3-(3-tolyl)propan-1-ol (otherwise known as Majantol, which was used previously up to 20%, specifically for lily of the valley notes and in fruity-floral compositions especially for functional products), Musk Ketone which is prohibited, as well as Quinoline ~chemically speaking C9H7N~ due to its risk of skin sensitisation (The quinoline family mainly produces leather notes in fine fragrance such as in Shalimar or Bandit, but not Cuir de Russie which relies on birch tar -previously restricted)