LesNez, an independent niche line based in Switzerland whose scents we have lovingly reviewed and talked about on this link, has finally arrived in Paris. "We are very grateful to Madame Cros, who has agreed to carry the perfumes together with her fabulous collection of antique bedlinen".
Les Beaux Draps de Jeannine Cros, Paris
11, rue d'Assas 75006 Paris
Tue. - Sat.11.00 AM - 13.30 PM14.30 PM - 19.00 PM
Closed on Monday ~Vacation 2009: August
Wednesday, July 8, 2009
Angelina Jolie and David Beckham for the upcoming Armani fragrance ads
"Oscar winner Ange [Angelina Jolie], 34, is set to front a new fragrance for the Italian fashion house [Giorgio Armani] which already has football ace Becks, 34, starr-ing in its ads".
David Beckham and Angelina Jolie are to get up close and personal for the “sexiest advert ever” according to The Daily Star.
The "multi-million pound" Armani campaign will begin as soon as technicalities such as the spouses' of the respective beautiful duo approval is given and collaborators are firmly set. The thinking behind the new advertsiements isn't hard to see, as the two stars, one the best-paid Hollywood actress and the other the best-known footballer, will "send sales soaring".
Armani reportedly came to an agreement with Angelina two weeks ago, but that was after a courtship spanning three years in which he was vying for her services.
It seems that the upcoming advertising is intended for Idole, the latest Giorgio Armani fragrance for women which we had reported on last May in this article. If so, it does seem to distract from his stated aim to "celebrate the women who have influenced his life, both professionally and personally". Has Angelina been such a great influence so far? Who knows...it's supposed to be eye candy anyway!
Edit to add: Albert, one of my readers and contributors, tells me that it can't be Idole, as they have already signed Kasia Smutniak for it, and another reader, CedriceCcentric suggests they could pose as a duo for best-selling Armani Code for men and for women. Sounds quite plausible to me!
pic collage of Angelina Jolie and David Beckham created by PerfumeShrine
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Tuesday, July 7, 2009
Will the upcoming Frederic Malle scent be a magnolia?
"Frederic Malle is the epitome of French elegance in a beige double-breasted gaberdine suit, crisp white shirt, polished brown shoes and wave of salt-and-pepper hair as he steps into Grandiflora, one of Sydney's finest florists".
This is how Frédéric Malle is introduced in an article on The Australian, on which he explains the concept of the smell booths that are installed in his boutiques (please see our Paris shopping Memoirs part 2 for more information). The story originally appeared in the July 2009 issue of Wish magazine. (a free insert inside metro editions of The Australian on the first Friday of each month).
In the photograph the caption reads: "Malle is developing a scent based on the magnolia-grandiflora". Therefore, after the unusual treatment that violet had in the hands of Maurice Roucel in Dans Tes Bras, another new Malle fragrance, after this season's Géranium pour Monsieur, is set to see the light of day, this time focused around this delightful blossom with citrusy and white floral facets. It remains to be seen which perfumer is undertaking this task (we will update when more info becomes available) and although Maurice Roucel has been credited with fragrances which feature magnolia notes (L'Instant comes to mind), let me point out that according to Luca Turin, who first mentioned this factoid in "Perfumes The Guide", it is magnolia leaf note and not magnolia blossom which is his "signature note". Bourdon is retired, Ropion had been all too recently working on the last one, Ellena has an exclusive contract he can't break, so this leaves us with interesting and unusual choices. Shall we propose a working title of "Magnolia pour Mademoiselle"?
Related reading on Perfume Shrine: Frederic Malle scents and news
Pic via The Australian.
This is how Frédéric Malle is introduced in an article on The Australian, on which he explains the concept of the smell booths that are installed in his boutiques (please see our Paris shopping Memoirs part 2 for more information). The story originally appeared in the July 2009 issue of Wish magazine. (a free insert inside metro editions of The Australian on the first Friday of each month).
In the photograph the caption reads: "Malle is developing a scent based on the magnolia-grandiflora". Therefore, after the unusual treatment that violet had in the hands of Maurice Roucel in Dans Tes Bras, another new Malle fragrance, after this season's Géranium pour Monsieur, is set to see the light of day, this time focused around this delightful blossom with citrusy and white floral facets. It remains to be seen which perfumer is undertaking this task (we will update when more info becomes available) and although Maurice Roucel has been credited with fragrances which feature magnolia notes (L'Instant comes to mind), let me point out that according to Luca Turin, who first mentioned this factoid in "Perfumes The Guide", it is magnolia leaf note and not magnolia blossom which is his "signature note". Bourdon is retired, Ropion had been all too recently working on the last one, Ellena has an exclusive contract he can't break, so this leaves us with interesting and unusual choices. Shall we propose a working title of "Magnolia pour Mademoiselle"?
Related reading on Perfume Shrine: Frederic Malle scents and news
Pic via The Australian.
Amouage Epic for Women and Epic for Men: new fragrances
Perfume Shrine worships at the altar of the Amouage brand and we have already reviewed Jubilation 25 and Ubar on these links. Christopher Chong, creative director of Amouage, presents the two new fragrances of the Omani uber-luxurious brand, Epic for Women and Epic for Men. With a fusion coming directly out of the Silk Route, the fabled course from China to the West through Arabia, the two new fragrances incorporate traditional Middle-Eastern notes of oud and frankincense, as well as tea and Chinese flowers representative of the Far East.
Epic for Women is a floriental that incorporates warm and cool notes, such as cumin and tea, with the rich oud base that Amouage is not cutting corners on. The scent is firmly focused on incense with reportedly a surprising, almost mentholated lining throughout!
Notes for Amouage Epic Women:
Cumin, rose, cinnamon, geranium, jasmine, tea, amber, musk, incense, sandalwood, patchouli, vanilla, iris, aloeswood/oud.
Epic for Men is a deep, woody oriental evoking imperial splendours of past civilisations.
Notes for Amouage Epic Men:
Pink pepper, cumin, cardamom, saffron, mace, nutmeg, myrtle, geranium, myrrh, aloeswood/oud, sandalwood, leather, incense, cedarwood, musk, castoreum.
The two flacons for Amouage Epic reflect the well-known design of the brand now interpreted in a luminous imperial green, the colour which is thought to protect from evil in the East, decoaretd with a Swarovski crystal. Soon at select boutiques!
Epic for Women is a floriental that incorporates warm and cool notes, such as cumin and tea, with the rich oud base that Amouage is not cutting corners on. The scent is firmly focused on incense with reportedly a surprising, almost mentholated lining throughout!
Notes for Amouage Epic Women:
Cumin, rose, cinnamon, geranium, jasmine, tea, amber, musk, incense, sandalwood, patchouli, vanilla, iris, aloeswood/oud.
Epic for Men is a deep, woody oriental evoking imperial splendours of past civilisations.
Notes for Amouage Epic Men:
Pink pepper, cumin, cardamom, saffron, mace, nutmeg, myrtle, geranium, myrrh, aloeswood/oud, sandalwood, leather, incense, cedarwood, musk, castoreum.
The two flacons for Amouage Epic reflect the well-known design of the brand now interpreted in a luminous imperial green, the colour which is thought to protect from evil in the East, decoaretd with a Swarovski crystal. Soon at select boutiques!
Monday, July 6, 2009
Serge Lutens Tubereuse Criminelle: fragrance review
It is difficult to speak of that which cannot be detained within the cage of words. The ether-like essence of certain beings escapes elucidation, their legerdemain lies into something almost divine in origin. One can only feel it in one's bones, like grim silhouettes walking over one's grave.
Perfumes only rarely reproduce that otherworldy effect, a hubrid of aberrant chill and aching beauty: There is Messe de Minuit by Etro (more of which later) and there is Tubéreuse Criminelle by Serge Lutens. Two otherwordly vampires of piercing eyes which draw blood inveigling us into submitting willingly to their almost sacral fangs. The olfactory embodiment of Maleficent from Sleeping Beauty, there is a thread between Eros and Thanatos in the dangerous alliance which this fragrance proposes, spun in purple and acid-green phosphorus.
Tubéreuse Criminelle (Criminal Tuberose), issued in 1999 by Serge Lutens Les Salons de Palais Royal (under the aegis of Shiseido) is truly felonious in that it makes one yearn for the sting it produces through its most unwarranted beginning: its acetophenon top notes arrest the senses with the disinfectant emissions of long-forgotten attic chests. Yet the effect is nothing short of extremely calculated and ingenious, like a Surrealist painting seen from an angle or the pleasure that comes from drawing a long inhale of a Kool menthol-aromatized cigarette. The sharp and kinky wintergreen/eucalyptus-mint aroma of Tubéreuse Criminelle (usually this is due to methyl salicylate) replicates the menthol blast that the natural blossoms of this devious plant emit when freshly-picked; a technique also employed with a lighter touch in Carnal Flower chez Frédéric Malle. It was exacerbated by Lutens, willing to generously give the fragrance the bend it seemed to take during its creation. Nature in its infinite wisdom has invested the rubbery, bloodlike essence of tuberose with a nose-tingling green glow which balances the intoxicating effect; it was the latter which was accused of producing spontaneous orgasms and thus young maidens in the Victorian era were forbidden from smelling the trumpety little blossoms! Perhaps fittingly Lutens took a popular sensual game of "fire and ice" into investing the composition with aspects of chill and warmth interjecting one another, making Tubéreuse Criminelle panseasonal.
Although Christopher Sheldrake, the perfumer working alongside maestro Serge Lutens, has taken the floral path as the itenerary for his composition, the finished effect reminds me of the subtler bouquet of a Riesling wine with its goût petrol more than a vase of flowers; its effarvescent effect augmenting when the first taste has dissipated from the palate. After the initial phase soft indefiniable flowers emerge, not with the piercingly sweet nature of floral fragrances, but with the creaminess of some white blooms, buttery and silky, lightly reminiscent of kid's glue, folded in a polished musky-sweet base with the merest fruity tonalities; a sensual, whispered drydown that is most unexpected after the initial blast and effortlessly androgynous in character. Like Marlen Dietrich’s name according to Jean Cocteau, but in reverse, Tubéreuse Criminelle starts with a whip stroke, ends with a caress. For sadomasochists and people appreciative of The Agony and The Ecstasy. A masterpiece!!
Notes for Serge Lutens Tubéreuse Criminelle : jasmine, orange blossom, hyacinth, tuberose, nutmeg, clove, styrax, musk and vanilla.
Tubéreuse Criminelle forms part of the Serge Lutens Paris Exclusives, available at Les Salons de Palais Royal as Eau de Parfum in bell jars of 75ml.
A small decant from my botle will be given to a lucky reader!
Related reading on Perfume Shrine: Serge Lutens scents, Salicylates
Clip of P.I.Tchaikovsky's Sleeping Beauty suite op.66 act III pas de caractere, originally uploaded by imusiciki on Youtube
Top pic via fc04.deviantart.com, bottle pic taken by Elena Vosnaki ©PerfumeShrine
Perfumes only rarely reproduce that otherworldy effect, a hubrid of aberrant chill and aching beauty: There is Messe de Minuit by Etro (more of which later) and there is Tubéreuse Criminelle by Serge Lutens. Two otherwordly vampires of piercing eyes which draw blood inveigling us into submitting willingly to their almost sacral fangs. The olfactory embodiment of Maleficent from Sleeping Beauty, there is a thread between Eros and Thanatos in the dangerous alliance which this fragrance proposes, spun in purple and acid-green phosphorus.
Tubéreuse Criminelle (Criminal Tuberose), issued in 1999 by Serge Lutens Les Salons de Palais Royal (under the aegis of Shiseido) is truly felonious in that it makes one yearn for the sting it produces through its most unwarranted beginning: its acetophenon top notes arrest the senses with the disinfectant emissions of long-forgotten attic chests. Yet the effect is nothing short of extremely calculated and ingenious, like a Surrealist painting seen from an angle or the pleasure that comes from drawing a long inhale of a Kool menthol-aromatized cigarette. The sharp and kinky wintergreen/eucalyptus-mint aroma of Tubéreuse Criminelle (usually this is due to methyl salicylate) replicates the menthol blast that the natural blossoms of this devious plant emit when freshly-picked; a technique also employed with a lighter touch in Carnal Flower chez Frédéric Malle. It was exacerbated by Lutens, willing to generously give the fragrance the bend it seemed to take during its creation. Nature in its infinite wisdom has invested the rubbery, bloodlike essence of tuberose with a nose-tingling green glow which balances the intoxicating effect; it was the latter which was accused of producing spontaneous orgasms and thus young maidens in the Victorian era were forbidden from smelling the trumpety little blossoms! Perhaps fittingly Lutens took a popular sensual game of "fire and ice" into investing the composition with aspects of chill and warmth interjecting one another, making Tubéreuse Criminelle panseasonal.
Although Christopher Sheldrake, the perfumer working alongside maestro Serge Lutens, has taken the floral path as the itenerary for his composition, the finished effect reminds me of the subtler bouquet of a Riesling wine with its goût petrol more than a vase of flowers; its effarvescent effect augmenting when the first taste has dissipated from the palate. After the initial phase soft indefiniable flowers emerge, not with the piercingly sweet nature of floral fragrances, but with the creaminess of some white blooms, buttery and silky, lightly reminiscent of kid's glue, folded in a polished musky-sweet base with the merest fruity tonalities; a sensual, whispered drydown that is most unexpected after the initial blast and effortlessly androgynous in character. Like Marlen Dietrich’s name according to Jean Cocteau, but in reverse, Tubéreuse Criminelle starts with a whip stroke, ends with a caress. For sadomasochists and people appreciative of The Agony and The Ecstasy. A masterpiece!!
Notes for Serge Lutens Tubéreuse Criminelle : jasmine, orange blossom, hyacinth, tuberose, nutmeg, clove, styrax, musk and vanilla.
Tubéreuse Criminelle forms part of the Serge Lutens Paris Exclusives, available at Les Salons de Palais Royal as Eau de Parfum in bell jars of 75ml.
A small decant from my botle will be given to a lucky reader!
Related reading on Perfume Shrine: Serge Lutens scents, Salicylates
Clip of P.I.Tchaikovsky's Sleeping Beauty suite op.66 act III pas de caractere, originally uploaded by imusiciki on Youtube
Top pic via fc04.deviantart.com, bottle pic taken by Elena Vosnaki ©PerfumeShrine
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