Frequent Questions: The Difference between the various Christian Dior "Poison" fragrances

Christian Dior has a stable of fragrances all tagged Poison, encased in similarly designed packaging and bottles (but in different colors), often creating confusion to the buyer who wants to know how the various fragrances compare. This article aims to explain the differences and similarities between Poison, Tendre Poison, Hypnotic Poison, Pure Poison and Midnight Poison and their Elixir versions henceforth. Short descriptions of how they smell, perfumers, fragrance notes, color schemes on bottle and box packaging as well as comments on concentration & body products available, longevity and sillage are included.

The Poison series:

To begin in chronological order, first came Poison, the original, in 1985. It wouldn't be an overstatement to say that the original Poison was instrumental in the "loud" reputation that 1980s fragrances acquired. It is a powerhouse tuberose oriental with a berry-spicy-musky interlay, very characteristic of the time, quite excellently-made by Edouard Flechier and smelling great if used in moderation. Purple bottle in dark green box.
Notes for Poison original:
Top: orange blossom, honey, berries, pimento
Heart: cinnamon, coriander, tuberose, pepper, mace, plum, anise, ylang-ylang
Bottom: ambergris, labdanum, opoponax

Available in Eau de Toilette 30/50ml, Esprit de Parfum refillable flacon, deodorant spray, body lotion and shower gel. Some of the body products seem to be discontinued in certain markets.

Tendre Poison was the first "flanker" that came out 9 years later (1994), again composed by Edouard Flechier. It is a light green floral with freesia, a bit sharp and soapy in character. The base is pale woods, with a lightly powdery undertone that backons you closer. Although often referenced as a lighter version of the original Poison there is no comparison really. Tendre Poison is well-behaved, quite pretty and prim outwardly, a little unsmiling and cruel up close. Wears well and easily all year round and has good sillage and longevity. Light green bottle in green box.
Notes for Tendre Poison
Top: mandarin, galbanum
Heart: freesia, orange blossom, heliotrope
Bottom: sandalwood, vanilla

Available in Eau de Toilette 30/50ml, deodorant spray, body lotion and shower gel. Some of the body products seem to be discontinued in certan markets.

Hypnotic Poison came out in 1998, composed by Annick Menardo. The packaging reverted to something more daring, in crimson and a rubbery feel for the Eau de Parfum, so Hypnotic Poison is an almond gourmand oriental with a bitter edge at the start and a smooth vanilla base that contributes to a bewitching scent. Extremely popular (reports say it's a perennial bestseller in south Mediterranean countries, but also the US). Red bottle in dark red box.
Notes for Hypnotic Poison:
Top: bitter almond, caraway
Heart: jasmine sambac, jacaranda wood
Bottom: tree moss, vanilla, musk

Available in Eau de Toilette 30/50ml, deodorant spray, body lotion and shower gel.
There was an Eau de Parfum version previously available which seems to have been discontinued in favour of the Hypnotic Poison Elixir Eau de Parfum Intense.

Pure Poison coming out in 2004 was composed by Carlos Benaim, Olivier Polge and Dominique Ropion. Pure Poison is a radiant, expansive sharp floral with lots of white flowers (yet non indolic, meaning it's not in the least "dirty"), citrus essences and white musks/woods. The overall character is one of a clean, opalescent scent that is quite feminine in contemporary way. Pure Poison has an amazing sillage and is quite wearable year round. Pearl/opal white bottle in deep purple box.
Notes for Pure Poison:
Top: jasmine, sweet orange, Calabrian bergamot and Sicilian mandarin
Heart: orange blossom, gardenia
Bottom: sandalwood, ambergris

Available in Eau de Parfum 30/50ml, deodorant spray 100ml, body lotion and shower gel.

Midnight Poison is a modern "chypre" (in the vein of Narciso, Gucci by Gucci etc.) with subdued roses over a clean patchouli base, producing an abstract cool effect that is very modern. Composed by Olivier Cresp, Jacques Cavallier and Francois Demarchy, it is quite pleasant, if not very remarkable, with a dark green background that has a mysterious vibe aimed at the modern seductress.
Midnight-blue bottle in dark blue box.
Notes for Midnight Poison:
Top: mandarin orange, bergamot
Heart: rose
Bottom: patchouli, vanilla, amber

Available in Eau de Parfum 30/50ml, Extrait de Parfum, deodorant spray, body cream, body lotion and shower gel.

The Poison series Elixirs:

The various Dior Elixirs composed by Francois Demarchy came out with the aim to offer a more intense sensation blending the opulent base notes of the original Poison, along with individually selected flavours. The packaging is adorned with bulb atomisers on the bottle, boudoir-style. Each bottle replicates the colour scheme of the original fragrances they're named after. The formula is not silicone-based, but alcoholic, meaning it is sprayed like a regular Eau de Parfum.

Pure Poison Elixir was the first Elixir version for Poison and came out in 2006. Although the notes denote a quite different scent, the truth is there is no major difference with the previous Pure Poison, except for a sweeter, a tad powdery and warmer base that stays on the skin for an extremely long period of time.
Notes for Pure Poison Elixir:
Top: petitgrain, orange, green mandarin
Heart: orange blossom, jasmine sambac
Bottom: sandalwood, amber, almond, vanilla, cocoa absolute

Available in Eau de Parfum intense 30/50ml, body cream.

Hypnotic Poison Elixir came out in 2008. Based on the original Hypnotic Poison fragrance it includes a licorice-star anise combination. However it smells quite similar to the regular Hypnotic Poison, although the tenacity is even more phenomenal.

Available in Eau de Parfum intense 30/50ml, body cream.

Midnight Poison Elixir (2008) is based on the original Midnight Poison, enhanced with "intense, voluptuous, flavorful notes of caramel -fruity and toothsome, with an appetizing "toasted" fragrance - and the mellow, enveloping aromas of vanilla". It quite similar to the regular Midnight Poison apart from the sweeter caramel base which seems to kilter it off balance. Extremely tenacious as well.

Available in Eau de Parfum intense 30/50ml.

Special Valentine's Editions (2008) exist for Hypnotic Poison, Pure Poison and Midnight Poison in Eau de Toilette concentration in specially designed 40ml (1.38 fl.oz.) bottles.

Pics courtesy of Fragrantica.com

New Features Coming Up on Perfume Shrine

Perfume Shrine is pleased to announce the introduction of yet new features to accompany our very popular original ones: Frequent Questions and Myth Debunking. For these projects we aim to provide answers to questions that often arise due to confusion, misunderstandings, false claims by sales assistants or just good old inexperience (the best reason of them all because we have all been there!). Easily, clearly, yet not simplistically, we will try to offer useful guidelines for your shopping and appreciative purposes.
First installment coming up shortly!

Optical Scentsibilities: Eve and the Forbidden Apple

The story of Eve, her defiance on munching the forbidden apple and the symbolism of poisonous apples standing as wisdom, knowledge and sin in fairy tales have inspired perfume advertising for decades. Today I present you with some of the most beautiful examples.

First there was Nina Ricci and her Fille d'Eve (daughter of Eve) from 1952.
optiChristian Dior exploited the symbolism cunningly from the very start for their Poison series of scents, starting with the very first ~and probably the one with the almost poisonous vapors of a good, true, proper tuberose (me likey!) in mind:


In Hypnotic Poison, the metamodern incarnation of the poisonous apple is fetishly-dressed in red rubberized material, completely in tune with a new audience and the model sports the novel makeup choices to match:


Pure Poison kept the shape of the bottle, but turning it into opalescent white it created a jarring contrast with the jet-black jewels, dress and hair of the model and the Alien-esque movements of the unidentifiable "creature" with which she competes with for:


Recently, after acquiring Monica Bellucci as their spokesmodel, the perfect tantalizing Eve, Dior reprinted their Hypnotic Poison ads with the symbolisms evidently in place, reptilians and all:



In the meantime, Joop had launched All about Eve in a frosted apple bottle in the 90s. Symbolism had gone away from the carnal and into the wholesome by then (in tandem with the concerns for lighter smells and "cleaner" living) and the scent was limpid, promoted with exposure of bare clean flesh.



Cacharel decided to feature Eve and the apple in a regression into the prelapsarian paradise of a garden pre-Greenhouse-effect where there is no hint of doom or decay; it was 1994 and the fragrance was Eden:



Lolita Lempicka is another fragrance who took the symbolism of the apple beyond its fresh, wholesome appeal into the realm of the unknown and the magical. Luckily, the scent resplendid in its bittersweet licorice gourmand overtones corresponds well to the ingenious promotion:


And finally Nina Ricci regresses into their archives to resurrect the apple, but featuring it in a candy-sweet gourmand with a previous fragrance's name, Nina. Hard to envision as either poisonous or sinful apart from its calorific load:

Clips originally uploaded on Youtube. Pics from perfumedistributor.com, parfum de pub, forget-flowers.co.uk and Elle publication.

Thanks Given

To the wonderful gift of life and to the love that travels on angels' wings.
Have a happy Thanksgiving!



Pic sent to me by the good people at Hermes.

Guerlain Vol de Nuit: fragrance review and history

Roja Dove likes to narrate the tale of an American customer who came into a British shop opulently dressed in mink and diamons when Vol de Nuit was not available in Britain, and upon being offered by the sales assistant to try something else, she quipped "Honey, I didn't get where I got today wearing anything but Vol de Nuit and I am not changing for no-one!" Such is the emphatic loyalty Vol de Nuit produces in its admirers ~dame Diana Rigg, Katherine Hepburn and Barbara Streisand among them. I can very well understand why, because I have been securely caught in its web myself. Its haunting, powdery, almost skin-like quietude accounts for a rather sweet fragrance that caresses the senses much like the moody bass and saxophone in a smooth jazz piece. It is seductive despite itself ~in contrast to the calculating wiles of Shalimar~ peppered with the noble juxtaposition that a pressed shirt decorated with an art-deco jewel would evoke.

Guerlain followed their tradition of using evocative names inspired by famous personalities or stories (Eau Impériale for Empress Eugenie, Eau du Coq for French actor Coquelin of Syrano fame, Shalimar for the imperial gardens of Lahore, Mitsouko after Claude Farrere's protagonist in "La Bataille"; and much later Liù after Puccini's heroine in "Turandot" and Chamade after Sagan's novel). They chose "Vol de Nuit"/ Night Flight by Antoine de Saint-Exupéry, chief pilot of Aéropostale, French continent-to-continent mail operations company, and a combat pilot in World War I. Saint-Exupéry also wrote "Courier Sud"(Southern Mail) and "Terre des Hommes"(Wind, Sand and Stars) but was immortalised via the classic allegory "The Little Prince". A close friend of Jacques Guerlain, famous for his romantic conquests and very much read at the time, he disappeared in a reconnaissance flight during World War II (1944). His fate, eerily similar to Fabien's, the newly-wed protagonist of "Night Flight", a pilot on the airmail plane from Patagonia to Buenos Aires who is caught in a cyclone and dies while his wife Simone anxiously awaits signal atop the control tower, is shrouded in romantic mystery. Thus, two years after the publication of the novel, in 1933, Jacques Guerlain launched his fragrance by the same name.


The fragrance Vol de Nuit, inspired by the brave early days of aviation, much like En Avion by Caron, or alternatively the ocean-liner named Normandie by Patou, they all coincided with the at once fascinating and perilous exploration of uncharted territories, exotically comparable to our contemporary exploration of the galaxy. And yet despite everything Vol de Nuit compared with En Avion or even Normandie is tamer than its whirwind name would suggest but none the less magisterial for it. Technically a woody oriental, yet with its pronounced opening green note it totters between an oriental and a chypre. Which is understandable if one considers that it was the first fragrance to make overuse of galbanum, thus influencing classics to follow such as Germain Cellier's Vent Vert, Paul Vacher's Miss Dior and Guy Robert's Chanel No.19. The other characteristic element in Vol de Nuit is jonquil absolute. The initial green rush of those two notes along with spice (a delectable touch of cinnamon, perhaps deriving from benzoin) follows a swift diminuendo into delicate flowers similar to those that appear as if pressed between the pages of a stranger's antique journal in the heart of Chant d'Aromes. The ambience of that floral hug is softly-spoken, refined and gentle ceding to a haunting drydown of woody musky nuances, with the characteristic ambery-vanilla-orris-coumarin sweetness that comprises the tradition of Guerlain (the Guerlinade). The original composition contained costus oil, but today that ingredient is restricted, therefore synthetic approximations by IFF are used. That powdery, discreetly smoky phase resembles the quiet plush of Habit Rouge (the masculine version of Shalimar ) laced with the slight wistfulness over a wise advice that you just didn't follow...

Notes for Guerlain Vol de Nuit:
Top: orange, bergamot, lemon, mandarin, petitgrain, galbanum, sage, aldehydes
Heart: violet, rosewood, palmarosa, jasmine, jonquil/daffodil, pimento
Base: Vanilla, benzoin, Peru balsam, musk, cedarwood, orris, tonka bean, oakmoss, agarwood, sandalwood, vetiver, ambergris, castoreum.

Originally the Vol de Nuit flacon was designed with a front that represented an airplane's propeller at the time when Air France was born and air-travel held the lure of adventure. The name is cut out of a circle of gold metal suggesting the propeller belt. The outer box was conceived to look zebra-stripped to denote the fascination with exotic travelling and Africa, the wild continent.

Later on the flacon followed the almost vase-shape of other Guerlain scents. In the '80s and '90s a refill was made in plain glass for the classic gold Habit de Fete canisters. The parfum circulates in the squat short flacon with the quadrilobe stopper that still holds Jicky and Nahéma in extrait de parfum. The French Air Force Collge orders bottles of Vol de Nuit to be emblazoned with their emblem so that their cadets can offer as gifts when officially visiting abroad. There even was a talc product aromatized with Vol de Nuit which I hope I could come across one day.

The parfum concentration in Vol de Nuit is eminently nobler, yet the Eau de Toilette especially in vintage versions is very satisfactory and rich. It is incidentally one of the Guerlain fragrances where the newer batches have not the pillaged air other thoughroughbreds have suffered, although it lasts somewhat shorter, perhaps because under LVMH supervision all the animalics have been replaced with synthesized versions to comply with current ethical concerns (as is the case in all Guerlain fragrances).
NB: Not to be confused with the recent introduction of Vol de Nuit Evasion (2007) which is in fact an eau de toilette concentration of Guerlain's Guet Apens/ Attrape Coeur (more on which subsequently).

Vol de Nuit is available from Guerlain counters although not all of them carry it and if they do it might be tucked back behind the countertop. Ask for it!

Related reading on Perfume Shrine: Guerlain series.

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