Thursday, May 27, 2010

Fifi 2010 nominee Giveaway 9

As we announced previously, the Fragrance Foundation is giving away bottles of the nominees of the 2010 Fifi Awards every day starting Monday 17th.

Today's fragrance giveaway is Flora by Gucci. The inspiration for the floral motif (and name of the fragance) comes from vintage collections by Gucci in which the big, romantic distinctive patterns of flowers and butterflies were strewn across silks and canvas on scaves and bags respectively. The fragrance developed by Firmenich for Procter & Gamble ~who owns parfums Gucci~ is a sophisticated floral (of course!), aimed at the younger clientele featuring citrus accords, peony, rose, osmanthus, pink pepper, and sandalwood.

All you have to do is connect to the FIFI Facebook page and leave a comment until 5pm (the sooner the better obviously) for a chance to win one of the free bottles.

Certain terms and conditions apply.
Disclosure: We are not affiliated with either the Fragrance Foundation or the companies which provide the fragrances for the giveaway. This is a public service announcement.

Wednesday, May 26, 2010

Shiseido Koto: fragrance review & draw

Koto by Shiseido was issued launched in the international market in 1985 which makes it a fairly recent vintage, yet in hindsight one can see how this ethereal quality of cool mossiness is reminiscent of other eras when elegance, discretion and manners were the passe-partout into society. {Indeed in Japan it was originally issued in 1967 as it transpires}. Simply put Koto is supremely well-mannered and I could never in a million years "see" it on someone chewing bubble-gum with an attitude, gesturing madly in public and talking loudly on their cell-phone regardless of passer-bys. It exudes a polished, refined aura which puts things in perspective and people who come into contact with it at ease, rather than in a defensive mode. Among chypres, Koto is one of the friendliest and most easy to accept, but not receding to the role of wallflower either!

Naming a fragrance after the national musical instrument of Japan is indicative of Shiseido's thought-process: melodic, graceful, with a refinement that eludes Western appreciation for fuller scores which span contrapuntal levels like in the form of a fugue or canon, koto and the music played on it is an entity of its own. The "chypre" basic structure on the other hand is a classically westernised transliteration of the latter musical idea, interpolating themes woven into clusters of notes: a floral heart, a powdery base, a fresh ~often green or citrusy~ start. You get whiffs of each motif as the fragrance evolves on your skin like voices taking turns into singing the same melody, out of synch yet harmonically. In many ways for a Japanese company such as Shiseido to issue chypre fragrances (Murasaki is another interesting case) is like borrowing the contrapunto of Palestrina and spinning it on its head. Koto doesn't smell as perfume-y or powdery as most Western chypres do, retaining the discretion and natural feel that Japanese audiences appreciate more.

The composition of Koto is based on a two-pole magnetic compass that points to instantly perceived charisma: On one side the starchness and dryness of a classic chypre accord smelling green but not too earthy. On the other side, a floral chord of crystalline (but not too high-pitched) and "clean" notes of lily of the valley (muguet) with a smidge of rose and gardenia. The two elements produce a dry yet expansive and fresh wave which envelops the body lightly. A hint of leathery, resinous touch at the base with indefinable woody notes is underscoring the green mossy stages. Lovers of the original Vent Vert and the more soapy Ivoire by Balmain might take note, as would those who like Y by Saint Laurent, Jacomo Silences, Chanel Cristalle and Paco Rabanne Calandre. Koto is certainly less agressively green than vintage Vent Vert or Silences (no galbanum or quinolines here) and less oakmoss-rich than the original Y, but it falls within the group's characteristics nonetheless and can be nicely shared among the two sexes.

Koto by Shiseido circulates in an Eau de Cologne Pure Mist version (which is satisfyingly sufficient if you're not demanding of your scent to stick around into the night) and is a Japan exclusive. Yet it makes some appearences on online auctions from time to time. It's definitely approachable enough in both scent and price point to grace more collections than it does at the present time.

For our readers, a good-size decant of the fragrance will be given to the lucky reader among those who state their interest in the comments. The draw will be open till Saturday 30th May midnight.





The song is "Itsuki No Komoriuta", from the CD compilation "The Koto- Japanese Healing Music" uploaded by Starfires.
Painting Green Teapot and Japanese Bowl by Helene Druvert.

Tuesday, May 25, 2010

Fifi 2010 nominee Giveaway 8

As we announced previously, the Fragrance Foundation is giving away bottles of the nominees of the 2010 Fifi Awards every day starting Monday 17th.
Today's fragrance giveaway is Very Hollywood by Michael Kors. Mandarin, iced bergamot, wet jasmine, ylang ylang, gardenia and raspberry combine with Italian orris, amber, soft white moss for a "glamours fragrance".
All you have to do is connect to the FIFI Facebook page and leave a comment until 5pm (the sooner the better obviously) for a chance to win one of the free bottles.

Certain terms and conditions apply.
Disclosure: We are not affiliated with either the Fragrance Foundation or the companies which provide the fragrances for the giveaway. This is a public service announcement.

Fifi 2010 nominee Giveaway 7

As we announced previously, the Fragrance Foundation is giving away bottles of the nominees of the 2010 Fifi Awards every day starting Monday 17th.

Today's fragrance giveaway is Eau Méga by Victor & Rolf. "A new superheroine is born. Touched by Eau Mega she becomes best at what's she good at". Eau Méga by Viktor & Rolf is the newest creation of the cutting-edge designing duo for which they conceived the megamizer (a giga atomiser) for a green and fresh composition, encompassing notes of violet leaf, green basil, pear, peony, jasmine sambac, Italian citron, cedar and Casmeran (a smooth wody-musky aroma-chemical).

All you have to do is connect to the FIFI Facebook page and leave a comment until 5pm (the sooner the better obviously) for a chance to win one of the free bottles.

Certain terms and conditions apply.

Disclosure: We are not affiliated with either the Fragrance Foundation or the companies which provide the fragrances for the giveaway. This is a public service announcement.

Monday, May 24, 2010

Jo Malone launches new line, English Pear & Freesia new fragrance

Some years after being sold to the Lauder Group, Jo Malone, the doyenne of prim British elegance in skincare and fragrancing, is set to launch a new line of fragrances, seemingly under the creative aegis of perfumer Christine Nagel. Jo, now 46, sold her company to Estée Lauder in 1999 in what can only be described as the “deal of a lifetime” (figure is rumoured to be £5 million) for the high-school drop-out who is self-professedly "seriously dyslexic". She stayed on in a creative capacity, but in 2003 Jo was diagnosed with breast cancer which necessitated chemotherapy and some serious focusing on her own life. Now, healthy and strong again, she's back in business! Her next venture, another foray into the fragrance market that remains tightly under wraps for now ~well, not anymore~ will start as the first one did at the dining-room table: "“I gave my clients little bottles of home-made nutmeg and ginger bath oil as a thank you” says Malone recounting her first attempts at fragrance creation for her facials clients who were clamouring for setting an appointment with her and her magic fingers.

The first installment in this new fragrance collection, which will be spanning the next two years, will be English Pear & Freesia, for which Christine Nagel describes the note that she wanted to capture, as "the fragrance of a King William pear just before it becomes over-ripe. The intention was to capture the smell of the fruit when it was sweet but still crisp, not too green and sharp but not sugary and soft". To boost the effect there are also notes of freesia, quince and a subtle hint of patchouli. Pear too timid to take center stage? More like a technical issue, really, taking in mind pear notes usually come from the flavouring side of the industry.

"It's unusual for a pear to take centre stage in a fragrance*, but the essence of English Pear & Freesia is a complex and quintessentially autumnal pear note. My challenge was in recreating the scent of a pear at that moment of perfect ripeness" says Nagel. Apparently, the September launch isn't random. It is John Keats and his immortal "To Autumn" ode that has served as an inspiration behind the new fragrance. No wonder the launch took place to Hampstead and Keats' house. [source]
Alexis Wolfer already characterises English Pear & Freesia as "delicious and mixes well with many other Jo scents!"

More info soon at Jo Malone online.

*Two that do are Lamb by G.Stefani and Petite Cherie by Annick Goutal.

C.Nagel quotes via Basenotes
Photos via luirig.altervista.org and deliciousmagazine.co.uk

Ferre Rose Princesse: fragrance review

Like Bryce Dallas Howard's milky skin and diaphanous eyes there are fragrances which are delicate yet at the same time forceful: You just can't deny their presence. Gianfranco Ferré's Ferré Rose Princesse for women is one such fragrance. It was composed by perfumer Karine Dubreuil and is a fruity floral inspired by the Princesse de Monaco hybrid tea rose, standing as a flanker besides the older Ferré Rose (you won't confuse the two as this one is brightly pink-looking).

Brightly pink, I said? Well...let's see. Officially, the perfume opens with sweet-sourish notes of Sicilian bergamot, Spanish sweet orange, Mexican lemon, wild blackberries and green apple. The heart encompasses notes of wood lilac [sic], pear flowers, rose princesse, damascena rose, white magnolia and violet leaves, while the base is composed of soft musks and woody aromas – sandalwood and palissander wood. Going over the notes however doesn't beging to give the impression that the fragrance conveys: The introduction of obvious berry notes is tart, fused with a strong salicylate "solar" effect comparable to the one in Si Lolita by Lolita Lempicka.

Usually the salicylate "solar" accord reads as a sandy, warm, brightly expansive feeling with a hint of mentholated floral note in the breeze. Now a perfumer is at ease to work with this in two directions: Tilt it at one angle and work around an ambery and ylang ylang or orange blossom theme (or more contemporarily tiare) and you have an excellent almost tropical-smelling sun worshipping composition that recalls bodies sprawled on the beach with no care in the world; baking under an evil sun scorching one's limbs as if it's a pre-Colombian sacrifice. Witness Patou Chaldée, Aquasun by Lancaster, the more refined of them all Vanille Galante in the Hermessence series or more prosaicaly Miami Glow by J.Lo.
Tilt it at another angle with wintergreen methyl salicylate alongside either naturally camphoraceous flowers (tuberose) or alternatively cooler blossoms (rose, peony) which would naturally bind well with undergrowth smells, and you have quite a different effect: A hint of mothball, but also a staggeringly modern expansive effect when paired with tart notes. See Carnal Flower by F.Malle. Indeed the two fragrances mentioned above, Ferré Rose Princesse and Si Lolita, share this characteristic rather prominently amongst the newer mainstream releases.

In Rose Princesse, although very fruity in the opening, I hardly detect any citrus presence. It's there but it's not what you're getting. Very girlish, very berry-rich, the scent slowly loses the piquant camphoraceous character and becomes extremely soft and gentle with a strong musky powdery feeling. Among the excellent and sophisticated Ferré range (see Ferré eau de parfum from 2005 or Ferré Essence d'Eau from 2003), it is an anomaly, but an interesting anomaly nonetheless. Not something I would personally wear a lot, due to the sweet berry-ish character, but not an air-headed girly fruity floral either. Girls could do much worse, I guess.

Ferré Rose Princesse is available in 30ml, 50ml and 100ml of Eau de Toilette as well as in a 200 ml body lotion at major department stores.

Fifi 2010 nominee Giveaway 6

As we announced previously, the Fragrance Foundation is giving away bottles of the nominees of the 2010 Fifi Awards every day starting Monday 17th.

Today's fragrance giveaway is Tom Ford Private Blend White Suede. A rush of Bulgarian rose opens the fragrance, mingled with the first hint of musk. This romantic gesture is beautifully restrained by a trace of golden saffron—a precious spice known for its own duality of bittersweet warmth—with a pinch of pungent thyme. Then the suede center reveals itself. Leather in its softest iteration, this suede is given shape by smoky notes of mate tea and olibanum, the resin from frankincense trees. A sweet note of lily of the valley brings transparency to the center and ensures the masculine character of deep suede doesn’t dominate. The addictive pull of musk is enhanced by amber and sandalwood, creating the scent’s lingering dry down. WHITE SUEDE stays endlessly intriguing as its twin facets of floral-musk and leather-suede evolve in tandem.

All you have to do is connect to the FIFI Facebook page and leave a comment until 5pm (the sooner the better obviously) for a chance to win one of the free bottles.

Certain terms and conditions apply.

Disclosure: We are not affiliated with either the Fragrance Foundation or the companies which provide the fragrances for the giveaway. This is a public service announcement.

Friday, May 21, 2010

L’Oreal Trademark Victory: End of Fragrance Dupes?

According to Business Week, the Court of Appeal’s judgment in London today "follows a decision last year from the European Court of Justice setting out how far L’Oreal, the world’s largest cosmetics maker, can go under EU law to block marketing of copied scents. The U.K. court said it had a “duty” to apply the European ruling. “The ECJ’s decision in this case means that poor consumers are the losers,” Judge Robin Jacob said in the ruling. “Only the poor would dream of buying the defendants’ products. The real thing is beyond their wildest dreams.” " Hmmm...maybe they haven't heard of obsessive compulsive collectors who amass everything! But I digress.
“There is a bit of a message that the price of the real thing may be excessive and that the ‘luxury image’ may be a bit of a delusion,” Jacob said in the ruling. Naturally as the dupe costing 4.30$ for the 100ml bottle is abysmally low compared to the 100 pounds or so for the real thing! L'Oreal however insists that we're talking of 120million in loss revenue.
According to Hamish Porter the judgement has been an "an “indictment” of the European court’s approach to protecting well-known brands".
You can read the whole case following the link at the top.

Photos from the Moroccan Abode of Serge Lutens


W magazine goes inside perfumer Serge Lutens's secret Moroccan hideout in the heart of the Marrakesh medina, asks questions (via Christopher Bagley) and posts a pleiad of gorgeous photos (by Patric Nagel) in their June issue. Curiously, the hideout of the grand master of artistic direction is just that ~a secret hideout. It's been constructed for the last 35 years, yet it hasn't been lived in yet! Lutens has trouble coming up with a clear explanation, attributing it to filling the “awful, horrible emptiness that we all have.” He says, “There are times where you just have to be completely occupied; otherwise you fall apart".
The house is respendid with orientalised motifs, Berber jewellery and fibulae, Syrian chairs and paneled coloured windows alongside an impressive memento mori desk. All around a big walled garden full of exotic blooms like daturas, tuberoses and brigmansias. Anyone who knows the admiration Perfume Shrine holds for the Lutensian universe knows we're thrilled...


The interview includes such Lutensian gems as “I felt like the director of the pyramid at Cheops” (on the 500 people working on it), “You could call it obsession. But obsession is a necessary part of creation” (on getting carried away on the building process) and “It’s happened very quickly, like a hysteria. Everything’s a hysteria with me” (on his amassing moody Orientalist art-pieces from the middle of the 1980s onwards).


But maybe the most interesting of them all (and the most romantic) concerns smells: The greatest perfumers of them all aren't perfumers, but rather the bees, the winds, the rivers, carrying and mixing scents in space...In a home like this one, this is tangible reality more than poetic fantasy.

Visit this link to read and see the Serge Lutens slideshow.

And might we remind you that two new fragrances by Serge Lutens are coming up soon: Boxeuses and Bas de Soie. You can read about them here.

Photographs by Patric Nagel for W Magazine.

The Perfume Wars: Old Lady vs Older Woman

Among perfume lovers' circles there are no other two words more despised than "old lady" perfume. Is it because often the people who love ~but also have the economic means to indulge in their passion~ are of more mature years? Is it because it connotates the worst ageism possible, an invisible one? Is it because in the en masse swiping out of "old lady" perfumes one is thus disregarding all the classics and the vintage treasures which evolving trends made obsolete? Possibly it's a combination of all of the above. And why are men left out, as usual? Are there no "old men" fragrances? And if they exist, why isn't the world paying any attention? Considering the subtextual content of language in reference to scents isn't an easy task, probably exactly because olfaction is a function that addresses the brain's limbic system rather than the rational centre of speech. Therefore a correlation between feeling produced by smell and language used to express it is hard to establish.

Some people defend the term "old lady" by saying it's vague, so it could be construed positively. And originally it was. For instance, a beloved grandmother who has a loyalty to a specific fragrance of her youth might be an old lady to emulate. I can think of at least two. After all fragrance vogues come and go: When My Sin by Lanvin launched in 1925 it was the bee's knees (it still is, if we need to be objective), a subversive scent for an emancipated woman. Miss Dior (1947) was aimed at the debutantes of the first years after WWII, hence the "miss" denomination. Now the young ones wear Miss Dior Cherie, a sweet fragrance that bears no olfactory relation to the predecessor and turn up their noses at the original. L'Eau d'Issey (1992) marked a whole generation now in their early forties; in the eyes of a modern teenager, it's terribly passé. The cyclical course of fashions accounts for the unavoidable reversion of norms and perceptions, in regards to scents as with everything else.
It could be a lack of vocabulary and imagination only: The derogatory term is easy to say and to blurb forth, without trying to come up with a phrase that describes our feelings in more precise terms that could convey nuanced meaning. Obviously the mystique of fragrance is terra incognita for many, but I am wondering whether this is an excuse for terminology laziness.

On the other hand, so very often the term "old lady smell" is used in reference not simply to obsolete or old-fashioned aromata, but rather displeasing or even repelling ones: Smells of incontinence, of "dead" hormones (very seldom detractors consider "old lady" perfumes as sexy or attractive), of lacking hygiene due to physical disabilities, smells of medicine and disease...The feeling is almost one of foreboding, a bad omen that has the evil ability to stick around and influence everyone around. "Chela Gonzalez and her friend Nora are looking forward to sixth grade in their El Paso school. They have finally been placed in the A-class, the “smart class,” which is for students who only speak English. Then Chela’s father has a stroke on the first day of school, her grandmother comes to help out, and “the air became thick with the smell of old lady perfume, of dying flowers and alcohol…. It was the smell of bad things.” Thus is constructed the central plot in Claudia Guadalupe Martinez’s debut novel for young adults "The Smell of Old Lady Perfume". No baking cookies, cuddling and fragrant kisses goodnight for this grandma and grandaughter.
A blogger further writes remarking the scent of a woman he passes by: "Perhaps this isn't a smell that old people spray themselves with. Maybe when you get past the menopause, you instantly start emitting it. Old women try to mask it with stronger fragrances, but the old lady smell keeps coming out. As they get older, the smell fades, and is replaced by the smell of old mothballs." There is even a Banning Old Lady Perfume on Facebook! And the pursuit of youth at all costs knows no (commercial) boundaries: there's a magic smell for everything!
Surely it must be a hard-wired mechanism in humans that averts us from anything that reminds us of our own mortality seeing a woman of advanced years as discarded material, an old hag. Before you pppfft it as sheer rubbish though read this: "A researcher at Shiseido Laboratories has traced the problem to a fatty acid known as palmitoleic acid. He has also learned that the body of a person up to about the age of 30 does not secrete a noticeable amount of this substance, but that once a person--whether male or female--hits 40, the volume rises sharply. The volume of palmitoleic acid released by the human body is 10 times as great among people in their seventies as in their forties."
Still, aging is a privilege; the alternative isn't as good. We might as well be a little more accepting and lenient and grow up already!

Spirited discussions ensue whenever the subject is brought up nevertheless: One perplexed 25-year old says she was told by her boyfriend "his favourite perfume is White Diamonds by Elizabeth Taylor" and asks for opinions on whether it's too mature for her. Before anyone playfully suggests she ditches the boyfriend, she is told instead to "try it on skin first", "its old lady, try smelling Paris hilton, Gwen Stefani, Baby phat, J-Lo, these are just a few in my collection that smell oh so good", that "it’s a little mature but it smells alright. I wouldn’t wear it until I’m like 45+", "I didn’t know they had perfume for young folks and old folks" and yes, finally that "it is marketed to an older more mature woman". Ah...the magic word: "marketed"!

But let's see the world of difference a small substitution does to the term: What if instead of "old lady" we had "older woman"? The image of a prim, conservative little commuter, grey hair in a bun and structured purse in her lap, sensible shoes and no thoughts of enjoying anything naughty is looming whenever the derogatory term is used. Is it the "little" lady in there that is so distasteful to the detractors? One of them even mentions it out of the blue as smelling like "Eau de little old lady" when talking about retro perfumes , so there must be some truth in my theory! In contrast, consider being youngish and being told you smell "like an older woman", especially if this comes from a man. Instantly the characterisation is not negative; far from it. It's "older", not old. It's "woman", a more sensuously rich term than "lady". It's all French (or Italian) films and summers spent as an exchange student someplace where a knowing woman had taught you the secrets and exasperations of adult life Mrs. Robinson-style. Who wouldn't want to be as alluring as Jacqueline Bisset? Still, the ringing-of-some-humiliation term of "cougar" has been concocted against older women going after younger men, so I'm seriously considering whether "old lady" isn't a feminist issue to begin with. It probably is.

A suitable alternative term for "old lady" perfume nevertheless hasn't been universally accepted yet. Would "retro fragrances" be a positive term to replace the "old lady" one when referring to classics & old-fashioned scents? Would "old-fashioned" do when we're talking about something that is not necessarily within our comprehension or taste? Would "displeasing" be an umbrella subjective term for the scents we don't like, forgetting the ageist tentacles which are spreading and engulfing us whenever we use the term "old lady" in a negative light?
We're taking submissions for vocabulary expansion right here as we speak: Offer your own!

pics via shadyoldlady.com and cinematicpassions.com

Fifi 2010 nominee Giveaway 5

As we announced previously, the Fragrance Foundation is giving away bottles of the nominees of the 2010 Fifi Awards every day starting Monday 17th.

Today's fragrance giveaway is Patrick Dempsey II in collaboration with Avon. Created by Firmenich, this is a masculine spicy oriental combining notes of mandarin, saffron, nutmeg, spiced wood accord, green fig, cistus, olibanum, patchouli, guiacwood, skin musk accord.

All you have to do is connect to the FIFI Facebook page and leave a comment until 5pm (the sooner the better obviously) for a chance to win one of the free bottles.

Certain terms and conditions apply.

Disclosure: We are not affiliated with either the Fragrance Foundation or the companies which provide the fragrances for the giveaway. This is a public service announcement.

Thursday, May 20, 2010

Villa Kerylos at Beaulieu-Sur-Mer: a Virtual Trip!

Villa Kerylos, situated between Nice and Monaco at Beaulieu-Sur-Mer, France, is the recreation of a noble dwelling from the 2nd century B.C on the Greek sacred island of Delos, which is now open to visitors. "Kerylos" literally means halcyon or Kingfisher (a bird bringing a good omen) in Greek. The concept was envisioned by Théodore Reinach (1860-1928), a scholar and well known Hellenist, who built the villa in France as a token of admiration to the Hellenic way of life. It was designed by the Italian architect Emmanuel Pontremoli.

The design of Villa Kerylos follows a classic Mediterranean scheme which involves a central courtyard or περίστυλον (much like the palaces in Minoan Crete) surrounded by a garden with a selection of plants found in Greece including olive, carob and pine trees, cypresses, irises and myrtle; they waft their scented trail around to the enchantment of year-long visitors.
The central courtyard was customary in every ancient Greek dwelling: the focal point where air and light circulated freely, with a water basin in the center. All around, the walls are filled with frescoes depicting mythological scenes and shell designs, following the iconography of ancient temples and houses. The inside is completely furnished and decorate to reflect the way of life of another time, like a portal to island and land abodes of ancient Greece.

In the following clips you too can have a virtual touring of this fascinating place and let your mind travel to a summery destination. One of the perfumes which tries to capture the ambience of the fragrant garden at Kerylos is Jardin de Kérylos (16) by Parfumerie Generale (from the founder perfumer Pierre Guillaume), a dry and fresh fig accented by sycamore and woods, emphasizing the bright and fruity aspects instead of the milky, which transports us to another time.













Clips originally uploaded by cltcmoamoano and indiavideo and fnac (Copyright : EXTRUD / Culturespaces) on youtube

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