Showing posts with label sexy perfume. Show all posts
Showing posts with label sexy perfume. Show all posts

Friday, March 1, 2013

Lived-in Elegance & Sexiness: The Surprising Case of Cumin Fragrances

Would you believe me if I said that one incredibly sexy, shockingly intimate nuance in fragrance comes from a humble kitchen spice? Cumin is frequently featured in men's perfumes to offset lighter notes and it imparts a wonderful carnality in feminine fragrances, especially now that animalic ingredients coming from animal sources are non existent and the alternatives are mostly sub-par synthetics that do not create the same intimacy. This dense, pungent ingredient can couple well with floral essences and with woods and is often among the spice "bouquet" in spicy oriental fragrances, making it a very pliable and versatile partner in perfume composition.



The inclusion of cumin can provide that underlay of lived-in quality that is can be so elegant and old-money in fragrance compositions that would be effete without it: Eau d'Hermès by Edmond Roudnitska for Hermès is a great example, a citrus-leathery cologne for men (that women can share) which feels like a worn pair of chinos for a walk outdoors. Roudnitska's talented pupil and modern maestro of niche, Jean Claude Ellena, took this segment off the old into creating his masterful Cartier Declaration: the cumin in tandem with cardamom creates a contrast of cool and warm, on a mossy, foresty base that feels fresh, yet providing the feeling of someone who is breathing, feating and living underneath (and probably has apocrine glands that function properly and freely!), not a sterilized version of a human just out of the sauna. In Diorella, another Roudnitska classic, the ripe melon, almost garbage-like note marries well to the dirty, spicy cumin to make the refreshing top notes less acidic and more enigmatic.

To extend this notion, cumin can also provide a sexy glimpse, as in afterglow bodies which although were clean to begin with now bear the fruits of some romping around. The inclusion of cumin in the modernized Rochas Femme was an especially enlightened idea in view of that aspect; although purists argue it's quite different than the original Roudnitska creation, one can't fail to notice that at least in spirit, if not in letter, it stays close to the dicta of the grand master. Absolue pour le Soir by Maison Francis Kurkdjian marries cumin and powerful musky notes to render a very naughty olfactory experience indeed! Even though it is profoundly sexy, however, the fragrance never veers into the territory of vulgar, not meaning to please everyone via "easy" popular tricks. In Parfum d'Empire Aziyadé the cumin inclusion provides the exotic touch, but also the languor of the harem, the name deriving from the story of a concubine in Ottoman Turkey. In Jubilation 25 (Amouage) cumin plays a significant role into providing the decadent fruity chypre ambience of classics of yore. Fleurs d'Oranger by Lutens, although certainly not a lonely case of cumin use in the vast portfolio of spicy wonders in the line, is probably the most erotic floral of the brand; lush, dense, seriously romantic, fanning the spice over the carnality of orange blossom absolute and dense, clotted tuberose essence. A play of seduction in the cloistered gardens of Cordoba.

 Other times the author of a perfume is interested neither in the lived-in elegance, nor the sexiness, but in providing an unexpected touch that will distinguish the composition into an unusual spicy arpeggio above the clichés of cinnamon and pepper: Kenzo Jungle L'Eléphant was such a case, as was L'Autre by Diptyque, their distinctiveness probably the very reason of their market demise...

 WEARER'S CAVEAT EMPTOR

Cumin being the great divider it is, however -several people find a prominent note of cumin either too foody (like Indian food, where cumin is featured in the preparation of curry mixes) or too "dirty" (as in body odor)- sampling is definitely recommended for any fragrance that features cumin prominently. This is a matter of cerebral familiarity with it rather than skin compatibility which goes both ways: If you know the spice, you can pick it up and be indifferent to it due to over-familiarization through spicy food, or alternatively you can pick it up better than someone non familiar with it and thus be more attentive to it, especially if you don't fancy Indian or Middle Eastern food, feeling it sticks out like a sore thumb!)

 Cumin has been inumerable times linked to the scent of sweat on online fora and communities, to the point that it is enough to even mention the list of notes featuring it to have at least one person wondering whether the perfume will end up smelling like stale sweat on them... It's an anecdote, but a good one; when Kingdom by Alexander McQueen, a cumin-laced skanfest by all accounts, launched, an experienced online member by the alias Serpent, described his impression of the new fragrance in the shocking but funny imagery of a "hooker eating a burrito". Such was the effect of the cumin overload!

With cumin, you have to be very deliberate, it seems.

Related reading on PerfumeShrine: Cumin as a raw material, pheromones, sweat and list of cumin-laced fragrances


Friday, July 13, 2012

Parfums Lingerie: Scents as Delicate & Alluring as Feminine Underpinnings

An angel lay on the mattress and spoke of history and death
With perfume on her lingerie and whiskey on her breath 
~"Resurrection" by Ray Wylie Hubbard


Though not a technical term in perfumery jargon, contrary to for instance "animalic scents" or "soapy scents", there really isn't there a more to the point reference to what certain fragrances evoke: the delicate lace of a sexy ivory basque worn with silken garters, the smoothness of pink satin tap pants with matching camisole on spaghetti straps,  retro merry widows in black, or chiffon baby dolls puffing under heaving bosoms...the whole accessorized with pearls and marabou-trimmed slippers with a heel!

Kirsten Dunst seriously glam-ed up!

"Parfums lingerie", a self-coined term, therefore denotes in my mind a category of fragrances that exude romanticism, with a wink of eroticism, drawing as they do from the rich pool of traditional feminine accouterments (including cosmetics) and at the same time a sense of insouciance and nonchalance like the very vest pin-ups images has taught us to expect. Fun as the lingerie is to wear and fantasize, alone or with the company of a loved one, these perfumes are even more fun to don! You don't have to eschew your feminist ideas one iota, as perfume is such an insubstantial entity with no visual cues to not get attached to excessive baggage, and you can wear them in public without blushing a single bit. But the wondrous, stimulating effect of knowing you're wearing a "parfum lingerie" underneath it all very much resembles the tangible frisson of wearing exquisite underwear under your prim clothes.

You can of course turn to established lingerie brands offering their own fragrant interpretations: Agent Provocateur has the killer sexy Agent Provocateur chypre fragrance which is naughtier than whatever I had in mind (but really fabulous too!) Chantal Thomass, Fifi Chachnil or Sonia Rykiel who know a thing or two about intimate apparel all have their own perfumes out in the market (Love many of them personally, especially Rykiel's Woman, Not for Men and Fifi by Chachnil). Or we have Josie Natori suggesting her Natori Eau de Parfum, a most agreeable floriental with an ambery, soft-spoken background of powder and wood. But there's no need to pigeon-hole. Let's be creative, shall we?

Classifying "parfums lingerie" we come across several common traits in their technical make-up. These are usually fragrances with demure and elegant floral notes of a retro vibe, such as violet and rose, a romantic combination that also brings to mind cosmetics. But in parfums lingerie the effect isn't waxy or sticky (such as in F.Malle's Lipstick Rose for instance, the reference for lipstick scents) but rather airy, like a chiffon camisole that doesn't stick to the body, with an added soupçon of defiance and more emphasis on the violet and the ionones than on the rose. 
Rice-powder is a retro reference that can't but bring to mind glamour images of yore when actresses and opera divas were shown in front of their over-lit mirrors applying face and décolleté powder with fat, goose down puffs in pastel colors, dressed in silky robes. The fragrances that exude this powdery heaven are more delicate than the typical "powdery perfume" with orris notes combined with a little white floral (such as jasmine), a hint of vanilla and sometimes an actual rice whiff.


 Last but not least, whisper soft musks carefully poised between "clean musk" and "dirty musk" (none of the piercing laundry detergent type, nor the Lutens Musks Koublai Khan skank); sometimes with a heavier leaning into one or the other direction yet never overdoing it. These musks can employ the added softness of white flowers, tactile woods and a little billowy vanilla. These scents can play the seductive game of acting like virtual lingerie...even when you're wearing none!


Here is my selection of "parfums lingerie". I love wearing some of them when the mood strikes. All the while imagining myself a more alluring subject than I am...

Violet-laced Scent Underpinnings
Love, Chloé by Chloé
Drôle de Rose by L'Artisan Parfumeur
Météorites by Guerlain
Flower by Kenzo
Balenciaga Paris L'Essence by Balenciaga
Violet Blonde by Tom Ford
Violette Precieuse by Caron

Musky Charmeuses
Lovely by Sarah Jessica Parker
Noa by Cacharel
Clair de Musc by Serge Lutens
Bois et Musc by Serge Lutens
Narciso for Her Eau de toilette by Narciso Rodriguez


Rice & Powdery Chiffon Scents
Cashmere Mist by Donna Karan
Kenzoki Rice Steam Sensual by Kenzo
Sophistique by Mark
Sake and Rice by Fresh

Which are your own favorite "lingerie fragrances"? Let me know in the comments.


pics via Pinterest.com/hercourt originally uploaded from freshpair.com, suicideblonde.tumblr.comphotoshootbloger.blogspot.com.au

bottle pics via girlwiththecuriousnose.blogspot.comshoppingheavendotnet.blogspot.com

Tuesday, May 17, 2011

Guerlain Shalimar Parfum Initial: fragrance review

Much as I was predisposed to at least enjoy the unashamedly girly Idylle Duet and dislike the sanctimonious (I thought) Shalimar Parfum Initial, both new releases by the historic house of Guerlain, the perfume gods tipped the scales off and landed me into a case of reverse hubris: I found myself being quite lukewarm on the former, while enjoying very much the latter! How's that for irony?

Indeed Shalimar Parfum Initial, credited to perfumer Thierry Wasser as well, is in almost an unrecognisable style to the other feminine release of this year: rich, satisfying, with a smoothly polished texture like silk moiré, it bears little relation to the anaemic and maudlin composition of Idylle Duet. A sufficient dose of healthy scepticism had struck me like a ton of bricks upon setting eyes on the press release images of the new flanker to the iconic Shalimar: a pink Shalimar, for Christ's sake? Isn't anything sacred? My eyebrows were reaching the roots of my hair in exasperation! But upon testing the actual jus on my skin and letting the blotters, lavishly soaked with it,  on my desk for some days I realised that, corny as it might sound, we're not to judge a book by its cover. Shalimar Parfum Initial is the brave, valiant and well-crafted effort of Wasser and Guerlain to present the house with their own Eau Première, much like Chanel did with their own numeric monstre. After all, much of Guerlain's prestige resides indeed with such venerable classics as Mitsouko and Shalimar.So, what's wrong with "Mon Premier Shalimar", the tagline for this flanker fragrance, assuming the juice is good? Absolutely nothing, that's what.

From a marketing angle, everything is set for success with Shalimar Parfum Initial, aiming at the target Guerlain is so keen on attracting, the fashionable 20-something to 30-something woman with money to spare: The warm pink-fleshy tint of the liquid is familiar to consumers of fruity and gourmand perfumes, attracting them by the token that the colour of the juice is indicative of something more than just a pretty shade. The boosting of citrusy notes up top (the synthetic bergamot is not wildly different than the one used in the reformulated classic, yet it smells more vivid and more vibrant here) give the necessary "freshness" that is a sine qua non for modern audiences. The lush vanilla and tonka ensure that the trademark sultriness of the seductive original is not lost nevertheless.
The beautiful bottle (much sleeker in real life than in images) is tactile, friendly, yet imposing too; its deep blue cap with a tiny ribbon attached an homage to the classic design but also a pretty object that presents itself as something novel. Naked Natalia Vodianova posing in the advertisements of the perfume, shot by Paolo Roversi, is testament to the fact that both men and women stop to stare (and occasionally ogle) at a beautiful supermodel who promises sex at the wink of an otherwise nubile eye.All boxes checked for the marketing team, thank you very much!

The composition of Shalimar Parfum Initial focuses on a precarious balance: the standard oriental accord of bergamot and vanilla is fused with zesty orangeyand light notes which "lift" the base up much like Shalimar Light did with its lemon cupcake opening modernising the old standby admired on grandmas and mamas, but shyed away from my the daughters. Still, what would Shalimar be without the come hither? Guerlain quotes rose petals and jasmine for the floral elements, but it's essential to note that should you be searching for florals, you should look elsewhere: this is a wonderful and wonderfully oriental specimen with little flowery prose; all heaving, all sighing, with the seductive warmth of tonka beans (rich in the cut grass and hay note of coumarin) and of rich, caramelic vanilla pods on woods and what seems like the resinous opoponax. The addition of fresh, warm and sweetish white musk is something that would be polarising for the standard perfumista in search of more complex, "dirtier" musk, but the growling part is transmitted through the low hum of the smoky base that is as animalistically seductive as a rutting beast, just hiding beneath the subtle eroticism promised by the top notes. If I were to find a fault with Shalimar Parfum Initial it is that in essence it is no less than the 4th re-twinkinling of the tried & true Shalimar Light Eau Legere recipe in search of a frontman presenting it to the public now that Jean Paul Guerlain is exiled from his own house...




Shalimar Parfum Initial is available as 40ml, 60ml and 100ml of Eau de Parfum concentration, available from major department stores.

Related reading on Perfume Shrine: Guerlain fragrance reviews, Oriental fragrance reviews


Flankers/derivative versions of Shalimar by Guerlain (with linked reviews & comparison with original):
Limited editions of Shalimar (without change in the perfume formula itself):




The music in the commercial clip is Initials BB by Serge Gainsbourg.

This Month's Popular Posts on Perfume Shrine