Acqua di Parma Acqua Nobile Rosa: fragrance review & giveaway

It's pink! 

This exclamation can be taken two distinct ways. It either beckons lovers of all stuff girly

or it scares hardcore perfumephiles with their anticipated suspicion hardened through years of insipid fruity florals that would be better used as shampoo. Thankfully Acqua Nobile Rosa isn't either too fluff, nor a fruity floral. It's a pure, crystalline, airy wisp of a scent, as ethereal as wind chimes heard through an early morning breeze.

With Acqua di Parma issuing a newer interpretation of their previous Rosa Nobile in their Acqua Nobile line of scents one might expect a rehashing of the same formula, only turned lighter. But in fact Acqua Nobile Rosa is a new composition, certainly more ethereal, yet managing to differentiate itself enough to warrant testing both.

Rosa Nobile is a cool and straight-up rose petals fragrance, a ballet slipper of a smell rather than an exuberant Nahema (Guerlain) red Jimmy Choo pump or a moiré slingback in the fruity green style of Sa Majeste la Rose (Serge Lutens). It's not retro, but it's not bastardized either, the way some of my favorite rose fragrances are, i.e. sprinkled with loukhoum rosewater (Mohur extrait), dense with spice and patchouli (Aromatics Elixir, Voleur de Roses) or plain resinous goddess-like (Caron's Parfum Sacre). It's never easy making a true rose scent, so Rosa Nobile is not unworthy of mentioning as a relative success, especially given how jammy the pure absolute of rose can smell.

Acqua Nobile Rosa on the other hand is more like the air floating above a rose bush, with a perceptible citrus and blackcurrant tinge, tart and a little bit tangy. Blackcurrant buds have an illustrious and infamous history in perfumery, what with them being used to great aplomb in First by Van Cleef & Arpels (where they open the scene to the animalic smelling background beneath the posh French style perfume) and their ammoniac feel reminiscent of a kitty cat. 

But do not fear. It's pink. How wrong could it go? 

The airy, electrical buzzing (i.e. freesia) but prolonged -thanks to large musk molecules- drydown is very soft, lightly powdery (a hint of makeup aroma), lightly sweet and the rose is retained throughout; it's as if one is catching the whiff of a rose garden next door rather than hiding one's nose amidst the bushes. I'm OK with that.

Capturing the serene beauty of a stroll in an Italian rose garden, Acqua Nobile Rosa Eau de Toilette is a radiant fragrance for women. This sparkling Eau de Toilette focuses on the lighter, brighter aspects of the rose garden with notes of mandarin, blackcurrant, rose and ambergris. A veritable symphony of enchanting accords capturing both the vibrant and ethereal facets of the Italian Centifolia Rose, famed for its incomparable beauty. 

Fragrance notes for Acqua Nobile Rosa by Acqua di Parma:

Top: Bergamot, Mandarin, Blackcurrant

Heart: Damask rose, Centifolia rose, Cyclamen, Freesia

Base: Ambergris, Musk

Related reading on Perfume Shrine:

Top Rose Scented Fragrances & Products

Everything's coming up roses: how rose is on trend again

My Troubles with Rose & Overcoming Them One Step at a Time

I have a full bottle of this from which a 5ml decant has been taken for a lucky reader. 
Please enter a comment below this post to enter. Draw is open internationally and closes on Sunday 5th midnight. 

In the interests of full disclosure I got this through a PR promo. 

Marchesa Parfum d'Extase: fragrance review

Some perfumes are what in perfumista-land we call "compliment getters"; they elicit spontaneous feedback from strangers in the decidedly positive end of the spectrum. Usually this either has to do a bit with current trends (familiarity creates recognition and fuzzy warmth) or -ironically enough- with breaking away from trends (something totally novel and unexpected has a way of ripping through our preconceptions and making as notice it). And sometimes it just has to do with the overall character of a smell: it can be gracefully smooth, easy, a sort of effortless elegance which anyone can graft onto them.  The kind of thing you put on and forget about it, until someone comments on it. Parfum d'Extase by Marchesa is one case among that latter category, because even though it's neither novel nor overpopular, it breeds that sort of cozy reception which accounts for having people say "hey, you smell really nice, what's that?". So, lemme tell you what that is.

I tried the new "all over mist" version of Parfum d'Extase, available at Sephora, which denotes a lighter concentration to be used all over. This kind of formula allows for a more spread application and I do just that, reveling in being allowed to indulge in this kind of wild abandon, knowing I'm not gassing anyone with potent fumes. (You wouldn't see me doing that with YSL Opium or Carnal Flower, would you!). That means a generous spray on hair and on the hairline at the back of my neck, one spray on chest and belly each, behind the knees and a touch on my wrists. In total about 6 spritzes of silky goodness.

The fragrance is a white flower concoction (an abstract mix that is hard to pinpoint) with a lovely touch of cool and clean rained-upon fresh leaves vibe, which we have come to collectively call "iris" in modern fragrances, when in fact this is a half truth (the secret is the irone molecules which are added in the formula, present in orris root and giving that specific tinge).
For an iris fragrance it's not at all starchy ("irises" can turn into a "raw potatoes scent" on skin contact sometimes); on the contrary it's lightly aqueous floral at first with a very pretty and extended woody drydown that dries some more as time passes. Perfumer Annie Byzantian is an expert with those silky compositions with a musky and lightly powdery scent trail. The most characteristic note to peep is freesia; you have to have a positive reaction to the simultaneously fresh and peppery zing of freesia to like Parfum d'Extase.

I suspect the drydown part however is the one that has people spontaneously notice and comment; although a non-heavyweight fragrance, Marchesa Parfum d'Extase has a lingering and beckoning trail (similar to the category of "woody floral musk" fragrances) which is felt more by those you come into contact with than yourself. It's also non age specific: it would smell just as lovely and easy on teens as it would on grandmas.

I'm not especially drawn to the original perfume bottle by Marchesa (it's a bit much for my taste and I find the "paste" touches a tad tacky, sorry), but most people have a favorable reaction to it. After all, it's what inside that counts. I bet this would be a crowd-pleaser in your neighborhood as well.

Notes for Marchesa Parfum d'Extase: Iris Flower, Freesia, Black Current, Young Violet Leaves, Lotus Flower, Night Blooming Jasmine, Bulgarian Rose Water, Orange Blossom, Iris Root, Ambrox, Captive Musks.

Perfumery Material: Freesia, Peppery Zing, Electric Fresh

“Just because I’m resisting the wine doesn’t mean I can’t appreciate the bouquet,” he whispered. “You have a very floral smell, like lavender … or freesia,” he noted. “It’s mouthwatering.” We can forgive Edward Cullen wooing Bella in Stephenie Meyer's vampire hit Twilight the semi-true reference of lavender as floral (it's really an aromatic in perfume-speak); the matter of the fact is that freesia is mouthwatering indeed and Edward is a major heart-throb for teenage audiences (there's even an online test about how you smell to Edward Cullen).

In Meet Joe Black freesia is a symbol of the hidden sensitivity of the aging father about to meet his death, played by Anthony Hopkins:
- We do need some answers on the flowers.
- Ah, yes, freesia, freesia. Everywhere freesia. Daddy loves freesia.

Not so for sophisticated and rather cynical Miranda Priesley in The Devil Wears Prada, quoted: "If I see freesias anywhere, I will be very disappointed"...

But it is Hugh De Sélincourt in The Way Things Happen who highlights the unique heart-aching aspects of this vividly huedblossom" "The happiness of that afternoon was already fixed in her mind, and always would the scent of freesia recall it to her mental sight, for among the smells of the roses and violets and lilies and wall-flowers, the smell of the freesia penetrated, as a melody stands out from its accompaniement, and gave her the most pleasure."

Scent Profile
The cheerful bouquet of peppery zing and floral freshness projected at the right intensity, a delicious aroma that radiates for a long distance, is what makes freesia flowers so memorable. High in linalool, a major component in all freesia varieties, this small colourful blossom emits a refreshing, floral woody aroma with a subtle citrusy-terpenic note. The mollified sweet aspects, with the nectarous quality of jasmine smelt through ozone, are given a cheerful piquancy by the spicy top note which pinches you by the nose upon stooping to smell the beautiful flowers. The nuance of the blossoms themselves is beautifully varied: white ones are spicier, colourful ones are "greener". The overall character is clean and with a soapy facet, a fact that makes freesia a favorite candidate for inspiring the added scent of soaps, shampoos, body lotions and so forth. It's no wonder freesias stand for innnocence!

Little did Friedrich Heinrich Theodor Freese (1795-1876), a German physician from Kiel, know that the proposal of the name by his friend and plant collector Christian Friedrich Ecklon would result in such a popular cultivar and perfume "note". But it's perhaps even more interesting to note that a minority of Europeans have specific anosmia for freesia, although most Europeans report that freesia is one of the strongest scents known to them! McWhirter concluded that "inability to perceive the scent is a recessive character. Tests of 1,600 subjects showed that the frequency of the recessive phenotype was high in those of Eastern European and British Celtic descent (at about 10%) and low in those predominantly of Scandinavian, English, Dutch, and German descent (at about 4%)" [source]

History of a Trend
The trend for using freesia notes in fragrances began when Antonia Bellanca-Mahoney first brought out her Antonia's Flowers perfume in 1984. It is a freesia dominant fragrance because this is the flower sthe famous NYC florist was most enamoured with. The great perfumer Bernand Chant (Aromatics Elixir, Azuree, Cabochard) composed it for International Flavors & Fragrances (IFF) using headspace technology to replicate that electric freshness that natural freesia exude. Antonia was adamant that her fragrance should be free of the tricks of scented seduction, she didn't want a fragrance that would "remind her of old ladies", but one that would be light and reminiscent of her flower shop; she hadn't been using perfume for these reasons and she thought it was time to find one to claim her own. She focused on freesias because they "knocked your socks off, like trumpets in an orchestra; everyone else sings backup, even the lillies". The result was the definitive scent that put freesia on the map.
Since then, not only has Antonia's Flowers become a cult favorite, it also has catapulted an entire avalanche of freesia notes containing fragrances which take this jolting, fresh, spring-like note as a departure point of clean, feminine, pretty compositions for every woman.

Constructing a Freesia Note for Fragrances
Even though a type of freesia oil can be extracted, all freesia notes in perfumery are uniformely synthesized, usually with copious amounts of linalool (the dominant constituent in over half of freesia cultivars), hints of jasmine synths and green notes. Natural freesias in some breeds also display other related monoterpenoids; 2-penylethyl acetate (sweet, honey-like) and benzyl alcohol (fruity smelling) as well as limonene (fresh lemony, sweetly citrusy), ocimene (green and terpenic with vegetable nuances), and alpha-terpinolene (fresh and delicately lilac-like) in supplementation of the linalool. Perhaps one of the most intriguing facets of freesias is that they display ionone (violet) characteristics while living, but they lose those notes when cut!!

The amateur or natural perfumer may opt to recreate a freesia note as need be via using white verbena essential oil, which has plenty of the floral woody ingredient linalool. This is not however a note you often see cited in natural blends, probably because its main use is acting as a "modifier" rather than a dominant character-giving note. Freesia in mainstream perfumery is paired with other clean, crystalline floral "notes" of lab-synthesis, such as cyclamen and lily of the valley, or magnolia, or the shriller, rosier peony.

List of fragrances with a dominant freesia note include:

Amouage Reflection woman
Antonia's Flowers Antonia's Flowers
Burberry Body
Cacharel Noa
Calvin Klein Eternity
Caswell & Massey Freesia
Cerruti Cerruti 1881 pour femme
Chanel Allure Eau de Toilette
Clinique Happy
Dior Tendre Poison
Dior Forever & Ever
Diptyque Ofresia
DKNY Pure
Escada Moon Sparkle
Estee Lauder Pleasures
Fragonard Freesia
Giorgio Armani Aqua di Gio
Gucci Envy
Gucci EdP II
Guerlain L'Instant Magique
Issey Miyake L'Eau d'Issey
Jennifer Lopez Still
Lancome Miracle
Maitre Parfumeur & Gantier  Freezia d'Or
Paul Smith Paul Smith Women
Ralph Lauren Romance
Victor & Rolf Antidote

pics via openwalls.com, indulgedecorblog.com