Montana Suggestion trio: Eau d'Argent, Eau d'Or, Eau Cuivree ~fragrance reviews

Years before niche perfumery came up with "collection of scents" in identical bottles and "concept" themes evolving around different families or notes, Claude Montana (the designer best known for his scalpel-cut jackets, the partner who flew off her verandah and Parfum de Peau) had proposed his own trio of fragrances, code-named Suggestion (1994). The triad included Eau d'Argent, Eau d'Or and Eau Cuivrée and came just 2 short years after Serge Lutens inaugaurated Les Salons du Palais Royal by Shiseido with his own iconoclastic "takes" on Féminité du Bois (in 1992), thus giving rise to a whole seperate eponymous line which became legendary at the drawing of the millenium. (Technically the first one to propose a "trio collection" should be Patou). The fragrances by Montana were ill-fated though, like the unlucky stars under which the designer and his muse were apparently born, and were eventually discontinued. Still, the dedicated perfume lover might profit from making their acquaintance, as they're both worthwhile sniffing, as well as a valuable lesson in fragrance history; seeing the mainstream launch of a "niche" concept commercially fail where others now succeed, with the hindsight of almost 2 decades in the passing between the two (see for instance La Prairie trying the same things with their Life Threads).



The common thread in all Montana Suggestion scents? A vague metallic nuance, bright, scintillating, radiant. The metals entering both the name and the bottle decoration are ample indication of it being intentional.

Suggestion Eau d'Argent is, judging by the packaging alone, one might say Pavlovian-like, equated with a cool aquatic floral; and it is! Composed by Max Gavarry, it pre-empties the notion of the dew-adorned ocean drenched lilies which later appeared in F.Malle's line under Lys Mediterranée. Of course the compass isn't showing the North ~or rather the South, as the Malle scent is so at home in the warm Provencial and Grecian air~ as accurately. Eau d'Argent is very good but not as masterful or daring (it lacks the salty, savoury touch). The scent of lily (and the aldehyde used for cyclamen renditions) is brought out to the fore through the use of lily-of-the-valley aromachemicals (read about those on this article) and underlined with a dewy, "clean" musky ambience plus Ambroxan. It feels much more legible and "kind" than the feminine L'Eau d'Issey, both being contemporaries with a dewy feel. It also probably gives a frist glimpse of the idea for Marc Jacobs's first eponymous scent, supposedly inspired by gardenias floating on a bowl of water. Substitute cool lilies and you're there! Very nice on its own ~controversial, let's admit it~ genre and completely unsung.
Top notes are greens, mandarin orange, violet, peach, bergamot and Brazilian rosewood; middle notes are cyclamen, lily, orchid, jasmine, lily-of-the-valley and rose; base notes are sandalwood, amber and musk.

Suggestion Eau d'Or was composed by Nathalie Lorson (who has composed the glorious Poivre 23, the Le Labo London city exclusive, which we reviewed on this page, amongst other things). A floral built on the juxtaposition of lactonic peachy and green notes with a heart of classic and bright flowers, this is a floral that radiates off the blotter and off the skin with quality and balanced approach to its message. The blossoming of jasmine and rose are supported by a fruity embrace of peach underscored by ionones (giving an earthy sweet note, also a bit of powder) and a creamy vanillic drydown, not too sweet. A floral, veering to floriental, with a cool-warm contrast that plays like chiaroscuro. Those who like J'Adore or Nuit de Cellophane might find another compliment-getter sunny floral in this one.
Top notes are comprised of greens, violet, peach, hyacinth and bergamot; middle notes are orchid, orris root, jasmine, lily-of-the-valley and rose; base notes are sandalwood, amber, musk, vanilla and cedar.

Suggestion Eau Cuivrée in its copper-dressed, patina-reminiscent bottle looks and feels warm and is predictably the more orientalised in the trio. Still, not quite a dense, traditional oriental, it features green-citrusy opening notes and a rich floral heart with a metallic nuance, justifying its coding: more modern urban amazone than Shalimar-wearing movie goddess, thanks to the base encompassing Ambroxan and cedar notes. Cooler, sweet top notes with lusty plum are folded into a warmer heart of luscious flowers and what seems like a hint of spice (they say carnation, it's actually built on cloves). The warmth is amped via the synergy of resinous notes played at the key of the lamentably defunct Theorema: meaning lightly, pleasurably balanced, never overwheling. Very pleasurable work, composed by Gerard Anthony.
Top notes are orange, pineapple, plum, green notes, peach and bergamot; middle notes are carnation, tuberose, orange blossom, orchid, jasmine, ylang-ylang and rose; base notes are sandalwood, amber, musk, benzoin, vanilla and cedar.

The scents had bottles which interlocked nicely in a round "plate", their sides touching like lovers or spirits-evoking-spiritualists sitting across a rounde table touching hands... They were sold as is or independently in Eau de Toilette concentration. They make sporadic appearences on auction sites and discounters.

Montana Parfum de Peau: fragrance review

On an ordinary morning on an ordinary weekday in Paris this past June, a rumour started to ripple through the mirrored design studios, the gilded, glossy magazine offices and the cramped workrooms of the French fashion industry. "Have you heard?" whispered voices ominous with impending ill news."The police found a body on Rue de Bellechasse this morning." "Have you heard?" they whispered, "about the death of Wallis Montana?"

~ Marion Hurne, Node Magazine Australia August/September 1996

Parfum de Peau, also known as Montana de Montana, as was its original name, is usually described as sexy, assertive, dirty, and sultry. It is all those things! But it is also tinged with tragedy as it was inspired by style guru Wallis Francken and the strange androgyny of her public persona. Together with Claude, they formed a weird couple and this is a weird perfume that can be easily imagined to be worn by people who love making a statement.
Almost unsufferably potent and single-minded in its assault, Parfum de Peau was given to me as a gift when I was a teenager. I wonder if the gifter was trying to tell me something. Because this zest has stuck. Did I always project a certain drama? Was that drama merely a plea for attention like every dutiful teenager does? All I remember is behind its bursting, blinding fruitiness peppered with spice it taught me what a furry little animal smells like when it’s hot and it lies dead on the street and one has the strange craving to go pick it up and lull it to sleep. There is the bitter and sweet odour of Thanatos which weaves such a strange net to lure us into a false sense of security.

Claude Montana, “king of the shoulder pads” and butch leather-man wearer is half-Spanish, half-German and began his career as a jewelry maker that got him recognition through Vogue coverage; that in turn helped him settle for a job at cutting and grading leathers at McDouglas, a Parisian firm in 1970. It would take some shows at Angelina’s Tea Room until he would start his own company in 1979 designing Amazonian, emasculating clothes for women. Those caused some ruckus with their inferred image of being reminiscent of Nazi uniforms. The Constructivism risus sardonicus that runs through his collections animates gyrating proportions with the addition of a peplum over narrow, wasp-waisted skirts. He greatly admired Mme Gres and Balenciaga which comes as no surprise. That kind of trapeze designs with the emphasis on shoulders and the power with which a silhouette moves in them was both reflected and bouncing back in his personal life.

His 1989 admission "I'm like a battlefield inside, a mass of contradictions" merely confirms the rumours of erratic behaviour and troubled inner life. He had married his muse, the German-American angular model Wallis Franken, 18 years after meeting her, when they were both 43. She, already a mother and a grandmother, always striking, always rail thin, knew all about the strange affairs of Claude. That warm July day, three years before the tragedy, she “gave up and yielded and went to Susa on foot to the monarch Artaxerxes”: she went on to be a wife ~"Oh, you know, cooking in the kitchen, fixing the dinner, lighting the candles..."
She was decked in an organza pant suit and white cowboy boots on that day. She was a vision.

What happened still remains a mystery: Wallis fell out of the balcony. Pushed or not? Out of her own accord or due to drug intoxication? The grim underbelly of fashion life in ne plus ultra Paris was just a hair away from being revealed. But it never did. It remained an agreement of silence: hushed, whispered in corridors but never out in the open.
What remains is one of her last public performances as an extra in the Madonna clip Justify my Love shot by Jean-Baptiste Mondino at Hôtel Ritz in Paris. I can smell the atmosphere in those rooms ~they reek of Parfum de Peau; they reek of contradiction and need; they reek of the desire to transcend death.

{Warning: uncensored version; unsuitable for office enviroment!}

(uploaded by nicubuleasa)

Parfum de Peau was originally composed in 1986 by Jean Guichard (Fifi, Deci Dela, Obsession, Loulou, Eau d’Eden) and was later reformulated with synthetic castoreum by the great Edouard Flechier (Poison, Tendre Poison, Une Rose, Lys Méditerranée, C’est la Vie). Not to be confused with the second feminine perfume of the house, Parfum d’Elle (1989) in a similar, shorter bottle.
The original Montana de Montana came in a breathtaking, award-winning helix-shaped bottle designed by Serge Mansau, inspired by the swirling fall of a winged sycamore seed as seen by a strobe light. It was encased in a cobalt blue box in both Eau de Toilette and Eau de Parfum versions.
The older versions had a packaging with the name Montana writ big, while the newer versions have a silhouette torse recalling the bottle on the outside of the box in orange, with the name Montana in smaller script underneath it.

Notes: green note, pepper, cassis, plum, peach, cardamom, ginger, rose, carnation, sandalwood, jasmine, tuberose, yalng-ylang, narcissus, patchouli, castoreum, civet, vetiver, olibanum, musk, amber.


Collage of Wallis Francken originally uploaded by Superchic1966 at Msn groups. Pic of ad from parfum de pub.