Yves Rocher Pur Desir de Gardenia: fragrance review

 

The now discontinued Yves Rocher Pur Desir de Gardenia (i.e. pure desire for gardenia) is perhaps the most lamented true gardenia discontinuation in perfumery, barring the one by Estee Lauder (Private Collection Tuberose Gardenia). 

                               via pinterest 

Tom Ford's Velvet Gardenia comes up a close second or third maybe, representing the browned ripe gardenia that is just starting to deteriorate beyond salvation. It has been discontinued and brought back in the Reserve Collection. "Lushest, wettest, freshest, creamiest jungle gardenia. White petals and thick green leaves. That's it and it's all there. This is the most realistic gardenia fragrance." Thus writes about Pur Desir de Gardenia a reader and I can totally back this up. 

  Pur Desir de Gardenia is the essence of gardenia, built on jasmolactones and with a touch of styrallyl acetate maybe for the green part, in a sort of old-school-technique that perfumers used to do so well and then abandoned. The creamy and the lush elements are freshened up with the intensity of the green in Pur Desir de Gardenia, giving me the illusion of a budding gardenia, one which unfurls its petals in continuous orgasmic fervour. A marvel and at the same time a romantic elegy. The folly of not stocking up when one could... 

It's a puzzle why Yves Rocher stopped making this, as their Pur Desir line of soliflores was excellent to begin with, and this one was the jewel of the crown. The perfect embodiment of a single flower, that of the gardenia, is this vintage fragrance which those who recall it love with the unbridled passion reserved for true gems.

Estee Lauder Bronze Goddess Aegea: fragrance review

 

Estée Lauder just launched a new limited edition flanker to its popular 2008 fragrance Bronze Goddess named Bronze Goddess Aegea. The name suggests inspiration from the feeling of an island escape on an island in the Aegean Sea. Following last year's Bronze Goddess Flora Verde, the new version differs from the tropical suntan lotion of coconut and ylang that most summer flankers of that sort of genre have to offer.

The allusion of the Aegean with its rich history and specific references is hard to do justice in a perfume, nevertheless. And yet Bronze Goddess Aegea is not amiss. It has a dry feeling of dried hay that perfectly recalls one feeling that is prevalent in Greece: the dust from the ground, the soil, which sits on everything till the gust of wild winds of the Aegean redistributes it anew.

Lauder has again invested in the tourist interest for Greek island-hopping, launching Aegean Blossom for the Aerin brand. The images were breathtaking, the minimalist luxury of a veranda over the sea and pottery with big, fragrant flowers flanking the easy living of summer. A dreamlike sequence.

The coconut is discreet in Bronze Goddess Aegea, more of an idea of suntan oil than of actual suntan formula, or tropical fruity, and the so-called bougainvillea note manages to give that dusty feeling to the proceedings. It's as if one lays down on a stack of dry hay to rest when the sun rises to its apex and tourists are advised to lay low, wear their hats, and take little to no action apart from taking a swim. It's a silent hour, the hour of siesta, of the moment when the upcoming transport is almost liquified at the end of the horizon. Then rises the fig — inviting, green, and very delectable — a very characteristic note of Greek summer, beloved in perfumery ever since Premier Figuier (L' Artisan Parfumeur) and Philosykos (Diptyque), whose Hellenic-inspired background makes my heart warm. It's a lovely fig note, delicate, smooth and mouth-watering, which elevates Bronze Goddess Aegea beyond the usual summer concoction. 

The clean musk at the base makes it last and become skin-scent-like after several hours, melting with the green-milky-soft ambiance. It makes this limited edition a must-add to any Lauder collector, but more importantly, a must-have for anyone dreaming of catching a whiff of the glorious Greek summer while cooped up in an office somewhere urban and stifled. Enjoy wisely as Bronze Goddess Aegea is a limited edition! 

NOTES for Bronze Goddess Aegea
Top: Italian bergamot, ylang-ylang, violet leaf
Heart: fig nectar, pink bougainvillea, jasmine sambac absolute
Base: sandalwood, coconut milk, musk

More PerfumeShrine articles to read: Beauty and the Beach, beachy scents for summer

Annick Goutal Paris Folie d'un Soir: fragrance review & photography

 

If Halfeti (Penhaligon's) and Encens Mythique (Guerlain) were to have a hypothetical child, it would inherit facets apparent in Folie d'un Soir by Goutal Paris. It is the bittersweet myrrh, the hidden but omnipresent rose oil with its most oriental notes, and a patchouli aftertaste like that of Coromandel by Chanel. 

photo by Elena Vosnaki

 In short, a fragrance that pleases, attracts, and easily creates shivers. A cool or even cold evening brings out the tender fluffy boa that accompanies Folie d'un Soir like a cat's tail wrapped around you ready for caresses. 

photo by Elena Vosnaki

 

There is something very feminine and ladylike about Annick Goutal perfumes, however, in the classic French tradition, the lady in question can also forget about her prim manners in the bedroom. 

 Folie d'un Soir is now part of the collection Les Parfums de Geraldine (formely Les Oiseaux de Nuit)

Histoires de Parfums 1826: fragrance review

 Spicy stuff is usually reserved for wintertime because it so often appears in heavier compositions such as spicy oriental fragrances, a genre many of us love but that people around us find a bit retro and therefore not always pleasant. Rejoice then for a spicy citrus and oriental musk blend from a very worthwhile niche company that has retained its integrity and pedigree in an era of easy cash grab. 1826 by Histoires de Parfums is inspired by Eugénie de Montijo, the last French empress who was born in Granada, the jewel of Andalusia. 

photo Deborah Turbeville - Models in Valentino, VOGUE Italia borrowed via Pinterest

A sparkling beauty, her seductive nature and temperamental elegance delighted Napoleon the Third. It was for her that Guerlain made to measure his famous Eau de Cologne Imperiale Guerlain. It was those famous historical people, like her, as well as characters from novels, that inspired the first collection by venerable French niche brand Histoires de Parfums, the brainchild of Gerarl Ghislain. 

 Powdery violet is allied to spicy cinnamon and piquant ginger notes in the heart of 1826, but not before this is first refreshed with a rush of hesperidia—happy and aromatic, almost aggressive citrus notes that tumble out of the bottle in song. A honeyed ambience like a ripe orchard is present, they're never sour or sharp. Then the synergy with the prolonged musky drydown makes it appear woody, orientalised, dry, yet restrained. There is the elegance of sipping earl grey tea while reading an old book with violets dried inside its pages by the window overlooking a beautiful citrus grove...

Beautifully balanced, 1826  by Histoires de Parfums always welcome in any season, but especially when the weather warms up. 

Launch date: 2001

The older bottles have a retro label with a crest and a chiseled bronze-gold cap. The newer bottles are sparse with a rectangle shaped bottle that is visually cut in half, thus making the cap seem off, and they fit into their boxes like in a cardboard drawer, as if meant to display unto the shelves of a library. Very cute idea! 

The perfumer behind 1826 by Histoires de Parfums is Sylvie Jourdet. 

Top notes are Tangerine and Bergamot;
middle notes are Violet, White Flowers, Cinnamon and Ginger;
base notes are Patchouli, Amber, Woody Notes, Incense, Musk and Vanilla.

Ex Nihilo Iris Porcelana: fragrance review

 

In January 2022, Ex Nihilo introduced a new women's fragrance, Iris Porcelana. The inspiration for its creation was fine porcelain that came to Europe from the East, as well as a perfume material called Pallida iris. The perfumer is Dalia Izem (of Givaudan), a young perfumer from Dubai. The fragrance joined the main collection of the brand named Initiale, which already includes bestsellers such as Fleur Narcotique and Lust in Paradise and is therefore a useful gauge of how brands perceive materials and concepts. 

photo borrowed from Pinterest

The iris one is very popular, having become almost synonymous with a delicate feminity that is so sought after by many, many women nowadays. Alongside violet, it's often at the core of "powdery fragrances." Notes like milk, vanilla, iris, ambrette seeds, cashmere woods, musk, "cotton," and soap also define a genre of fragrances that create a sense of comfort and serenity, very sought after during and since the pandemic. Truth is, iris "notes" are routinely produced through less expensive methods. But this is neither here nor there; their magic happens not because of the cost itself, but of the perceived value.It's all a game of smoke-and-mirrors! But it works. It definitely works. 

 In Iris Porcelana by Ex Nihilo, the iris is rendered lightly metallic, with an eau de vie touch, and then fanned on something totally unexpected: Hazelnuts! The star ingredient appears thanks to a potent aromachemical in several creations in recent years. Being safe for even food use (GRAS), it is exploited with gay abandon in perfumery, exactly because it is not going to be on the chopping block of potential allergens in the near future. 

 From the intense praline in Angel Muse by Mugler to Amouage Guidance (a fragrance which I reviewed here and which takes Filbertone to the next level by overdosing), this trend shows no signs of abating: Devotion Intense, Patchouli Noisette, Valentino Uomo, English Oak & Hazelnut (Jo Malone), Aimez moi comme je suis (Caron), Joop! Homme Eau de Parfum, several boutique fragrances in the Trussardi line, Vetiver Gris, and even La Vie est Belle L'eau de parfum Intense. The precursor in the combination of Iris Porcelana is probably Praliné de Santal by innovative niche creator Pierre Guillaume. He coupled the sandalwood milkiness with the hazelnut savory facets and created an atypical fragrance that fascinates. And of course the pioneer was Mechant Loup by L'artisan Parfumeur as far back (in relative terms of contemporary perfumery) in 1997!

Balmain Carbone 2024: fragrance review

 

Les Éternels de Balmain perfume collection, which the new Carbone is part of, is the house’s first offering since officially launching Balmain Beauty in September. Several classics by Balmain are re-introduced, such as Vent Vert (a modernisation of the couturier's first legendary green fragrance from the 1940s and the favourite fragrance of the then young Brigitte Bardot), Ivoire (1979), Ébène (1983), and Carbone (2010), albeit all with a changed formula, equating to a different scent. 

 The latest edition of Carbone (2024), part of the Musk family, is described as Balmain's new creative director Olivier Rousteing's "baby," and when such pronouncements are made you know there is something that has definitely changed in an older fragrance being re-issued. The new Carbone from 2024 is therefore described as "the heady mix of tobacco, suede, cumin and rose and is already beloved by Beyoncé, Dove Cameron and Olivier's mother." Dove Cameron has been video-scoped sporting the 1945 Balmain clutch bag containing the Carbone fragrance to let this seep in. 

 Carbone 2024 by Balmain is a fragrance that drives the quest for identity. "Housed in a lacquered signature black bottle, it reflects all facets of individuality with an assertive duality of maximalist musk and minimalist rose. The fragrance features white musk, rose neoabsolute [sic], suede, patchouli, sandalwood, and cumin, creating a complex scent where pure and carnal elements unite," states the brand. It's not easy to come up with a novel rose these days, when roses have been typified into two main camps. On the one hand the rose-patchouli-oud mélange of the Arabian tradition meant for westerners who want some bang for their buck and the promise of 1001 Nights enfolding in their evening life, as begat by the commercial and critical success of Portrait of a Lady. To me the new Balmain feels like an effort to bridge both categories above; it's soft, but also retains a more shady tonality. It's not entirely masculine, but it's not froufrou feminine either. Although one might consider it dangerous because of the cumin mentioned in the pyramid, it is not dirty, really, it just has a sensuous quality to its rosiness; it's not the screechy kind. It is not ground-breaking either. 

Balmain's Carbone 2024 is intended to appeal to a very wide demographic, case in point being promoted via celebrities that people want to emulate. And this is maybe its major flaw: When trying to please everyone, one doesn't excite anyone enough.

Balmain Carbone 2024 Fragrance Notes: White Musk, rose, suede, sandalwood, cumin, patchouli

Le Jardin Retrouvé Jasmin Majorelle: fragrance review

Is it him? you ask yourself, looking at the graceful figure that seems to float on the pool, beyond the fountains, in the blue of the renovated building. Your imagination, helped by the heat of the sun at its zenith, thinks it perceives the man who once created here his inspired worlds. But only a rare scent of jasmine, ylang-ylang, lemon of Italy, coriander and iris answers you and proceeds to disturb your senses. Jasmin Majorelle. Pure joy illuminates you. 

The name comes from Jardin Majorelle, restored by Yves Saint Laurent and Pierre Bergé at Marrakech, in Morocco. 

photo of Jardin Majorelle in Morocco borrowed from Pinterest

 The formula was originally created by Yuri Gutsatz, the founder of the brand decades ago and one of the founders of the Osmotheque, who worked for Roure-Dupont-Givaudan and the first to formulate the principles of a middle ground between luxury perfumes and mass perfumery back in the 1960s. 

 As one of my colleagues wrote, "Jasmin Majorelle the fragrance was created in 1981 and introduced in 2018 in a limited edition after being chosen by hundreds of fragrance connoiseurs — it garnered 23% of the votes. However, further sales have shown that this perfect jasmine fragrance has proven to be a real bestseller!" 

A dense jasmine-ylang cloud, lively, fresh and sweet, embellished with citrus accents, transparent greenery, light spices and a subtle mothball hint of indole. A romantic perfume to offer as a love token, or to love yourself. Just like the founders of the original garden did. 

Luxe Calme Volupté by Francesca Bianchi: fragrance review

 

There all is order and beauty,

Luxury, peace, and pleasure.

-Charles Baudelaire, L' invitation au voyage

In the poem, Baudelaire invites his lover to join him in an exotic place where they can live in calmness and peace. Francesca Bianchi described in 2021, when the fragrance launched, how this fits with the times in which we found ourselves and how she felt the need to offer something which could bring comfort to the spirit, an invitation to connect with oneself and temporarily forget about the daily concerns. Now, after the pandemic, this message isn't lost on us. It still delivers a powerful reminder to savour small pleasures, every single day and Fancesca Bianchi envisioned Luxe Calme Volupté as this escape. 

photo borrowed from pinterest

Baudelaire included L'Invitation Au Voyage in his poetic collection Les Fleurs du Mal in 1857, inspiring in turn the namesake 1904 painting by Henri Matisse. Bianchi is often inspired by classical chords not only in poetry but in perfumery as well and she has divulged that she was inspired by no less than three classics when art-directing this one: Y perfume by Yves Saint-Laurent, Must de Cartier, and Envy Gucci. A floral chypre, a green-top oriental (the mix of galbanum and amber is very characteristic) and a green floral. Armed with that knowledge my adventure in the lands of Baudelaire and Bianchi promised a wild ride. The fragrance of Luxe Calme Volupté is not wild but lush and rich in depth. And it doesn't really recall green chypres of the past, although there is definitely the natural feel those leave you with (although they're not at all natural). Melifluous, honeyed, sweet and fruity, but with that kind of fruity depth we have marvelled at from fruity chypres of yore, when women wore this rich lactonic effluvium directly on their naked skin, their naked bosom and charmed by-standers and their dates while on a night out in the city. Ylang ylang and peachy-plummy notes evolve and get sweetened with a lacing of sweet resins and balsams, without however becoming heavily orientalised or ambery. 

photo borrowed from pinterest

 Perhaps like another verse by Baudelaire, Bianchi aimed for corrupt, and rich, triumphant, With power to expand into infinity. While retaining her Italian pedigree as well. Luxe Calme Volupté feels like a cadenza extending into eternity, because of its nuance, its depth, its fruity ecstasy, which embraces without overwhelming with that horrid shampoo-like synthetic aura so many fruity fragrances do. The Luxe Calme Volupté fragrance leans more feminine than masculine, though all sexes may want to experiment with it. It feels gorgeous and lovely and this comes from someone who isn't crazy about fruity fragrances on the whole. In the same way the Francesca Bianchi fragrances, even when not overtly sexual, take sensuality as a point of departure to ponder on the value of sensuousness, of analyzing Hedone as a philosophical concept. Indeed the Latin name for this Greek goddess is...Voluptas. So there, the Luxe Calme Volupté name of the scent alone recounts the entire story, faithfully.

Zadig & Voltaire This is Her: the mysterious jolt of Ambroxan and Lactone

 

Cecilia Bönström, artistic director of Zadig & Voltaire, told wwd at the time of This is Her! and This is Him! launch that the idea was to break from what already existed on the market and "to find a balance of something really clean and something darker, more mysterious." The woody, floral, and gourmand This is Her!, signed by perfumer duo Sidonie Lancesseur and Michel Almairac, contains notes of pink pepper, Sambac jasmine, silkwood blossom, milky chestnut, whipped cream, vanilla, cashmere woods, and sandalwood. 

photo borrowed from pinterest

It's all very soft, tender, plush... creamy, like a dessert or maybe a body lotion? I think therein lies the riddle. Although This is Her! masquerades as a gourmand fragrance with all those sweet and edible references in the given notes, in reality, the composition reveals one characteristic that is overlooked. The lactonic impression is, in reality, translating as... metallic. Clean and a little bit shrill. With lots of starched musks (Cashmeran adding a shredded sensibility of salty epidermis) and a layer of abstract floralcy the way Noa by Cacharel or Classique by Gaultier are abstractly plush, feminine, soft, and dreamy. 

 Any woodiness (Ambroxan mainly) is interpreted the way Artificial Intelligence would interpret the picture of woods. Indeed this is all due to the Ambroxan that lies hidden in the formula and the Cashmeran (cashmere woods) in the given notes of the pyramid, with its salty-clean musky-woody appeal. This is part of the charm, as most women would object to much woodiness in their everyday fragrance; they tend to associate it with masculinity or sobriety. But formulas reminiscent of body lotion with musky garlands and irone-rich laces? And a little bit vanilla? They're mad for them! 

The whipped milk construct is especially comforting presented as such, since the term "milk" might refer to edible milk pudding, but also body milk products. Milk also connotes life-sustaining breast milk, the Milky Way, and even droplets of semen in outré works of art bordering on pornography. The mental interplay between "deserving to indulge" but also "deserving to pamper myself" is, in my opinion, the crux of the matter, what makes This is Her! so commercially successful. The eyes interpret the white contours, the startling black lettering of hip and cool upon this unspoiled canvas, the mind reads the indulgent presentation of olfactory effects, and then the nose and skin recognize immediately the familiarity of skin-scent effects that work their well-known magic, acting as an insulating cocoon against the cruel world outside. That's how you build a best-seller for the masses, apparently.

Puredistance Divanché: fragrance review

 

Meeting with a new Puredistance fragrance is always a time for pleasure and for introspection. The newer Divanché is said to be inspired by Japanese gardenia, so how could I not be mesmerized into trying it out? 

Although gardenias and white flowers have captured the imagination of the past with classic specimens at the heart of illustrious floral chypres, pear and pineapple are two entirely contemporary fascinations of modern perfumery. In fact a minuscule facet of sulphur unites the two materials, producing a common thread that reflects one another like the two faces of Janus. As a colleague chemist notes, "the pear profile often overlaps with other fruity odours; saturated esters often have apple tones, while unsaturated ones have pineapple and berry tones." 

 Pear especially possesses soft, juicy qualities, a little bit like unctuous sweet treacle, gelatinous and translucent too, and is very popular for a reason. It's succulent without leaning tropical. It first appeared prominently many years ago, in Laura Biagiotti Tempore Donna (1999) and in D&G Feminine (also 1999), but only lately has it been highlighted in recent launches opting for newer chords and newer fruity effects. 

 In DIVANCHÉ pear is very much present in the diffusion of the fragrance, the main protagonist, juxtaposing the light mushroom-like moistness of the gardenia and the hints of lactonic elements hiding in the recesses of the formula (a hint of peach, more than a bit of jasmolactone, a soupçon of fig leaf and milk). It feels ripe and rich, yet fresh and softly caressing, like the wings of an angel or the frisky fur of a long-haired kitten if you're so inclined. 

It also recalls Japanese stationery with its cute factor intact which is probably fitting given the Japanese background for this Puredistance creation. The woods and musks sensualize and round the floral heart. Finally, resinoids lead the fragrance to an unwavering denouement where DIVANCHÉ gains the feeling of a soft whisper over the skin. It is discreet and polished, not intense.

Read my full review on Fragrantica on this link. 

Oriflame Amber Elixir: short fragrance review

 

Amber Elixir by Oriflame remains very popular after many years and the line is populated with flankers (a couple of which are especially memorable). What makes it so special? 

 It is hard to do an amber fragrance which, firstly, doesn't recall a hundred others, and, secondly, is not heavy and cloying but instead fit for all seasons and occasions. Perfumer Vincent Schaller worked this classic Oriflame best-seller in 2007, and it has been beloved ever since due to its versatility and elegance. 

Working a light almond-heliotrope facet under the vanillic labdanum chord of amber perfumes, the scent of Oriflame Amber Elixir becomes creamy, lightly powdery, and soft like a hug from a loved one. It is like a caress rather than a warm stilting hug that crashes you and therefore it never becomes heavy or -that word people use- cloying. A malady of some other ambers, to be sure. This is comforting and a sort of diet-amber if I may say so. Which is perfect really, for my personal taste, at least. 

It's suitable for all seasons except very hot summers and can lend a contemporary touch of femininity to all ages. Available in 50 ml for €39 at the moment on the official Oriflame website.

Hermes Barenia: fragrance review

 

Hermès Barénia launched in fall 2024, exploring the contours of the fruity neo-chypre, the first of its kind at Hermès, but within in-house perfumer Christine Nagel's beloved and familiar register. After all she (co)created For Her, Si Armani, and Miss Dior Chérie, icons of the genre, as well as Archives 69.

Official carded samples of Barénia flooded my desk during my research on it, testing on different days, with different weather conditions and different mindsets. In short, I rather like it and find it successful in what it sets out to do. That is, a refined leathery chypre in the modern mould. Let's face it, those are scarce in the designer field and only really surface now in the niche sector; and not to great advantage from a commercial point of view there either. The only exceptions I can think you could find at a major department store are Bottega Veneta, and Nomade by Chloé, and of the two, one is already discontinued. So, yes, Barénia is a good pillar perfume for a collection that is set between mainstream designer and refined luxury, and you should try it out for yourselves as well before judging. The bottle is also delicious, with the emblematic collier de chien motif on the top of the glass, a design conceived in the 1940s with a playful edge. 

 In Barénia the earthy notes of patchouli are present as part of the chypre structure, with the extremely diffusive version of akigalawood, a material we tend to associate with Bisch, who overlays almost everything with it. Nagel is more bent on sclarene which adds a hot iron note in many of her creations, and a cooler quality. However, the effect here is not only peppery and metallic-sort-of, but also tart on top, especially when trying it out on the skin rather than on the blotter, where the mineral, peppery and chypre aspects are more evident. 

On the skin the top note resembles a middle ground between bergamot and grapefruit, the beloved chord of Jean Claude Ellena who worked it into a floral leather himself for Hermès in...Kelly Calèche! I suspect that just like Ellena was said to go to the leather vaults of the French brand in search of inspiration, and being met with the mimosa and rose tonalities of the tanned hides supple to the touch, Nagel was also inspired by this previous excursion. Galop is also heavily referenced, with its rosy softness and more interesting background. But the budget for creating must have been higher, considering the retail price. Still, Barénia is reminiscent of both fragrances, both Kelly Calèche and Galop. We can find nuggets of leathery Galop in Myrrhe Eglantine (a floral amber composition), and in Tutti Twilly d'Hermès (suede fruity floral).

Akigalawood, a love or hate molecule, is combined with oak wood, which adds depth to the whole, but polished into sweeter tones which rise to embrace it in the context of the fruity chypre. This woody base, combinging the moiré with the raw, exudes a suede-like leatheriness which recalls Galop without a doubt. 

It's potent at this stage, it projects excellently from the blotter and from the skin to a lesser degree (try clothes to maximize the effect) and it lasts very well. It's also feminine in an assured woman way, but could also be borrowed by men with a penchant for sophisticated scents, wearing it with flair. A few floral touches (the so-called butterfly lily accord) round out the ensemble, giving a soft touch that further butters up the leather notes. I'd wear it with joy if gifted a bottle, though I admit Galop is superior.

 Hermes Barénia notes: 

Top: Bergamot, Miracle Berry 

Middle: Butterfly Lily 

Base: Oakwood, Patchouli .

Mona di Orio Carnation: fragrance homage of a discontinued gem

"Gigi you're not at all that funny awkward little girl I knew. Over night there's been a breathless change in you. When did your sparkle turn to fire and your warmth become desire, oh, what miracle has made you the way you are?" 

  CARNATION by Mona di Orio was created by the late perfumer as homage to the French writer's heritage – "I created Carnation as a tribute to Colette, my favorite writer. Carnation tells a story of wet skin from the sun, of perturbing intimacy, of a boudoir with sensual chypre fragrances. The nectars of flowers stand out, highlighted by leather, evoking a masculine facet of disconcerting seduction." 

                                Franz Xaver Winterhalter, Portrait of Countess Varvara Musina-Pushkina

 The fragrance by Mona di Orio is neither cantered on carnation the flower, nor the sentimental notions of femininity as a created vision of a creature to be cherished in apostasy. Carnation by Mona di Orio is a living and breathing thing, a woman whose carnation, her texture, her very skin is glowing with the desire that warmth and life has instilled in her, made her the way that she is. Mature, inquisitive, all aglow. 

 Mona di Orio dashed past us, with deliciously beautiful fragrances and disappeared into the boundless darkness of the unknown due to a surgery gone wrong. As much in love with scent as her favorite writer, the pupil of the great Edmond Roudnitska, she created her own brand Mona di Orio Parfums in 2004. Carnation by Mona di Orio is a Amber Floral fragrance for women and men, launched in 2006. The house, managed by her partners, has now been finally closed. 

The nose behind Carnation is Mona di Orio. Top notes are Bourbon Geranium and Bergamot; middle notes are Ylang-Ylang, Jasmine, Violet and Precious Woods; base notes are Styrax, Amber and Musk.

Carner Barcelona El Born: fragrance review

The winding cobbled streets flow seamlessly into the old stones of medieval times, witness to Barcelona’s history reprised by Carner Barcelona. Plants and flowers tumble down from tiny decorated balconies sharing scenery with vintage stores, pastelerías, cafeterías, old bookshops, wine bars… A group of old friends playing cards, youngsters discussing by the edge of the fountains, tourists enjoying a glass of champagne… this is El Born, a unique atmosphere where even the XIVth century church Santa Maria de Mar seems to want to go unnoticed, just being another spectator of the show. 

                              photo borrowed from Pinterest

This is how we're meant to envision the concept behind the fragrance of El Born, an organic outpouring of the Spanish cultural landscape. To me it's a sweetish, rum-like, deep and honeyed vanilla which lends itself easily to cooler weather, but not necessarily as dense as some other sticky gourmand vanillas. 

The synergy of angelica and citruses in El Born by Carner Barcelona cuts through the juvenile sweetness and the deep resins surface to push it into ambery-balsamic territory. A quirky vanilla full of subtly savoury touches, plush and full, through which a slicing scimitar of botanical rush cuts it open. Perfect for cool weather. 

Manos Gerakinis Parfums Sillage X: fragrance review

 Not coincidentally, the new Sillage X commemorates the 10th anniversary of the Greek niche brand founded by Manos Gerakinis as a project that is destined for a customer pursuing the refined things in life and the greatest luxury of them all: time. This is why Manos Gerakinis divulged to me in an interview that he takes his time to develop his fragrances; he doesn't rush to cater to the latest trend because he knows it will look like a quick grab and no soul, destined to not last. 

Created to celebrate the 10th anniversary of Manos Gerakinis Parfums, Sillage X is a thoughtful yet positively joyful olfactive reflection on the passage of time and what remains timeless. 

Although Sillage X is presented as a predominantly vetiver scent, it does not project as one. It is neither green nor fresh in the sense of all those summer vetivers that have been linked to airy and crunchy smellscapes, as classical as Guerlain's Vetiver and Carven's Vetiver. The citruses do burst like angels from the skies to sing their bright message of joy, but the fragrance soon turns into something different than a cologne. It's a thing of its own, terpenic, dry, delicious, and woody-spicy— a sillage that is leaving a trail of mystery behind it. Tempered but still substantial, smooth yet also somewhat durable. 

The main delectable note is black pepper (piper negrum), a note that the wide public is biased against, mainly because when they read "pepper," they're equating the smell with the flavor and fear things that make people around them sneeze. Of course, no such thing is true, either of the oil (which I love!) nor of the generous use of it in the formula of Sillage X. The spiciness is just right, balancing the citruses on top and giving that delicious durability to the heart, which grows out in the iris direction; starchy, earthy, nicely rounded and yet fresh too, reminiscent of juniper and cedarwood. Black pepper has the great quality to bring into focus elements that would otherwise recede to the background, and in Sillage X, this is eminently showcased. As my colleague Mat wrote about another instance, "In order to make a full-bodied black pepper aroma, you have to "extend" it by something weighty. In this case, the perfumer chose to do it with the help of various woods. Coming in second in importance, the note of cedar, dry, coniferous, and woody, peeks out soon enough and supports the savory theme of black pepper recalling cedar nuts, cutting board, and juniper wood trivets." 

If you're wary of fennel, on the other hand, rest assured that its touch of anethole is discreet here; there's no risk of you smelling of pastis. On the contrary, allied to the other spicy components, it brings on a degustation balance, the calm and serenity of a great dinner—all things in good order and in measured portions. 

Sillage X (2024)

perfumer: Vasiliki Psatha

Top notes: Bergamot, Lemon, Mandarin

Heart notes: Vetiver, Black Pepper, Cardamom, Fennel Seed

Base notes: Cedar, Moss, Patchouli

Comme des Garçons Zagorsk (Incense Series): fragrance review

Zagorsk by Comme des Garçons is among the less mentioned specimens in the Japanese-centrifuge brand's collection of fragrances inspired by various incenses used as burning materials around ther world. Comme des Garçons was among the first to explore the idea that people have cultural associations with burned materials. "Incense," after all, comes from the Latin verb meaning "to burn." They launched not one but five scents in their iconic Incense Series, each geographically codified to appeal to a specific sensibility and religious context. 

                               Gordana Ristic, pic borrowed from Pinterest

In the case of frankincense, which happens to be the main material of ecclesiastical incense -the kind that is burned in censers in Christian Orthodox and Catholic churches- the association with church is a given, even for the non-pious. The emanations from the church escape into the air, and the congregation has fumigated their clothes during service just enough, so that a subtle trail can be caught by a sensitive nose outside afterwards. 

 Zagorsk, composed by Evelyn Boulanger, is fittingly dedicated to the Eastern orthodox churches. I picture them on Eastern European soil as a solace from the cold, but also bearing the birch (leathery, tarry) and fir atmosphere of the outside, the coniferous tonalities that befit countries of vast forests. Plus I detect a clean clove note, embracing the cold, which is inextricably tied to my mind with Russia and Eastern Europe; those Soviet carnation scents must have been at the root of that. It's perfect for winter weather and it is alongside Vert d' Encens by Tom Ford, lamentably discontinued, a green incense that defies that cliche of heavy and cloying incenses that are so full of balsams that they cease to smell of frankincense and turn like orientalized soups of lead-ladden notes. Worth seeking out for a long-drawn sniff. 

Affinissence Vanille Benjoin: fragrance review

I am not entirely convinced that AFFINISSENCE's plan of marketing (and that of creation?) succeeds in creating seamless canvases of hues, with their professed aim of monochromatic chasms between top and base notes. Supposedly they do not mesh programmatically, yet they have to in the end, otherwise they'd smell flat and off, which they emphatically do not. The collections are divided into Notes de Fond (base notes), Notes de Coeur (heart notes) and Notes de Tête (top notes). 

                                   Jeremy Willens, pic borrowed from Pinterest

Vanille Benjoin is part of the Notes de Fond collection. It's important to note the timeline of the brand, as I'm sensing it began as something less complicated. AFFINESSENCE began as a niche French brand, launched in 2015 with the first four fragrances (Cedre Iris, Patchouli Oud, Santal Basmati, and Vanille Benjoin) followed by Cuir Curcuma and Musc Amber Gris in 2017. The collection was unique then, by the base notes concept of the owner, Sophie Bruneau, who decided to translate her passion for intense, rich, and long-lasting fragrances, and especially for their deep base note accords, as the leading ingredients in her line. So naturally, no pun intended, the following collections were undertaken as points of departure when the intended base note materials had been explored. 

 The brand described Vanille Benjoin in the following words: 

"In order to present this extraordinary "marriage" of ingredients Affinessence combines two types of vanilla (Tahitian vanilla absolute with the intense scent of leather and the sweet aromas of Madagascan vanilla absolute). This blend is combined with the so-called alter-ego, Siamese benzoin, a fragrant resin originating from Laos which is highly respected for its balmy, almond-like shades. For the strong, irresistible trail, scents of ambroxan, tonka, Moroccan and Chinese cedar were used, placing benzoin and vanilla in the transcendent, providing amazing strength." 

 Despite it being a vanilla it's one that references a unisex scent that was originally launched for...men. So whatever you sex, feel safe to explore this one. 

 Vanille Benjoin was developed by perfumer Corine Cachen. She must have been influenced by the style of Menardo, especially for Bvlgari Black from 1999, now discontinued. Or following the skeleton of this leather-powdery tension (which is also evident in the classic Habanita, especially in the 1980s versions and a teeny tiny part only in Bois Farine by Jean Claude Ellena - minus the peanut butter note in that one!) 

 Side by side with Bvlgari Black the Affinissence scent projects with an initially sharper top note, which smells a little higher in pitch. It then softens into the heliotrope-suede-almond-vanilla tonalities that we're associating with the flou accord of hazy dark clouds of a smoky atmosphere somewhere warm and cosy. It's that musky vanilla that people who like mystery and intrigue in their perfumes most appreciate. Whether it may fulfil the longing in the hearts of those missing Bvlgari Black remains to be seen whilst trying it out for yourselves and living with Vanille Benjoin Affinessence for a short while, so samples are highly recommended.

Diptyque Lunamaris: fragrance review

 Lunamaris by Diptyque, part of the new collection Les Essences, inspired by rare natural materials, managed to capture my attention and eventually my preference within the new line-up. It's a sleeper, that I suspect will please a lot of people if only given a chance to try it out. It grows on you. This fragrance genre has an affinity for prompting introspection and daydreaming, akin to listening to Eric Satie and his collective opus of Gymnopédies and Gnossiennes. Music that eases the mind and set forth a spiritual mood, with restrained sentimentality and low vibration sounds that stir the senses in a non flamboyant way. It's excellent for doing mental work, as its lack of words helps with concentration and -much like baroque music, though in a different way- it aids the mind to put a flow into thoughts. 

                    photo via pinterest

 The intention was transliterating the effect of mother of pearl or nacré into a scent. Perfumer Fabrice Pelegrin worked on the dual nature of mother-of-pearl, iridescent and whiteish, with a combination of resins. Cistus labdanum and frankincense-myrrh are played into the effects of the structure. It gives a fresh, cool ambience backed by subtle warmth which blooms on the skin when the fragrance is finally settling. To transliterate this beauty and dream-like quality into a fragrance it needed materials and chords that echo this subtlety and low-key dazzling of the senses. Perfume lovers can think of some: irises, metallic effects, shimmery incense effects, mineral chords, rose oxides... No innovation then in the composite parts of Lunamaris the fragrance, but excellent execution, something I'm giving more and more attention to. An incense with spicy notes and a fresh feeling, it easily comes through victorious. The poetic name, which unites the notions of the moon (luna) and the sea (maris) creates a tension that almost pre-empts the image of a dark nightime seascape where the silvery path of moonbeams sheds its magic upon the waters. It's dreamy in itself. 

                              photo via pinterest

 The myrrh and labdanum components give Lunamaris a vibrant feel, bittersweet and mysterious and almost abstract. I also detect a certain rosiness, the kind that is vegetal, pure, botanical and not liquer-ish or femininely floral. This is attributed to pink peppercorns, or in French baies roses. Of course Diptyque has cemented a cult favouring of their legendary Baies candle, so it fits effortlessly into their fine fragrances too. Contrary to what most people associate with pepper or peppercorns, baies have a rosy texture, adding flavour and aroma but no real heat to the palate when tasted. Therefore the subtle spiciness and the becoming, rosy aroma contributes to fragrances in a way that cannot be tagged retro under any guise, fully justifying why perfumers have used pink pepper with abandon in the last couple of decades in contemporary compositions. This was exploited in Toy Boy by Moschino too, recently, in order to give a non feminine feel to a fragrance geared towards men. 

 Overall the scent of Lunamaris is dry, completely unisex, devoid of any retro or stereotypically feminine or masculine traits and produces that zen quality we associate with an experience at a temple or a high-end spa retreat. It is clean and definitely minimalist luxury. There is also a musk inside which I suspect is Cashmeran, adhering to the skin in a very nice way, and yet projecting fine to others coming into the radius of its appealing aura. The lasting power is also very good, tenacious over the course of a working day.

Available as Eau de Parfum. 

Lanvin Oxygene: fragrance review

 Everything old is new again and now that things aqueous and lightly transparent, with a mist of cool fresh air like Drop d'Issey, are making ripples, it's time for a comeback for those musky, airy, cool and dewy fragrances that defined an era. The presentation for Oxygène by Lanvin followed the trend for diaphanous or light blue (Light Blue anyone?) bottles that dominated the 1990s and up to the millennium. Then pink erupted and has never left us since. Indeed nowadays blueish bottles are almost solely geared to men.

The olfactory reception I get in Oxygène is quite something, as it recalls and depicts vividly one of my favorite flowers, the wisteria, or glycine in French. It's an early spring flower and, therefore, associated with cool air, dewiness, and a certain hesitant expectation. The heat and the sun have not come in to orgiastically lavish upon it. Its peppery spiciness, inherent also in mauve lilacs, is due to eugenol. I begrudge L'Artisan Parfumeur for discontinuing their lovely scented candle Sous la Glycine - Under the Wisteria - which remade the effect to perfection. (If the good people at the head office are reading, please bring it back!)

Delicately floral, with a subtle spicy note of clove, the central chord in the Lanvin Oxygène' fragrance recreates the beautiful, utterly gorgeous scent of the mauve, hanging grappes of wisteria, perched like bunches of decadent grapes over terraces, latticework and verandas in early spring. A fusion of spicy goodness reveals itself from the core: a middle road between peppery twinkle, a clove note, and carnations, with a side of a somewhat oily green nuance reminiscent of hyacinth and lilacs.

pic borrowed via pinterest

I do not get real milky notes, not the potable kind nor the milky body lotion type, which is prized among millennial women. It could only be said that there is a faint whiff of creaminess in the musk, but it is the overwhelming impression of white musk - redolent of white flowers and lilies - specifically that does it, not the milk or sandalwood, really. A very subtle hint of vanilla fuses with the headiness of the base. Any sweetness is due to the musks. On the other hand, Oxygène's freshness of citric notes and ozone in the initial spray is very perceptible and, to me, delectable; they recall that long-lost zingggg that scents of designer brands used to do so well back then.

Lanvin's scent Oxygène can be bought at discounters and online at relatively low prices nowadays.

Related reading: The History of the Lanvin House

Jean Paul Gaultier Le Beau Paradise Garden: fragrance review

 Le Beau Paradise Garden by Jean Paul Gaultier is "a tribute to the Garden of Gaultier, filled with vibrant flowers and enticing scents. It masterfully blends the salty coconut's freshness with the green fig's lushness and sandalwood's soothing warmth. Hints of zesty ginger, cool mint, and sun-drenched tonka bean enhance the fragrance's green aquatic and woody character, making it an ideal embodiment for energetic and passionate men." 

pic borrowed via pinterest

Does it deliver? Yes, it surprisingly does. Perfumer du jour Quentin Bisch masterfully composed this fragrance as a woody, green, aquatic melody, capturing the divine atmosphere of a tropical haven in an Eau de Parfum for men concentration. 

Drawing inspiration from the Jean Paul Gaultier Autumn/Winter fashion collection of 2010-2011, imagine a lush, enchanting garden named "Le Beau Paradise Garden" and "La Belle Paradise Garden," a haven of intense delights and fervent desires. The box with its paradisaical pro-lapsarian motifs and the bottle with the green hue and the delicately woven codpiece attached are very pleasing to the eye. Picture a bottle of striking beauty: an emerald-green glass ornately embroidered with a vibrant vine leaf, boasting exquisite, high-fashion details. 

Le Beau Paradise Garden by Gaultier now encompasses the saltiness of Mugler's Womanity (a stand in for the genitals hidden by a fig leaf?) with its fig overtones for the main chord and buttresses them up in delicious coumarin-rich tonka bean. This gives a tasty dessert quality to the mix, creating a good tension between the salty and the sweet without succumbing to either. Although we can't expect something too innovative, since the main chords have been done before and tonka beans are everywhere apparently in later years, I find it a balanced composition. Coconut is more reminiscent of coconut water than shredded coconut sweets, which can become too sweet. In the original Le Beau I found the coconut rather too much, as I'm sensitive, but here it's just right. It's more aqueous overall, with hints of the pre-lapsarian Garden of Eden — green, damp, wet, and creamy. Tonka, after all, is in the same compound class as lactones, and it makes sense to pair them. 

It does come across a bit synthetic, because —hey! — it is synthetic, but the entire market is synthetic anyway. Yet it's mild, quite fresh, mouth watering, not really botanical (which is usually associated with men's fragrances), and I'm pretty sure it wouldn't insult anyone. 

Official fragrance notes for JP Gaultier Le Beau Paradise Garden: 

TOP NOTES Aquatic Notes, Mint, Ginger, Fresh Greenery
MIDDLE NOTES: Salty Coconut, Green Fig
BASE NOTES: Sandalwood, Tonka Beans