L' Erbolario Assenzio: fragrance review

Although Assenzio Aqua di Profumo by Italian pharmacist-inspired brand L' Erbolario is an older scent, I only truly discovered it last year, testing it again and again, and contemplating a full bottle of my own for the coming months. 

via pinterest

The Italian name means absinth and it effortlessly recalls ringlets of fragrant smoke rising from a censer into the ethers, which is totally fitting for days of recollection and pensiveness, since incense is usually burnt into a censer and left to rise. Frankincense has a citrusy top note and this is beautifully fanned out in Assenzio, where the citrus and herbal part (bitterish artemisia and wormwood) is the introduction to the hazy, billowy development. 

Perfume lovers have beautiful and zen-quality words to say about it. Silver Hiccup writes in Fragrantica, "Assenzio is ultimately a very gentle, flowy scent, like a fluffy cloud that envelops you. I can admit that for me, it may carry a sense of melancholy."  Cerise Noir writes, "I love this powdery, herbal sweetness. Makes me feel so clean and calm." Abraham 7 says, "An ancient, green, relaxing charm."

Others, like Kioflare are mixed: "The opening is really quite masculine, astringent and not particularly pleasant [...] reminds me in a sense of Penhaligon's Blenheim Bouquet, which I was not particularly fond of. This goes on for about 15-20 min. The drydown showcases its truly marvellous and gentle side. That is the real unisex herbal talcum [...] becomes a bit chalky sweet, the herbs shine through, but they leave a gentle and warm impression, like a green powdery caress."

Although Assenzio has been compared to Felce Azzura, the famous shower gel and dusting powder products from Italy, another South-eastern European reference that is often conflated with incense, due to the dry soapy-piney ambience, it is not a replication of that (admittedly amazing) scent. But it's worth trying all the same, because the herbal qualities will appeal to lovers of the Italian classic of grooming all the same. 

Best of all? This quiet scent has an array of ancillary products to enjoy from morning till bed-time... Bliss. 

NB. The Aqua di Profumo concentration is the equivalent of Eau de Toilette. 

 

Official notes for Assenzio by L' Erbolario:

Top notes are Wormwood, Amalfi Lemon and Orange.
Middle notes are Artemisia, Coriander, Lavender and Cardamom.
Base notes are Musk, Carnation, Geranium, Patchouli, Benzoin and Cedar.

Hermes Eau d'Hermes: Thoughts on Revisiting a Classic

Choosing an Hermès fragrance is, to me, an embarrasement of riches. The brand is among my very favorites for several reasons; most important of all is that their axiom of effortless luxury is very simpatico to my own aesthetic values. I love so many of their fragrant canon...In the end if put into the position to choose, I have to distill the exercise into a search for clarity. In that field, two clear contestants came head and shoulders above: Terre d'Hermès and the original Eau d'Hermès. After all the latter is advertised as being "l'eau de la terre d'Hermès depuis 1951" (i.e. Hermes's essence since 1951)

They're both unexacting on the wearer, feeling like lucid impressionistic creations that manage to be abstract without coming across as maudlin, nor conspicuous. In the ensuing bras de fer the progenitor rose triumphant in those stakes, even though the child, Terre, is stellar on its own merits. Eau d'Hermès for the ride then!

This old creation from 1951 was a composition by the legendary perfumer Edmond Roudnitska, and since such a huge part of the Hermès modern legacy has been composed by Roudnitska's magnificent pupil, master perfumer Jean Claude Ellena, it was long due to pay respects to the fountain that brought forth such scented marvels. Additionally, Ellena has overseen the perfectly decent modern reformulation of the vintage composition with his customary attention to detail; a feat in today's world of watered-down reformulations that leave new perfumephiliacs in a query as to what we, rather more seasoned aficionados, see in the monuments of the past.

Eau d'Hermès is predominantly a fresh and the same time sensuous scent for both sexes, with emphasis on both qualities. Nowadays these might seem mutually exclusive, but they definitely are not by default; it's culturally imposed to view them so. The inspiration couldn't have been more Hermès if it tried: the soft insides of a luxurious leather handbag where a spicy citrus mingles with the odor of fine leather. The important addition of cardamom, a "cold" spice which pairs exceptionally well with both leather and citruses, and which gives a cool feeling of freshness alongside the spiciness, is pre-empting several of Ellena's spicy arpeggios, inclusive or exclusive of Hermès fragrances.

At the time of writing, Eau d'Hermes has ONLY 4 PEOPLE naming it as a signature scent on a popular database of millions of viewers, which I think must be a record for a scent from a major fragrance house. It's high time more people talked about Eau d'Hermès and tried it on for good measure. I hope my update accomplishes that and ensures a continued production of this silent strong type of a scent.

Related reading on PerfumeShrine:

Edmond Roudnitska, the creator of perfume masterpieces, a tribute
Interviews and tributes to fragrance industry creators

Jean Paul Gaultier Le Male: fragrance review of a best-seller

Back in 1995 when this Francis Kurkdjian composed fragrance launched Le Male didn't look like it would become that huge in popularity. Jean Paul Gaultier's first masculine fragrance (programmatically named Le Male) was honestly too sweet for the times. No man would capitulate to such a sweet scent surely? And I'm saying this in full knowledge that the archAngel of sweetness came out 3 years before. Angel by Mugler was still too sweet by any mass market standards in 1995 and a very slow commercial success in the market; it took confidence and patience to make it the monument that it is. Le Male followed an analogous path though a bit more speedy thanks to its intended audience.

via

Le Male was evidently camp with its rippled torso and sailor paraphernalia. It was made by a French brand, for Pete's sake, fronted by a "crazy" looking guy always dressed in a matelot top! But it caught on spectacularly because of a very specific reason. It caught on first with the fashion congnoscenti and the tasteful homosexuals who were drawn to its campy imagery and gender bender advertising aesthetics. Truth be told gay men with fashion savvy often have an uncanny ability to focus on just what is right and works in the style stakes and predict trends. Evidently all strides of life favoured it commercially in the end. The advertisements and the scent were so tongue-in-cheek that you couldn't ridicule it no matter what one's orientation were; it had a healthy portion of self-sarcasm to carry it through.

Composition-wise the sweet lavender over coumarin-vanilla recalls a hint of classic fougère specimens, but the execution is nothing but. To better view this one can do a side by side experiment with a classic sweet lavender built on coumarin notes; Caron's Pour Un Homme. Whereas the Caron is a fist in a velvet glove Le Male is rubber band or nitrile gloves that slap shapely buttocks in jest.You can detect the modern musks which make this powerful. Or at least which used to make this powerful and very long lasting. I hear it doesn't last as long nowadays though my last personal testing is a couple of years old to be honest.

Now that fragrances for men have become increasingly sweet, Le Male continues to be popular with all ages of men (fathers and sons alike), but especially young ones who have rediscovered it. Quite a feat for something older than the age of its wearers!

Diptyque Philosykos: fragrance review

For reasons not very difficult to parse Diptyque's Philosykos is one of my favorite summer perfumes and any time I want to be eased into a warm weather reverie that comes replete with siestas under a generously shady tree and the smell of its dusty foliage and warm, solidly dependable bark, I reach out my hand for it. The idea of spraying Philosykos on one's self is of course synonymous with the elation conferred upon thee on a hot summer's day. But one trip to rainy Ulm, Germany, convinced me of the unsung merits of Diptyque's iconic fragrance at times of melancholy as well.

via

Right when the weather was gloomy over the muddy Danube, when the downcast skies of lead threatened with more rain and more desperation of the particular kind that an endless Sunday afternoon cooped up in a small room spells out, I reached in my handbag for olfactory solace. Restricted from airport travel regulations my stash regretably had to remain back home: frustration! But a couple of trusty solids had piggybacked themselves, stacked upon each other. Among them Philosykos, the lover of figs.

And lo and behold, an ordinary yet scenic scenery, like that in mount Pelion which inspired it, unfolded beneath my eyes upon it melting on my wrists. A stone-built cottage with grey-taupe stone roof tiles shimmering in the scorching August sun. A tiny cistern with a bucket going down for watering and the cicadas singing incessantly in the still of noon. The sweetish mix of dust, earth, milky coconut odour off the barks, crackling and oozing fragrant resin, and two small children running down the slope to the boardwalk towards the sea. "Wait for me Alexander! Just wait!"

It's home away from home.

Berdoues Cologne Grand Cru "Scorza di Sicilia": fragrance review

Maison Berdoues is well known for their classic violet fragrance, Violettes de Toulouse, as de rigeur retro as a finicky collector would demand of their collection. But modernization, and Scorza di Sicilia is part of that project, is the name of the game for an old company to survive the times. Berdoues have been busy producing a collection of colognes, called grand cru to reflect wine phraseology, in order to catch the attention of the niche buying perfume lovers with an eye to heritage.

via

There's a dearth of fragrance reviews in the year that has been put between the original release of the grand cru colognes, 2015, and today, so I took it upon myself to write some on them having tested the line in detail recently. And so I'm beginning with Scorza di Sicilia, i.e. Sicilian rind. 

Contrary to the gorgeous sliced citruses painted on the columnar bottles (truly nice in person as well as in the photos) Scorza di Sicilia is not about citrus per se, even though the citrus is perceptible throughout. In fact the scent's character is quite floral indeed, taking lily of the valley as the sharp floral note that assembles the references that an Italian summer fragrance would normally evoke: the sun, the breeze, the lightness, the clarity...We all need a slice of sunshine in our lives, don't we.

Lily of the valley with its sharpness, clean aspect and green underpinning can act as an effortless bond between the bergamot top note (a Calabrian, if not Sicilian, reference) and the grassy-woody coolness of the vetiver of the base. I suspect white musk makes for the same cohesive glue, giving Maison Berdoues Scorza di Sicilia the starched, fresh aura that makes it so very amenable to a hot day somewhere where the houses are white-washed and the roofs tiled rather than thatched.

A note on terminology: Though "cologne" might evoke either short lasting power (and citruses are notorious for that) or a masculine effect I assure you that neither is applicable in this case. It's a rather decent eau de toilette duration scent that could be worn by either men or women in warm weather (I suspect it'd get drowned in the cold).