Art & Olfaction Awards 2026: The Experimental Scent Summit Where I Presented ScentDia

 

The Experimental Scent Summit (ESS) is presented as part of an ongoing collaboration between Los Angeles-based The Institute for Art and Olfaction and Berlin-based Smell Lab. The Experimental Scent Summit (whose speakers and subjects of 2026 were presented in the official page) is an annual gathering designed to build community and learning in creative practices with scent. As a rule, through presentations, academic and research practitioners share experimental work in an open and unrestrained environment that facilitates collaboration and inquiry. It is a non-profit community event that brought together researchers to share experimental and academic work on scent in an informal, open setting at the beautiful venue of Impact HUB Athens,right in the city center of Athens, below the Acropolis. 

ESS 2026 was co-curated this year by Julianne Lee, Minetta Rogers, and Saskia Wilson-Brown for the Institute for Art and Olfaction, and Klara Ravat for Smell Lab, and the presentations ranged from research findings in the fields of olfaction, history, culture, botany, sound science, and other related academic disciplines; performances and conversations that inspire new ways of thinking about and working with scent. 

the presenters for ScentDia social robotics

   SCENT DIA, the Olfactory Turn in Social Robotics, an interdisciplinary project uniting robotics, philosophy and olfactory art, which was introduced by me (Elena Vosnaki), followed by the more in-depth analysis by Professor of Logic and Science of Philosophy Luisa Damiano and Manos Gerakinis of Manos Gerakinis Parfums. Working with Mari Velonaki, who developed the robot as the 3rd in line in her Diamandini Robotic Series at the University of New South Wales in Australia, and collaborating with manufacturing chemical plant Vioryl S.A., they translated the social cues of the first social robot into the emission of discernible scent, emitted at the discretion of artificial intelligence in correspondence to human cues! 

Social robots, as we explained, are robots able to communicate through social cues and in social contexts, through emotional expressions, language, and posture, and now for the first time through scent corresponding to human interaction. Thanks to SCENTDIA's revolutionary technological innovation, the audience was informed about the new concept of the "social robot" as a "social connector," which opens new perspectives in the contexts in which such technology finds application, such as health care, education, and personal support, marketing, and entertainment. All in all, a very stimulating and enjoyable experience. To quote the Institute of Art & Olfaction's motto as my closing line, "Be kind, be cool, be honest, have fun."

Manos Gerakinis Parfums Sillage X: fragrance review

 Not coincidentally, the new Sillage X commemorates the 10th anniversary of the Greek niche brand founded by Manos Gerakinis as a project that is destined for a customer pursuing the refined things in life and the greatest luxury of them all: time. This is why Manos Gerakinis divulged to me in an interview that he takes his time to develop his fragrances; he doesn't rush to cater to the latest trend because he knows it will look like a quick grab and no soul, destined to not last. 

Created to celebrate the 10th anniversary of Manos Gerakinis Parfums, Sillage X is a thoughtful yet positively joyful olfactive reflection on the passage of time and what remains timeless. 

Although Sillage X is presented as a predominantly vetiver scent, it does not project as one. It is neither green nor fresh in the sense of all those summer vetivers that have been linked to airy and crunchy smellscapes, as classical as Guerlain's Vetiver and Carven's Vetiver. The citruses do burst like angels from the skies to sing their bright message of joy, but the fragrance soon turns into something different than a cologne. It's a thing of its own, terpenic, dry, delicious, and woody-spicy— a sillage that is leaving a trail of mystery behind it. Tempered but still substantial, smooth yet also somewhat durable. 

The main delectable note is black pepper (piper negrum), a note that the wide public is biased against, mainly because when they read "pepper," they're equating the smell with the flavor and fear things that make people around them sneeze. Of course, no such thing is true, either of the oil (which I love!) nor of the generous use of it in the formula of Sillage X. The spiciness is just right, balancing the citruses on top and giving that delicious durability to the heart, which grows out in the iris direction; starchy, earthy, nicely rounded and yet fresh too, reminiscent of juniper and cedarwood. Black pepper has the great quality to bring into focus elements that would otherwise recede to the background, and in Sillage X, this is eminently showcased. As my colleague Mat wrote about another instance, "In order to make a full-bodied black pepper aroma, you have to "extend" it by something weighty. In this case, the perfumer chose to do it with the help of various woods. Coming in second in importance, the note of cedar, dry, coniferous, and woody, peeks out soon enough and supports the savory theme of black pepper recalling cedar nuts, cutting board, and juniper wood trivets." 

If you're wary of fennel, on the other hand, rest assured that its touch of anethole is discreet here; there's no risk of you smelling of pastis. On the contrary, allied to the other spicy components, it brings on a degustation balance, the calm and serenity of a great dinner—all things in good order and in measured portions. 

Sillage X (2024)

perfumer: Vasiliki Psatha

Top notes: Bergamot, Lemon, Mandarin

Heart notes: Vetiver, Black Pepper, Cardamom, Fennel Seed

Base notes: Cedar, Moss, Patchouli

Manos Gerakinis Immortelle: Treackly Burnt Sugar - fragrance review

The name Immortelle comes from the golden-hued plant of everlasting flowers (immortelle in French) or helichrysum. The scent of immortelle absolute in its raw state is difficult to describe, somewhat similar to sweet fenugreek and curcuma, spices used in Indian curry, with a maple-like facet. Quite logical, if you consider the fact that the substance contains alpha, beta and gamma curcumene. Manos Gerakinis, a niche Greek line that is aiming ambitiously and delivers in sillage and lasting power most admirably, tried to harness exactly this precious oil, the one from everlasting flowers.

via

A cross between burnt sugar and dry straw is a rather valiant effort at conveying immortelle's nuanced profile, but the more the immortelle oil warms up on the skin, the more it reveals human-like, supple nuances of honeyed notes, waxy, intimate... It pairs well in chypres and oriental fragrances, where it is placed next to labdanum, clove, citruses, chamomille, lavender and rose essences.

In Manos Gerakinis's Immortelle niche offering, the immortelle accord takes on a sweet and deep aspect, with spicy accents, a dark gourmand. The cinnamon is pronounced, making me passingly think of a Middle Eastern dessert carré. The result is resinous without becoming heavy, nor suffocating, nevertheless. Benzoin, a resin with caramelic aspects, pairs with the rustic roughness of immortelle that recalls the Corsican maquis and Greek insular landscape.

There are some ways in which Immortelle reminds me of Goutal's classic Sables (probably the reference point for immortelle scents, for daring to be the first one seriously highlighting it) and of Serge Lutens's Jeux de Peau with its whiff of toasted bread and its subtly caramelized notes. People who love L de Lolita Lempicka and Frederic Malle Musc Ravageur might also find in Immortelle a trusty ally for their moments of daytime sensuous abandon.

The Manos Gerakinis brand has an official website by that name, where all the shopping options are mentioned clearly with international presence in the Middle East and Russia.