Wednesday, January 18, 2012

Guerlain Coque d'Or: Fragrance review & history

When art history enchiridia are written they emphasise how Art Deco style covered almost every sphere of human life in the 1920s and 1930s: architecture, interior design and furniture, aviation, fashion & jewelry most certainly, cinema and the visual arts... But they leave out perfumes and the industries that cater for them, such as cristalleries and glass blowers. In that regard, if we're to present emblematic Art Deco perfume specimens, the very rare but exquisitely designed Coque d'Or perfume by Guerlain should top the list. And not just for its looks, either!

History, Presentation, Chronology of Bottles

Coque d'Or was issued in 1937 in a cobalt blue bottle of Baccarat crystal encased in a gold metal "sleeve" shaped like a bow (and further encased in a white lined wooden box designed by acclaimed designer Jean-Michel Frank). However this fragrance is NOT to be confused with the entirely different Eau du Coq Guerlain "cologne" (after the famous French actor Benoît-Constant Coquelin, nicknamed Coquelin aîné) from 1894.

The name Coque d'Or [Cock-DOORH] literally means "golden shell". This type of bottle is typified as "flacon noeud papillon" (papillon meaning butterfly in French) in the Guerlain archives at 68 Champs Elysées, as it's so reminiscent of the masculine black-tie accessory.
Even though the original design included the gold gilding of the blue bottles apart from the upper edges (as shown in the pic), some speciments come without the gold.

The reason is less poetic than we might think: The factory doing the gilding burnt down during WWII... It is the larger size bottles of the original 5 (and the subsequent two molds by Pochet et du Courval) that display the base cobalt blue colour, always numbered in the crystal specimens, not in the glass ones. In the Baccarat mold the cap can be smooth OR faceted, while in the Pochet et du Courval mold the cap is always smooth.

Production of the noeud papillon bottle stopped altogether in June 1956. However, till that time, other perfumes were presented in it as well: the even rarer Guerlain Kriss (1942-1945) and Guerlain Dawamesk (1945-1955).

The fragrance of Coque D'Or was also available later in the big goutte bottles (shaped like a drop or a tear, containing Eau de Toilette) and the standard quadrilobe (very familiar from Jicky and other Guerlain fragrances in extrait de parfum concentration).

Scent Description

What I smell in Coque d'Or is a cross between Guerlain's Mitsouko structure and Vol de Nuit, with very detectable oakmoss in the base, very rich as both of these fragrances used to be in vintage form, and typically Guerlain, as established by perfumer Jacques Guerlain who has shaped the Guerlain aesthetic through his many classics. The correlation seems logical enough as Mitsouko launched in 1919 and Vol de Nuit in 1931 and the lavishness of the l'entre-deux-guerres period is palpable.The orientalised effect with the chypre-leathery background with oranges, flowers (clove-y carnation) and the Persicol peach-skin base on top (as in Mitsouko, but rendered less austere) is smooth as a caress, sweetly melding with the skin, there most certainly, but at the same time what the French call "doux" and "enveloppant"  (soft, enveloping, wrapping, tender, tactile almost...)
The leathery hint wraps the flowers and ripe notes in sophistication, much like it was the enigmatic quality in Vol de Nuit, with an ambery glow like fine cognac sipped from crystal glasses across a blazing fire, and the oakmoss persists like a warm, melodious, baritone voice.

Today the name Coque d'Or is a vibrant pink shade (#120) in Guerlain's Rouge Automatique lipsticks. The preservation of the copyright of the name is perhaps proof of the existence of God of Small Things. I have forwarded the plea to the proper Guerlain authorities, asking to re-introduce this gem  into current production, even as a one-off limited edition or a tiny-production exclusive (due to the high oakmoss content) so as to perserve its patina for future generations who haven't visited L'Osmothèque perfume museum

Related reading on Perfume Shrine: Guerlain news, Guerlain Series of fragrance reviews

Erté  illustration via Fashion Loves Films

Tuesday, January 17, 2012

Sonoma Scent Studio Fig Tree: Fragrance review

To say I am rather competent to judge a realistic fig or fig tree scent is an understatement, and that's not out of an overinflated ego. To reprise a popular olive oil commerical "I'm Greek, I should know!" Legion are the times I sought solace under the fig tree's thick shadows in the schorching summery heat; one of them under the very ruins of the Knossos palace in Crete. I can eat the fruit by the pound, such is the gluttony those taut little sacks inspire in me. And I have seen with my very archeologist's eyes how our ancestors consumed these nutritious gems by the pound too: the tiny seeds are still visible within the fossilised excrement fished out from the excavated sewage system at Akrotiri, on Santorini island. Oh yes, I know about figs and the tree that produces them all too well.

It comes as no surprise that I was taken by Sonoma Scent Studio's Fig Tree perfume. A fragrance that you should put on "Anytime you need a smile" as perfumer Laurie Erickson advises and on this freezing cold day of January there is no more proper time to remind myself of the paradise that our local nature is nurturing under this very cold, hard ground. The nascent roots sprouting little stems as we speak, the foliage in the trees now washed by the rain and shimmering under the "sun with teeth", awaiting to become fuzzy and dusty again with the gusts of July, the fruits waiting to appear again and again in their uninterrupted cycle of life.

Fig perfumes usually strive for one of two directions: there's the creamy-lactonic woody progeny started by perfumer Olivia Giacobetti with her Philosykos (Diptyque) and Premier Figuier (L'Artisan) where the nuances can veer over to apricots (a result of the peach lactone used); or the bitter, greener compositions such as Un Jardin en Mediterranée by Hermès and Jean Claude Ellena, based on stemone, a leafy oxime ~technically methyl-5 3-heptanone oxime~which generally imparts a powerfully fresh vibrancy to green florals (narcissus, lily of the valley), citruses (mandarin and grapefruit) and aids to built fig leaves and blackcurrant leaves notes.
Sonoma Scent Studio's Fig Tree is of the latter persuation; not that the natural milky-smelling coconut facet of the fig tree does not surface in the fragrance, a glimpse of the "milk" which the fruit oozes if you pinch it when semi-mature, but the emphasis by the perfumer has been deliberately given to the leaves, the unripe green sacks and the bark, through what seems like a synergy of cedar and patchouli.
Fig Tree is powerfully green in the beginning, with that unmistakeable fuzzy dustiness of the fig leaf; as if a very thin layer of earth is at all times resting on it, now matter how much you wash them. This raw effect ensures the realistic interpretation. But the unisex scent develops over time, seguing to a warm, delectable heart when the creamy notes appear (never too sweet, just on the brink of coconut milk), and then expressing a sustained woody-amber note, humming rather than hissing the lullaby of an eternal summer...

Notes for SSS Fig Tree: green fig, lactones, cedar, vanilla, tonka bean, musk.

Available at the Sonoma Scent Studio fragrance e-shop.

Related reading on Perfume Shrine: Sonoma Scent Studio fragrances

In the interests of disclosure, I was sent a sample directly by the perfumer.
photo of fig tree via greekresort blog

Top 3 Best-Selling Fragrances for 2011 (France)

Perusing the best-selling fragrances of any country presents its own interest to the careful watcher of the market; not only a measure of successful top-to-bottom design, but also a shaper of the trends to come, the best-selling status (and back& forth) of perfumes indicates the changing of the zeitgeist.

France is traditionally considered the birthplace of modern perfume fashions (I'm not saying birthplace of perfume in general, as that honor belongs to Egypt and Cyprus) and often foreigners view the French public as inherently more sophisticated than anyone else. Recent data from the acclaimed, specialized NPD group, a monitor of market shares of popular fragrances, presents interesting data:
Dior's J'Adore tops the list of feminine fragrances sales for 2011, surpassing for the second year sales of classic Chanel No.5. J'Adore by Dior has shown a 17% rise in its sales, thus taking a 4% share of the total fragrance sales in France.  Chanel No.5 itself has shows a rise of 1.8% in the past year (taking the total 3.6% of the market), leaving this time behind Angel by Thierry Mugler (who had surpassed No.5 numerous times in the past) with 3.2% of the market share.
The total fragrance sales market in France has risen at 3.5%.

Related reading on Perfume Shrine: Top Selling Fragrances for Men 2011 (USA),  Top 10 Best-selling Masculine Fragrances in France , Past ascribed gender: Best masculine fragrances for women, best feminine fragrances for men

Monday, January 16, 2012

Perfumery Material: Immortelle/Helichrysum/Everlasting Flower

The scent of Corsican maquis*, the wild herbs, the countryside scattered with dried flowers which almost caramelise under the hot Mediterranean sun.... Rich scents of dry straw, dusty amber, coffee, burnt licorice, syrupy and powdery, and spices (reminiscent of celery, fenugreek and curry) rise from those humble , tiny blossoms; mingling mightly in the air, just by taking a stroll amidst the stony country-roads. Traversing the wild nature on Cythera island, I catch a hint of ham too under the caramelic notes! This is immortelle or everlasting flower, the sunny yellow joy of the Mediterranean.


Golden sun, that's what helicrysum ( its alternative name) means in Greek; the French similarly call it "petit soleil".
A gift of the gods bestowed upon men, and both golden and sunny its inclusion in perfumes is indeed, as we will see.
Greeks also call it αμαραντος (never withering, literally "immortelle"), because of its legendary stamina to environmental hardship; the term sempre viva in Italian amounts to the same thing.


"Flower of stone and of my dreams,tender part of my soul, eternal beauty of my yearning,
cool fragrance in the wind of the desert.[...]
In this holy land of dreams, where we both sprang,
I confess my love's passion, sempre viva, my Cytherean daughter,
oh sweet extension of my soul, oh dry flower of the land of my love." 
[by Yiorgos Kasimatis-Drymoniatis, "Blood & Eros of the Small Homeland"; translation from the Greek my own]

Helichrysum angustifolium (meaning long and narrow leaved) or Helichrysum italicum (because it grows abundantly in Italy and especially Corsica, but is rare elsewhere on the globe) is steam distilled to produce a yellow-reddish essential oil which is prized in perfumery thanks to its unique odour profile and properties, rich in terpenes, ketones as well as neryl acetate and monoterpenic alcohols (notably linalool and nerol).
More than a ton of helichrysum/immortelle blossoms is required to produce just under a kilo of essential oil, rendering the oil an expensive one.
Helichysum Italicum is harvested in June as the level of Neryl acetate, the main beneficial component (immortelle has anti-inflammatory, anti-microbial and anti-oxidant properties and a corticoid-like action), is at its peak then; but a second harvest also takes place in October and November. In the region of Sartene, in the Ortolo valley, among the menhirs, the dolmens and other megalithic ruins, there are bio-sustainable fields where immortelle is cultivated, but the wild blossoms scatter the hills from the Ortolo up the mountains of Balagna and down the sea shores "licking" the Balkans. What's essential is the sun. Even as far back as classical writer Theophrastus, "the most excellent and most fragrant of all materials come from the sunny regions"

The odour of immortelle absolute is difficult to describe, somewhat similar to sweet fenugreek and curcuma, spices used in Indian curry**, with a maple-like facet. Quite logical if you think that the essence contains alpha, beta and gamma curcumene. Like burnt sugar and dry straw combined is a suitable effort at conveying immortelle's nuanced profile, but the more the oil warms up on the skin, the more it reveals human-like, supple nuances of honeyed notes, waxy, intimate... It pairs well in chypres and oriental fragrances, where it pairs with labdanum, clove, citruses, chamomille, lavender and rose essences.

In medicine and aromatherapy immortelle has a significant position  as it possesses properties that aid the liver, the digestive track, blood circulation, skin ailments and the general well-being. It's not even clear whether there are not many more beneficial properties to the yellow flower, research is continuing. Its skin healing properties have been the reasons immortelle is prized for long though and why L'Occitane en Provence devotes a whole anti-ageing skincare line to this humble little plant.

*Maquis also contains rosemary and cistus labdanum
**Sometimes called "curry plant" it has nothing whatsoever to do with the mixture of spices used in Indian cooking, nor with the curry tree (Murraya koenigii); it's only reminiscent in scent. The curry plant recurs among gardeners as a cat deterrent similar to the "scaredy-cat" plant, Plectranthus caninus (also known as Coleus canina).

List of fragrances featuring Immortelle/Helichrysum perceptibly:

[highlighted links point to fragrance reviews]


Annick Goutal Eau de Monsieur

Annick Goutal Sables
Ayala Moriel Immortelle L'Amour
Balmain Ambre Gris
Comptoir Sud Pacifique Aqua Motu

Dior Eau Noire
Eau d'Italie Jardin du Poete
Frapin 1270
Guerlain Cologne du 68
Guerlain Cuir Beluga
Histoires de Parfums Tubereuse 3 Animale
L'Artisan Parfumeur Cote d'Amour
L'Artisan Parfumeur Havana Vanille/Vanille Absolument
L'Atelier Boheme Immortelle
L'Erbolario Dolcelisir
L'Occitane Immortelle de Corse
L'Occitane Cade for men
Lolita Lempicka L de Lolita Lempicka
Mona di Orio Oiro
Nez a Nez Immortelle Marilyn
Nobile 1943 Ambra Nobile
Parfums de Nicolai Vanille Intense
Robert Piguet Visa re-issue (2007)
Serge Lutens Chypre Rouge
Serge Lutens Chene

Serge Lutens Jeux de Peau 
Serge Lutens El Attarine

Related reading on Perfume Shrine: Pyrazines; maple & caramel notes

Liv Tyler is one of us (Perfumista, that is!): Perfume Choices of the Famous

Liv Tyler has been careful to observe the contract she has with Givenchy re: their Very Irresistible advertising campaign, but she lets slip here and there some hints that maybe she's into more options than she lets on.


We had mentioned in the past how beautiful Liv likes to wear a fragrance to make herself identifiable with, but now it turns out she has had a collection since her teenager years. Her newest comments also hint at her ...disloyalty to her "assigned fragrance", if you read between the lines that is.

According to Movie NTDT the 34-year old actress, famous for her "Lord of the Rings" Arwen portrayal, still keeps the fragrance bottles she liked as a teenager and can't bring herself to throw any of them because of the memories of those times they trigger for her. "I have a collection of fragrances I've had since I was a teenager -I don't wear them, I just smell them for the memories. I wear Very irresistible -it's delicious- but I think it smells better on my grandmother. Every time I see her I say "You smell so good" and she says "Very Irresistible".

Ouch!

pic via lotr.wikia.com

This Month's Popular Posts on Perfume Shrine