Something special today for the readers of Perfume Shrine in celebration for the national fragrance day tomorrow and the official start of spring. So if you're game, please leave a comment with scent-related thoughts about spring in the comment section. Anything goes! Bonus points for new Twitter followers who gain two slots for the draw!
This giveaway wouldn't be possible without the kind sponsorship by 99perfume.com [link is unaffiliated] who are offering a full 3.4oz eau de parfum bottle of Burberry Brit for women to a lucky winner. The draw is open to readers in the continental USA at this time, since the company is offering free shipping to those addresses only. [I'm sorry if this inconveniences international readers but it is beyond my control.]
Draw is open until Thursday midnight and winner will be announced on Friday.
Burberry Brit for women opens with fresh notes of lime, frosted pear and white almond. The heart blooms with white peony. The drydown is very gourmand with vanilla, amber, mahogany and balsamic Tonka bean accords.
Good luck!!
And don't forget to check again later today for the announcement of the winners of the Tauer draw!
Wednesday, March 20, 2013
Tuesday, March 19, 2013
The Smell of Zombies: Now in Cologne Form for Him and Her
Do you like your movies filled with rows of living corpses? Does the idea of some rotting flesh bring out the 12-year-old boy in you? Is Night of the Living Dead your favorite guilty pleasure? And did you secretly say "yeah, zombies can be normal folks like you and me" while watching Shaun of the Dead?
You're in for a treat then!
Demeter, a cult fragrance line off NYC, has brought out the scent of the living dead in cologne form (in masculine and feminine declinations no less!), so you know what you're going to douse yourself with next Halloween or next Zombie-slumber-party.
The Demeter Fragrance Library explains that its colorless, Zombie For Him cologne smells like 'forest floor', with notes of dried leaves, mushrooms, mildew, moss and earth. And the women's version (Zombie for Her) is slightly 'lighter', with the additional aroma of dregs 'from the bottom of the wine barrel for that feminine touch.'[source]
The two scents are limited edition, available only from March 15th to April 20th on the Demeter online store.
Demeter, founded by Christopher Brosius and Christopher Gable in 1993, has never stopped producing not-your-average-fragrances for people who are after specific smells (their Rain is the scent of a humidifier pegged just right, their Dirt is the kind you plunge your gardener's hands into and rejoice, they have Vanilla Cake Batter, Play-Doh, Turpentine, Beetroot, Sex on the Beach (after the cocktail), Moonbeam, Laundromat and many many others in a staggering catalogue of 250 scents.
Now would you be curious to smell these? And what do zombies smell like anyway?
As one reader commented on the Daily Mail: "I don't know what a dead man walking would smell like, but I'll bet it isn't too dissimilar to the current occupants of the government front bench." I couldn't have put it better myself.
This snippet of news was brought to my attention by the lovely Minette.
The Demeter Fragrance Library explains that its colorless, Zombie For Him cologne smells like 'forest floor', with notes of dried leaves, mushrooms, mildew, moss and earth. And the women's version (Zombie for Her) is slightly 'lighter', with the additional aroma of dregs 'from the bottom of the wine barrel for that feminine touch.'[source]
Shaun of the Dead |
The two scents are limited edition, available only from March 15th to April 20th on the Demeter online store.
Demeter, founded by Christopher Brosius and Christopher Gable in 1993, has never stopped producing not-your-average-fragrances for people who are after specific smells (their Rain is the scent of a humidifier pegged just right, their Dirt is the kind you plunge your gardener's hands into and rejoice, they have Vanilla Cake Batter, Play-Doh, Turpentine, Beetroot, Sex on the Beach (after the cocktail), Moonbeam, Laundromat and many many others in a staggering catalogue of 250 scents.
Now would you be curious to smell these? And what do zombies smell like anyway?
As one reader commented on the Daily Mail: "I don't know what a dead man walking would smell like, but I'll bet it isn't too dissimilar to the current occupants of the government front bench." I couldn't have put it better myself.
This snippet of news was brought to my attention by the lovely Minette.
Monday, March 18, 2013
Tauer Perfumes Noontide Petals: fragrance review & draw for (unreleased yet) samples
From the noontide sun depart
Here belov'd awhile repose
And the murmurings of my heart
Let me tenderly disclose,
to my forest rose.[1]
Alles ist Licht (Everything is light)
Writing the first review on Noontide Petals, the as yet unreleased newest Tauer perfume, means I get to -in a way- shape how the fragrance might be examined by those who will experience it next. So if I were to give a direct image it would be light, blinding light scattered through a vitrail pane with geometrical designs, imbuing everything in its path, softening the delineations of objects, creating a haze of happy numbness. It was Luca who had long ago envisioned an apparition of light in regards to a Bernand Chant composition: seraphic angels singing a concert of clean notes with bits of an organic chemistry treatise and a woman dressed in white, with an impeccable silvery blow-dry, descending from the skies smiling, like an Atlantis TV-hostess. Different though the scent in question may be, the impression is nonetheless simpatico to the one that Noontide Petals created in me upon smelling it. This hugely aldehydic floral fragrance is simultaneously clean, very floral and sweetish in the White Linen, Estee by Lauder (a Bernand Chant composition, by the way) and Chanel No.22 mold, with that impeccably "coifed" feel of retro aldehydics, of which Tauer's Miriam fragrance was one great paradigm. In fact the turn that Noontide Petals takes for a while after the initial spray is referencing a segment off Miriam, with an even more retro, more sparkling soapy manner than the rather more soft-spoken Miriam.
Geranium and ylang ylang are commonly used as modifiers to leverage the intensity of the fatty aldehydes in classic fragrances. The trick works; a ton of aldehydes is almost too much to stomach without it, such is their engine combustion for flight that you feel like you're straddling the side wing of a Boeing 747. This sheen opens up the flowers, giving them the propensity to unfurl unto the ether. A giant rose is immediately perceived in Noontide Petals, much like in White Linen or No.22, soapy and warm, bright yellow [2] and strikingly spring-like under the winter sun. The citrusy touch on top serves as balance to the sweet floralcy of white petals (natural jasmine and tuberose), cradled into a soft, perfume, posh base with a warm, very lightly smoky effect that recalls things like Chanel, Van Cleef & Arpels and other insignia of class and refinement of another era. Simply put, Noontide Petals makes me want to press my jeans, break out the Hermès scarfs and the long, 20s sautoirs of shiny pearls and go out for a morning sip of champagne for breakfast and laugh and laugh with spirited company.
In short, if you're a lover of aldehydes in perfumes and have been longing for a good, potent, gorgeous dosage to hit you over the head in infinite style, look no further than Noontide Petals. If you have a problem with aldehydic florals you should also try it for the heck of it: it's definitely an impressive fragrance, very well crafted. For those of you who have identified a "Tauerade" base common in most of Andy's work, I can see no sign of it here, as I couldn't see it in Miriam either. In that way these are fragrant releases apart. But none the less beautiful for it!
For our readers, 3 samples of the unreleased fragrance by Tauer: Enter a comment, saying what you would most like or dislike about aldehydes, and I will draw three winners. Draw is open internationally till Tuesday 19th midnight. Winner will be announced on Wednesday.
[1]Rexford, George C., compiler and arranger; Lover, S.; Woodburry, I. B.; Thomas, J. R.; Wurzel, G. F.; Lavenu. Beadle's Dime School Melodist: A Choice Selection of Familiar and Beautiful Songs, Duets, Trios, Etc. Arranged in a Simple Manner for School Singing, with Elementary Instructions Suited to Children of the Most Tender Age . New York: Irwin P. Beadle and Co., 1860. [format: book], [genre: song]. Permission: Newberry Library Persistent link to this document: http://lincoln.lib.niu.edu/file.php?file=beadle.html
[2]It could be Pantone 7404
Here belov'd awhile repose
And the murmurings of my heart
Let me tenderly disclose,
to my forest rose.[1]
Alles ist Licht (Everything is light)
Writing the first review on Noontide Petals, the as yet unreleased newest Tauer perfume, means I get to -in a way- shape how the fragrance might be examined by those who will experience it next. So if I were to give a direct image it would be light, blinding light scattered through a vitrail pane with geometrical designs, imbuing everything in its path, softening the delineations of objects, creating a haze of happy numbness. It was Luca who had long ago envisioned an apparition of light in regards to a Bernand Chant composition: seraphic angels singing a concert of clean notes with bits of an organic chemistry treatise and a woman dressed in white, with an impeccable silvery blow-dry, descending from the skies smiling, like an Atlantis TV-hostess. Different though the scent in question may be, the impression is nonetheless simpatico to the one that Noontide Petals created in me upon smelling it. This hugely aldehydic floral fragrance is simultaneously clean, very floral and sweetish in the White Linen, Estee by Lauder (a Bernand Chant composition, by the way) and Chanel No.22 mold, with that impeccably "coifed" feel of retro aldehydics, of which Tauer's Miriam fragrance was one great paradigm. In fact the turn that Noontide Petals takes for a while after the initial spray is referencing a segment off Miriam, with an even more retro, more sparkling soapy manner than the rather more soft-spoken Miriam.
Geranium and ylang ylang are commonly used as modifiers to leverage the intensity of the fatty aldehydes in classic fragrances. The trick works; a ton of aldehydes is almost too much to stomach without it, such is their engine combustion for flight that you feel like you're straddling the side wing of a Boeing 747. This sheen opens up the flowers, giving them the propensity to unfurl unto the ether. A giant rose is immediately perceived in Noontide Petals, much like in White Linen or No.22, soapy and warm, bright yellow [2] and strikingly spring-like under the winter sun. The citrusy touch on top serves as balance to the sweet floralcy of white petals (natural jasmine and tuberose), cradled into a soft, perfume, posh base with a warm, very lightly smoky effect that recalls things like Chanel, Van Cleef & Arpels and other insignia of class and refinement of another era. Simply put, Noontide Petals makes me want to press my jeans, break out the Hermès scarfs and the long, 20s sautoirs of shiny pearls and go out for a morning sip of champagne for breakfast and laugh and laugh with spirited company.
copyright Andy Tauer for Tauer Perfumes |
In short, if you're a lover of aldehydes in perfumes and have been longing for a good, potent, gorgeous dosage to hit you over the head in infinite style, look no further than Noontide Petals. If you have a problem with aldehydic florals you should also try it for the heck of it: it's definitely an impressive fragrance, very well crafted. For those of you who have identified a "Tauerade" base common in most of Andy's work, I can see no sign of it here, as I couldn't see it in Miriam either. In that way these are fragrant releases apart. But none the less beautiful for it!
For our readers, 3 samples of the unreleased fragrance by Tauer: Enter a comment, saying what you would most like or dislike about aldehydes, and I will draw three winners. Draw is open internationally till Tuesday 19th midnight. Winner will be announced on Wednesday.
[1]Rexford, George C., compiler and arranger; Lover, S.; Woodburry, I. B.; Thomas, J. R.; Wurzel, G. F.; Lavenu. Beadle's Dime School Melodist: A Choice Selection of Familiar and Beautiful Songs, Duets, Trios, Etc. Arranged in a Simple Manner for School Singing, with Elementary Instructions Suited to Children of the Most Tender Age . New York: Irwin P. Beadle and Co., 1860. [format: book], [genre: song]. Permission: Newberry Library Persistent link to this document: http://lincoln.lib.niu.edu/file.php?file=beadle.html
[2]It could be Pantone 7404
Labels:
aldehydic floral,
andy tauer,
bergamot,
jasmine,
review,
rose,
soapy,
sparkling,
tauer perfumes,
tuberose,
ylang ylang
Saturday, March 16, 2013
Friday, March 15, 2013
Fragrance Layering: A Layman’s Guide on How to Layer Perfumes
So you’ve decided to layer, the art that involves applying more than one fragrance at the same time. You have amassed your scents, put all your samples in order. Now what?
~by guest writer AlbertCAN
Fragrance layering sounds impossibly chic, but often harder than a trifle dab of this and that. Part of the delicate problem lies knowing the basics of your fragrances, somehow understanding how to rev the aromatic engines in harmony. Thus in layman’s terms I am here to put together a concise, easy to follow guide on the fundamentals of perfume layering.
Before the layering can take place I want to show you a few simple application rules. Some of you might know this already but I prefer covering all grounds. Still, for those of you new to the game: less if always more. Discretion and common sense always is the key to success in fragrance layering: to start always choose to play with two. More only if you are confident.
Even perfumer Jean Claude Ellena advocates some wild combinations of scents (Angel and L'Eau d'Issey together?)
1. Layering doesn’t have to be merely pairing equal-concentration scents, meaning that parfum A can blend beautifully with, say, eau de cologne B. In fact that’s often how I layer. This is also taking into the accounts that historically houses (such as Guerlain and Chanel) have separate formulations for parfum, eau de parfum and eau de toilette even within the same line. (Personal example: Chanel No. 19 parfum & 4711 Eau de Cologne)
2. Ancillary products, such as deodorants, body lotions or body creams are absolutely fair game layering with regular fragrances. Still, often they are designed to amplify and to hold onto the fragrance molecules a little longer, so please take that into consideration when layering. Nothing worse, say, a tuberose body cream with an extremely diffusive spicy 80s fragrance! (Personal examples: Terre d'Hermès deodarant & Creed Green Irish Tweed eau de toilette; Chanel Allure Homme Edition Blanche deodarant & Terre d'Hermès eau de toilette)
3. Layering doesn’t mean applying everything on the skin. Try misting your undergarments with fragrance X and apply fragrance Y on your skin. (Personal example: misting Hermès Hiris on a garment & wearing Guerlain Mitsouko parfum to boost the iris effect)
4. Layering does not mean applying everything at the same time. Sometimes heavier fragrances such as the orientals or the chypres have lovely drydowns to pair with a different fragrance. (Example: extending a few drops of Guerlain Shalimar parfum with Guerlain Jicky eau de toilette)
5. Layer with purpose. Most of us in the know layer because we see an improvement in the combination, not because we want to wear something nobody else has. (If I do it for vanity reasons penning this article would be self-defeating.)
I shall further illustrate the last rule: I enjoy wearing eau de colognes but the sillage and the longevity of each, by themselves, tend to leave me wanting more. So my staple combination is actually 4711 Eau de Cologne x Chanel Eau de Cologne x Tom Ford Neroli Protofino, spraying 4711 on the garments (not directly on fabrics), body mist with Chanel, and then a discreet spray of the Tom Ford on my forearms as punctuations. Those three would last me a good 10 hours.
Which brings me to the central theme of fragrance layering: the preferred method is to involve citrus-based or simply light-handed fragrances, as they are flexible enough to meld with the bolder fragrances—and always heaviest first and the lightest last. As I have mentioned with all-citrus fragrances one can layer 3 fragrances effortlessly, but if a heavy oriental, classic aldehyde floral or a chypre I would first try with two fragrances. I would also recommend:
Now one caveat: marine/aquatic fragrances are case by case only, since though they are generally light in nature Calone (the watermelon-smelling "fresh" molecule) can be extremely dominant and unpredictable. I have never, for since, tried layering L’Eau d’Issey Pour Homme even though I have worn it since 18!
So there, now you are ready to play. How to test? The safest say is to spray the choices on test strips first—weeding out all the bad choices before applying gingerly on you. And just like entertaining: never prepare something for the first time right before a major event—stick with a tried and true layering combination in this case! Good luck!
For inspirations here are some further ideas:
Combos published in French Elle (21 July 2003)
Les Tuileries Bizarre Layering Challenge of the Day
PS. My all-time favourite layering combinations:
Chanel No. 5 Eau Premiere & Hermès Un Jardin après la Mousson
4711 Eau de Cologne & Chanel Eau de Cologne & Tom Ford Neroli Protofino (and if I am feel like pulling all the stops maybe an accent of Guerlain Eau de Fleurs de Cedrat)
Guerlain Shalimar parfum & Chanel Cristalle Eau Verte
Terre d’Hermès deodorant & Creed Green Irish Tweed
Robert Piguet Bandit & Hermès Osmanthe Yunnan
Currently I’m experimenting mint (Prada Luna Rossa, Cartier Roadster, Guerlain Homme) with iris soliflores (Hiris, 28 La Pausa)!
And a few of Elena's perfume layering suggestions:
Le Baiser du Dragon parfum + Narciso Musk for Her oil = the most delicious baby powder scent
Lancôme Trésor + Bvlgari Black = sweet, peachy rubber
Youth Dew body cream + Old Spice = delicious spicy carnation
Pacifica Spanish Amber solid + drop of Serge Lutens Ambre Sultan = mellow skin-like amber
Thierry Mugler Angel (preferably a fav product in bath & body range) + Serge Lutens Clair de Musc = a more floral & lighter Angel
Shiseido Feminite du Bois + rose hydrosol = lighens the oriental and emphasizes the smoother notes
Jo Malone Red Roses + Jo Malone 154 = woody, dark, earthy roses
The Body Shop Citrella + The Body Shop Amorito = Pink Sugar on the cheap
Serge Lutens Ambre Sultan + Serge Lutens Vetiver Oriental (both in tiny dabs) = gorgeousness!
YSL Opium + orange blossom soliflores = summery Opium
Dior Dioressence + Eau de Merveilles (Hermès) to reinforce the ambergris scent
Stay tuned for follow-up post, with perfume layering suggestions by perfume Francis Kurkdjian and by Serge Lutens!
We also welcome your own Layering Suggestions & Tips or Questions in the comments!
~by guest writer AlbertCAN
Fragrance layering sounds impossibly chic, but often harder than a trifle dab of this and that. Part of the delicate problem lies knowing the basics of your fragrances, somehow understanding how to rev the aromatic engines in harmony. Thus in layman’s terms I am here to put together a concise, easy to follow guide on the fundamentals of perfume layering.
via scent compass |
Before the layering can take place I want to show you a few simple application rules. Some of you might know this already but I prefer covering all grounds. Still, for those of you new to the game: less if always more. Discretion and common sense always is the key to success in fragrance layering: to start always choose to play with two. More only if you are confident.
Even perfumer Jean Claude Ellena advocates some wild combinations of scents (Angel and L'Eau d'Issey together?)
1. Layering doesn’t have to be merely pairing equal-concentration scents, meaning that parfum A can blend beautifully with, say, eau de cologne B. In fact that’s often how I layer. This is also taking into the accounts that historically houses (such as Guerlain and Chanel) have separate formulations for parfum, eau de parfum and eau de toilette even within the same line. (Personal example: Chanel No. 19 parfum & 4711 Eau de Cologne)
2. Ancillary products, such as deodorants, body lotions or body creams are absolutely fair game layering with regular fragrances. Still, often they are designed to amplify and to hold onto the fragrance molecules a little longer, so please take that into consideration when layering. Nothing worse, say, a tuberose body cream with an extremely diffusive spicy 80s fragrance! (Personal examples: Terre d'Hermès deodarant & Creed Green Irish Tweed eau de toilette; Chanel Allure Homme Edition Blanche deodarant & Terre d'Hermès eau de toilette)
3. Layering doesn’t mean applying everything on the skin. Try misting your undergarments with fragrance X and apply fragrance Y on your skin. (Personal example: misting Hermès Hiris on a garment & wearing Guerlain Mitsouko parfum to boost the iris effect)
4. Layering does not mean applying everything at the same time. Sometimes heavier fragrances such as the orientals or the chypres have lovely drydowns to pair with a different fragrance. (Example: extending a few drops of Guerlain Shalimar parfum with Guerlain Jicky eau de toilette)
5. Layer with purpose. Most of us in the know layer because we see an improvement in the combination, not because we want to wear something nobody else has. (If I do it for vanity reasons penning this article would be self-defeating.)
I shall further illustrate the last rule: I enjoy wearing eau de colognes but the sillage and the longevity of each, by themselves, tend to leave me wanting more. So my staple combination is actually 4711 Eau de Cologne x Chanel Eau de Cologne x Tom Ford Neroli Protofino, spraying 4711 on the garments (not directly on fabrics), body mist with Chanel, and then a discreet spray of the Tom Ford on my forearms as punctuations. Those three would last me a good 10 hours.
via www.ninfeobeauty.com |
- finding a common theme with the fragrances—such pairing a soliflore with an oriental (Guerlain L’Heure Bleue parfum & Chanel 28 La Pausa comes to mind).
- extend the nuance within the lighter fragrance—for instance I would describe layering Piguet Bandit with Osmanthe Yunnan as “the S/M tricks occasionally enjoyed by sexually frigid suburban housewives when their marriages are on the rocks”!
- (only if you know what you are doing) pair with another fragrance a very similar structural analogue: for instance the aforementioned Shalimar/Jicky combination. I also love smelling Givenchy Ysatis with Estee Lauder Knowing—but only with a deft hand on a very chic person who knows what on earth they are doing. Not for the faint hearted!
Now one caveat: marine/aquatic fragrances are case by case only, since though they are generally light in nature Calone (the watermelon-smelling "fresh" molecule) can be extremely dominant and unpredictable. I have never, for since, tried layering L’Eau d’Issey Pour Homme even though I have worn it since 18!
So there, now you are ready to play. How to test? The safest say is to spray the choices on test strips first—weeding out all the bad choices before applying gingerly on you. And just like entertaining: never prepare something for the first time right before a major event—stick with a tried and true layering combination in this case! Good luck!
For inspirations here are some further ideas:
Combos published in French Elle (21 July 2003)
Les Tuileries Bizarre Layering Challenge of the Day
PS. My all-time favourite layering combinations:
Chanel No. 5 Eau Premiere & Hermès Un Jardin après la Mousson
4711 Eau de Cologne & Chanel Eau de Cologne & Tom Ford Neroli Protofino (and if I am feel like pulling all the stops maybe an accent of Guerlain Eau de Fleurs de Cedrat)
Guerlain Shalimar parfum & Chanel Cristalle Eau Verte
Terre d’Hermès deodorant & Creed Green Irish Tweed
Robert Piguet Bandit & Hermès Osmanthe Yunnan
Currently I’m experimenting mint (Prada Luna Rossa, Cartier Roadster, Guerlain Homme) with iris soliflores (Hiris, 28 La Pausa)!
And a few of Elena's perfume layering suggestions:
Le Baiser du Dragon parfum + Narciso Musk for Her oil = the most delicious baby powder scent
Lancôme Trésor + Bvlgari Black = sweet, peachy rubber
Youth Dew body cream + Old Spice = delicious spicy carnation
Pacifica Spanish Amber solid + drop of Serge Lutens Ambre Sultan = mellow skin-like amber
Thierry Mugler Angel (preferably a fav product in bath & body range) + Serge Lutens Clair de Musc = a more floral & lighter Angel
Shiseido Feminite du Bois + rose hydrosol = lighens the oriental and emphasizes the smoother notes
Jo Malone Red Roses + Jo Malone 154 = woody, dark, earthy roses
The Body Shop Citrella + The Body Shop Amorito = Pink Sugar on the cheap
Serge Lutens Ambre Sultan + Serge Lutens Vetiver Oriental (both in tiny dabs) = gorgeousness!
YSL Opium + orange blossom soliflores = summery Opium
Dior Dioressence + Eau de Merveilles (Hermès) to reinforce the ambergris scent
Stay tuned for follow-up post, with perfume layering suggestions by perfume Francis Kurkdjian and by Serge Lutens!
We also welcome your own Layering Suggestions & Tips or Questions in the comments!
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