Showing posts with label tips on how to combine scents. Show all posts
Showing posts with label tips on how to combine scents. Show all posts

Thursday, July 18, 2013

Fragrant Combinations for Summer: From Green Freshness to a Journey to the Mediterranean

Diptyque suggests the following layering of their famous candles in their summer bulletin. I have found that if you're really after a little more "intimate" fragrance combining you can do that with their room sprays too (where applicable), if you want to experiment with fabric or skin, or you can try single note essence oils if you have those at hand, to see how they come out for you. The fun is in the experimentation and summer is a period when the natural world contributes with its heat and sun to bring out some unexpected nuances in even the most seemingly straightforward essences. So why not give it a try?

pic from the company's 50th anniversary celebration

Here are the Diptyque recommendations, with some additional commentary by me. Feel free to expand on your own!

Figuier & Choisya is recommended to give a fruity, green and lightly floral atmosphere, like dreaming underneath a tree in the lazy afternoons of summer.
Jasmin & Coriandre combines the freshness of the spice to the greeness of the living vine of the white flower.
Feuille de Lavande & Cypres is the meeting of true minds: the purple of French Province and the green woody of Italian Tuscany and Cyprus.
Menthe Verte & Verveine is a refreshing, herbal, uplifting combination for the hot days of a heatwave.

pic from the company's 50th anniversary celebration

The Diptyque candles currently retail for 68$ for the big size and 28$ for the smaller one.

Related reading on Perfume Shrine:
Fragrant Combinations for Fall: from the rustic to the spiritual,
Fragrant Combinations to Lift the Winter Blues,
Fragrance Layering: a Layman's Guide on How to Layer Perfumes,
Fragrance Layering: Tips on How to Combine Scents, by Serge Lutens and Francis Kurkdjan.

Friday, March 15, 2013

Fragrance Layering: A Layman’s Guide on How to Layer Perfumes

So you’ve decided to layer, the art that involves applying more than one fragrance at the same time. You have amassed your scents, put all your samples in order. Now what?

~by guest writer AlbertCAN

Fragrance layering sounds impossibly chic, but often harder than a trifle dab of this and that. Part of the delicate problem lies knowing the basics of your fragrances, somehow understanding how to rev the aromatic engines in harmony. Thus in layman’s terms I am here to put together a concise, easy to follow guide on the fundamentals of perfume layering.

via scent compass

Before the layering can take place I want to show you a few simple application rules. Some of you might know this already but I prefer covering all grounds. Still, for those of you new to the game: less if always more. Discretion and common sense always is the key to success in fragrance layering: to start always choose to play with two. More only if you are confident.
Even perfumer Jean Claude Ellena advocates some wild combinations of scents (Angel and L'Eau d'Issey together?)



1. Layering doesn’t have to be merely pairing equal-concentration scents, meaning that parfum A can blend beautifully with, say, eau de cologne B. In fact that’s often how I layer. This is also taking into the accounts that historically houses (such as Guerlain and Chanel) have separate formulations for parfum, eau de parfum and eau de toilette even within the same line. (Personal example: Chanel No. 19 parfum & 4711 Eau de Cologne)

2. Ancillary products, such as deodorants, body lotions or body creams are absolutely fair game layering with regular fragrances. Still, often they are designed to amplify and to hold onto the fragrance molecules a little longer, so please take that into consideration when layering. Nothing worse, say, a tuberose body cream with an extremely diffusive spicy 80s fragrance! (Personal examples: Terre d'Hermès deodarant & Creed Green Irish Tweed eau de toilette; Chanel Allure Homme Edition Blanche deodarant & Terre d'Hermès eau de toilette)

3. Layering doesn’t mean applying everything on the skin. Try misting your undergarments with fragrance X and apply fragrance Y on your skin. (Personal example: misting Hermès Hiris on a garment & wearing Guerlain Mitsouko parfum to boost the iris effect)

4. Layering does not mean applying everything at the same time. Sometimes heavier fragrances such as the orientals or the chypres have lovely drydowns to pair with a different fragrance. (Example: extending a few drops of Guerlain Shalimar parfum with Guerlain Jicky eau de toilette)

5. Layer with purpose. Most of us in the know layer because we see an improvement in the combination, not because we want to wear something nobody else has. (If I do it for vanity reasons penning this article would be self-defeating.)

I shall further illustrate the last rule: I enjoy wearing eau de colognes but the sillage and the longevity of each, by themselves, tend to leave me wanting more. So my staple combination is actually 4711 Eau de Cologne x Chanel Eau de Cologne x Tom Ford Neroli Protofino, spraying 4711 on the garments (not directly on fabrics), body mist with Chanel, and then a discreet spray of the Tom Ford on my forearms as punctuations. Those three would last me a good 10 hours.

via www.ninfeobeauty.com
Which brings me to the central theme of fragrance layering: the preferred method is to involve citrus-based or simply light-handed fragrances, as they are flexible enough to meld with the bolder fragrances—and always heaviest first and the lightest last. As I have mentioned with all-citrus fragrances one can layer 3 fragrances effortlessly, but if a heavy oriental, classic aldehyde floral or a chypre I would first try with two fragrances. I would also recommend:


Now one caveat: marine/aquatic fragrances are case by case only, since though they are generally light in nature Calone (the watermelon-smelling "fresh" molecule) can be extremely dominant and unpredictable. I have never, for since, tried layering L’Eau d’Issey Pour Homme even though I have worn it since 18!

So there, now you are ready to play. How to test? The safest say is to spray the choices on test strips first—weeding out all the bad choices before applying gingerly on you. And just like entertaining: never prepare something for the first time right before a major event—stick with a tried and true layering combination in this case! Good luck!

For inspirations here are some further ideas:
Combos published in French Elle (21 July 2003)
Les Tuileries Bizarre Layering Challenge of the Day

PS. My all-time favourite layering combinations:

Chanel No. 5 Eau Premiere & Hermès Un Jardin après la Mousson
4711 Eau de Cologne & Chanel Eau de Cologne & Tom Ford Neroli Protofino (and if I am feel like pulling all the stops maybe an accent of Guerlain Eau de Fleurs de Cedrat)
Guerlain Shalimar parfum & Chanel Cristalle Eau Verte
Terre d’Hermès deodorant & Creed Green Irish Tweed
Robert Piguet Bandit & Hermès Osmanthe Yunnan

Currently I’m experimenting mint (Prada Luna Rossa, Cartier Roadster, Guerlain Homme) with iris soliflores (Hiris, 28 La Pausa)!

Pic Source: Uploaded by user via Vicio on Pinterest


And a few of Elena's perfume layering suggestions:

Le Baiser du Dragon parfum + Narciso Musk for Her oil = the most delicious baby powder scent


Lancôme Trésor + Bvlgari Black = sweet, peachy rubber

Youth Dew body cream + Old Spice = delicious spicy carnation

Pacifica Spanish Amber solid + drop of Serge Lutens Ambre Sultan = mellow skin-like amber

Thierry Mugler Angel (preferably a fav product in bath & body range) + Serge Lutens Clair de Musc = a more floral & lighter Angel

Shiseido Feminite du Bois + rose hydrosol = lighens the oriental and emphasizes the smoother notes

Jo Malone Red Roses + Jo Malone 154 = woody, dark, earthy roses

The Body Shop Citrella + The Body Shop Amorito = Pink Sugar on the cheap

Serge Lutens Ambre Sultan + Serge Lutens Vetiver Oriental (both in tiny dabs) = gorgeousness!

YSL Opium + orange blossom soliflores = summery Opium

Dior Dioressence + Eau de Merveilles (Hermès) to reinforce the ambergris scent

Stay tuned for follow-up post, with perfume layering suggestions by perfume Francis Kurkdjian and by Serge Lutens!

We also welcome your own Layering Suggestions & Tips or Questions in the comments!


Saturday, December 15, 2012

Fragrant Combinations to Lift the Winter Blues

It was a while ago I mentioned some fragrant combinations for autumn using Diptyque candles and room scents, promising to come back with more. Diptyque offers a small guide of scent combinations of its famous candles for scenting your space -a sort of olfactory landscaping- to create your own atmosphere, evoking a different mood than the one currently roaring and howling outside. Actually Diptyque have championed the art of scent layering since their very beginning. These below are of a different ilk than previously, less rust & gold and more a breath of fresh awakenings, like grains sprouting under the snow. But even if you're bent on the holiday spirit and enjoy the warming effluvium of the classic scents of the season, the new limited edition 2012 collection in its chic containers (below) brings on a smile to the lips.

via mercinewyork.com
Oliban and Sapin Dore are the very spirit of the holidays: the cool frankincense reminds us that there is a liturgical background to the festivities, while the warm and clean pine scent is complementing all the natural, outdoorsy smells of the season.

Gardenia and Santal are classic Diptyque candles and by combining the lush scent of the waxy-petaled white flower and the soft milky note of sandalwood you get a bridge from winter to spring, an optimistic reminder that good things lie awaiting.

 Verveine and Menthe Vert (i.e. lemon verbena and green mint) is a classic office and work desk combination that is mind-clearing. It helps me get my thoughts off the loom and gloom outside and into focusing to the projects I have to accomplish before dusk sets.

 Roses and Lierre when burnt together are delightfully reminiscent of an English garden by the river; the pink roses are dewy and trembling under the coolness of the approaching evening, the ivy leaves are reinforcing the vegetal, cool aspect.

 Maquis and Figuier is probably the combination I'm feeling most nostalgic about, reminiscent as it is of the scent of the Mediterranean countryside, filled with the burnished copper of immortelle, the sapling of the fig tree and its bittersweet smelling leaves. Summer will come, in the end.


Friday, November 2, 2012

Fragrant Combinations for Fall: From the Rustic to the Spiritual

The art of scent combining is a fine and precarious one at once. A delicate blend can be completely overtaken by a more forceful presence, while a rich, hefty aroma can become overwhelming when mixed with another scent, creating more of a stuffy atmosphere than a delicious, inviting one. When dealing within these parameters it's probably an art best left to the professionals or to indulge with simple/single-note scents, but some gentle guidance can end up prompting you to experiment with good results. After all, it's nothing inescapable, right?

via self.com

Diptyque offers a small guide of scent combinations of its famous candles for scenting your space -a sort of olfactory landscaping- reminiscent of the autumnal season, all burnished gold and rust. The combinations are calculated to bring on a third presence, often vaguely familiar or reminiscent of specific fine fragrances which I will quote below and urge you to sniff to try and catch their nuances anew. Actually Diptyque have championed the art of scent layering since their very beginning.

For instance, their recommended combination of Feu de Bois and Pomander brings to mind the Christmas festivities with their smoky, log-fire note coupled with the orange & cloves spice of the classic pomander. It's a layering of notes that reminds me of Noir Epices by Frederic Malle with its intense clove and darkness, of Coup de Fouet and Poivre by Caron as well as of the classic, pre-reformulation Opium by Yves Saint Laurent.
Opoponax and Maquis brings on the softness of the resinous note of opoponax (that hazy flou so compelling in Guerlain's Shalimar and Habit Rouge and indeed in Diptyque's own home spray Opopanax) alongside the rustic tonality of the countryside with its woody aroma full of everlasting flowers, rich like maple syrup oozing off a hungry spoon. The combination echoes the newest fragrance issued by Diptyque, Volutes, inspired by a memorable voyage the founder took from Marseilles to Saigon.
Roses and Patchouli of course is a time trusted combination, almost a classic, the two smelled together creating the impression of dark, leafy roses unfurling to eternity...The melange is explored in the pre-empting Voleur de Roses by L'Artisan Parfumeur as well as many other modern fragrances, from Lady Vengeance (Juliette has a Gun), Portrait of a Lady (F.Malle) and Hippie Rose (Heeley) to Idylle Duet Rose Patchouli (Guerlain).
Cyprès and Myrrhe are evocative of a Mediterranean spot darkened by the bitterish tinge of the resinous, Middle-Eastern myrrh. The common resinous quality of the cypress wood and the -prized since antiquity- "tears" combine into an ambery-woody scentscape that is introspective, grounding and spiritual. Molton Brown makes a hand wash combining these two notes with musk, making for a little Persian exoticism in your bathroom.

The season is full of opportunities for scented adventures and a little playfulness goes a long way. On a subsequent post I will reveal what the staff at the Diptyque boutique suggest as scent combinations for creating quite another mood... ;-)

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