The winners of the draw...

...for the three products gift set (courtesy of a PR company who contacted me) is deeHowe. Congrats and please send me your shipping data, using the Profile or About page contact email, so I can forward them to the company and you get to receive the goods.

...for the DSH samples of limited edition Muget fragrances are: Jonathan R., Aline, Undina, 30 Roses, Malena. Congrats and please send me your shipping data as well so I send these out to you shortly.

The de la Renta draw winner will be announced soon.

Thanks for the enthusiastic participation and stay tuned for the next one!

Oscar de la Renta Esprit d'Oscar: fragrance review & bottle giveaway

It's unusual in perfumery for the start of this century to encounter a modern composition which focuses on that loaded term which is dreaded by so many among the (younger) set: "a powdery fragrance". And yet, Esprit d'Oscar by Oscar de la Renta comes as an eminent sample of a youthful, modern re-interpretation of an age-old theme: the soulful cadenza of Guerlain's L'Heure Bleue. An old-school mainstream fragrance? Rub your eyes really well, perfumistas, this is no joke.

In more parts than it's considered good form to admit when launching a new fragrance, Esprit d'Oscar follows in the footsteps of the original Oscar by Oscar de la Renta from 1977; but that's a good thing! The lineage descending from the iconic Guerlain was evident then as it is now, but whereas the original Oscar was a symphonic floriental with the emphasis on the waft of its bittersweet tuberose message fanned on precious woods, in Esprit d'Oscar the melody is replayed with clarity on a single instrument with multiple keys, like a clavichord. The aniseed and violet accents that give the heliotrope in L'Heure Bleue its wistful, nostalgic character are here substituted by the sweetening of the almond facets of heliotropin. The citrusy top notes which open the fragrance on the other hand provide the necessary freshness to appeal to modern women of both younger and somewhat older age, shopping for a fragrance they can claim their own. Noting that Love, Chloé is also a recent entry operating on unmissable powdery tones, I think we're on to some new trend: old becomes new again!
Perfumer Frank Voekl is known for his streamlined approach which aims at a fragrance that acts as a mantle rather than armoury or clarion-call. On the whole, the axis of the new scent is tilted more to soft floral-oriental or even floral gourmand than to merely floral bouquet, and lovers of both categories are encouraged to sample. The leitmotif of Esprit d'Oscar rests on a fluffy almondy powdery note that supports, like a pampering duvet on which you fall back down on with relief, the floral notes of jasmine. The lemony inclusion lifts the jasmine heart just so, producing a refreshing, effervescent jasmine/white floral note. The white floral heart is rich, sexy and feminine, but non indolic. The synergy of vetiver and sweet (clean) musk (plus I believe a smidge of sandalwood) conspire to enhance the impression of clouds fusing into one another on the late afternoon sky.

So how did the brief begin? Ann Gottlieb, master creative director and responsible for several best-selling classics from the 80s onwards, had a specific context: "To capture the essence of what a woman desires in her fragrance, Oscar turned to his daughter Eliza to help create Esprit d'Oscar, an unmistakably feminine floral-oriental. Esprit d'Oscar opens with a distinct sparkle, realized through a bright, citrus bouquet of Sicilian lemon, bergamot and citron. At its heart remain fresh florals: Egyptian jasmine, orange flower and tuberose. A combination of musk, heliotrope, tonka bean and vetiver give Esprit d'Oscar a warm, long-lasting base."
Whimsical, romantic, beautiful....recommended, I say!

The bottle is even more beautiful up close. Inspired by the original Oscar Parfum bottle design, Oscar envisioned a package for Esprit d'Oscar that would marry the feel of the iconic original, with a fresh contemporary look. Sculptural glass and sleek feminine contours characterize the Esprit d'Oscar bottle. On top of its translucent flower cap, a glass pearl represents a single dewdrop, a symbol from the original Oscar story. When he was a boy, Oscar de la Renta imagined that if he woke up very early, he could take the dew from flowers to create a perfume…and so he did.

Notes for Esprit d'Oscar by Oscar de la Renta:
Top: Sicilian lemon, bergamot and citron
Heart: Egyptian jasmine, orange blossom and tuberose.
Base: musk, heliotrope, tonka bean and vetiver

Esprit d'Oscar is available in the (quite lasting and satisfying in its sillage) concentration of Eau de Parfum in 50ml/1.7oz and 100ml/3.4oz bottles for 78$ and 98$ respectively at select department stores. You can see info on oscardelarenta.com. Right now the code OSCAR10 will get you complimentary ground shipping.

For our readers I have one full bottle to give away!! If you want to be eligible, please comment including what you'd like to read on Perfume Shrine next. Draw remains open till Sunday midnight.

Painting by artbycedar
Disclosure: Sampled scent myself at store; giveaway bottle is a promo.

Perfumery Material: Sandalwood & Synthetic Substitutes

"None but the Mali Mountains contain Sandalwood" is written in an ancient Buddhist scripture. We know this is not the case, but the essence produced by Santalum album (a member of the Santalaceae family) has captured the imagination of man for 4000 years. Sandalwood is the natural product par excellence: a scent so fine, so rich and yet with a fresh top note, so creamy sweet and so enduring that it has inspired generations of men and women to harvest its precious, sacred trunk in order to imbue products for personal and public use with its fine aroma. I vividly remember the sandalwood soaps I received as a gift when an impressionable teenager by a well travelled, older cousin: the creamy, woody, incense-y ambience was irresistible, to the point that a bar was tucked intact in my drawer of small tops to produce a spontaneous "aaah" of rediscovery each time it was pulled out.

Japanese temple incense is most often infused with the aroma of sandalwood in tandem with agarwood. Indian incense often is nothing but. From soap to shaving cream and from essence oil to fine fragrances, sandalwood is one of the most traditional and yet still popular "notes" in all of perfumery.

As I bathe my skin with real Mysore sandalwood soap, stockpiled a while ago as mentioned, I can very well see why: the suds retain a smell that is beautifully nuanced, clean yet rich, midway between masculine and feminine, with a beautiful lingering effect of polished creaminess on silky pyjamas and dressing gowns.

The production of sandalwood essence 

It is a time consuming process and depends on the maturity of the trees, the length of distillation time and the experience of the person distilling. Most time-honoured method of extraction of sandalwood oil has been hydro-distillation, lately phazed out by steam distillation and CO2 extraction (which is more realistic to the raw material of the wood, due to the reduction in heat processing)

The endangerement of natural Indian sandalwood
Especially in the famous Mysore region of Karnataca and of Tamil Nadu where they're protected by state law, even as early as the 1980s, the depletion of the trees due to over-harvesting has had several adverse effects:

1) sandalwood oil is one of the most-often adulterated essential oils; 

2) the cost of sandalwood oil is rising dramatically (about 25% per year); 

3) due to the value of sandalwood oil, the trees are being illegally cut, leading to the waste of this precious resource as trees that are too young are cut, or trees are cut but the roots are left to rot (the roots are the most valuable part of the tree from which to extract the oil). Additionally, this illegal poaching has lead to several murders of forestry officials and other crimes indicative of the black market; 

4) the resource is becoming scarce. The current production of sandalwood trees is not enough to meet the demand of consumers. The trees are difficult to propagate and must grow for at least 30 years to become suitable for harvesting. The forestry departments in India are regulating the amount of material that is cut and sold, but there are many demands for other use of the land – for example, cattle grazing, the need for wood to keep people employed, etc. [1]

This situation has required the gradual substitution of this precious ingredient in fine fragrance with synthetic varieties (gradually and to the rhythm of depletion of any given brand's inventory of raw materials), such as isobornyl cyclohexanol. Some of them are quite costly in themselves and beautiful to smell, as evidenced below, possessing some of the beloved "creamy", milky facets of natural sandalwood. From a technical standpoint the natural consistutents of sandalwood comprise terpenes, terpenols and terpenals, i.e.terpenoid alcohols.

• Sandalwood-Smelling Synthetic Ingredients

Several sandalwood synthetics nowadays comprise part of a perfumer's palette for both their technical merits (they are capsule forms of the effect of an otherwise very dense and demanding essence that is amazingly complex in nature), as well as for their isolated facets that boost one aesthetic choice over others, according to said perfumer's mood. Sometimes they can even co-exist as in the case of Guerlain's Samsara, the beautiful balance of natural and synthetic in one.

Among those synthetic sandalwood notes, Polysantol, a former Firmenich trademark, is quite popular thanks to its intense diffusion and realistic replication. Otherwise known as santol pentenol due to its structure it enters many a fragrance composition imparting herbal and almost tropical nuances with an animalic touch.
Beta santalol or technically (-)-(1'S,2'R,4'R)-(Z)-beta-santalol (interestingly its positive entaniomer is odourless) is also a nature identical typical sandalwood note. It's the reverse case for the enantiomers of alpha Photosantol, the positive being strong and diffusive, the negative weak. Process producing sandalwood organoleptic substances from camphogenic aldehydes produce the prized Firsantol, another Firmenich trademark and a favourite with perfumer and writer Arcadi Boix Camps. Levosandol by Takasago introduces a sharper, more austere cedar note within the creamy sandalwood impression picture. Ebanol [(1S,2'S,3'R)-Ebanol], a Givaudan trademark, on the other hand is noted for its potency. Symrise proposes its Fleursandol which has a very strong, animalic-laced sandalwood note with floral elements surfacing. Other sandalwood substitutes present various unexpected facets, from the very clean with phenolic/guaiac notes on top and cashmeran notes at the finish like some enantiomers of HomoPolysantol to the waxy, leathery of other enantiomers of the same ingredient. The quest for sandalwood substitutes is under way as we speak with several patents from Japanese companies under way and is only going to accelarate in the coming years, despite the illegal poaching in Mysore of immature trees or the import of sandalwood from other regions of the Far East.

A recent addition is a synth blend smelling of sandalwood tagged "HipNote Sandalwood", composed by Tru Fragrance (formerly Romane Fragrances), claimed by the company producing it to be picked by perfumer Harry Fremont of Firmenich no less: “The use of synthetic substitutes within the fragrance world, like those found in "HipNote Sandalwood" and many of the season’s product launches, are essential in assisting in sustainability efforts, helping to ensure the fragrance development process does not destroy natural resources. By using these synthetic blends, we are able to eliminate any allergens that are found in nature and create consistency across different batches of the same fragrance product,” adds Amy Braden, director of product development for Tru Fragrances. The limited edition HipNote Sandalwood is available by request in limited quantities via “Hipnozes by Tru Fragrance” on Facebook, a dynamic, interactive online community which you can visit at www.facebook.com/Hipnozes

 

• Other Sandalwood Varieties of Different Origin

But not all perfumers or all fragrances aim to merely replicate that classic Indian sandalwood scent: In Le Labo's case in Santal 33 for instance they're quite clear on using Australian sandalwood (Santalum spicatum), which is a different variety than Mysore sandalwood (Santalum album): indeed the Australian variety is more pungent, sharper in its dryness, with less density, almost metallic in its fine smokiness, still compatible to scent of skin.

Another sandalwood tree variant sometimes used for its rich essence oil is Amyris balsamifera, or West Indian sandalwood or simply amyris: Though not a true sandalwood, it still bears the nuanced, distinctive smell and is useful in soap production (and increasingly fine fragrance, such as the latest Francis Kurkdjian Amyris duo of fragrances) where the Indian variety would rocket the cost to stratospheric heights.  

Finally the New Caledonian sandalwood variety is yet another species with a scent profile between that of the Australian and the Mysore varieties and it looks like it's going to be supremely popular in the near future.

LIST OF FRAGRANCES WITH PROMINENT SANDALWOOD (in alphabetical order):

01 Nomad by Odin New York

1725 Casanova by Histoires de Parfums

Alain Delon pour Homme

Aramis by Aramis

Arsene Lupin Dandy by Guerlain

Arsene Lupin Voyou by Guerlain

Barbara Bui Le Parfum

Basala by Shiseido

Bel Ami by Hermes

Belle d'Opium by Yves Saint Laurent

Black Jeans by Versace

Bleu by Paul & Joe

Bleu de Chanel

Bois de Santal by Keiko Mecheri

Bois de Turquie by Maître Parfumeur et Gantier

Bois des Iles by Chanel

Boucheron femme by Boucheron

Bronze Goddess by Estee Lauder

Bulgari Black by Bvlgari

Burberry for Men

By Man by D&G

Cannabis Santal by Fresh

Cefiro by Floris

Chaos by Donna Karan

Chinatown by Bond no.9

Classic 1920 by Bois 1920

Comme des Garcons by Comme des Garcons

Contradiction for Men by Calvin Klein

Dolce Vita by Dior

Eau de Monsieur by Annick Goutal

Eau de Sandalwood by Le Jardin Retrouve

Eau de Santal Extreme by Floris

Egoiste by Chanel

Fahrenheit by Dior

Fete d'Hiver by Ayala Moriel

Ginger Essence by Origins

Hasu-no Hana by Grossmith

Idole de Lubin

Jazz by Yves Saint Laurent

Le Male by J.P.Gaultier

Le Roi Santal by Comptoir Sud Pacifique

Les Saisons: Automne by Van Cleef & Arpels

Loulou by Cacharel

Macassar by Rochas

Magical Moon by Hanae Mori

Maharadjah by Patricia de Nicolai

Mahora by Guerlain

No.1 for women by Clive Christian
Original Santal by Creed

Pleasures Sandalwood Amber Splash by Estee Lauder  
Samsara by Guerlain  
Sandalwood by Elizabeth Arden
Sandalwood by Pacifica

Sandalo by Lorenzo Villoresi
Santal by L'Artisan Parfumeur

Santal by Roger & Gallet  
Santal 33 by Le Labo
Santal blanc by Serge Lutens
Santal de Mysore by Serge Lutens
Santal Majuscule by Serge Lutens

Santal Imperial by Creed

Santal Noble by Maitre Parfumeur et Gantier

Santalum by Profumum
Tam Dao by Diptyque

Ref: Christian Chapuis, In the Quest for a Virtual Pseudo Receptor for Sandalwood-Like Odorants, Part I, Chemistry & Biodiversity, Volume 1, Issue 7, July 2004 [1] Eden botanicals

Le Labo Santal 33: fragrance review

One of the most common questions I get in the mail revolves around the nuances, replication and substitution of perfumery ingredients, accounted by the perceived authority that Perfume Shrine has won in the hearts of perfume aficionados regarding the research on perfumery raw materials (we've tackled most in detail). Sandalwood and its varieties had escaped us and this should be amended soon. In the meantime, we got the chance for a preview sampling of Le Labo's Santal 33, a fragrance onomastically loaded and inspired by "a man and his horse in front of the fire on a great plain under tall, blue evening skies [...] firelight in his face, leaning on the worn leather saddle, alone with the desert wind".

In short, the Marlboro Man, all tough bravado and that special kind of personal freedom only available in a place where no one would be nagging about worn clothes scattered on the floor, or missed orgasms via hitting the snore button too soon. Ah, cowboy country bliss; a man's man land! But there you are and history places its mark of irony once again on what we thought one way but used to be another.

Marlboro was originally introduced as a feminine cigarette, philtered and all, and tagged "Mild as May". It took the creative genius of Leo Burnett in the span of a few months in 1954 and the rugged tawny face of Darrell H. Winfield to transform one appearence to another. And boy, did it ever came through! It's a comparable case with sandalwood and its substitutes: We tend to imagine one thing when we reference sandalwood, we come up with another reality when faced with it in a fragrance. The endangerement of natural Indian sandalwood, especially in the Mysore region, has required the substitution of this precious ingredient in fine fragrance with synthetic varieties, some of which are quite costly in themselves and beautiful to smell, possessing some of the beloved "creamy", milky facets of natural sandalwood. But not all perfumers or all fragrances aim to merely replicate that scent: In Le Labo's case it would be a gross miscomprehension to assume that they were in the first place. They're quite clear on using Australian sandalwood (Santalum spicatum), which is a different variety than Mysore sandalwood (Santalum album): indeed the Australian variety is more pungent, sharper in its dryness, with less density, almost metallic in its fine smokiness, still compatible to scent of skin. These attributes are highlighted in the newest launch of Le Labo. Like its creator, perfumer Frank Voekl had divulged a while ago:

"I’d like to design something that highlights one’s natural smell, as opposed to a scent to cover it up. It would be a skin product that blends with your scent rather than scenting you. Like an outfit woven from fragrance" [1]

Lovers of the musky woody Gaiac 10 by Le Labo might find a similar outfit in the new Santal 33, although the latter is sharper, less round than the afore mentioned, with a woodier rather than muskier core structure.

Santal 33 develops in roughly two main stages, not wildly opposed: The opening is full of the roughened up dry woodiness, as much due to Australian sandalwood as to cedarwood and its synth conspirators, with that characteristic duet which makes its appearence in masculine perfumery to great aplomb, and cardamom making a welcome respite, although nowhere as prominent as in Cartier's Déclaration. The woods are fanned on copious amounts of ionones from the violet & iris "note" listed, a hint of fruity coconut in the background. Nota bene this stage is brought to greater advantage on skin than on the blotter (where the fragrance can be rather screechy), while the latter stage includes an amplifying of the ambery-woody tonalities due to the marked presence of Ambrox. Despite assurances to the contrary, I cannot find any "leathery" accord to speak of, apart from the naturally pungent facets of the Aussie sandalwood raw material itself. Perhaps my own leather receptor is set on rather high. But rest assured the fragrance is as butch and rugged as a real rancher riding on a leather saddle.
The fragrance was composed byGerman-born perfumer Frank Voekl (He created Le Labo Baie Rose 26 with its peppery pink peppercorns rose, Iris 39, the quiet Musk 25 and indeed the Santal 26 candle on which the idea for Santal 33 sprang from; but he also authored fragrances for such diverse clients as Chantecaille, Tommy Hilfiger, Guerlain, Cerruti, Dior, Colette, Kenneth Cole and Laura Mercier).[2]

Overall Santal 33 is more masculine than feminine, as befitting its reflected image of distorted marketing genius, or rather it is a unisex fragrance for those who shy away from gender in their fragrances. Girly girls should therefore not apply. Still, I consider myself a rather girly girl and I found things to like in Santal 33, especially the phenomenal tenacity and the humming but always perceptible projection in terms of fragrance volume.

Notes for Le Labo Santal 33:
Australian sandalwood, papyrus, cedarwood, cardamom, iris, violet, ambrox and leather accord.

Santal 33 is an Eau de Parfum which forms part of the permanent collection, available from Le Labo, Barneys. It is a Colette exclusive in Paris at the moment, retailing €110 for 50ml, €170 for 100ml and is on pre-order online (it will be shipped in a few days).

A footnote on the accompanying images:
The Marlboro Man is such an American icon that I couldn't but pick an American actor who embodies those values to accompany my review, yet I couldn't bring myself to use the actual faces of the Marlboro brand. Hence rangy Sam Elliott of the mustachioned magnificence. As one writer writes: "Not since Scottie Pippen's nose has a (visible) body part taken on such a life of its own. It strategically hides the mouth of this modern cowboy, not letting any potential foes realize that he's already whispering their last rites."
The second picture comes from tawdryknickers.com and showcases perfectly the sheer irony. I thought you'd get a kick out of it!

Related reading on Perfume Shrine: Le Labo news & reviews

[1] interview on Osmoz

Disclosure: I was sent a preview sample by Le Labo.

Project D by Danii Minogue and Tabitha Somerset Webb: new fragrance

Project D Fragrance Launch
Design duo Dannii Minogue and Tabitha Somerset Webb launched their first fragrance with a Tea Party at Harvey Nicks

Project D
Inspired by glamour and rock 'n' roll, Dannii and Tabitha's 'timeless' Project D fragrance is set to become a sure-fire hit. Containing notes of Neroli, Bergamot and Ylang Ylang, Tuberose, Japanese Osmanthus, Mimosa and Purple Orchid, its on sale exclusively in Harvey Nichols now.

info via press release