To the wonderful gift of life and to the love that travels on angels' wings.
Have a happy Thanksgiving!
Pic sent to me by the good people at Hermes.
Thursday, November 27, 2008
Wednesday, November 26, 2008
Guerlain Vol de Nuit: fragrance review and history
Roja Dove likes to narrate the tale of an American customer who came into a British shop opulently dressed in mink and diamons when Vol de Nuit was not available in Britain, and upon being offered by the sales assistant to try something else, she quipped "Honey, I didn't get where I got today wearing anything but Vol de Nuit and I am not changing for no-one!" Such is the emphatic loyalty Vol de Nuit produces in its admirers ~dame Diana Rigg, Katherine Hepburn and Barbara Streisand among them. I can very well understand why, because I have been securely caught in its web myself. Its haunting, powdery, almost skin-like quietude accounts for a rather sweet fragrance that caresses the senses much like the moody bass and saxophone in a smooth jazz piece. It is seductive despite itself ~in contrast to the calculating wiles of Shalimar~ peppered with the noble juxtaposition that a pressed shirt decorated with an art-deco jewel would evoke.
Guerlain followed their tradition of using evocative names inspired by famous personalities or stories (Eau Impériale for Empress Eugenie, Eau du Coq for French actor Coquelin of Syrano fame, Shalimar for the imperial gardens of Lahore, Mitsouko after Claude Farrere's protagonist in "La Bataille"; and much later Liù after Puccini's heroine in "Turandot" and Chamade after Sagan's novel). They chose "Vol de Nuit"/ Night Flight by Antoine de Saint-Exupéry, chief pilot of Aéropostale, French continent-to-continent mail operations company, and a combat pilot in World War I. Saint-Exupéry also wrote "Courier Sud"(Southern Mail) and "Terre des Hommes"(Wind, Sand and Stars) but was immortalised via the classic allegory "The Little Prince". A close friend of Jacques Guerlain, famous for his romantic conquests and very much read at the time, he disappeared in a reconnaissance flight during World War II (1944). His fate, eerily similar to Fabien's, the newly-wed protagonist of "Night Flight", a pilot on the airmail plane from Patagonia to Buenos Aires who is caught in a cyclone and dies while his wife Simone anxiously awaits signal atop the control tower, is shrouded in romantic mystery. Thus, two years after the publication of the novel, in 1933, Jacques Guerlain launched his fragrance by the same name.
The fragrance Vol de Nuit, inspired by the brave early days of aviation, much like En Avion by Caron, or alternatively the ocean-liner named Normandie by Patou, they all coincided with the at once fascinating and perilous exploration of uncharted territories, exotically comparable to our contemporary exploration of the galaxy. And yet despite everything Vol de Nuit compared with En Avion or even Normandie is tamer than its whirwind name would suggest but none the less magisterial for it. Technically a woody oriental, yet with its pronounced opening green note it totters between an oriental and a chypre. Which is understandable if one considers that it was the first fragrance to make overuse of galbanum, thus influencing classics to follow such as Germain Cellier's Vent Vert, Paul Vacher's Miss Dior and Guy Robert's Chanel No.19. The other characteristic element in Vol de Nuit is jonquil absolute. The initial green rush of those two notes along with spice (a delectable touch of cinnamon, perhaps deriving from benzoin) follows a swift diminuendo into delicate flowers similar to those that appear as if pressed between the pages of a stranger's antique journal in the heart of Chant d'Aromes. The ambience of that floral hug is softly-spoken, refined and gentle ceding to a haunting drydown of woody musky nuances, with the characteristic ambery-vanilla-orris-coumarin sweetness that comprises the tradition of Guerlain (the Guerlinade). The original composition contained costus oil, but today that ingredient is restricted, therefore synthetic approximations by IFF are used. That powdery, discreetly smoky phase resembles the quiet plush of Habit Rouge (the masculine version of Shalimar ) laced with the slight wistfulness over a wise advice that you just didn't follow...
Notes for Guerlain Vol de Nuit:
Top: orange, bergamot, lemon, mandarin, petitgrain, galbanum, sage, aldehydes
Heart: violet, rosewood, palmarosa, jasmine, jonquil/daffodil, pimento
Base: Vanilla, benzoin, Peru balsam, musk, cedarwood, orris, tonka bean, oakmoss, agarwood, sandalwood, vetiver, ambergris, castoreum.
Originally the Vol de Nuit flacon was designed with a front that represented an airplane's propeller at the time when Air France was born and air-travel held the lure of adventure. The name is cut out of a circle of gold metal suggesting the propeller belt. The outer box was conceived to look zebra-stripped to denote the fascination with exotic travelling and Africa, the wild continent.
Later on the flacon followed the almost vase-shape of other Guerlain scents. In the '80s and '90s a refill was made in plain glass for the classic gold Habit de Fete canisters. The parfum circulates in the squat short flacon with the quadrilobe stopper that still holds Jicky and Nahéma in extrait de parfum. The French Air Force Collge orders bottles of Vol de Nuit to be emblazoned with their emblem so that their cadets can offer as gifts when officially visiting abroad. There even was a talc product aromatized with Vol de Nuit which I hope I could come across one day.
The parfum concentration in Vol de Nuit is eminently nobler, yet the Eau de Toilette especially in vintage versions is very satisfactory and rich. It is incidentally one of the Guerlain fragrances where the newer batches have not the pillaged air other thoughroughbreds have suffered, although it lasts somewhat shorter, perhaps because under LVMH supervision all the animalics have been replaced with synthesized versions to comply with current ethical concerns (as is the case in all Guerlain fragrances).
NB: Not to be confused with the recent introduction of Vol de Nuit Evasion (2007) which is in fact an eau de toilette concentration of Guerlain's Guet Apens/ Attrape Coeur (more on which subsequently).
Vol de Nuit is available from Guerlain counters although not all of them carry it and if they do it might be tucked back behind the countertop. Ask for it!
Related reading on Perfume Shrine: Guerlain series.
Pics through euart, ebay, parfum de pub.
Guerlain followed their tradition of using evocative names inspired by famous personalities or stories (Eau Impériale for Empress Eugenie, Eau du Coq for French actor Coquelin of Syrano fame, Shalimar for the imperial gardens of Lahore, Mitsouko after Claude Farrere's protagonist in "La Bataille"; and much later Liù after Puccini's heroine in "Turandot" and Chamade after Sagan's novel). They chose "Vol de Nuit"/ Night Flight by Antoine de Saint-Exupéry, chief pilot of Aéropostale, French continent-to-continent mail operations company, and a combat pilot in World War I. Saint-Exupéry also wrote "Courier Sud"(Southern Mail) and "Terre des Hommes"(Wind, Sand and Stars) but was immortalised via the classic allegory "The Little Prince". A close friend of Jacques Guerlain, famous for his romantic conquests and very much read at the time, he disappeared in a reconnaissance flight during World War II (1944). His fate, eerily similar to Fabien's, the newly-wed protagonist of "Night Flight", a pilot on the airmail plane from Patagonia to Buenos Aires who is caught in a cyclone and dies while his wife Simone anxiously awaits signal atop the control tower, is shrouded in romantic mystery. Thus, two years after the publication of the novel, in 1933, Jacques Guerlain launched his fragrance by the same name.
The fragrance Vol de Nuit, inspired by the brave early days of aviation, much like En Avion by Caron, or alternatively the ocean-liner named Normandie by Patou, they all coincided with the at once fascinating and perilous exploration of uncharted territories, exotically comparable to our contemporary exploration of the galaxy. And yet despite everything Vol de Nuit compared with En Avion or even Normandie is tamer than its whirwind name would suggest but none the less magisterial for it. Technically a woody oriental, yet with its pronounced opening green note it totters between an oriental and a chypre. Which is understandable if one considers that it was the first fragrance to make overuse of galbanum, thus influencing classics to follow such as Germain Cellier's Vent Vert, Paul Vacher's Miss Dior and Guy Robert's Chanel No.19. The other characteristic element in Vol de Nuit is jonquil absolute. The initial green rush of those two notes along with spice (a delectable touch of cinnamon, perhaps deriving from benzoin) follows a swift diminuendo into delicate flowers similar to those that appear as if pressed between the pages of a stranger's antique journal in the heart of Chant d'Aromes. The ambience of that floral hug is softly-spoken, refined and gentle ceding to a haunting drydown of woody musky nuances, with the characteristic ambery-vanilla-orris-coumarin sweetness that comprises the tradition of Guerlain (the Guerlinade). The original composition contained costus oil, but today that ingredient is restricted, therefore synthetic approximations by IFF are used. That powdery, discreetly smoky phase resembles the quiet plush of Habit Rouge (the masculine version of Shalimar ) laced with the slight wistfulness over a wise advice that you just didn't follow...
Notes for Guerlain Vol de Nuit:
Top: orange, bergamot, lemon, mandarin, petitgrain, galbanum, sage, aldehydes
Heart: violet, rosewood, palmarosa, jasmine, jonquil/daffodil, pimento
Base: Vanilla, benzoin, Peru balsam, musk, cedarwood, orris, tonka bean, oakmoss, agarwood, sandalwood, vetiver, ambergris, castoreum.
Originally the Vol de Nuit flacon was designed with a front that represented an airplane's propeller at the time when Air France was born and air-travel held the lure of adventure. The name is cut out of a circle of gold metal suggesting the propeller belt. The outer box was conceived to look zebra-stripped to denote the fascination with exotic travelling and Africa, the wild continent.
Later on the flacon followed the almost vase-shape of other Guerlain scents. In the '80s and '90s a refill was made in plain glass for the classic gold Habit de Fete canisters. The parfum circulates in the squat short flacon with the quadrilobe stopper that still holds Jicky and Nahéma in extrait de parfum. The French Air Force Collge orders bottles of Vol de Nuit to be emblazoned with their emblem so that their cadets can offer as gifts when officially visiting abroad. There even was a talc product aromatized with Vol de Nuit which I hope I could come across one day.
The parfum concentration in Vol de Nuit is eminently nobler, yet the Eau de Toilette especially in vintage versions is very satisfactory and rich. It is incidentally one of the Guerlain fragrances where the newer batches have not the pillaged air other thoughroughbreds have suffered, although it lasts somewhat shorter, perhaps because under LVMH supervision all the animalics have been replaced with synthesized versions to comply with current ethical concerns (as is the case in all Guerlain fragrances).
NB: Not to be confused with the recent introduction of Vol de Nuit Evasion (2007) which is in fact an eau de toilette concentration of Guerlain's Guet Apens/ Attrape Coeur (more on which subsequently).
Vol de Nuit is available from Guerlain counters although not all of them carry it and if they do it might be tucked back behind the countertop. Ask for it!
Related reading on Perfume Shrine: Guerlain series.
Pics through euart, ebay, parfum de pub.
Tuesday, November 25, 2008
Ormonde Jayne Zizan for men: fragrance review
Zizan by Ormonde Jayne comes as a prolepsis of sorts after a variegation of scents that want to appeal to men's feminine side, getting them in touch with flowers or traditionally girlier concepts such as Dior Homme, Kenzo Power and Prada Infusion d'Homme. Not jarringly different than announced, Zizan is hairy-chested in a supreme Sean Connery Scottish-accent-in-place way when he's stoically sighing "Oh, the things I do for England" as he undresses yet another of his female conquests atop a helicopter no less, getting us right back to 1967. A fragrance of the good-old times when men were men (and the sheep were very nervous!); when they opened the door for you and never offered to split the check. I could live without some of the other addendum to that era, but one can't deny a certain sweet nostalgia for things ironically one hasn't lived through.
Although to the world traveller the name recalls the Zizan people of Myanmar, in fact it simply derives from vetiver zizanoides, the Latin taxonomy for vetiver species (and if you're missing out on what this mysterious grass is and the magical things it does to fragrances read our Vetiver Series). Funnily enough, the name "zizan" is given in Greek to any stubborn weed that emphatically refuses to be eradicated and metonymically to personalities in a similar vein. Perhaps this is exactly the description of the sort of man (or emancipated woman) that would fit Ormonde Jayne Zizan perfectly: stubborn, sturdy yet gentlemanly solid.
The crescent of the duration of the fragrance on skin resembles the course of dawn to dusk with the brighter citrusy elements gaining momentum to then slowly pave the way to autumnal shades of lightly smokier mists. Three varieties of vetiver and hesperides' essences combine to produce a lasting and refined old-style cologne that outlasts Isfarkand (with its bracing opening that soon pales). With elements of the refreshing, refined and care-free style of classic Roudnitska creation Eau Sauvage (citrus, hedione, vetiver) along with the aromatic accents (laurel, clary sage) of Paco Rabanne pour homme, Zizan includes a discreetly sweet little note that surfaces much later along with the woody, dry elements coalescing on the skin and lending it the mantle of humaness. I think Ormonde Man is more unusual and perhaps therefore more intriguing, but I cannot deny the charm that such an elegant allusion to a bygone retro handsomeness produces.
Women could partake of this essentially burly, macho fragrance as a memento of a close encounter that retains the dejection of parting or as an exploration of how liberating it feels to wear something so wonderfully masculine. King Leonidas is guarding his own Thermopylae as always, he's smelling fabulous and I don't think he's set to lose this time!
Notes for Zizan:
Top: Sicilian lime, lemon, bergamot,clary sage, pink pepper, juniperberry.
Heart: Bay, violet and jasmine.
Base: Vetiver, cedar, musk and amber.
Ormonde Jayne Zizan for Men comes in Eau de Parfum ceoncentration in 50ml/1.7oz bottles for 64£ in the classic Ormonde Jayne presentation. Available directly from the Ormonde Jayne boutique in London and Dubai and from her site.
One sample will be given to a lucky reader! (Enter your name in the comments)
Further related reading on Perfume Shrine: an interview with perfumer & founder Linda Pilkington here and a review of Tolu.
Pic of Gerlad Butler via gerald-butler.net. Pic of Zizan bottle via Ormonde Jayne.
Although to the world traveller the name recalls the Zizan people of Myanmar, in fact it simply derives from vetiver zizanoides, the Latin taxonomy for vetiver species (and if you're missing out on what this mysterious grass is and the magical things it does to fragrances read our Vetiver Series). Funnily enough, the name "zizan" is given in Greek to any stubborn weed that emphatically refuses to be eradicated and metonymically to personalities in a similar vein. Perhaps this is exactly the description of the sort of man (or emancipated woman) that would fit Ormonde Jayne Zizan perfectly: stubborn, sturdy yet gentlemanly solid.
The crescent of the duration of the fragrance on skin resembles the course of dawn to dusk with the brighter citrusy elements gaining momentum to then slowly pave the way to autumnal shades of lightly smokier mists. Three varieties of vetiver and hesperides' essences combine to produce a lasting and refined old-style cologne that outlasts Isfarkand (with its bracing opening that soon pales). With elements of the refreshing, refined and care-free style of classic Roudnitska creation Eau Sauvage (citrus, hedione, vetiver) along with the aromatic accents (laurel, clary sage) of Paco Rabanne pour homme, Zizan includes a discreetly sweet little note that surfaces much later along with the woody, dry elements coalescing on the skin and lending it the mantle of humaness. I think Ormonde Man is more unusual and perhaps therefore more intriguing, but I cannot deny the charm that such an elegant allusion to a bygone retro handsomeness produces.
Women could partake of this essentially burly, macho fragrance as a memento of a close encounter that retains the dejection of parting or as an exploration of how liberating it feels to wear something so wonderfully masculine. King Leonidas is guarding his own Thermopylae as always, he's smelling fabulous and I don't think he's set to lose this time!
Notes for Zizan:
Top: Sicilian lime, lemon, bergamot,clary sage, pink pepper, juniperberry.
Heart: Bay, violet and jasmine.
Base: Vetiver, cedar, musk and amber.
Ormonde Jayne Zizan for Men comes in Eau de Parfum ceoncentration in 50ml/1.7oz bottles for 64£ in the classic Ormonde Jayne presentation. Available directly from the Ormonde Jayne boutique in London and Dubai and from her site.
One sample will be given to a lucky reader! (Enter your name in the comments)
Further related reading on Perfume Shrine: an interview with perfumer & founder Linda Pilkington here and a review of Tolu.
Pic of Gerlad Butler via gerald-butler.net. Pic of Zizan bottle via Ormonde Jayne.
Labels:
masculine,
niche,
ormonde jayne,
review,
unisex,
vetiver,
vetiver series,
zizan
Harajuku Lovers float at the Macy's Thanksgiving Day Parade
Thursday is Thanksgiving Day for the US and I have been informed that Macy's will host a Harajuku Lovers float; you know: those cute girls that have been the inspiration behind the Harajuku Lovers fragrances by Gwen Stefani. So without further ado, here are the details for those of you who might be interested in attending.
WHAT: Harajuku Lovers float appearing in the Macy's Thanksgiving Day Parade
WHEN: Thursday, November 27, from 9:00 AM – 12:00 PM
WHERE: Columbus Circle: the west side of the street; Broadway: between 38th and 58th streets; 34th Street: the south side of the street between Broadway and 7th Avenue
WHY: Neon Lights, over the top signs and Harajuku girls are on full blast on the new Harajuku Lovers float. Inspired by the Harajuku area of downtown Tokyo, the float consists of multi-level, clear, plexi-glass platforms that show the lights of Tokyo to full effect. Featured on board will be balloonhead alter egos of Love, Lil Angel, Music, Baby and G - the Harajuku Girls! Also taking the trip through Manhattan will be the real Love, Angel, Music and Baby who will dance close to their balloon counterparts on Thanksgiving.
More info can be found directly at Macy's website and pics have been uploaded on Flickr.
Another post coming up shortly!
Info via press release.
WHAT: Harajuku Lovers float appearing in the Macy's Thanksgiving Day Parade
WHEN: Thursday, November 27, from 9:00 AM – 12:00 PM
WHERE: Columbus Circle: the west side of the street; Broadway: between 38th and 58th streets; 34th Street: the south side of the street between Broadway and 7th Avenue
WHY: Neon Lights, over the top signs and Harajuku girls are on full blast on the new Harajuku Lovers float. Inspired by the Harajuku area of downtown Tokyo, the float consists of multi-level, clear, plexi-glass platforms that show the lights of Tokyo to full effect. Featured on board will be balloonhead alter egos of Love, Lil Angel, Music, Baby and G - the Harajuku Girls! Also taking the trip through Manhattan will be the real Love, Angel, Music and Baby who will dance close to their balloon counterparts on Thanksgiving.
More info can be found directly at Macy's website and pics have been uploaded on Flickr.
Another post coming up shortly!
Info via press release.
Monday, November 24, 2008
Vera Wang's Look: fragrance review
Vera Wang is synonymous with nuptials, wedding gowns, flower arrangements to compete with the roses in all of Surrey and generally romanticism in the 9th degree. Her original fragrance, Vera Wang, as well as Sheer Veil and Truly Pink, were romantic affairs of flowery fragrances that would fit the entourage of a bride ~or the bride herself~ effortlessly. Imagine my surprise at smelling Look, her newest fragrance, which takes the path of a fresh approach that is more upbeat and contemporary, less traditionally floral. Where is the white-gown in all that? Nevertheless, it wouldn't be terribly misleading to think that the perfectly-cut flacon of Look which resembles an emerald-cut diamond when faced from the front, is Vera's allusion to the sine qua non of a wedding proposal.
According to the press release: "The bold, modern, captivating scent of Vera Wang Look embraces a woman’s confidence and creates a seductive effect through complex textures and layers of fragrance notes. It introduces notes of mandarin, watery greens, lychee and golden delicious apple in the top notes. The heart incorporates lily, freesia and jasmine, while the base notes introduce a rhapsody of sweet vanilla, musk, oak moss and patchouli."
Look was created in co-operation with Firmenich by perfumer Annie Byzantian, the creator of mega-blockbuster Aqua di Gio and co-author of Pleasures and Safari pour Homme. Whether following her individual vision or not, the above fragrances should give you an idea of where Look is veering to. To me Vera Wang's Look is poised between a fresh fruity floral with all that entails and a "modern" chypre: one definitely wouldn't mistake it for a fragrance heavy in the classic perfume-y ingredients that characterise the chypre family. And it's definitely not a white floral affair either no matter what the given notes would denote. The refreshing burst of the greenish mandarin opening cedes to a lathery cleanness and a microscopic vanilla and sweet patchouli hint in the drydown. Despite initial impressions, it has a suggestion of sweet powderiness that reminds me of cherry blossom scents and which would likely it make it quite popular with young women. Opposed to the very uncharacteristic teeny-bopper Princess, Look takes its place in the Vera Wang line-up nevertheless; although it does so with a less traditionally feminine or romantic approach than her first ~and in my opinion best~eponymous fragrance. I see it as more of an everyday, office scent choice which lasts satisfactorily. I suspect the Parfum Elixir is a more sensuous concentration that might be highlighting the lusher aspects compared to the sparer Eau de Parfum.
The advertising prints, featuring model Anna Selezneva, were shot by Steven Meisel and they are poised at an intriguing angle since the bottle, a glass prism, is set in the foreground, while the model dressed in bright mandarin hues is standing behind it and is looking into us through it, as if she is watching the world through this prism. Which I realize is the whole concept behind naming a fragrance Look of course...
Look has benefited from a classy presentation: A modern geometric prism flacon with facets polished to perfection. Inspired by Vera Wang’s pret-a-porter, contrasting proportions are architectural and refined. The slender silhouette of the clear glass cap is a reflection of simplicity. The packaging utilizes matte grey with light grey contours visible on the box and on the name Look, which is written in vivid orange in the middle of the box.
Notes for Vera Wang Look:
Top: mandarin, green notes, lytchee, green apple
Heart: lily, freesia, jasmine
Base: vanilla, musk, oakmoss, patchouli
To learn more visit the Vera Wang site and listen to Vera Wang explain the concept here.
The perfume is available as Parfum Elixir in 30ml/1oz flacon with crystal stopper and wand (300$), and as Eau de Parfum in 30ml (1.0oz) ~outside of US~, 50ml (1.7oz.) and 100ml (3.4oz)bottles ~in the US. Look is accompanied by a line of body products: body cream, body lotion and shower cream (200 ml each). Available at travel retail worldwide and Nordstorm.
Pics through Vera Wang and Moodie Report .
According to the press release: "The bold, modern, captivating scent of Vera Wang Look embraces a woman’s confidence and creates a seductive effect through complex textures and layers of fragrance notes. It introduces notes of mandarin, watery greens, lychee and golden delicious apple in the top notes. The heart incorporates lily, freesia and jasmine, while the base notes introduce a rhapsody of sweet vanilla, musk, oak moss and patchouli."
Look was created in co-operation with Firmenich by perfumer Annie Byzantian, the creator of mega-blockbuster Aqua di Gio and co-author of Pleasures and Safari pour Homme. Whether following her individual vision or not, the above fragrances should give you an idea of where Look is veering to. To me Vera Wang's Look is poised between a fresh fruity floral with all that entails and a "modern" chypre: one definitely wouldn't mistake it for a fragrance heavy in the classic perfume-y ingredients that characterise the chypre family. And it's definitely not a white floral affair either no matter what the given notes would denote. The refreshing burst of the greenish mandarin opening cedes to a lathery cleanness and a microscopic vanilla and sweet patchouli hint in the drydown. Despite initial impressions, it has a suggestion of sweet powderiness that reminds me of cherry blossom scents and which would likely it make it quite popular with young women. Opposed to the very uncharacteristic teeny-bopper Princess, Look takes its place in the Vera Wang line-up nevertheless; although it does so with a less traditionally feminine or romantic approach than her first ~and in my opinion best~eponymous fragrance. I see it as more of an everyday, office scent choice which lasts satisfactorily. I suspect the Parfum Elixir is a more sensuous concentration that might be highlighting the lusher aspects compared to the sparer Eau de Parfum.
The advertising prints, featuring model Anna Selezneva, were shot by Steven Meisel and they are poised at an intriguing angle since the bottle, a glass prism, is set in the foreground, while the model dressed in bright mandarin hues is standing behind it and is looking into us through it, as if she is watching the world through this prism. Which I realize is the whole concept behind naming a fragrance Look of course...
Look has benefited from a classy presentation: A modern geometric prism flacon with facets polished to perfection. Inspired by Vera Wang’s pret-a-porter, contrasting proportions are architectural and refined. The slender silhouette of the clear glass cap is a reflection of simplicity. The packaging utilizes matte grey with light grey contours visible on the box and on the name Look, which is written in vivid orange in the middle of the box.
Notes for Vera Wang Look:
Top: mandarin, green notes, lytchee, green apple
Heart: lily, freesia, jasmine
Base: vanilla, musk, oakmoss, patchouli
To learn more visit the Vera Wang site and listen to Vera Wang explain the concept here.
The perfume is available as Parfum Elixir in 30ml/1oz flacon with crystal stopper and wand (300$), and as Eau de Parfum in 30ml (1.0oz) ~outside of US~, 50ml (1.7oz.) and 100ml (3.4oz)bottles ~in the US. Look is accompanied by a line of body products: body cream, body lotion and shower cream (200 ml each). Available at travel retail worldwide and Nordstorm.
Pics through Vera Wang and Moodie Report .
Labels:
annie byzantian,
fresh,
fruity floral,
look,
modern chypre,
new,
review,
vera wang
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