Tuesday, January 23, 2007
New perfumes by Francis Kurkdjian : the Indult line
A new ultra luxe niche is being explored by young prolific perfumeur Francis Kurkdjian, famous for his Le Male for Galutier, Narciso For her and Rose Barbare for boutique Guerlain. Indult is an old french word from 1498 signifying the privileges given by the french King or the Pope to esteemed individuals. With the desire to launch something that has comparable exclusivity rights as those bestowed upon by a king, Indulte is comprised by 3 scents that are issued in only 999 bottles each. The ingredients are rare and precious, largely dependant on natural essences, which seemingly is the way to go for trully luxurious fragrances.
No sampling programme is scheduled, to retain exclusivity.
The 3 fragrances will be:
Isvaraya (‘divine’ in hindi): a fruity chypre with jasmin sambac, indian prunes and patchouli
Tihota (‘sugar’ in polynesian): an exotic concoction of fresh vanilla pods and various muscs.
Manakara (deriving from a region in Madagascar famous for its litchis): a fruity rose blend of turkish and bulgarian rose married to succulent litchi
The bottle is an architectural rectangle with a black rounded cap, much like the classic Chanels and it will be encased in a pallisander wood box designed by Etienne de Suza.
The three perfumes come in Eau de parfum concentration in 50ml/1.7oz bottles at 160 euros each. They will be exclusively sold at french Sephora stores (call +33(0)8 92 707070 to find the store nearest you) and Indult site
Please note that for now only the french version works (click on "Entrer" on the left)You may contact +33(0)1 58 18 38 67 to become a member or click on the Membre button to enter your data. A personalised card will be made and then you can order what you want. You can also email them at: contact@indult.fr
Pic of black caviar courtesy of Fauchon. Pic of bottles from osmoz.fr
Saturday, January 20, 2007
Beautiful Love: new from Lauder
With the tagline “a perfume to celebrate the love that you share”, Esteé Lauder is trying to catch the Valentine’s Day shoppers this year with its latest interpretation of one of her established perfumes, the intensely floral Beautiful.
Beautiful has always been presented as a wedding perfume, sometimes set to beauties such as gorgeous Paulina Porizkova, other times accompanying less gorgeous Elizabeth Hurley. It has proven to be a bestseller for ladies who want a romantic touch and the images of the advertising have proved very receptive from males about to purchase fragrance for their wives and fiancées, according to Lauder reports.
The fragrance came out originally in 1986 and it purportedly contained over 200 ingredients that took 4 years to find their proper place in the “perfect” formula that elicited the comment “beautiful!” upon being smelled by friends of Mrs.Lauder sampling it. So the name stuck. Or so the legend goes…
Personally I have always found Beautiful a little (OK, a lot) over the top in its big, bright, groaning with white florals (tuberose, jasmine, orange flower, lily of the valley) composition and although it reacted well on my skin on various testings, I never gave it the benefit of a doubt, never purchasing a bottle for myself.
Beautiful Love comes exactly 20 years after its big sister as the prodigy to follow in the successful steps of the revered relative.
This marketing technique of flankers, companion perfumes to already established ones bearing a variation on the original’s name has worked well for Lauder. With the exception of White Linen Breeze, all the others worked well and proved commercially viable and even successful. Around the time the company first signed with Elizabeth Hurley there was an attempt to modernize the classic soapy aldehydic White Linen, boosting it with marine notes and making it less potent and abstract. The experiment went well for a while, as it was the 90s and marine frags were de riguer. Lauder had no other marine in its stable. Soon however it became extinct, as Pleasures got launched to a staggering success, bringing back the vogue for “clean” floral smells.
Then came Garden of Pleasures, around 1999-2000, a limited edition trio of scents each highlighting one specific floral note in the original Pleasures – therefore there was Moon Lily (a glorious floriental whose passing I lament), Peony and Lilac. Being limited editions to coincide with the launch of an homonymous makeup line, they soon disappeared. I still to this day regret I did not stock up on Moon Lily. It was the best of the lot….
The next logical step was Pleasures Intense (a sharper, more intense floral) and soon after Pleasures Exotic for summer, with the addition of tropical fruits and citrus.
When Tom Ford came on wheel, he had the brilliant idea of revolutionizing the classic of the house: Youth Dew. A classic that smelled anything but what its name suggested. As mr.Ford is first and foremost a great marketer he instantly knew that he had to keep the sensual notes, but lighten the load, freshen up the image and inject sexiness in both the smell and the image. Youth Dew Amber Nude was the final result and it was pleasurable enough to re-ignite interest in the Lauder brand in young people’s minds (where the house did not register as hip). His Azurée oil interpretation last summer was also quite successful.
Pure White Linen, fronted by Gwyneth Paltrow, was the house’s latest effort to capitalize on another classic name, especially since White Linen Breeze had long ago disappeared from shelves. The final product is quite decent and I say that straight faced. It’s a likeable clean smell for instances when you don’t want to bother too much with what you wear, you just want to smell carefree and nice. Even the bombastically floral Beyond Paradise came to meet a little cousin by the name Beyond Paradise Blue, which I haven't tested yet.
Beautiful had already experienced a little watering down when the mood for lighter scents became the norm with Beautiful Sheer, one of the formulations that are supposed to be used during the humid season when the original version would seem suffocating.
Beautiful Love is the newest in that long string of “flankers” exposing a modern, creamier and more sensuous side of the Beautiful floral fragrance.
Karyn Khoury, Senior Vice President, Corporate Fragrance Development Worldwide, Estée Lauder Companies describes it as having less intense green notes and a greater emphasis on the classic’s white floral elements, ‘Beautiful Love captures the emotional depth of shared love’ she is quoted to say.
The official notes according to Osmoz are:
Top note : Pomelo, Cantaloupe, Mango,Pink Pepper, Freesia,Ivy
Middle note : Tiare, Tuberose, Jasmine,Other Flower, Black Violet
Base note : White Orris,, Whipped Cream, Tonka Bean, Vetiver, Cashmeran,Other Woods
The classification is woody musky floral, which is not sounding bad at all.
The effect is much lighter in feeling and less perfumey, with the fruit notes opening a tart impromptu going on to softer, creamy florals and a velvety base.
Packaged in a bottle that stays close to the feminine lines of the fluid crystal of the original Beautiful one, it features a pink-gold cap.
It comes in eau de parfum strength in bottles of 30ml/1oz, 75ml//2.5oz and 100ml/3.4oz.
Pic of bottle from Osmoz, pic of Beautiful ad courtesy of Parfum de pub.
Labels:
estee lauder,
floral fruity,
musky,
review,
tuberose,
woody
Tuesday, January 16, 2007
Ava Luxe Madame X: a fragrance review
There are some perfumes that sing of female emancipation, of confidence, cool and the power of the go-getter. They are high brow at all circumstances, they are professional yet elegant, the mark of a successful woman in all areas. They have class, sophistication, refinement and a je ne sais quoi that sets them apart and makes them the object of admiration.
Madame X by Ava Luxe is not one of them.
Instead it recalls all the carnal knowledge that has a primitive root in out psyche, the call of the wild, the chase, female surrender, complete abandonment in the open arms of hell. Like an erotic adventure in a distant bruised past it has the rare ability to entice with the memory of the basest and lowest one has ever been to and actually had fun out of it. To call something sexy is a cliché and we do not condone clichés at Perfume Shrine, at least to the measure that is within our abilities. Madame X has none of the mysterious aura of a femme fatale nor the coolness of her calculating demeanour. She is no Bridget Gregory /Wendy Kroy from "The Last Seduction", as played by Linda Fiorentino, cool as a cucumber and only acting vulnerable in order to get her case made, improvising with the same black goal all along.
Madame X is a vulnerable woman, all open for the plucking, a little mature, a little pained and you have to approach her with the fervour and candour of a considerate lover, that for reasons of his own would be willing to explore the possibilities of reaching God.
Her trail of soft, deep, sensual labdanum in all its erotic permutations blooms on the skin, coupled with the slight fresh pepperiness of coriander. The initial impression it made mingled the spicy jolt and sweet richness of Cinnabar combined with the depth and raunch of amber, vanilla, sandalwood and the civet accord of Obsession. I do love both of those perfumes so the association was not simply interesting but positively mesmerising. The leather is so soft it almost makes one shed a tear of longing, while the lasting power is good although the volume at which this gem projects is low and discreet.
The viscous consistency of a drop of parfum upon my skin held the fascination of the imaginary prototype virgin in Grenouille’s pursuit for perfection. I can be brazen and say that it has captured my heart and draws its strings as we speak. Were I a man I would fall deeply in love with the mature person that would only spontaneously raise her legs for a reason only she herself knows, allowing me to harvest her most precious essence: Madame X.
Madame X is described as a "sheer ambery veil of labdanum and leather that wears close to the skin but lingers through the night" by its creator and comes in Parfum and Eau de Parfum concentrations.
Official Notes: Coriander, Acacia Farnesiana, Freshly cut hay, Jasmine, Rose, Labdanum, Leather, Incense, Patchouli, Oakmoss, Civet, Ambergris, Castoreum, Sandalwood Mysore, Precious Musks, Vanilla
You can purchase samples or order directly from the Ava Luxe site here:
Ava Luxe index page
I know I for one am eager to explore more of her creations.
Pic of Charlotte Rambling originally upoaded on POL. "Last tango in Paris" comes from Brando fan-site.
Friday, January 12, 2007
Colour of the jus
Have you ever wondered if the colour of your perfume is not a haphazard choice? Have you asked yourselves if you would love it equally if it were a different hue? Or more importantly if the people involved in creating it have actually exerted any brainstorming about this?
A funny incident happened a while ago and made me consider the issue from another angle than the mere personal.
On a fine lunch hour shopping spree I passed from that shop that was inspired by Moses' wife and rhymes with catastrophe in Greek (which is what my significant other always mutters when he sees a bag with the white-on-black logo of it). I am referring of course to Sephora.
As I was browsing, nodding to myself "already tested", "already tested", "already tested", I come close to a couple at the Lauder shelves. Casually dressed but well groomed (the european groomed casual chic), around 30 both.
The girl, a dark haired one, rather pretty, grabs the tester for Knowing and ooohs and aaahs saying "Oh, this is my favourite perfume in the world, wore it so much". (I am thinking she wanted the guy to take the hint and buy it for her- and she was not the mercenary type at all). The guy seems uninterested and browses beside her, going "uh huh". She then picks up Cinnabar, as they have the older Lauders all grouped together. "This is nice too" she comments smelling the bottle.(I agree) She gives it to the guy, who says they are both rather heavy, vetoing the decision. She is even motioning to pick up the Youth Dew, when he intervenes and says : "Imagine how heavy that one must be; it's almost black!!" She never finished the motion to pick it up and sniff the bottle, as she didn't do it with Aliage either (which is also quite dark). And immediately he goes on and picks the nearby Alien (Sephora places them alphabetically and Mugler is after Lauder). "Now this is lighter, better" he quips. (the "light" thing merits its own discussion in another post) She made a face. I just about wanted to smack him at that point! Both because he denied her what she obviously liked and because he showed his prejudices about perfume picking. I didn't follow them to see what they bought in the end. I didn't have the luxury of time. Maybe they didn't buy anything. If they did however it was not what she wanted, she seemed crestfallen....
I don't see these two making it to the aisle and that doesn't refer to the shopping kind.
The little story has a moral though. People judge with their eyes as much as with their noses.
There is another great story that has been recounted to me by J, known as Teacake, a sweet Australian-based lady. She mentioned that someone young (a teenager actually) who was a friend of her daughter had proclaimed upon viewing her collection that "yellow/golden juices don't smell nice, only pink and blues do". That comment has been a mini-epiphany for me. Seriously: it made me realise that indeed the colour of the jus really denotes the target market as well as the olfactory family in most cases: fruity florals and "fresh" scents which were all the rage with the young some nanoseconds ago are indeed pink or blue!
I don't think this is an accident. I believe it has to do with the mentality that yellow jus is older, classic perfumes that are associated with natural ingredients (no naturals are coloured pink or blue, except chamomille of course and they don't use it in most commercial perfumery because of that unstable blueish tint that might ruin the general effect).
If one stops and thinks about it most of the classics are pale golden or light ambery: Shalimar, Femme, Mitsouko, Joy, Chanel #5, Bois des iles, L'heure bleu. They all vibrate at some variation of wee colour. There are a few notable exceptions like Chanel #19 or the afore mentioned Youth Dew, but still no pink or blue or even purple coloured perfume existed till quite recently. Certain natural ingredients do have a deep colour: Peru Balsam is molasses dark; natural jasmine turns almost orange with the passing of time, sometimes alarming us into thinking that a perfume containing it has turned.
Pink and blue juice on the other hand usually has a highly synthetic construction that guarantees the stability of colour and the unnatural hue of the finished product.
Personally, I have a deep seated aversion to the colour blue in fragrances, although I do appreciate it in other permutations (the sea, glassware and jewels come to mind). I think it shows an insurmountable lack of imagination on behalf of the person who opts for it; especially if it's a man, I'm afraid. It's such an easy, safe choice! What's your favourite colour? 9 out of 10 men reply blue, if asked out of the blue about it (am I being punny?). I don't hear fuschia (too gay), chesnut(too difficult; do they even know it's a shade?), vermillon (it sounds like a french recipe for something involving snails or frog's legs) or even black (the odd rocker/goth/outcast/mysterious Lothario picks that one up out of the 10.....thank God fot that)
In perfume terms it usually denotes an overload of the dreaded fakeness that is the "marine" note. Yeah.....marine for people born and raised and living all their lives in the Chezh Republic(a landlocked country); having no passport on top of that. I am categorically adamant that the sea does not smell like any of the marine fragrances out there I have ever smelled. I do keep hoping some day they will catch the elusive trail. I live in hope.
Anyway, younger folks tend to associate the hip and new with those pastel hues, dismissing the rest as "old ladies' perfume". In their desire to mark their territory and draw the line, maping their own identity, revolting from what their parents wear, they go for the pink and blue, with the odd inclusion of purple for those who like a smidgeon of mystery (or so they imagine).
So companies churn out perfumes in those colours. It's all marketing, I'm afraid.
Pic was sent to me via mail uncredited, probably courtesy of an advertising campaign (MAC maybe?)
Not sure, but great photo nonetheless.
Thursday, January 11, 2007
The death of Mitsouko
Those who have followed Perfume Shrine since it started on a previous host know that I have talked about what Mitsouko means to me. How my own words cannot convey what it stirs in my soul.
And here we get official confirmation from Guerlain that the rich base of it has been irrevocably annihilated, substituting oakmoss with treemoss. Of course various slight reformulations have been performed along the way in at least the last 30 years, since Mitsouko comes from the mythical age of 1919, a farewell to the old world that got terminated in the throes of the Great War.
Inspired by a tragic tale in the first place, it is an Andromache mourning for her lost Hector, her injustly killed son Astyanax and her looming future in degraded slavery.
Read how she had forseen her future and her most touching goodbyes to her husband as described in Iliad here.
Mitsouko ,much like the above excerpt, is all the sad and proud things imagination can muster...
And although I have not compared with the new current version in rotation at shops, my heartstrings are aching for the loss of the scent that more than anything else signifies imminent tragedy, loss and hurt to me.
The following piece of music best represents the foreboding feeling I get when I utter the word Mitsouko. It's the second movement of Beethoven's 7th symphony (Allegretto) performed by conductor Charles Latshaw and his orchestra to perfection. Click here to experience the awe and wonder for the very last time, listening "to the exquisite music of that strange procession, and say goodbye to her, to the Alexandria you are losing".
Artwork is by Jean Louis David "La Douleur et les Regrets d'Andromaque sur le corps d'Hector son mari" 1873, courtesy of Wikipedia.
And here we get official confirmation from Guerlain that the rich base of it has been irrevocably annihilated, substituting oakmoss with treemoss. Of course various slight reformulations have been performed along the way in at least the last 30 years, since Mitsouko comes from the mythical age of 1919, a farewell to the old world that got terminated in the throes of the Great War.
Inspired by a tragic tale in the first place, it is an Andromache mourning for her lost Hector, her injustly killed son Astyanax and her looming future in degraded slavery.
Read how she had forseen her future and her most touching goodbyes to her husband as described in Iliad here.
Mitsouko ,much like the above excerpt, is all the sad and proud things imagination can muster...
And although I have not compared with the new current version in rotation at shops, my heartstrings are aching for the loss of the scent that more than anything else signifies imminent tragedy, loss and hurt to me.
The following piece of music best represents the foreboding feeling I get when I utter the word Mitsouko. It's the second movement of Beethoven's 7th symphony (Allegretto) performed by conductor Charles Latshaw and his orchestra to perfection. Click here to experience the awe and wonder for the very last time, listening "to the exquisite music of that strange procession, and say goodbye to her, to the Alexandria you are losing".
Artwork is by Jean Louis David "La Douleur et les Regrets d'Andromaque sur le corps d'Hector son mari" 1873, courtesy of Wikipedia.
Labels:
beethoven,
guerlain,
mitsouko,
reformulation
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