Showing posts with label floral note. Show all posts
Showing posts with label floral note. Show all posts

Monday, May 18, 2009

Distant Cousins: Lily of the Valley & Lily ~part 2: Lily

Pensive garden, affectionate, fresh, and faithful,
where lilies, moon and swallow kiss.
Army on the march, child who dreams, woman in tears!
Adjectives like "astonishing" and "ravishing" may sound like hyperbole, yet it is enough for someone to have leaned once over an open, waxy petaled blossom of pure, gleamingly white and delicately flocked lilies to have stood transfixed.

Words fail one upon the sight, while the nose is mesmerised by its oleaginous, yet at the same time spicy interlay of softness, sharpness and intense femininity. Even John Ruskin in his lectures “Sesame and Lilies” designates the second one, Lilies, to the treatment of women in literature and lore. An allusion which brings an added dubious sub-layer in the common reference of lily white skin in rapper songs ~such as the hilarious “Pretty Fly (for a white guy)" ~ by the Offspring) and in street parlance!

The beauty of lily is at once as pure and as sensuous as the face of Ingrid Bergman in "Casablanca"; its strong emition of scent in late summer makes an evening spent in a garden where it blooms an exercise in aching wonder faced with nature’s magic. And most astonishing of them all, among this plush, there raises its little head a small facet of horse stable manure (Luca Turin in a playful reminiscence while reviewing a lily fragrance refers to it as salami), enough to place lily in the category of the majestically strange, much like tuberose or jasmine. There's something awe-inspiring yet vulnerably tragic in the lily, like the Dresden-doll beauty of Vivien Leigh.

Lilies belong to the Liliaceae family, from which they take their name. The genus Lilium are herbaceous flowering plants growing from bulbs, comprising about 110 species with infinite visual variety. Lily of the Valley/Muguet (Convallaria majalis) on the other hand belongs to the Ruscaceae family (genus Convallaria), making them botanically unrelated to the former blossoms. Within the lily group there are several sub-varieties and contrary to the vernacular sayings equating lily with white, not all species are so. The following varieties are amongst the most prominent and beautiful: Columbia lily ,Tiger Lily , Easter/Madonna Lily ,the Goldband lily of Japan , the Amazon lily as well as the Stargazers, a popular and colourful subdivision of the Oriental lilies and the Casa Blanca Lilies (another Oriental hybrid).
On the other hand, the well-known Calla Lily (erroneously often misspelled as Cala) is not strictly a lily, since it belongs in the family Araceae. Generally Calla Lilies do not possess the characteristic heady odour of lilies nor do they have a potent odour profile in themselves, although the species Zantedeschia odorata possesses the strong scent of freesias. Vera Wang original perfume for women claims notes of Calla lily in its bridal bouquet. In perfumery, however, the lily par excellence is usually one in the Lilium family. And in this guide we will try to list fragrances which include the different varieties of lily.

Lost in history, the beautiful flower has even some interpreters of the Bible identify the Hebrew word Shoshannah as 'lily' in Song of Songs ("As the lily among thorns, so is my love among the daughters." Song of Songs 2:2 (KJV), instead of the customary translation as rose.
The heady odour of the flower is usually rendered through headspace technology or dynamic purge-and-trap headspace analysis, which reveals the main enantimomer as R-(-)-linalool, while the alluring strangeness of lily is closely tied to high levels of p-cresol accounting for its animalic tonality. [1]
The suave and sugary scent of Madona/Easter lilies which is all the more intense as the hours draw on towards the night is evident in the classic Anais Anais by Cacharel, in the more billowed aldehydic Dolce & Gabbana pour femme (the one which is crowned with a red cap), and the suave, lightly green and tender Un Lys by Serge Lutens underscored by snuggly vanilla, painting the picture of a Werner Herzog delicate heroine. The floral sweet touch also offers an unexpected marriage of opposites in Passage d’Enfer by L’artisan Parfumeur. The scent of incense and lily mesh through the ecclesiastical tradition, overwhelming my memory with liles offered during Easter whilst frankincense is being slowly burned on charcoals around.

Tiger lilies with their wild patterns are evoked in the equally jungle-inspired print (leopard) on the cylindrical bottles of the sadly discontinued feminine By by Dolce & Gabbana. The ginger overlay of some of the varieties of the lilies makes a perfect accompaniment to the coffee and sandalwood notes of the D&G fragrance. Inpendent perfumer Yosh has no less than three scents featuring tiger lily: Wanderlust (a fresh bouquet with a whiff of incense and patchouli), Tigresse (a fruity floral encompassing figs and pomegranates) and Ginger Ciao (the creaminess of coconut compliments the sweeter aspects of lilies and ylang ylang)! Reportedly Baby Phat Fabulosity and Lucky Number 6 also feature tiger lily as a note, although I have not personally tried either. The fresh, sea-spray-like and photorealistic undertake by Edouard Fléchier for Frédéric Malle’s Lys Méditerrannée (Mediterrannean lily) is one of the most elegant lilies on the market today, injecting a subtle gingery facet on a precious musky backdrop.

White and red Casa blanca lilies are evoked in the soft, non aggressive and diaphanous treatment of Des Lys, a soliflore in the Annick Goutal line. For her denser, hypnotic Grand Amour, the majestic lily is paired to sweet honeysuckle, the oily emerald hue of hyacinth and a host of eastern promises (myrrh, vanilla, musk). The woody-ambery aroma chemical Karanal presents some lily facets, reminiscent of the treatment of lily in such scents as the glorious Donna Karan Gold which explores the waxy facets of Casablanca lilies ~especially in the rich and excellent Eau de Parfum concentration. While the alpha-, beta- and gamma- terpineol are used to render clearer lily notes.
In Pleasures Intense by Estee Lauder, the abundance of green and sweeter lilies give off a contrasting image of sharpness and sweetness, highlighted by fresher peony on one end and benzoin on the other. One of the best oriental lily renditions in a mainstream fragrance was unfortunately an all too short-lived and now regretably elusive version of Pleasures, called Garden of Pleasures Moon Lily. A limited edition from 1999 in a trio collection which highlighted facets of the original best-selling Pleasures (the other two included Peony and Lilac), it presented a soft, orientalised and subtly sweet ambience of gigantic white liliums with intense red stamens protruding provocatively.

Oriental lilies and Stargazers seductively emit their fragrant indolic headiness, close to jasmine, in other best-selling fragrances such as the kitchy White Diamonds by Elizabeth Taylor and the suave Lily & Spice by Penhaligon’s.
Last but not least, in order to train your nose into the subtleties of the diferent varieties, Ava Luxe has composed a trio of lily scents with different effects: the simple and greenish Lily, the traditional Madona Lily and the more orientalised Stargazer.

Related reading on Perfume Shrine:Distant Cousins part1 Lily of the Valley


[1]Rey Marsili, 2001
Painting of lilies by Amy Steward via lostcoastdailypainters blog. Pic of Vivien Leigh via Seraphicpress.com, stargazer illustration via create4u.blogspot.com

Friday, May 1, 2009

Distant cousins: Lily of the Valley & Lily~part 1: Lily of the Valley

Although in nomenclature lily of the valley is easily confused with lily and its own varietal richness, the two are completely different flowers and in this scent guide I will try to analyse their olfactory differences, their participation in the bouquet of classic and modern fragrances, the materials used to render them in perfumery as well as a list of perfumes that highlight their graceful beauty. The first part deals with Lily of the Valley or Muguet, while the second part will deal with Lily.

The raindrenched earth after spring showers and the wet foliage remind me of the lyrics by songwriter George Brassens:
"Le premier mai c'est pas gai" / "The first of May isn’t cheerful"
"Je trime", a dit le muguet / "I slave away", the lily of the valley said
"Dix fois plus que d'habitude" /"Ten times more than usual"
"Regrettable servitude" / "A regrettable encumbrance"
Muguet, sois pas chicaneur / Lily of the valley, don't be a quibbler
Car tu donnes du bonheur / Because you make people happy
Brin d' muguet, tu es quelqu'un... / Nosegay of lily of the valley, you’re somebody...
~Georges Brassens, Discours Des Fleurs

May 1st has been inexctricably tied to Francophiles’ minds with one of the loveliest spring blossoms and its neo-Victorian image: lily of the valley (Lys des vallées) or, as the French commonly call it, muguet (pronounced mygɛ). And it’s for a reason: it’s the traditional flower offered on this day and one can routinely see street vendors selling nosegays on the French streets. The tradition goes back to Charles IX who on May 1st 1561 inaugurated the custom.It is also a symbolic gift for 13 years of marriage and is traditionally used in bridal bouquets thanks to its enticing scent.

Etymology and symbolism

The etymology of muguet is said to derive from muscade (nutmeg), since the smell of the flower has an indefinite nuance reminiscent to it, which became mugade, and finally muguet. A lucky symbol ~it means “return of happiness” in the language of flowers~ the delicate beauty of lily of the valley is however poisonous (especially its reddish fruit) due to convallatoxine, convallamarine, and convallarine; a brave irony on the part of Creation!
Lily of the valley/muguet (Convallaria majalis) is a herbaceous perennial plant prevalent in Asia, Europe and the Eastern USA, with characteristic bell-shaped little flowers, hence its other name May Bells. But its alternative names "Our Lady's tears" and "Male Lily" are more poetically evoctive: Legend wants Eve to have shed bitter tears after the Lapse from the Garden of Eden which falling onto the ground transformed into the white little blossoms. Another medieval legend wants Saint Leondard de Noblac, a knight in the court of Clovis I (of the Limousin region of France) and patron saint to prisoners of all kinds, to have battled with a dragon (a common medieval theme) in which his shed blood trasformed into lilies of the valley. But although one usually associates the delicate green floralncy of its aroma with females now, the term "Male Lily" has another explanation: It has been a favourite perfume for men ever since the 16th century, to the point that up till the 19th century the term muguet was linguistically used to denote an elegant young gentleman!
Another legend wants the Greek God Apollon to have tapestried the mount Parnassus with lilies of the valley so that the Muses wouldn’t hurt themselves if they fell...Classical antiquity paid great attention to the seasonal celebrations of nature and the zenith of the Roman celebrations of Flora, goddess of flowers, culminated on May 1st.

The role of lily of the valley in perfumery and construction of the accord

Lily of the valley is technically a green floral with rosy-lemony nuance*, whereas lily is a white, spicy floral. The former has known a profound and extensive use in perfumery, despite its resistance to natural extraction methods which yield a very miniscule amount of no great significance. Apart from soliflores (fragrances focusing on highlighting the beauty of one kind of flower), the lily of the valley accord has been adequately used in classical fragrances as a catalyst to “open up” and freshen the bouquet of the other floral essences in the heart, much like we allow fresh air to come in contact with an uncorked red wine to let it “breathe” and bring out its best. The effect is wonderfully put to use in Chanel No.19, Guerlain’s Chamade and Jean Patou’s L’Heure Attendue. Its lack of sweetness is also an important aspect in the creation of masculine fragrances: witness Chavelier d’Orsay, Équipage by Hermès, Insensé by Givenchy and Riverside Drive by Bond no.9 to name but a few.

The reconstitutions of lily of the valley note are based on either combinations of natural essences (usually citrus with jasmine, orange blossom or rose and green notes such as vetiver) or more commonly on synthetics. The classical ingredient is hydroxycitronellal, as well as the patended Lyral and Lilial, all coming under the spotlight of the latest restrictions on perfumery materials {you can read all about them here}. Lilial has a cyclamen facet to it, used in good effect in Paco Rabanne pour Homme. Super Muguet is another lily of the valley synthetic which surfaces in Marc Jacobs for men, as a clean facet under the figs. Kovanol is very close to hydroxicitronellal, which is interesting to note. Restricted by IFRA is also the newest Majantol {2,2-Dimethyl-3-(3-methylphenyl)-propanol}, while Muguesia or Mayol are also used to give this green floral smell of muguet. The name Mayol has an interesting background: it’s a nod to comedy singer Félix Mayol who put a boutonnière of the muguets he had been offered by his girlfriend Jenny Crook instead of his usual camelia on the 1st of May of 1895 before going out to sing!
Phenylethyl alcohol and benzyl acetate (the former rosier, the latter jasminer) as well as dimethylbenzenepropanol also contribute in the creation of bases which are used to render lily of the valley notes. It all depends on which impression the perfumer wishes to convey!
The clean, almost soapy nuances of lily of the valley has been traditionally exploited in soaps, which is why all too often lily of the valley as a fragrance note reads as “soapy” in your perfume. It’s also why it’s terribly difficult to render a convincing lily of the valley fine fragrance that does not evoke functional cleaning products, due to the exagerrated use they make of this aroma in that sector of the industry.

Iconic Lily of the Valley fragrances

The definitive lily of the valley fragrance used to be the masterful Diorissimo (1955) by trismegistus Edmond Roudnitska who is said to have planted a bed of them in his garden, so as to study the smell attentively and to evoke the indefinable atmosphere of spring. Lily of the valley used to be the lucky charm of Christian Dior himself, who always sew a twig into the hem of his creations to bring them luck. The juxtaposition of virginal, celestial greenness in the lily-of-the-valley crystal tones of Diorissimo with only a hint at improper smells through the deep, warmly powdery aspect of civet and indolic jasmine in the dry-down is nothing short of magical. Alas, the latest formulation of Diorissimo has taken away that animalic warmth, leaving it with only the clean facet.
Roudnitska himself however had been quite appreciative of the pure and delicate innocence of Muguet des Bois (Muguets of the Woods) by Coty (1942). Guerlain’s seasonal limited edition of Muguet is a rich, sweeter rendition that is partly inspired by the original Muguet of 1906, while Le Muguet by Annick Goutal (2001) is an ethereal and sharper interpretation, quite true to the blossom, if only rather fleeting in Eau de Toilette (alas the only offering). Début by parfums DelRae is an intensely lovely and sylphid-like lily of the valley composition by Michel Roudnitska, which shines like ivory pearls on a long smooth neck. For those who prefer a soft and creamy treatment of the note, I suggest they try Muguet de Bonheur by Caron (1952).

Fragrances with prominent Lily of the Valley notes (in alphabetical order, click links for reviews):

Acaciosa by Caron
Anais Anais by Cacharel (along with lily)
Antilope by Weil
Aqua Allegoria Herba Fresca by Guerlain
Aqua Allegoria Lilia Bella by Guerlain
Be Delicious by Donna Karan
Capricci by Nina Ricci
Chamade by Guerlain (along with hyacinth)
Clair de Musc by Serge Lutens
Climat by Lancôme
Dazzling Silver by Estee Lauder
Début by DelRae
Dior me, Dior me not by Dior (limited edition of 2004, along with sweet pea)
Diorissimo by Christian Dior
Eau d’Argent by Montana
Eclipse by Parfums De Nicolaï
Envy by Gucci
Helmut Lang Eau de Cologne and Eau de Parfum (discontinued)
Jessica Mc Clintock by Jessica Mc Clintock
Koto by Shiseido
Laura by Laura Biagotti
Lauren by Ralph Lauren
Le Muguet by Annick Goutal
Le Muguet de Rosine by Les Parfums de Rosine (discontinued)
Lily by Dior (limited edition of 1999)
Lily of the Valley by Crabtree and Evelyn
Lily of the Valley by Floris
Lily of the Valley by Penhaligon’s
Lily of the Valley by Taylor of London
Lily of the Valley by Winds of Windsor
Lily of the Valley by Yardley
Miss Dior by Christian Dior
Miss Worth by Worth
Mughetto by L'Erbolario
Mughetto by Santa Maria Novela
Mughetto di Primavera by I profumi di Firenze
Muguet by Cotswold Perfumery
Muguet by Guerlain (limited edition, launches for May 1st only each year)
Muguet by Molinard
Muguet by Slatkin
Muguet de Bois by Coty
Muguet de bois by Yves Rocher
Muguet de Bonheur by Caron
Muguet de Mai by Roger & Gallet (discontinued)
Odalisque by Parfums De Nicolaï
Remember Me by Dior (limited edition of 2000)
Sampaquita by Ormonde Jayne
Tiare by Chantecaille
Urban Lily by Strange Invisible Perfumes
W by Banana Republic
XS pour Elle Paco Rabanne

*In a study on the headspace of lily-of-the-valley flowers using GC-MS and GC-sniffing/GC-olfactometry techniques, Brumke, Ritter and Schmaus from the company Dragoco (today Symrise, Germany) identified some 23 compounds contributing to the lily-of-the-valley fragrance, among these several newly detected trace constituents. The odorants could be divided into floral-rosy-citrusy notes: citronellol (9.6 %), geraniol (8.4%), nerol (1.3 %), citronellyl acetate (1.1 %), geranyl acetate (3.3 %), geranial + benzyl acetate (0.96 %), neral (0.02 %), benzyl acohol (35 %), phenethyl alcohol (0.78 %), phenylacetonitrile (3.0 %), farnesol (1.9 %) and 2,3-dihydrofarnesol (0.88 %), green-grassy notes: (Z)-3-hexen-1-ol (11 %), (Z)-3-hexenyl acetate (7.8 %), (Z)-3-hexenal (trace) and (E)-2-hexenal
(0.18 %), green pea and galbanum-like notes: 2-isopropyl-3-methoxypyrazine (trace) and 2-isobutyl-3-methoxypyrazine (trace), fatty, waxy, aldehydic notes: octanal (0.15 %), nonanal (0.1 %), decanal (0.07 %) and fruity, raspberry notes: beta-ionone (trace). In another study of lily-of-the-valley, phenylacetaldehyde oxime was identified (source Bo Jensen).

Muguet pic via mes-passions.over.blog.net
Adrien Barrère, illustration of F.Mayol, chromolithographie via imageandnarrative.be, Diorissimo bottle via Dior

This Month's Popular Posts on Perfume Shrine