The history of the Guerlinade accord, original & re-issued Guerlinade perfume by Guerlain

Like many other confusing matters pertaining to fragrance history the often quoted name Guerlinade stands for several seperate things and disentangling them is at large an exercise in minutiae. Historical minutiae being within the scope of Perfume Shrine from the very start however we hope to cut through the knot which perfume companies often present us with. So this little guide is aiming at providing answers to what the Guerlinade accord is, how Guerlinade smells and in which Guerlain perfumes it can be discerned, which fine fragrances were named Guerlinade and their packaging and availability as of this minute.

Originally La Guerlinade was the code-name for an olfactory harmonious blend ("accord" in perfume-speak) ~possibly conceived by Pierre-François-Pascal Guerlain* but first referenced in relation to Jacques Guerlain** ~ that typified Guerlain perfumes in their classical compositions and made them the stuff of legend: Bergamot, jasmine, rose ~especially the Bulgarian version rather than the Turkish one~, orange blossom, iris, (possibly vetiver), tonka bean, and vanilla are said to be the main ingredients comprising it. Of course the exact formula of this special accord is guarded with the zeal Fort Knox is, but most perfumephiliacs can identify the above notes forming the characterist nuance of the chord that runs through the melody of L'Heure Bleue (along with trademark heliotropine) ~especially in Parfum de Toilette and vintage extrait de parfum~, Shalimar and Vol de Nuit; this nuance either captures in its guile or haunts with terror the fragrance enthusiasts. The fragrances composed by Jacques Guerlain especially are intensely redolent of this accord, although Mitsouko is less immersed in it, opting for the oakmoss chypre base under the notorious peach-skin note.

Strangely enough, the term only entered popular parlance outside of the Guerlain labs at the launch of masculine scent Héritage, as Sylvaine Delacourte, artistic director of parfums Guerlain reveals! Like a silky veil, the Guerlinade softens any sharp angles and smothers the composition in the purple hues of twilight. Its feel is polished, bergamot fusing its elegant freshness with rose and vanilla and the tonka bean gives a vague sense of hay, powder and tobacco. But its perfume-y ambience can also feel somehow retro which is why sometimes modern tastes run antithetical to its rich, textured feel.

Guerlinade nevertheless also happens to be the name of a Jacques Guerlain creation from 1921 which came in a beautiful bottle of intensely faceted crystal, shaped like a lekythos. The Guerlain archives include a vegetal lotion issued in 1924 with the same name, an early thought of an ancilary product so to speak. The scent after some "renovation" was re-issued as a seperate, limited edition Eau de Parfum in a new Baccarat flacon design to celebrate the 170 years of Guerlain in 1998 (circulating again as Guerlinade in a presentation that depicted paintings of Parisian life, depicted above) and later re-issued yet again in Les Parisiennes boutique line (in standard bee bottles, depicted below) upon renovation of the 68 Champs Elysées fragship boutique in 2005. Nevertheless the actual scent was different than its predecessor and the famous accord: it had a predominent streak of powdered lilac (a lovely one at that) ~and perhaps a touch of oily hyacinth garlanding it with its "dirtier" streak~ and little relation to the characterist chord that Guerlainomaniacs recognise instantly. Its powdery retro formula (a little iris, a little tonka) explored bouquets of impressionistic vignettes of Parisian life amidst equestrian scenes when gentlemen with horse-drawn carriages would bow down to pick up the handkerchiefs of ladies blushing beneath their veiled little hats. The homage in Guerlinade the fragrance was more that and less an actual reproduction of the exact secret formula for the Guerlain house "signature".

Today the fragrance named Guerlinade is discontinued and no bottles can be found at boutiques Guerlain updrading it into a collectible. Much like happens with other elusive limited editions such as the Harrod's aimed Belle Epoque from 1999 with its musk-veiled tuberose, the No.68 limited edition which reworked Guet Apens, the Champs Elysées Bacarrat turtle/tortoise bottle amongst them...

Yet the renowned accord hasn't died; far from it! The classic Guerlinade harmony was revisited in a Limited Edition commemorative Eau de Parfum fittingly called 180 Ans de Création (meaning 180 years of creation and issued in 2008 to commemorate the 180th anniversary of the house of Guerlain) Jean Paul Guerlain twisted the idea of the classic Guerlinade harmony, realising its aura is often perceived as admirable but a little outdated, and thus added contemporary accents in the form of grapefruit, pink pepper and white musk. The result is elegant, polished and a study in dry warmth and I sincerely hope it becomes more widely available than the gifts given out to the participants of the 180th anniversary celebration. In the meantime we can admire and savour the classical Guerlinade, "un état d’ Esprit", in several vintage Guerlain fragrances where it is shining in all its unadulterated glory.

*ref: Perfume Intelligence Encyclopaedia.
**according to Jean Paul Guerlain
Pics via passionforperfume.com and monkeyposh.blogspot.com

Chant d'Aromes by Guerlain: fragrance review

As I lay my hands on the black and ivory keyboard of my Pleyel, fingering Le Lac de Côme, I can't but feel the optimism and bright sunshine of a summer's day that Chant d’Arômes by Guerlain evokes in me as well. One of the lesser known Guerlains, it is akin to an innocent young love that is blossoming into the happiness of womanhood. This summer I happily rediscovered this old flame of mine and have been enjoying its tender peachiness and delicate, caressing powderiness anew.

Chant d’Arômes was created in 1962 by young Jean Paul Guerlain for his future wife, who was so loyal to her favorite Ma Griffe by Carven that she didn't wear any of the fragrances of the house her fiancé was about to inherit! In a getting even roundabout way, Jean Paul created this peachy, lactonic, floral chypre to lure her into wearing a Guerlain and thus made his first foray into the illustrious line of creations of the historical house.
Erroneously translated as "Language of Flowers" sometimes, its French name in fact has the elegiac meaning of "Song of Aromas" which beautifully echoes its oneiric musical cadenzas.

The translucent opening of Chant d’Arômes ~with what seems like a dash of mandarin~ is not unlike the older version of Ma Griffe which was much brighter due to lots of bergamot and aldehydes or Chanel No.22 with its incense touch, lending a sparkling and intriguing character to the composition. It very soon melts into the embrace of the undecalactone of peach skin ~soft, fuzzy and completely mesmerising; tender like the hand of a mother, loving like the gaze of a lover in the first throes of romance. The flowers are all subdued and well blended into a medley of harmonious arpeggios, revealing little hints of this or that at the most unexpected turns, never heady, never loud. Through it all, there sings the brassy contralto of cinnamon, accountable to benzoin, but also reminiscent of the styrax ambience of vintage Ma Griffe's drydown. You would be hard pressed to distinguish any single ingredient as they all sing together with the smoothness of a choir performing Pachelbel's Canon in D; optimistic, lightly sweet, but with the slightest mossy autumnal background, a debt to the unsurpassable Vol de Nuit.
And yet Chant d’Arômes does not aim to be a link in the Guerlain chain, but making a fresh, ever young start it takes us into the realm of the eternally sunny. Although officially classified as a chypre floral by Guerlain, I find that its chypré qualities do not make it difficult, but on the contrary it serves as the perfect choice between floral and chypre for those who do not like the extremes of either category. Its innocence fondles the mystery of youth.



According to Luca Turin in Perfumes, the Guide, it got reformulated in the early 90s to an aldehydic floral of less distinguished nuances, but it has reverted to almost full its peachy glory in 2007 in the famous bee bottles.
Extrait de Parfum was discontinued at one point but is now available at the Paris flagship boutique in Les Parisiennes line; worth pursueing for those who find that the Eau de Toilette lacks the desired staying power.
I have found that the latter performs much better in the sunny and warm weather it naturally evokes, rather than the colder days of the year, and it never fails to put me in a bright and happy mood no matter what might have intervened.

Notes:
top: mirabelle, gardenia, aldehydes, fruits
heart: rose, jasmine, honeysuckle, ylang-ylang
base: benzoin, musk, vetiver, heliotrope, moss, olibanum

Clip "Le Lac de Come" by C.Galos, Op.24, originally uploaded by PSearPianist on Youtube. Pic originally uploaded by MizLiz211 on MUA.

Fragrant news: Guerlain Les Parisiennes additions and deductions

Isabelle Rousseau, director of public relations for Guerlain confirms that the defunct masculine scent Coriolan , a scent of juniper berry bitterness coupled with balsamic notes and an immortelle drydown, will be reissued in Les Parisiennes collection (125 ml "bee" bottles) starting from January 2008 under a new name. The bottles in Les Parisiennes normally cost 140 €. {see a list of them and reviews here}

However this signals that the recently discontinued, yet wonderful Derby {click here and scroll for review} from the same line will remain discontinued as interest will be directed to this new fragrance.

The original Coriolan can still be found cheaply in certain stock-stores and online.
Supposedly the name wasn't that popular and was in part blamed for the commercial flop of the scent. Strange, as it was inspired by the noble warrior immortalized in drama by Shakespeare and in music by Beethoven, surely popular references by themselves. Coriolan was advertised as expressing "the character of the modern day hero" and perhaps there is lack of those... The tag line read "Un parfum comme on n'en fait plus" (=a perfume like those not made anymore). I always liked the above ad: very virile, very classical.

Let us see what happens under the new name!

Pic from imagedeparfums